Canadian International Pictures

Sweet Substitute

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Edition Type: Limited Edition Slipcover

CIP-028 SLIP
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This Partner Label release is distributed through Vinegar Syndrome's sister company OCN Distribution. Vinegar Syndrome had no part in, nor are responsible for, the restoration, extras, quality control or any content(s) of this release. We hope you enjoy our growing roster of Partner Labels and the expertise and curation brought to each release by their dedicated staff!

Details

This special limited edition spot gloss slipcover is limited to 2,000 units and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.

From arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!

“Larry Kent was very important to me. Those early films were so ahead of their time.” – Atom Egoyan

Busy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.

In the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.

directed by: Larry Kent
starring: Robert Howay, Angela Gann, Carol Pastinsky, Lanny Beckman, Robert Silverman
1964 / 86 min / 1.37:1 / English DTS-HD MA 2.0

Additional info:

  • Region A Blu-ray
  • Newly scanned and restored in 4K from the original 16mm A/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix 
  • New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky
  • Archival audio commentary featuring film professor David Douglas
  • New introduction to Sweet Substitute by Larry Kent
  • Sweet and Sour (2024, 10 min.) – New interview with Kent
  • Not Quite Liberated (2024, 17 min.) – New interview with Douglas
  • New audio interview with actor Lanny Beckman (2024, 6 min.)
  • The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence 
  • Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas
  • Archival audio interview with Kent (1964, 11 min.)
  • Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen
  • Reversible cover artwork
  • English SDH subtitles

Overall rating: 4.5365853 / 5 from 41 reviews.

AI Generated Review Summary

Sweet Substitute, a limited edition spot gloss slipcover, is a rediscovered Canadian film from the 1960s. It combines elements of sex comedy and coming-of-age drama. Customers have mixed opinions about the film itself, but many appreciate its discovery and character development. The movie is part of a new line of home video releases by Canadian International Pictures, featuring new interviews and archival content.

Summary topics

  • Film Quality: 22%
  • Film Discovery: 16%
  • Character Development: 16%
  • Overall Movie Experience: 16%

Review topics: ["discovery","film","movie","characters","ash","restoration","performances","drama","vinegar syndrome","release","substitute","filmmakers","slipcover"].

Review highlights

  • "Nice little art movie, good addition to the other movies of Kent."Jan P.
  • "This film was a great discovery"jerrod a.
  • "Realistic characters, Great restoration as always, very happy with this blind buy!"Nathan P.

Reviews

Accept Only Sweet Substitutes

"Another great obscure Canadian kitchen sink movie has resurfaced thanks to the good folks at Canadian International Pictures. Highly recommended for those who dig deep!"

Anders A. (5/5)

“Would you like a cookie?”

"@M4N14K on Letterboxd Common, lady… he obviously wants all your cookies! This film is like a pathetically PG version of Porky’s that never delivers the goods. It’s like the early films of Herschell Gordon Lewis if they were completely wholesome and totally unproblematic. The second entry of the so-called “Vancouver Trilogy” by Canadian independent filmmaker Larry Kent, Sweet Substitute a. k. a. Caressed is a slow-burn that the filmmakers forgot to even light. This terrible drag meanders its way through a series of super horny-boy antics and awkward dating difficulties in the mid-sixties. Apart from being a time-capsule of ancient Vancouver, this film lacks the same pointed social commentary and quick runtime that made The Bitter Ash so unavoidably and pervasively effective no matter how nihilistic and hopeless the fateful storyline. Caressed is basically an adolescent sex-comedy without any gratuitous nudity nor rampant raunchiness whatsoever. In other words, what’s the damn point? It takes the majority of the runtime to get to anything worthwhile but then basically throws the whole story away with no climactic events whatsoever and an abrupt finale that is upsetting and disappointing. Of course, it’s not because of the actual emotional content and themes presented in the film but rather the technical filmmaking and aimless storytelling. A week in the life of dumb college kids living in the sixties where nothing really happens. A sex-comedy that isn’t sexy nor funny. Pointless, thoroughly unimpressive, and, worst of all, boring. “The Prairies, Saskatchewan. Where the land is as flat as a billiard table, but the broads ain’t. ” Honestly, that’s a pretty accurate description of my home province if I’ve ever heard one… I viewed this sex-comedy snoozefest on the Sweet Substitute Canadian International Pictures Blu-ray Limited Edition physical media released through Vinegar Syndrome and it is the same great premium level of packaging and presentation that you’ve come to expect from the generic releases of this boutique label. No other brand beats Vinegar Syndrome at the cardboard game and this great slipcover is no exception to the consistently fantastic artwork and component quality this company produces."

Michael B. (5/5)

Worth a look

"Canada's Curmudgeonly Cassavettes. Sexy, sardonic, and super engaging cinema as always."

Ryan L. (4/5)

Sweet Substitute

"Good to see the second part of the Vancouver Trilogy restored on Blu-ray."

Oliver B. (5/5)

Great release

"Great movie to watch seeing what it was like the historical value of it, great extras make this worthwhile"

Rohan J. (3/5)

Sweet Substitute

"The film is a frank evisceration of horny young misogynists, and the filmmaking bristles with energy. The transfer and extras are great."

Luis C. (5/5)

Sweet Substitute (Larry Kent)

"provocative gem from Canada’s indie vanguard. Larry Kent captures youth's contradictory mix of longing, lust, and innocence with a raw, vérité-style grace. The new transfer lets the grain breathe while respecting its modest, aching beauty"

Thomas L. (5/5)

The middle of the Vancouver trilogy

"Larry Kent's follow-up to 'The Bitter Ash' is more conventional, a teen sex comedy a little more frank than you would see in 1964. It plays with some rom-com tropes, but a subversive kicker of an ending definitely means it doesn't belong in that genre. There are lots of extras on here as well."

Marcus P. (4/5)

Canadian gem

"Amazing to see Van preserved on film like so few films do"

Kyle G. (5/5)

I enjoyed it.

"I enjoyed it."

Michael B. (4/5)

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