American Genre Film Archive
Blood-A-Rama Triple Frightmare
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This special limited edition embossed slipcover is limited to 4,000 units and is only available here at VinegarSyndrome.com!
The American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!
A horror triple feature from the vaults of the American Genre Film Archive (AGFA)!
HELP ME . . . I’M POSSESSED: A free-form nightmare that takes place at a sanitarium in the desert, this surrealist gem includes a psychopathic hunchback, delirious monsters, and a killer early synthesizer score.
NIGHT OF THE STRANGLER: A southern-fried whodunnit with murder, racial tension, and a starring role from The Monkees’ Micky Dolenz, this sweat-soaked sleazer feels like a cross between an American giallo and a trashy airport paperback novel.
CARNIVAL OF BLOOD: An ominous, semi-cinéma vérité horror movie that was shot at Coney Island in NYC, CARNIVAL OF BLOOD features an early role from Burt Young (ROCKY), pop-art gore that would make H.G. Lewis proud, and a gloriously seedy atmosphere.
NOTICE! These preservations were made from the only known film elements in existence. Please approach the technical quality of the source materials with empathy.
directed by: Various
starring: Micky Dolenz, Burt Young
1970-74 / 266 min (combined) / 1.85:1 / English Mono
• Region Free Blu-ray
• 2K preservations from the only known 35mm prints in existence
• CARNIVAL OF BLOOD: Partial commentary with Bleeding Skull’s Annie Choi and AGFA + Bleeding Skull’s Joseph A. Ziemba
• Blood-dripping trailers and drive-in snipes from the AGFA vaults
• Watch the full, uninterrupted program in “drive-in” mode
• Reversible cover artwork
• English SDH subtitles