Cinématographe

Jacknife

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Edition Type: Limited Edition Slipcase + This Is Cinématographe: Summer 2026 Journal Bundle

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2026 Subscribers: this is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.

This special limited edition J-card MediaBook slipcase (designed by Adam Maida) is limited to 3,000 units and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. (Note: this Limited Edition includes a 40 page booklet)

Note: this release is available to be purchased on its own, or in the following two bundles:

  • Limited Edition Slipcase + the hardcover book Connecticut in the Movies: From Dream Houses to Dark Suburbia by Illeana Douglas (book details can be seen below) + This Is Cinématographe: A Journal of American Cinema - Summer 2026. Limited to 100 units.
  • Limited Edition Slipcase + This Is Cinématographe: A Journal of American Cinema - Summer 2026

Taking its name from the Lumière Brothers invention of the same name, Cinématographe is a new sub-label from Vinegar Syndrome that seeks to fill gaps in the canon of American cinema. Offering a mix of auteur driven studio films produced during the New Hollywood era of the late 1960s and 70s all the way through the indie boom of the 1980s and 90s, Cinématographe will explore the wide breadth of American moviemaking, spanning numerous genres and scales of production. Curated and produced by Vinegar Syndrome's Justin LaLiberty, each limited edition release will be housed in a specially designed, cloth-bound, media book with embossed foil titles and custom molded disc trays accompanied by a slipcase featuring newly commissioned art and an individually numbered J-card.

Megs (Robert De Niro, The Deer Hunter) and Dave (Ed Harris, The Right Stuff) are two Vietnam veterans coping with their own mental-health issues post-war. When it becomes clear that Dave is struggling with alcoholism, Megs attempts to help him come to terms with his past as a soldier while, at the same time, falling in love with Dave’s sister, Martha (Kathy Baker, The Right Stuff). While Dave is at odds with the love shared between Megs and Martha, he comes to realize that they all need each other.

Adapted for the screen by Stephen Metcalfe, from his own play Strange Snow, Jacknife marks the first American feature film for noted British director David Jones (84 Charing Cross Road). Shot almost entirely on location in Connecticut by British cinematographer Brian West (84 Charing Cross Road, Wake in Fright) and featuring a trio of exemplary performances from its three lead actors, including Ed Harris’s Golden Globe®-nominated turn, Jacknife is a long-overlooked entry in post-Vietnam war cinema of the 1980s. Cinématographe is proud to bring David Hugh Jones’s intimate drama to Blu-ray for the first time in the world, in a brand new restoration.

directed by: David Jones
starring: Robert De Niro, Ed Harris, Kathy Baker
1989 / 102 min / 1.85:1 / English DTS-HD MA 2.0

Additional info:

  • Region A Blu-ray
  • New audio commentary with film historians Daniel Kremer and Bill Ackerman
  • Understanding the Pain - a new video interview with actor Ed Harris
  • Be Really Truthful - a new video interview with actress Kathy Baker
  • Knowing Them at the Beginning - a new video interview with producer Carol Baum
  • Filming In Connecticut - a new video interview with actress and writer Illeana Douglas, author of Connecticut In the Movies
  • New text essays by film critics Murtada Elfadi, Glenn Kenny and Dan Mecca
  • English SDH subtitles




Connecticut in the Movies: From Dream Houses to Dark Suburbia - Hardcover Book

By Illeana Douglas

Illeana Douglas has long been known for shining new light on forgotten films. Now the celebrated actress and film historian turns her focus to a heretofore unrecognized brand: the Connecticut movie! Told from the passionate perspective of the author who grew up here, and filled with behind-the-scenes stories as well as her own personal snapshots of the places where these films were made, Illeana takes the reader on a cinematic road trip through Hollywood history and Connecticut geography, bringing the breezy, intimate, knowledgeable writing style acclaimed by reviewers of her first book, I Blame Dennis Hopper (2015).

Illeana defines how the perception of on-screen Connecticut, originally created in Hollywood, has shifted more than that of any other New England state over the decade and offers some surprising conclusions about just what it means to be a “Connecticut movie.” Films from Hollywood’s Golden Age, such as Theodora Goes WildBringing Up Baby, and Christmas in Connecticut, presented Connecticut as an antidote to the metropolis—a place where you could find your true self. The slogan “Come to Peaceful Connecticut” not only led to Mr. Blandings Builds His Dream House, but to an exodus of urban moviegoers seeking their dream houses. In post-war America, Gentleman’s Agreement challenged Connecticut’s well-cultivated image, as did the suburban malaise of The Man in the Grey Flannel Suit, and contemporary takes on dark suburbia like The Swimmer, The Ice Storm, and Revolutionary Road. From Sherlock Holmes to Mystic Pizza to Indiana Jones and the Kingdom of the Crystal Skull; from horror in The Stepford Wives to historical in Amistad; picturesque in Parrish, to perverse in The Secret Life of An American Wife, the Constitution State has been the background for surprisingly over 200 feature films, yet these cinematic contributions have long gone unrecognized; until now. Connecticut in the Movies is not only a keepsake for denizens of the state, but a valuable resource for film buffs everywhere.

352 pages
9" x 11.5"

Overall rating: 4.8555555 / 5 from 90 reviews.

AI Generated Review Summary

The Boys in the Band is a landmark film in queer cinema, now available in a limited edition 4K UHD restoration. Customers praise the film's quality, the restoration, and the additional content. The special edition slipcase and booklet add to its collectibility.

Summary topics

  • Film Quality (32%): Many customers loved the film, describing it as great, excellent, and the best they've ever had.
  • Restoration Quality (20%): A significant number of customers brought up the fact that the transfer is great and fantastic for film.

Review topics: ["colors","quality","looks","work","packaging","upgrade","case","film","sound","detail","transfer","features","release","restoration","movie","friedkin","treatment","history","extras","classic","edition","grain","pick","picture","acting","dialogue","cinema","band","man","remains"].

Review highlights

  • "Great transfer, special features and film."Thomas
  • "The image quality is excellent, with natural colors, excellent contrast, and an organic film like appearance."Patrick F.
  • "The peerless VS restoration process was on full display with stellar sound and picture!"Paul K.

Reviews

"Life's a goddamn laugh riot. "

""Donald, you are a real card-carrying cunt. " Based on Mart Crowley's (who also wrote the screenplay) 1968 play, William Friedkin's THE BOYS IN THE BAND (1970) involves a group of queens in Manhattan at a birthday party crashed by a square, hetero friend. Full of manic energy, acerbic dialogue delivered in rapid fire succession, and dramatic camerawork, Friedkin's film remains divisive among audiences—a funny but sad, self-reflexive, self-criticizing, and self-pitying work, tackling stereotypes while remaining humanist."

Daniel S. (4/5)

queer history

"the presentation looks fantastic m. beautiful restoration as well plentiful extras. the film is a beautiful piece of queer history with incredible performances front to back. just a great 60s film. can't get enough of it."

Cameron C. (5/5)

Groundbreaking Masterpiece

"William Friedkin made his biggest impression in America yet with this adaptation of the seminal play, representing a milestone in cinema in various respects. The writing is superb, the acting fantastic, and the characterization quite wonderful. The previous HD releases of this film were really quite awful, so this new restoration is enormously welcome; the film finally looks like film on home video. Copious extras round out a must-have package."

Kyle S. (5/5)

Underrated

"The Boys in the Band is a sharp, dialogue-driven drama that captures the complexities of friendship, identity, and self-acceptance with remarkable honesty. Its ensemble cast delivers powerful performances that bring both the humor and heartbreak of the story to life. Though firmly rooted in its era, the film remains emotionally compelling and historically significant."

Shawn M. (4/5)

Another stellar Cinematographe release

"Wow, what a gorgeous 4K upgrade! The transfer is pristine. This package is loaded with informative extras as well. The artwork is a bit weak (my only grippe with this one). Recommend picking it up while it’s still available!"

Matthew L. (4/5)

Excellent Upgrade of a Queer Cinema Classic

"The picture quality far surpasses the Paramount DVD both in terms of picture and sound quality. The film grain is more natural and smooth. Colors have a nice vibrant pop. Details are sharper. The mono sound is sharper. As a collector, I appreciate the standard case as it fits more easily on my shelf. I appreciate that the discs are two different colors and clearly labeled between the 4K and standard Blu-Ray. A welcome upgrade from the DVD."

James I. (5/5)

The Boys Have Never Looked Better!

"I say it every time, but Cinematographe really outdid themselves this time. The transfer for THE BOYS IN THE BAND is absolutely stunning. It's vibrant and clear while still keeping the film grain in tact. The special features are outstanding. They really help had context about the film, when it came out, and its complicated legacy. I really appreciated that."

Nata M. (5/5)

The Boys in the Band

"Unfairly raked over the coals for decades. More messy queer rep please and thank you"

Jack H. (5/5)

Technically, there is nothing negative

"Technically, there is nothing negative that may be said about this spectacular release. The 4k looks exceptionally good for a film this age using the film stock that was widely utilized at the time. The color grading looks far better than I have ever seen it. I found the movie itself to play better than it had the last time I saw it (admittedly nearly 30 years ago). However, there is no question that for people looking at it with modern eyes that much of it feels very schematic and rather pleased with itself for how shocking it was for the times. So, a certain amount of age-related forgiveness is in order. Nevertheless, as a historic piece of filmmaking, this archival piece of history is essential -- and is a solid reminder that the 1980s was perhaps overly sensitive to Friedkin."

dan w. (4/5)

A Landmark Film Finally Gets the Home Video Treatment it Deserves!

"This movie has never looked better on home video. It’s. A must-have. I love this witty, sad, bracing little movie."

Rakeem M. (5/5)

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