Hope Runs High

We Might As Well Be Dead

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Edition Type: Limited Edition Slipcover

HRH-001 SLIP
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This Partner Label release is distributed through Vinegar Syndrome's sister company OCN Distribution. Vinegar Syndrome had no part in, nor are responsible for, the restoration, extras, quality control or any content(s) of this release. We hope you enjoy our growing roster of Partner Labels and the expertise and curation brought to each release by their dedicated staff!

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This special limited edition slipcover (designed by Adam Maida) is limited to 500 units and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.

Hope Runs High is an NYC based production & distribution company releasing first run American independents & international favorites, alongside major restorations/rediscoveries, to screens of all sizes. Dedicated to diverse stories, HRH is proud to partner with legendary filmmakers as well as the freshest voices from female directors, people of color, LGBTQ+ filmmakers, and artists from the traditional cannon.

Security officer Anna and her 16 year-old daughter live peacefully in a high-rise at the edge of the woods famous for its carefully curated community. Until the day a dog disappears and an irrational fear spreads through this would-be utopia with a view.

directed by: Natalia Sinelnikova
starring: Ioana Iacob, Pola Geiger, Knut Berger, Susanne Wuest, Jörg Schüttauf

2022 / 94 min / 2.39:1 / German, Polish DTS-HD MA 5.1

Additional info:

  • Region A Blu-ray
  • It Takes a Vertical Village: New Interview with writer/director Natalia Sinelnikova & co-writer Viktor Gallandi
  • Introduction by Hope Runs High curator Taylor Purdee
  • Conversation between director Natalia Sinelnikova and Be Kind Rewind creator Isabel Custodio
  • International Teaser
  • Festival Trailer
  • US Theatrical Trailer
  • BTS & Poster Image gallery
  • Booklet featuring a new essay by film critic Natalia Winkelman, “We Might as Well Be…Together”, a new piece by Natalia Sinelnikova on the design of the film and an afterward by Taylor Purdee
  • English subtitles