Accept Only Sweet Substitutes
"Another great obscure Canadian kitchen sink movie has resurfaced thanks to the good folks at Canadian International Pictures. Highly recommended for those who dig deep!"
Overall rating: 4.5365853 / 5 from 41 reviews.
Sweet Substitute, a limited edition spot gloss slipcover, is a rediscovered Canadian film from the 1960s. It combines elements of sex comedy and coming-of-age drama. Customers have mixed opinions about the film itself, but many appreciate its discovery and character development. The movie is part of a new line of home video releases by Canadian International Pictures, featuring new interviews and archival content.
Review topics: ["discovery","film","movie","characters","ash","restoration","performances","drama","vinegar syndrome","release","substitute","filmmakers","slipcover"].
"Another great obscure Canadian kitchen sink movie has resurfaced thanks to the good folks at Canadian International Pictures. Highly recommended for those who dig deep!"
"@M4N14K on Letterboxd Common, lady… he obviously wants all your cookies! This film is like a pathetically PG version of Porky’s that never delivers the goods. It’s like the early films of Herschell Gordon Lewis if they were completely wholesome and totally unproblematic. The second entry of the so-called “Vancouver Trilogy” by Canadian independent filmmaker Larry Kent, Sweet Substitute a. k. a. Caressed is a slow-burn that the filmmakers forgot to even light. This terrible drag meanders its way through a series of super horny-boy antics and awkward dating difficulties in the mid-sixties. Apart from being a time-capsule of ancient Vancouver, this film lacks the same pointed social commentary and quick runtime that made The Bitter Ash so unavoidably and pervasively effective no matter how nihilistic and hopeless the fateful storyline. Caressed is basically an adolescent sex-comedy without any gratuitous nudity nor rampant raunchiness whatsoever. In other words, what’s the damn point? It takes the majority of the runtime to get to anything worthwhile but then basically throws the whole story away with no climactic events whatsoever and an abrupt finale that is upsetting and disappointing. Of course, it’s not because of the actual emotional content and themes presented in the film but rather the technical filmmaking and aimless storytelling. A week in the life of dumb college kids living in the sixties where nothing really happens. A sex-comedy that isn’t sexy nor funny. Pointless, thoroughly unimpressive, and, worst of all, boring. “The Prairies, Saskatchewan. Where the land is as flat as a billiard table, but the broads ain’t. ” Honestly, that’s a pretty accurate description of my home province if I’ve ever heard one… I viewed this sex-comedy snoozefest on the Sweet Substitute Canadian International Pictures Blu-ray Limited Edition physical media released through Vinegar Syndrome and it is the same great premium level of packaging and presentation that you’ve come to expect from the generic releases of this boutique label. No other brand beats Vinegar Syndrome at the cardboard game and this great slipcover is no exception to the consistently fantastic artwork and component quality this company produces."
"Canada's Curmudgeonly Cassavettes. Sexy, sardonic, and super engaging cinema as always."
"Good to see the second part of the Vancouver Trilogy restored on Blu-ray."
"Great movie to watch seeing what it was like the historical value of it, great extras make this worthwhile"
"The film is a frank evisceration of horny young misogynists, and the filmmaking bristles with energy. The transfer and extras are great."
"provocative gem from Canada’s indie vanguard. Larry Kent captures youth's contradictory mix of longing, lust, and innocence with a raw, vérité-style grace. The new transfer lets the grain breathe while respecting its modest, aching beauty"
"Larry Kent's follow-up to 'The Bitter Ash' is more conventional, a teen sex comedy a little more frank than you would see in 1964. It plays with some rom-com tropes, but a subversive kicker of an ending definitely means it doesn't belong in that genre. There are lots of extras on here as well."
"Amazing to see Van preserved on film like so few films do"
"I enjoyed it."
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