Kani

My Name Ain't Suzie

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This Partner Label release is distributed through Vinegar Syndrome's sister company OCN Distribution. Vinegar Syndrome had no part in, nor are responsible for, the restoration, extras, quality control or any content(s) of this release. We hope you enjoy our growing roster of Partner Labels and the expertise and curation brought to each release by their dedicated staff!

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2026 Subscribers: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.

This special limited edition slipcover is limited to 1,000 units and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.

Named after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!

In her ambitious follow up to Maybe It's Love, Angie Chen offers a rebuke to the colonial imagination of films such as The World of Suzie Wong (1960). Instead, she brings the Hong Kong of the 50s and 60s to life on her own terms with the story of Shui-Mei (Patricia Ha), a “salt water girl” from the outskirts of the city, who finds a way out of poverty in the Red Light district of Wan Chai, Hong Kong. Over the years, she rises through the ranks, discovering a world of equal hardship and sisterly camaraderie, where colourful characters abound – among them Jimmy (Anthony Wong, in his debut role), a mixed-race kid looking for his father in the crowd of thirsty American sailors. Penned by John Chan Koon Chung (My Heart Is That Eternal Rose), My Name Ain’t Suzie brings a New Wave sensibility to the waning years of the Shaw Brothers Studio with a decade spanning epic that resourcefully reconstructs a bygone era of Cantonese cinema. A rags-to-riches story blending romance and brothel drama, Chen’s film is above all a tale of feminine resilience at the nexus of historical events and shifting colonial powers.

directed by: Angie Chen
starring: Pat Ha Man-Jik, Anthony Wong, Deanie Ip, Angela Yu Chien

1985 / 103 min / 1.85:1 / Cantonese DTS-HD MA 2.0

Additional info:

  • Region A Blu-ray
  • Newly commissioned 2K restoration from the original camera negatives and best surviving elements
  • Interview with director Angie Chen (12mins, 2026)
  • Interview with screenwriter and planner John Chan (17mins, 2026)
  • "Becoming Jimmy" on casting Anthony Wong, with Angie Chen, John Chan, and Anthony Wong (8mins, 2026)
  • Angie Chen on "Working in Hong Kong" (10mins, 2026)
  • Original Theatrical Trailer
  • Booklet with new writing by Xueli Wang
  • English, English SDH subtitles

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