Congo

TraviCom owner, and multimillionaire, R.B. Travis (Joe Don Baker, Walking Tall) sends his son Charles (Bruce Campbell, The Evil Dead) and his friend Jeffrey (Taylor Nichols, Metropolitan) to the Congo to search for rare blue diamonds that can work as powerful conduits for telecommunications lasers. When Charles and Jeffrey are ambushed, his ex-fiance Dr. Karen Ross (Laura Linney, The Truman Show), who observes the attack via remote video feed, is sent by R.B. Travis to follow in his son's footsteps back to the Congo to finish what was started and, hopefully, find Charles alive. Upon embarking, Karen encounters Dr. Peter Elliot (Dylan Walsh, Nobody's Fool), his assistant (Grant Helsov, True Lies) and a gorilla named Amy, who can communicate with humans via a sign language-controlled glove that translates her movements into audible dialogue (voiced by Shayna Fox, Reggie Rocket on Nickelodeon's Rocket Power). Dr. Elliot is on a poorly-funded expedition to bring Amy back to the Congo, which ends up being made financially viable by a Romanian philanthropist (Tim Curry, Clue) and Karen, who opts to tag along. Once in Africa, they meet up with their guide (Ernie Hudson, Ghostbusters) and find themselves targets of various local militaries, tribes, and a race of gray, killer apes along the way to find the Lost City of Zinj.

Based on a long-gestating 1980 novel by Michael Crichton (Jurassic Park, Disclosure), CONGO started its adventure to movie screens well over a decade before it hit theaters in the summer of 1995. A similar mash-up of tech-heavy sci-fi and roaring adventure to blockbuster juggernaut Jurassic Park two years prior, Frank Marshall's (Arachnophobia) screen adaptation of Crichton's unclassifiable genre amalgam comes to vivid life with a script by noted playwright and screenwriter John Patrick Shanley (Moonstruck, Joe Versus the Volcano), lush cinematography by Spielberg collaborator Allen Daviau (E.T., The Color Purple) and a suitably bombastic score by Jerry Goldsmith (Alien, Poltergeist). Vinegar Syndrome Ultra is proud to present this undeniable staple of mid-90s blockbuster filmmaking in its world UHD debut with a brand new 4K restoration from its original 35mm camera negative alongside a robust assortment of new extras.