Review topics: ["support","design","work","film","release","movie","performances","cast","drama","rita","hausner","landscapes","burn","exploration","restoration","discovery","narrative","debut","moments","commentary"].
Reviews
An intriguing '00s debut
"Badly wired outcast has enough with average but rigid societal bourgeoise bullshit that she can’t fit herself into, and slowly edges towards snapping. Growing up in suburban Austria with a Dad named Norbert (of course) with a shooting range in the cellar while the subservient mother floats around the house ashen-faced like it’s the last place she wants to be will do that to an already disaffected teenager. Features transgressive scenes of child endangerment and age gap relationships where you’d never consider them that push beyond accepted rules of behaviour and sits somewhere between Michael Haneke and Todd Solondz. The best slipcover of the three Jessica Hausner films put out by VS."
— Timothy E. (3/5)
That Teen Angst
"Movie: Is it a common thing for Austrians to just have a firing range they use regularly inside their house? It's crazy how much this movie looks & feels like a TV show, as if it were an episode of Derry Girls with (most of) the jokes edited out. I'm not really sure how to judge whether this helped or hindered what the movie was going for, but it's something I kept noticing. Overall very solid & engaging. I definitely felt more connected to the parents, struggling to deal with their daughter's increasingly erratic behavior, but my lingering memory of being an alienated teenager also bolstered my sense of dread, knowing that the parents were so out of touch that nothing they were doing was helping. Extras: Nice to have the related trailers. Flora: Definitely a nice choice to pair this with Lovely Rita, since you can see how they works as an extension of a lot of the feelings in this. Not completely the same, though, since there are fun little moments here that aren't in Lovely Rita. Packaging: Solid design, and I appreciate that it fits with the other two Hausner films released at the same time."
— Gideon M. (4/5)
I Really Liked This Movie A Lot!
"This particular release is a slow burn drama that doesn't disappoint! It is an engaging watch from beginning to end and tells a very interesting story! The peerless VS restoration process was on full display with stellar sound and picture! Thank you, VS, for continuing to lovingly restore and release so many wonderful films from every conceivable genre! You are keeping physical media alive in this streaming world we now live in! Highly recommended!"
— Paul K. (5/5)
Lovely
"deadpan examination of suburban adolescent alienation that avoids typical Hollywood coming-of-age tropes"
— Kevin G. (5/5)
A Delicate, Character-Driven Drama About Identity and Desire
"Lovely Rita, starring Jessica Haussner, is an intimate, emotionally resonant drama that explores personal identity, relationships, and the quiet struggles of self-discovery. The story follows Rita as she navigates complex emotional landscapes, highlighting both vulnerability and resilience in her interactions with the world around her. Haussner delivers a subtle, compelling performance, conveying a range of emotions with nuance and authenticity. The film emphasizes small, everyday moments—glances, gestures, and unspoken tension—allowing viewers to feel closely connected to the character’s inner life. Visually, the film favors restrained, naturalistic cinematography that mirrors the understated storytelling, creating a contemplative and immersive atmosphere. Lovely Rita is a thoughtful, introspective work for audiences who appreciate character-driven narratives and explorations of personal growth, emotion, and human connection."
— Thomas H. (5/5)
Drama with a bit of thriller
"Interesting release that is a blend of drama with elements of thriller. Follows the titular character as she navigate family life, school and romance. Great performances by the cast, especially the mesmerizing lead."
— Kresh R. (3/5)
Haneke-esque but a strange bird unto herself.
"Jessica Hausner, not unlike her compatriot Michael Haneke, has always been more interested in the banality of horror than its shocks. Lovely Rita feels like the spiritual female cousin of the equally disturbing Benny’s Video. In both of these cold, clinical films, Nurture is the villain while Nature watches helplessly. It's a strikingly assured debut feature. Shot on digital video, it's a look that feels ostensibly cheap but it insidiously drains any fantasy or beauty out of Rita’s regimented existence. To avoid spoilers, I'll just say that some pivotal, shocking events are viewed with a near shrug of detachment. Its conclusion may frustrate some but it will leave others with plenty to think about. I fell in love with Hotel when I picked it up as a blind buy. I soon put Rita and Lourdes on my wishlist. I love the similarities of the slip design, obviously meant to be a collection that looks great on the shelf. Hausner’s audio commentary is an interesting listen but other than that, the extras are slight. Unlike Lourdes and Hotel, there's no booklet here, a bit disappointing for a film that begs for analysis. Still, it's a package worth picking up while it's still in stock. It's a fascinating look at stifling Y2K suburban mores that deserves rediscovery."
— Shawn P. (4/5)
Another Great Release
"While I still haven't checked out the film yet (oops), it's well-packaged. I wish it wasn't as light on features compared to the other Film Movement releases I own, but I look forward to watching it."
— Ashley D. (5/5)
Great release
"Like it. . not for everyone. . . but mabye get out your comfort zone"
— Richard J. (4/5)
Slow burn realism with a bang
"I like this director and this felt like a simpler work from her but I really enjoyed it. Slow burn, a little mumble core, but just sit back and enjoy. It has a darkness underlying and feels uncomfortable at points and almost amateur because actors were not professionals but that's fine bec it added to the realism."
— Thomas F. (4/5)
