Kani

Plastic / Yamato (California)

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This Partner Label release is distributed through Vinegar Syndrome's sister company OCN Distribution. Vinegar Syndrome had no part in, nor are responsible for, the restoration, extras, quality control or any content(s) of this release. We hope you enjoy our growing roster of Partner Labels and the expertise and curation brought to each release by their dedicated staff!

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2024 Subscribers: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.

This special limited edition slipcover (designed by Louis-Alexandre Beauregard) is limited to 1,000 units and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.

Named after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!

Plastic: Promised to a record deal that didn’t work out, teenage Jun (Takuma Fujie, August My Heaven) arrives in Nagoya as a transfer student with dashed dreams. One day, his busking of songs by Exne Kedy catches the eye of fellow fan Ibuki (An Ogawa, Heaven Is Still Far Away) and the pair soon falls in love over their shared musical taste. But as adult responsibilities loom, prospects in Tokyo beckon and a global pandemic hits, they slowly drift apart… Until the legendary Exne Kedy announce a reunion tour. 

Inspired by Kensuke Ide’s 2021 concept album Strolling Planet ’74, in which frontman Kensuke Ide transformed his band into the fictitious 70s glam rock group Exne Kedy and the Poltergeists, Daisuke Miyazaki’s Plastic is a colorful, rock-inflected coming-of-age tale tracking the disilliusionment of Japanese youth. Following his breakout hip-hop drama Yamato (California) (2016, also included in this release) and the  Osaka-set thriller Videophobia (2019), Miyazaki showcases a keen sensibility for epochal longing, teenage loneliness, as well as for the vanishing sounds and places of everyday Japan. Dreamy, even cosmic at times, Plastic is an atypical romance  examining how love for art shapes us.

Yamato (California): Sakura (Hanae Kan, Nobody Knows), a moody teenager, lives in Yamato, Japan. A small town one hour away from Tokyo, it is unremarkable in every way except for the massive US  military base that remains at its center. This closeness to American culture has also shaped Sakura’s consciousness: she dreams of becoming a rapper, like the American musicians she admires. Already feeling like an outsider  in her own home, her routine is further disturbed when a young Japanese-American girl, Rei (Nina Endo, Tourism), visits from the States. The daughter of an absent G.I. that her mother is dating, Rei has friendship to spare... which Sakura initially resists.

Yamato (California), Daisuke Miyazaki’s sophomore film following End of Night (2011), stands out to this day as his most personal and heartfelt: a tale of growing up in Yamato (the director’s own home town) at a particular nexus of postwar histories and imperialisms both large and small, cultural and otherwise. Taking the military base as his backdrop and symbolic gateway to address the long-standing influence of American culture on Japanese society, Miyazaki weaves a musical coming-of-age film affectionate of slackers yet propelled by a creative impulse to make life worth remembering.

directed by: Daisuke Miyazaki
starring: An Ogawa,Takuma Fujie; Hanae Kan, Nina Endo

2023, 2016 / 222 min (combined) / 1.78:1, 1.85:1 / Japanese DTS-HD MA 2.0, 5.1

Additional info:

  • Region A Blu-ray
  • High Definition presentation
  • Interview with Daisuke Miyazaki on Yamato (California), in Yamato (2024, 23 minutes)
  • Plastic on Tour: extended Q&A in Sydney, Australia
  • Booklet with stills and new writing by film critic Alexandre Fontaine Rousseau
  • Optional English subtitles
  • New cover artwork by Louis-Alexandre Beauregard