{"title":"Japanese","description":null,"products":[{"product_id":"being-natural-kani","title":"Being Natural","description":"\u003cp\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eEarl Kessler Jr.) was limited to \u003cstrong\u003e1,500 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTakashi Uno (Yohta Kawase, RUBBER’S LOVER) wants little more from life than to play the bongo under the starlight. When his uncle passes, his freshly divorced cousin inherits their traditional country home and tasks the shy slacker with caring for it. Together with the town’s underdog grocer, the three revert to a joyful childhood dynamic. Leisurely BBQ (the cheapest beef!) and cup noodles, it’s all fun and games until a family from Tokyo led by an unhinged patriarch (screen veteran Kanji Tsuda, JU-ON: THE GRUDGE) and his enigmatic wife (Natsuki Mieda) manifest their desire to open a countryside café at all costs.\u003c\/p\u003e\n\u003cp\u003eTadashi Nagayama – a protégé of the Yubari International Fantastic Film Festival since his 2017 Grand Prix-winning debut JOURNEY OF THE TORTOISE – baffles audience expectations at every turn with this mellow yet thoroughly eccentric pastoral comedy about the right to do nothing, Japan’s growing urban-rural divide, and the country’s ongoing nuclear anxieties.\u003c\/p\u003e\n\u003cp\u003edirected by: Tadashi Nagayama\u003cbr\u003estarring: Yohta Kawase, Kanji Tsuda, Natsuki Mieda, Kazua Akieda, Tadahiro Tsuru, Shoichiro Tanigawa\u003cbr\u003e2018 \/ 96 min \/ 1.78:1 \/ Japanese Stereo with English subtitles\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eOUT FISHING (2021, 19MINS): NEW FEATURETTE INTERVIEW WITH DIRECTOR TADASHI NAGAYAMA, WRITER YURIKO SUZUKI AND ACTOR YOHTA KAWASE\u003c\/li\u003e\n\u003cli\u003eMAKING OF BEING NATURAL: PUBLIC TALK AT K’S CINEMA (2019, 19MINS) FEATURETTE WITH DIRECTOR, SFX AND VFX TEAM\u003c\/li\u003e\n\u003cli\u003e“A STORY OF FLOATING RADIUM” NEW WRITING ON BEING NATURAL BY MATHIEU LI-GOYETTE\u003c\/li\u003e\n\u003cli\u003eJAPANESE THEATRICAL TRAILER\u003c\/li\u003e\n\u003cli\u003eInside sleeve artwork\u003c\/li\u003e\n\u003cli\u003eEnglish and \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eJapanese \u003c\/span\u003eSDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kZlJAhaX4RE?si=HtwHGDoawtmso6OL\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":39687721287722,"sku":"KANI-001 SLIP","price":25.49,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":39687721320490,"sku":"KANI-001","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/KANI-001_slipcover_front.jpg?v=1762198598"},{"product_id":"videophobia-kani","title":"Videophobia","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition spot gloss slipcover is limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is only available here at VinegarSyndrome.com!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eAi (a superbly laconic Tomona Hirota) haunts the streets of Osaka dressed as a mascot. After going home with a stranger, she wakes up to find footage of their intimate encounter uploaded to a porn site. As all systems of recourse and remedy fail her, her sense of dislocation and alienation intensifies and Ai resorts to a strange solution.\u003cbr\u003e\u003cbr\u003eFollowing the rap-inflected drama YAMATO (CALIFORNIA) and the globe-trotting TOURISM, Daisuke Miyazaki unveils another potent subversion of the so-called monolith of Japanese culture. VIDEPHOBIA unfolds as paranoid techno-thriller about identity, set on the backstreets of an industrial and multicultural Osaka captured here in beautiful, stark black-and-white. Concerns with obsessive image-making and issues of surveillance and consent in the digital age are embodied in the plight of a young woman from the city’s Koreatown; in an eerie film about the self – watching us as much as we watch it. \u003cbr\u003e\u003cbr\u003ePaired here with the newly commissioned, companion short I'LL BE YOUR MIRROR, starring Tomona Hirota and Sumira Ashina.\u003c\/p\u003e\n\u003cp\u003edirected by: Daisuke Miyazaki \u003cbr\u003estarring: Tomona Hirota, Sumire Ashina, Shugo Oshinari, Sahel Rosa, Aki Morita \u003cbr\u003e2020 \/ 89 min \/ 1.85:1 \/ Japanese Stereo\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- High Definition Presentation \\n- Video Introduction by Director Daisuke Miyazaki \\n- Newly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \\n- Videophobia MV  by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \\n- Booklet Feat. An Interview With the Director by \\u0003justine Smith  and Behind-the-scenes Photographs \\n- Japanese Theatrical Trailer \\n- Optional English \/ Japanese \/ Chinese Subtitles \\n- 1 Transparent Sticker  \\n- New Cover Art  \"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- High Definition Presentation \\n- Video Introduction by Director Daisuke Miyazaki \\n- Newly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \\n- Videophobia MV  by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \\n- Booklet Feat. An Interview With the Director by \\u0003justine Smith  and Behind-the-scenes Photographs \\n- Japanese Theatrical Trailer \\n- Optional English \/ Japanese \/ Chinese Subtitles \\n- 1 Transparent Sticker  \\n- New Cover Art  \"}'\u003eHigh Definition Presentation \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- High Definition Presentation \\n- Video Introduction by Director Daisuke Miyazaki \\n- Newly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \\n- Videophobia MV  by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \\n- Booklet Feat. An Interview With the Director by \\u0003justine Smith  and Behind-the-scenes Photographs \\n- Japanese Theatrical Trailer \\n- Optional English \/ Japanese \/ Chinese Subtitles \\n- 1 Transparent Sticker  \\n- New Cover Art  \"}'\u003eVideo Introduction by Director Daisuke Miyazaki \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- High Definition Presentation \\n- Video Introduction by Director Daisuke Miyazaki \\n- Newly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \\n- Videophobia MV  by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \\n- Booklet Feat. An Interview With the Director by \\u0003justine Smith  and Behind-the-scenes Photographs \\n- Japanese Theatrical Trailer \\n- Optional English \/ Japanese \/ Chinese Subtitles \\n- 1 Transparent Sticker  \\n- New Cover Art  \"}'\u003eNewly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- High Definition Presentation \\n- Video Introduction by Director Daisuke Miyazaki \\n- Newly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \\n- Videophobia MV  by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \\n- Booklet Feat. An Interview With the Director by \\u0003justine Smith  and Behind-the-scenes Photographs \\n- Japanese Theatrical Trailer \\n- Optional English \/ Japanese \/ Chinese Subtitles \\n- 1 Transparent Sticker  \\n- New Cover Art  \"}'\u003eVideophobia MV by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- High Definition Presentation \\n- Video Introduction by Director Daisuke Miyazaki \\n- Newly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \\n- Videophobia MV  by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \\n- Booklet Feat. An Interview With the Director by \\u0003justine Smith  and Behind-the-scenes Photographs \\n- Japanese Theatrical Trailer \\n- Optional English \/ Japanese \/ Chinese Subtitles \\n- 1 Transparent Sticker  \\n- New Cover Art  \"}'\u003eBooklet Feat. An Interview With the Director by justine Smith and Behind-the-scenes Photographs \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- High Definition Presentation \\n- Video Introduction by Director Daisuke Miyazaki \\n- Newly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \\n- Videophobia MV  by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \\n- Booklet Feat. An Interview With the Director by \\u0003justine Smith  and Behind-the-scenes Photographs \\n- Japanese Theatrical Trailer \\n- Optional English \/ Japanese \/ Chinese Subtitles \\n- 1 Transparent Sticker  \\n- New Cover Art  \"}'\u003eJapanese Theatrical Trailer \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- High Definition Presentation \\n- Video Introduction by Director Daisuke Miyazaki \\n- Newly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \\n- Videophobia MV  by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \\n- Booklet Feat. An Interview With the Director by \\u0003justine Smith  and Behind-the-scenes Photographs \\n- Japanese Theatrical Trailer \\n- Optional English \/ Japanese \/ Chinese Subtitles \\n- 1 Transparent Sticker  \\n- New Cover Art  \"}'\u003eOptional English \/ Japanese \/ Chinese Subtitles \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- High Definition Presentation \\n- Video Introduction by Director Daisuke Miyazaki \\n- Newly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \\n- Videophobia MV  by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \\n- Booklet Feat. An Interview With the Director by \\u0003justine Smith  and Behind-the-scenes Photographs \\n- Japanese Theatrical Trailer \\n- Optional English \/ Japanese \/ Chinese Subtitles \\n- 1 Transparent Sticker  \\n- New Cover Art  \"}'\u003e1 Transparent Sticker \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- High Definition Presentation \\n- Video Introduction by Director Daisuke Miyazaki \\n- Newly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \\n- Videophobia MV  by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \\n- Booklet Feat. An Interview With the Director by \\u0003justine Smith  and Behind-the-scenes Photographs \\n- Japanese Theatrical Trailer \\n- Optional English \/ Japanese \/ Chinese Subtitles \\n- 1 Transparent Sticker  \\n- New Cover Art  \"}'\u003eNew Cover Art\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- High Definition Presentation \\n- Video Introduction by Director Daisuke Miyazaki \\n- Newly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \\n- Videophobia MV  by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \\n- Booklet Feat. An Interview With the Director by \\u0003justine Smith  and Behind-the-scenes Photographs \\n- Japanese Theatrical Trailer \\n- Optional English \/ Japanese \/ Chinese Subtitles \\n- 1 Transparent Sticker  \\n- New Cover Art  \"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- High Definition Presentation \\n- Video Introduction by Director Daisuke Miyazaki \\n- Newly Commissioned Short Film, “i’ll Be Your Mirror” (2022, 9mins) \\n- Videophobia MV  by Baku Feat. Jin Dogg, Nunchaku (Tatsuro Mukai, Kumi), Tomy Wealth \\n- Booklet Feat. An Interview With the Director by \\u0003justine Smith  and Behind-the-scenes Photographs \\n- Japanese Theatrical Trailer \\n- Optional English \/ Japanese \/ Chinese Subtitles \\n- 1 Transparent Sticker  \\n- New Cover Art  \"}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/civoYpx0g3g?si=IEzN8tvJG9Orv9Sx\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":40086423502890,"sku":"KANI-004 SLIP","price":27.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40086423535658,"sku":"KANI-004","price":25.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/videophobiaslipfront.jpg?v=1762198697"},{"product_id":"air-doll-dekanalog","title":"Air Doll","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e2,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDekanalog is a film and soundtrack distribution company dedicated to the release of the most unique filmmaking voices and musical scores from around the world. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"A present-day fable for the increasing disconnect we find in urban life, Hirokazu Kore-eda’s Air Doll transports the Galatea myth to present day Tokyo. A life-size air doll (Bae Doona, The Host) lives in a shabby apartment in Tokyo. She cannot speak, nor can she move. But she is the only companion her middle-aged master has. He talks to her, puts her in a bath, and makes love with her every day after he returns from work. This routine life is disrupted when fantasy turns into reality. The air doll suddenly comes to life, filled with a soul. Like a newborn baby, she doesn’t understand what is going on around her, but she sees a world waiting to be explored outside the apartment. Eventually venturing to the outside world, the air doll is fascinated by everything she sees, and though she meets many people in all walks of life, they can’t seem to provide her an answer to what “being alive” means. When the air doll wanders into a video store, her world is forever changed. She meets Junichi (Arata Iura, After Life), the clerk, and immediately falls in love with him. The air doll begins working in the store and everyday, she and Junichi become closer. They go to the movies and explore the city together…like a couple. Everything is going perfectly for the air doll, until one day when her hand is accidentally cut and she begins to deflate in front of Junichi… A romantic fantasy that explores the complexities of love and loss, joy and pain, fantasy and reality, this bittersweet love story examines the intricacies and frailties of human existence. Adapted from the manga by Yoshiie Goda and featuring breathtaking cinematography from Mark Lee Ping-Bing (In The Mood For Love).\"}' data-mce-fragment=\"1\"\u003eA present-day fable for the increasing disconnect we find in urban life, Hirokazu Kore-eda’s Air Doll transports the Galatea myth to present day Tokyo. A life-size air doll (Bae Doona, The Host) lives in a shabby apartment in Tokyo. She cannot speak, nor can she move. But she is the only companion her middle-aged master has. He talks to her, puts her in a bath, and makes love with her every day after he returns from work. This routine life is disrupted when fantasy turns into reality. The air doll suddenly comes to life, filled with a soul. Like a newborn baby, she doesn’t understand what is going on around her, but she sees a world waiting to be explored outside the apartment. Eventually venturing to the outside world, the air doll is fascinated by everything she sees, and though she meets many people in all walks of life, they can’t seem to provide her an answer to what “being alive” means. When the air doll wanders into a video store, her world is forever changed. She meets Junichi (Arata Iura, After Life), the clerk, and immediately falls in love with him. The air doll begins working in the store and everyday, she and Junichi become closer. They go to the movies and explore the city together…like a couple. Everything is going perfectly for the air doll, until one day when her hand is accidentally cut and she begins to deflate in front of Junichi… A romantic fantasy that explores the complexities of love and loss, joy and pain, fantasy and reality, this bittersweet love story examines the intricacies and frailties of human existence. Adapted from the manga by Yoshiie Goda and featuring breathtaking cinematography from Mark Lee Ping-Bing (In The Mood For Love).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eHirokazu Kore-eda\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eBae Doona, Arata Iura, Itsuji Itao\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2009 \/ 116 min \/ 1.85:1 \/ Japanese \u003c\/span\u003eDTS HD-MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eQ\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eFootage from the world premiere at the 62nd Annual Cannes Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBehind The Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/656260375?h=bccbc5324a\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/656260375\"\u003eAir Doll | Dekanalog US Trailer\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/dekanalog\"\u003eDekanalog\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Dekanalog","offers":[{"title":"Limited Edition Slipcover","offer_id":40118731800618,"sku":"DKA005 SLIP","price":25.49,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40118731833386,"sku":"DKA005","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/airdollslipfront.jpg?v=1762198715"},{"product_id":"tremble-all-you-want-kani","title":"Tremble All You Want","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff0000;\"\u003eSold Out \/ OOP\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff0000;\"\u003eNOTE:\u003c\/span\u003e \u003c\/strong\u003eNot for sale in Japan.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24-year-old Yoshika (Mayu Matsuoka, SHOPLIFTERS) works in the accounting department of a large corporation. Socially awkward and somewhat of an outcast, she enjoys conversations with random strangers and civil servants, staying up late to look up extinct animals on Wikipedia, and daydreaming about “Ichi” (the “One”) – a high school classmate who remains to this day, her one and only love. That is, until “Ni” (“Two”), a clumsy colleague, bursts her fabulous bubble.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdapted from Risa Wataya’s beloved novel, and winner of the Audience Award at the 2017 Tokyo International Film Festival, Akiko Ohku’s TREMBLE ALL YOU WANT is a magnificent subversion of the romantic comedy. Ohku – one of Japan’s foremost directors working in the genre – crafts a remarkable character-driven film, unafraid to blend comedy and tragedy (and dash of the musical!) to best explore issues of mental health as pertaining to the heart; playing skillfully and poignantly with notions of loneliness, bias, perspective, mood, and the occasional, self-damaging delusion.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: \u003c\/span\u003eAkiko Ohku\u003cbr\u003e\u003cspan\u003estarring: \u003c\/span\u003eMayu Matsuoka,Anna Ishibashi,Hairi Katagiri,Daichi Watanabe,Takumi Kitamura\u003cbr\u003e\u003cspan\u003e2017 \/ 117 min \/ 1.85:1 \/ Japanese \u003c\/span\u003e5.1 DTS-HD MA\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHigh Definition Presentation \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMaking Tremble All You Want: an Interview With Director Akiko Ohku (12min, 2022) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOn the Fashion in Tremble All You Want: an Interview With Director Akiko Ohku and Costume Designer Mari Miyamoto (13mins, 2022) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOn the Music in Tremble All You Want: an Interview With Director Akiko Ohku and Music Supervisor Masaki Takano (13min, 2022) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew Writing by Ariel Esteban Cayer \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJapanese Theatrical Trailer \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOptional English Subtitles \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e2 Sticker Sheets \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew Cover Art by Awai\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zFET2uglIeQ?si=hoZ6IQYtyp4yU9d6\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":40256696025130,"sku":"KANI-005 SLIP","price":27.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40256696057898,"sku":"KANI-005","price":25.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/trembleallyouwantslipfront.jpg?v=1762198745"},{"product_id":"robinsons-garden-kani","title":"Robinson's Garden","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(designed by \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConnor Willumsen) \u003c\/span\u003ewas limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eOn a drunken walk home, bohemian drug-dealer Kumi (Kumiko Ota) discovers an abandoned building on the outskirts of Tokyo. Attracted by the vast and untapped space rampant with luxuriant vegetation, she promptly sells all of her belongings and retreats from the world. She carves an island out of the concrete squat and wiles her days away growing cabbage and expressing herself in any way she pleases.\u003c\/p\u003e\n\u003cp\u003eFollowing his gonzo \u003ci\u003ehachimiri\u003c\/i\u003e (8mm) debut SAINT TERRORISM (1980) and the memorable CARNIVAL IN THE NIGHT (1981), Masashi Yamamoto offers his defining punk statement. Winner of a Special Mention at the 1987 Locarno International Film Festival, ROBINSON'S GARDEN is a rare, radical vision of a marginal, multicultural Tokyo. Think Punk Rock rather than City Pop (the soundtrack features Jagatara, Hamza El Din, and Yoichiro Yoshikawa), this film offers a stark contrast to the sights of financial prosperity brought forth by the films of the Economic Bubble era. Lensed by Tom DiCillo (LIVING IN OBLIVION, JOHNNY SUEDE), it instead shares much in common with the No Wave films the cinematographer pioneered alongside Jim Jarmusch (STRANGER THAN PARADISE). An unsung, anticapitalist masterwork.\u003c\/p\u003e\n\u003cp\u003edirected by: Masashi Yamamoto\u003cbr\u003estarring: Kumiko Ohta,Kou Machida\u003cbr\u003e1987 \/ 119 min \/ 1.85:1 \/ Japanese DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}'\u003eInterview with Masashi Yamamoto \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}'\u003eInterview with Tom DiCillo \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}'\u003eNew Art by Connor Willumsen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}'\u003eNew Writing by K.F. Watanabe \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}'\u003eEnglish Subtitles \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}'\u003eChinese Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XYAy4sbnco0?si=LXTcdI_IaMjduPm7\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":40318507089962,"sku":"KANI-006 SLIP","price":27.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40318507122730,"sku":"KANI-006","price":25.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/robinsonsgardenslipfront.jpg?v=1762198754"},{"product_id":"whats-up-connection","title":"What's Up Connection","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(designed by \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConnor Willumsen) \u003c\/span\u003ewas limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eWhen Hong Kong teenager Chi Gau Shin (Tse Wai Kit, School on Fire) wins a trip to Japan, he unleashes a chain of events that will soon bring him from the secluded fishing village of Po Toi O to Tokyo, by way of Kamagasaki – the so-called slums of Osaka. On the way, he connects with a barely competent tour guide named Kumi and the shapeshifting, loud-mouthed and loveable thief Akane. Upon returning home with this merry band of schemers, Gau Shin finds his family of resourceful counterfeiters on the verge of expropriation. A multinational conglomerate led by a ruthless Japanese developer has found the village, and is determined to raze it to build the new center of world trade!\u003c\/p\u003e\n\u003cp\u003eMasashi Yamamoto one-ups Robinson's Garden (1987) with the go-for-broke ambition of What's Up Connection: a rare bilingual Japan-Hong Kong coproduction that unfolds as part unhinged globalization mini-epic, fringe documentary and portrait of a crazy family (the “Chi” of the Chi family a homonym for “crazy” in Cantonese). A breathless, kaleidoscopic evocation of a specific pan-Asian cultural experience as the 1990s drew near, What's Up has it all: Hongkongers looking to Japan for shopping and recreation; Japanese looking to Hong Kong for investment and opportunity – and the gangsters, hackers, thieves and Taoist priests stuck in-between it all. Scored by avant-garde trumpeter Toshinori Kondo, here is a lively film that bursts at the seams with possibility and brings Yamamoto’s project – of capturing beauty and resilience in the margins of capital – to its maximalist apex.\u003c\/p\u003e\n\u003cp\u003edirected by: Masashi Yamamoto\u003cbr\u003estarring: Tse Wai Kit,Reiko Arai\u003cbr\u003e1990 \/ 120 min \/ 1.85:1 \/ Japanese DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}'\u003eAn Interview with Director Masashi Yamamoto, Part II (22MIN, 2022) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}'\u003eInterview with Critic and Filmmaker Shu Kei (14MINS, 2022)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}'\u003eInterview with Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}'\u003eInterview with Assitant Director Michael Wong (9MINS, 2022) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}'\u003eBooklet with New Writing By Cheng Yu Shing \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}'\u003eNova Alpha Credit Card* \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}'\u003eJapanese Theatrical Trailer \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}'\u003eOptional English Subtitles \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}'\u003eOptional Chinese Subtitles \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}'\u003eNew Cover Art by Connor Willumsen\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gR8t5ob2ZuE?si=OolMjokpaysuoys4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":40402906972202,"sku":"KANI-007 SLIP","price":27.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40402907004970,"sku":"KANI-007","price":25.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/whatsupconnectionslipfront.jpg?v=1762198802"},{"product_id":"top-knot-detective","title":"Top Knot Detective","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by Charles Forsman) was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cem\u003eUmbrella Entertainment has been a 100% Australian-owned and operated distributor for over 20 years. Their vast home entertainment catalogue features an extensive range of Australian classic, cult and exploitation films restored under the eyes of the original filmmakers. All sourced from national archives, underground collectors and local basements.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis mockumentary unravels the tale of how ‘Ronin Suiri Tantai’ made it to Australian screens back in the late 90’s, retitled as Top Knot Detective, and what really happened behind the scenes of this outrageous show.The original Japanese series was legendary in its home country as being a cultural train-wreck, led by its insane writer\/director\/star, Takashi Takamoto. The rivalry between Takashi and co-star, Haruto Koike, is just the tip of this conspiratorial iceberg, leading back to Japanese conglomerate Sutaffu, and its CEO, Moritaro (coincidentally, Haruto’s father). On-screen he battles robot ninjas \u0026amp; penis monsters off-screen jealousy threatens to demolish his legacy.Narrated by Des Mangan (Hercules Returns), he introduces us to the sensation of today’s cult fan world at Oz Comicon, then takes us right back to the origins of Takashi Takamoto, his hunger for fame, desire to be admired, and the blurry lines between truth and fiction. Through interviews with cast and crew, the mystery of Takashi Takamoto unravels, and we get an insight into the eccentric shows that cult film fans hold so dear. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Aaron McCann, Dominic Pearce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Masa Yamaguchi; Mayu Iwasaki; Toshi Okuzaki\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2017 \/ 86 min \/ 1.85:1, 2.35:1 \/ Cantonese, English, Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio Commentary by directors Aaron McCann and Dominic Pearce\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal Pilot Episode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTeam YAS Pre-vis Fights\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBehind-The-Scenes Featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePhoto Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCD Soundtrack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Umbrella Entertainment","offers":[{"title":"Limited Edition Slipcover","offer_id":40704180453418,"sku":"UMB-009 SLIP","price":30.49,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40704180486186,"sku":"UMB-009","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/topknotdetectiveslipback.jpg?v=1762199119"},{"product_id":"violent-streets","title":"Violent Streets","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003eAfter making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Hideo Gosha\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003estarring: Noboru Andô, Akira Kobayashi, Isao Natsuyagi, Bunta Sugawara, Tetsurô Tanba\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003e1974 \/ 96 min \/ 2.35:1 \/ Japanese Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003eTattooed Director: Hideo Gosha featurette with Tomoe Gosha\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003eA Street That Can’t Be Beat video essay by TokyoScope author Patrick Macias\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003e16-page booklet with a new essay by Japanese film expert Mark Schilling\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":40947581386794,"sku":"FMC_046 SLIP","price":30.49,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40947581419562,"sku":"FMC_046","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/violentstreetsslipfront.jpg?v=1762199221"},{"product_id":"the-pillow-book","title":"The Pillow Book","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003eBeautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \"a seductive and elegant story [that] stands outside the ordinary.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Peter Greenaway\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003estarring: Ewan McGregor, Vivian Wu, Yoshi Oida, Ken Ogata\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003e1996 \/ 126 min \/ 1.33:1 \/ English, Cantonese, Italian, Japanese, Mandarin, French Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003eCommentary by director Peter Greenaway\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003eA new essay by film critic Nicolas Rapold\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Film Movement Classics","offers":[{"title":"Default Title","offer_id":40947663601706,"sku":"FMC_061","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/thepillowbookfront.jpg?v=1762199228"},{"product_id":"all-about-lily-chou-chou","title":"All About Lily Chou Chou","description":"\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover \u003cmeta charset=\"utf-8\"\u003e(designed by \u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Elizabeth Yoo\"}' data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBeth Morris\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e) \u003c\/span\u003ewas limited to \u003cb\u003e1,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp style=\"text-align: left;\"\u003eFor kids around the world, music is often the only salvation when the pain and anxiety of teenage life becomes too much to bear. Yuichi (Hayato Ichihara) is in the 8th grade and he worships Lily Chou-Chou, a Bjork-like chanteuse whose epic music is lush and transcendent. Yuichi only lives for Lily Chou-Chou's big Tokyo concert, where the lies and violence can be washed away by the presence of his goddess and her powerful music. But fate has yet another obstacle in store for Lily's devoted fan.\u003c\/p\u003e\n\u003cp\u003edirected by: Shunji Iwai\u003cbr\u003estarring: Hayato Ichihara, Shûgo Oshinari, Ayumi Ito, Takao Ohsawa, Miwako Ichikawa, Izumi Inamori, Yû Aoii\u003cbr\u003e2001 \/ 146 min \/ 1.78:1 \/ Japanese LPCM 2.0 \u0026amp; 5.1\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making-Of Featurette\\nNew essay by Stephen Cremin (deputy director NYAFF)\"}' data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making-Of Featurette\\nNew essay by Stephen Cremin (deputy director NYAFF)\"}' data-sheets-root=\"1\"\u003eMaking-Of Featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making-Of Featurette\\nNew essay by Stephen Cremin (deputy director NYAFF)\"}' data-sheets-root=\"1\"\u003eNew essay by Stephen Cremin (deputy director NYAFF)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making-Of Featurette\\nNew essay by Stephen Cremin (deputy director NYAFF)\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making-Of Featurette\\nNew essay by Stephen Cremin (deputy director NYAFF)\"}' data-sheets-root=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Kwlh-z2R8QE?si=PTx5ObPItEDGmJNY\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":41228958498858,"sku":"FMC_003b SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":41228958531626,"sku":"FMC_003b","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/allaboutlilychouchouslipfront.jpg?v=1762199296"},{"product_id":"samurai-wolf-1-2","title":"Samurai Wolf 1 \u0026 2","description":"\u003cp class=\"p1\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover (designed by Chris Barnes) is limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003cb\u003e,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003eLegendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003e\u003cstrong\u003eSAMURAI WOLF\u003c\/strong\u003e: Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003e\u003cstrong\u003eSAMURAI WOLF 2: HELL CUT\u003c\/strong\u003e: Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003edirected by: Hideo Gosha\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003estarring: Isao Natsuyagi, Ryôhei Uchida, Junko Miyazono, Tatsuo Endô, Ichirô Nakatani, Yûko Kusunoki, Kô Nishimura\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003e2023 \/ 147 min (combined) \/ 2.35:1 \/ Japanese Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003eOutlaw Director: Hideo Gosha featurette with Tomoe Gosha\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003eAudio commentary by Chris Poggiali, co-author of These Fists Break Bricks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003e20-page booklet with a new essay by Robin Gatto, author of Hideo Gosha, cinéaste sans maître\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Legendary genre auteur Hideo Gosha’s gleefully anarchic, spaghetti western-informed samurai adventures are finally available to North American audiences in one complete set.\\n\\nSAMURAI WOLF:  Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.\\n\\nSAMURAI WOLF 2: HELL CUT:  Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.\u0026quot;}\" data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/y8IBzET3YTw?si=LYwJ3m4s78a7JblW\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Film Movement Classics","offers":[{"title":"Default Title","offer_id":41537833730090,"sku":"FMC_052 SLIP-VS","price":30.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/samuraiwolfslipfront.jpg?v=1762199316"},{"product_id":"beijing-watermelon","title":"Beijing Watermelon","description":"\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e1,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Nobuhiko Obayashi\u003cbr\u003estarring: Bengal, Masako Motai, Le Han, Le Jun\u003cbr\u003e1989 \/ 135 min \/ 1.85:1 \/ Japanese, Mandarin DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e2K restoration \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with Chigumi Obayashi \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTheatrical Trailer \u0026amp; Teaser\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eOptional English subtitles\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with new writing by Aaron Gerow\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eLogo design by Leo Mak\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/QpfDo3ehf24?si=QBdudotp1lWQVR8E\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":41710216380458,"sku":"KANI-018 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":41710216413226,"sku":"KANI-018","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/beijingwatermelonslipfront.jpg?v=1762199350"},{"product_id":"ferocious-fukasaku-two-films-by-kinji-fukasaku","title":"Ferocious Fukasaku: Two Films By Kinji Fukasaku","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eTony Stella) was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold\u003c\/strong\u003e \u003cstrong\u003eout\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis thrilling two-disc set features a double dose of hyperbolic heist movie mayhem directed by the great Kinji Fukasaku (Battles Without Honor and Humanity, Battle Royale), restored to HD, and, for the first time ever, available on Blu Ray in North America. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-root=\"1\"\u003eFukasaku's 1964 breakthrough Wolves, Pigs and Men finds three brothers pitted against each other as rivals in the Yakuza underworld. Jiro, alongside his girlfriend Mizuhara, devises a scheme to rob his younger brother Sabu's gang. However, when the eldest brother Kuroki learns of this, he seeks to conspire against them to take it all for himself in a treacherous nightmare of unbridled violence. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWhile lesser known, 1976’s Violent Panic: The Big Crash wreaks havoc across the streets of Japan with stylishly nihilistic aplomb. After expert bank-robber Takashi's big job is foiled, he goes on the lam. Trailed by the police, his lover, his partner-in-crime’s brother, and countless others, Takashi becomes the target of a manhunt filled with twists, double-crosses, and explosive action that gives the 70’s car chase genre a run for its money.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eKinji Fukasaku\u003c\/span\u003e\u003cbr\u003estarring: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eTsunehiko Watase, Miki Sugimoto, Yayoi Watanabe, Ken Takakura, Rentarô Mikuni, Kin'ya Kitaôji\u003c\/span\u003e\u003cbr\u003e1964, 1976 \/ 174 min (combined) \/ 2.39:1 \/ Japanese DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eRegion A 2-disc Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e16 page booklet with New essay by film critic Kenji Fujishima\u003c\/li\u003e\n\u003cli\u003eWolves, Pigs and Men:\n\u003cul\u003e\n\u003cli\u003eAudio commentary by Japanese cinema expert Jasper Sharp\u003c\/li\u003e\n\u003cli\u003eInterview with Fukasaku biographer Sadao Yamane\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eInterview with co-screenwriter Junya Sato\u003c\/li\u003e\n\u003cli\u003eInterview with Producer Tatsu Yoshida\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eViolent Panic: The Big Crash:\n\u003cul\u003e\n\u003cli\u003eAudio commentary by Japanese cinema expert Jasper Sharp\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFast, Furious, Fukasaku video essay by Tokyoscope author Patrick Macias\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":42019242442794,"sku":"FMC-003 SLIP","price":32.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42019242475562,"sku":"FMC-003","price":30.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/kanji_fukasaku_slip_front.jpg?v=1762199441"},{"product_id":"red-peony-gambler-i-iii","title":"Red Peony Gambler I - III","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003ePoochamin) was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003eProduced during the heyday of ninkyo eiga (chivalrous yakuza films), the seminal Red Peony Gambler series has had a lasting influence on cult cinema. The illustrious Junko Fuji stars as the beautiful and badass Oryu, the eponymous and benevolent female gambler who uses her incredible might for right. In the series’ premiere she rambles into town searching for her father’s killer with a wallet left at the crime scene as her only clue. At a card game she meets a kindred spirit, the noble and handsome yakuza Katagiri (Ken Takakura) and soon they are a force to be reckoned with. Part 2 finds Oryu under the arm of the kind gang boss of a silk farming town. When ruthless loan sharks encroach and their treachery leads to murder, it is Oryu’s sworn duty to exact justice. Maestro of Japanese cinema Tai Kato simultaneously satiates and transcends genre tropes in his masterful direction of the celebrated third film in the series. From its classically melodramatic opening set piece involving an oncoming train, the stage is set for a visually rich tale of good versus evil.\u003c\/p\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003edirected by: Kosaku Yamashita, Norifumi Suzuki, Tai Kato\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003estarring: Junko Fuji, Ken Takakura, Tomisaburo Wakayama, Kyosuke Machida, Michitaro Mizushima, Kanjuro Arashi, Teruo Ishiyama, Bunta Sugawara, Koji Tsuruta\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e1968 - 1970 \/ 291 min (combined) \/ 2.35:1 \/ Japanese DTS-HD MA 1.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eRegion A 3-disc Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eNew video essays on Red Peony 1 \u0026amp; 2 by TokyoScope author Patrick Macias\u003c\/li\u003e\n\u003cli\u003eVideo introduction to Red Peony 3 by director Alex Cox (Repo Man)\u003c\/li\u003e\n\u003cli\u003eNew audio commentary on Red Peony 3 by Chris Poggiali These Fist Break Bricks) and John Charles (The Hong Kong Filmography, 1977-1997)\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eBooklet with new essay by Mark Schilling (The Yakuza Movie Book)\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":42093305626666,"sku":"FMC-004 SLIP","price":35.49,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42093305659434,"sku":"FMC-004","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/red_peony_gambler_slip_front.jpg?v=1762199505"},{"product_id":"plastic-yamato-california","title":"Plastic \/ Yamato (California)","description":"\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis special limited edition slipcover (designed by Louis-Alexandre Beauregard) is limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003e,000 units \u003c\/b\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003ePlastic: Promised to a record deal that didn’t work out, teenage Jun (Takuma Fujie, August My Heaven) arrives in Nagoya as a transfer student with dashed dreams. One day, his busking of songs by Exne Kedy catches the eye of fellow fan Ibuki (An Ogawa, Heaven Is Still Far Away) and the pair soon falls in love over their shared musical taste. But as adult responsibilities loom, prospects in Tokyo beckon and a global pandemic hits, they slowly drift apart… Until the legendary Exne Kedy announce a reunion tour. \u003c\/p\u003e\n\u003cp\u003eInspired by Kensuke Ide’s 2021 concept album Strolling Planet ’74, in which frontman Kensuke Ide transformed his band into the fictitious 70s glam rock group Exne Kedy and the Poltergeists, Daisuke Miyazaki’s Plastic is a colorful, rock-inflected coming-of-age tale tracking the disilliusionment of Japanese youth. Following his breakout hip-hop drama Yamato (California) (2016, also included in this release) and the  Osaka-set thriller Videophobia (2019), Miyazaki showcases a keen sensibility for epochal longing, teenage loneliness, as well as for the vanishing sounds and places of everyday Japan. Dreamy, even cosmic at times, Plastic is an atypical romance  examining how love for art shapes us.\u003c\/p\u003e\n\u003cp\u003eYamato (California): Sakura (Hanae Kan, Nobody Knows), a moody teenager, lives in Yamato, Japan. A small town one hour away from Tokyo, it is unremarkable in every way except for the massive US  military base that remains at its center. This closeness to American culture has also shaped Sakura’s consciousness: she dreams of becoming a rapper, like the American musicians she admires. Already feeling like an outsider  in her own home, her routine is further disturbed when a young Japanese-American girl, Rei (Nina Endo, Tourism), visits from the States. The daughter of an absent G.I. that her mother is dating, Rei has friendship to spare... which Sakura initially resists.\u003c\/p\u003e\n\u003cp\u003eYamato (California), Daisuke Miyazaki’s sophomore film following End of Night (2011), stands out to this day as his most personal and heartfelt: a tale of growing up in Yamato (the director’s own home town) at a particular nexus of postwar histories and imperialisms both large and small, cultural and otherwise. Taking the military base as his backdrop and symbolic gateway to address the long-standing influence of American culture on Japanese society, Miyazaki weaves a musical coming-of-age film affectionate of slackers yet propelled by a creative impulse to make life worth remembering.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Daisuke Miyazaki\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: An Ogawa,Takuma Fujie; Hanae Kan, Nina Endo\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2023, 2016 \/ 222 min (combined) \/ 1.78:1, 1.85:1 \/ Japanese DTS-HD MA 2.0, 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eHigh Definition presentation\u003c\/li\u003e\n\u003cli\u003eInterview with Daisuke Miyazaki on Yamato (California), in Yamato (2024, 23 minutes)\u003c\/li\u003e\n\u003cli\u003ePlastic on Tour: extended Q\u0026amp;A in Sydney, Australia\u003c\/li\u003e\n\u003cli\u003eBooklet with stills and new writing by film critic Alexandre Fontaine Rousseau\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles\u003c\/li\u003e\n\u003cli\u003eNew cover artwork by Louis-Alexandre Beauregard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/CmSGEE1ijCE?si=FxRC-DmZaUEANlUY\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":42093346193450,"sku":"KANI-020 SLIP","price":30.49,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42093346226218,"sku":"KANI-020","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/plastic_slip_front.jpg?v=1762199507"},{"product_id":"takeshi-kitano-double-play-violent-cop-boiling-point","title":"Takeshi Kitano Double Play: Violent Cop \u0026 Boiling Point","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003ePoochamin) was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003eIn his explosive directorial debut Japanese renaissance man-cum-comedian-extraordinaire Takeshi \"Beat\" Kitano plays vicious rogue homicide Detective Azuma who takes on a sadistic crime syndicate only to discover widespread internal corruption in the police force. Facing criminal charges for his unorthodox \"Dirty Harry\" type methods, Azuma finds himself caught in a web of betrayal and intrigue that sends him on a bloody trail of vengeance. But when his sister is kidnapped by a sadistic drug lord, Azuma’s tactics escalate towards an apocalyptic climax.\u003c\/p\u003e\n\u003cp\u003eIn enfant terrible Takeshi Kitano’s explosive second feature film, Masaki (Yûrei Yanagi) is an unassuming gas station attendant and amateur baseball player for underdog team The Eagles. After he enrages a local yakuza, setting off a feud between the gangsters and his coach, Masaki heads to Okinawa on a haphazard quest for guns with his friend Kazuo (Dancan). There they are befriended by the uber-eccentric yakuza boss Uehara (played by Kitano), who initiates them into the strange and brutal world of organized crime.\u003c\/p\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Takeshi Kitano\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Takeshi Kitano\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1989, 1990 \/ 200 min (combined) \/ 1.85:1 \/ Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free 2-disc Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eThat Man is Dangerous; The Birth of Takeshi Kitano featurette\u003c\/li\u003e\n\u003cli\u003eOkinawa Days: Takeshi's Second Debut featurette\u003c\/li\u003e\n\u003cli\u003eOriginal Boiling Point trailer\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eViolent Cop HD re-release trailer\u003c\/li\u003e\n\u003cli\u003eCollector's Booklet, featuring film essay by Tom Vick, Asian Film Curator for the Freer and Sackler Galleries (The Smithsonian's Museums of Asian Art)\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":42156359942186,"sku":"FMC_063b SLIP","price":17.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42156359974954,"sku":"FMC_063b","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Violent_Cops_LTD_Front_2bcb84b8-3a4d-421d-b3af-0d154969e8ef.jpg?v=1762199525"},{"product_id":"cash-calls-hell","title":"Cash Calls Hell","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover (designed by Sean Longmore) is limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003cb\u003e,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003eFresh out of prison, a broken man reluctantly takes a job to kill three men, but changes his mind when some gangsters target the same men. He then tries to find out why the men are being targeted in the first place.\u003c\/p\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Hideo Gosha\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Tatsuya Nakadai, Ichirô Nakatani, Hisashi Igawa, Kunie Tanaka\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1966 \/ 92 min \/ 2.35:1 \/ Japanese DTS-HD MA 1.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eFighting Spirit - New video essay by TokyScope author Patrick Macias\u003c\/li\u003e\n\u003cli\u003eBitter Little World - New video talk by Black Caesars and Foxy Cleopatras author Odie Henderson\u003c\/li\u003e\n\u003cli\u003e16 page booklet with a new essay by writer, filmmaker and film programmer Steve Macfarlane\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Ypo0lujTdhw?si=TPPLDon6VjArmuj0\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":42235444101162,"sku":"FMC-005 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42235444133930,"sku":"FMC-005","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Cash_Calls_Hell_LTD_Front.jpg?v=1762199551"},{"product_id":"wonderful-paradise","title":"Wonderful Paradise","description":"\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis special limited edition spot gloss slipcover is limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003e,000 units \u003c\/b\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eIn this demented spin on the “unwanted guest” scenario from iconoclast Masashi Yamamoto, the debt-ridden Sasayas must move out of their suburban Tokyo house. In the midst of packing, the family’s rebellious daughter posts an open invitation online: “Let’s have a party!” Soon, guest after guest pours in: from estranged relatives, to jilted lovers; from drug dealers and yakuza to supernatural delights of the kaiju variety..._x000D_\u003c\/p\u003e\n\u003cp\u003eWith the unflinching logic of an ever-escalating matsuri, Yamamoto offers a demented spin on Teorema that pinballs until all notions of cinematic realism and common sense are well thrown out the window. Here, he casts his eye on the upper middle classes yet continues to build a version of his onscreen punk utopia (as begun in Robinson’s Garden, What’s Up Connection and the earlier, nihilistic Carnival in the Night): finding the fault lines in yet another set of zany characters that allow for the upending of Japanese propriety and decorum by way of an unexpected, joyful cinematic mayhem.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Masashi Yamamoto\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003estarring: Kaho Minami, Seiko Ito, Soran Tamoto, Miyu Ogawa, Hyunri, Jun Murakami, Arata Furuta\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e2020 \/ 95 min \/ 1.85:1 \/ Japanese DTS-HD MA 7.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eHigh definition presentation\u003c\/li\u003e\n\u003cli\u003eInterview with director Masashi Yamamoto (12 mins, 2024)\u003c\/li\u003e\n\u003cli\u003eOriginal Theatrical Trailer\u003c\/li\u003e\n\u003cli\u003eBooklet with behind-the-scene photographs and new writing by Ariel Esteban Cayer\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":42370007826474,"sku":"KANI-024 SLIP","price":30.49,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42370007859242,"sku":"KANI-024","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Wonderful_Paradise_LTD_Front.jpg?v=1762199762"},{"product_id":"two-faces-of-tai-kato","title":"Two Faces of Tai Katô","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover (designed by Poochamin) is limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003cb\u003e,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003eDouble feature of Japanese master Tai Katô's BY A MAN'S FACE SHALL YOU KNOW HIM and I, THE EXECUTIONER, released for the first time ever in HD in North America.\u003c\/p\u003e\n\u003cp\u003eBY A MAN'S FACE SHALL YOU KNOW HIM:\u003cbr\u003eWWII veteran Dr. Amamiya (played by real life former yakuza Noboru Ando) runs a clinic in a downtrodden Japanese neighborhood. When an accident victim brought to him for treatment turns out to be his ethically Korean war buddy he recalls the criminal strife that practically ripped their town apart and changed their lives forever just some years earlier right after the war. Flashbacks reveal the brash and contentious Korean gang that tried to take over the local market and turn it into a red light district. While fueled by innate prejudice from the native Japanese residents, the hoodlums’ ruthless methods lead to unspeakably treacherous acts. As both sides’ anger escalates to the brink, Dr. Amamiya takes things in his own hands to try and control this untenable conflict. Director Tai Kato’s groundbreaking feature takes on controversial sociopolitical issues with his distinct cinematic aesthetic in a seamless blend of melodrama and action that is exemplary of his “superb craftsmanship and personal style” (Los Angeles Times).\u003c\/p\u003e\n\u003cp\u003eI, THE EXECUTIONER:\u003cbr\u003eAs the police investigate a sudden rash of brutal murders whose victims are all women the unscrupulous killer’s murky motivations remain hauntingly elusive. A labyrinthine character study slowly unfolds implying that the targets of these unspeakable acts may be culpable in their own shocking demise. Although director Tai Kato worked within the studio system mostly on genre films, his distinctly bold and somber style proved him a maverick auteur, with I, the Executioner one of his most incendiary masterpieces. Kato matches the film’s bleak narrative themes to its innovative aesthetics, “with blown out negatives, extreme close-ups, and deep focus mixed with his characteristic low angle composition to add to the sense of noirish dread which paints the modern city as an inescapable hellscape” (Haley Scanlon - Windows on Worlds).\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Tai Katô\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003estarring: Makoto Sato, Chieko Baisho, Sanae Nakahara, Ranfan Ou, Noboru Ando, Ichiro Nakatani, Sanae Nakahara, Ryohei Uchida\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003e1966, 1968 \/ 179 min (combined) \/ 2.40:1 \/ Japanese DTS-HD MA 1.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eRegion A 2-Disc Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eBy A Man's Face Shall You Know Him:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eOld Wounds, New Faces - Patrick Macias video essay\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eKenta Fukasaku on By A Man's Face Shall You Know Him\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eA Tribute to Sanae Nakahara\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eTrailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eI, The Executioner:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eBrutal Shadows - Patrick Macias video essay\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eKenta Fukasaku on I, The Executioner\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eTrailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eBooklet with essay by Japanese \u0026amp; East Asian cinema specialist, Hayley Scanlon\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":42480514170922,"sku":"FMC-007 SLIP","price":30.49,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42480514203690,"sku":"FMC-007","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Two_Faces_Of_Tai_Kato_LTD_Front.jpg?v=1762199809"},{"product_id":"the-oldest-profession","title":"The Oldest Profession","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover (designed by Brandon Schaefer) is limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003cb\u003e,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003e19-year-old Tome is a sex worker who draws in customers around the red-light district of Osaka. She lives with her mentally disabled younger brother, Saneo, and her mother, Yone, who is also still active as a sex worker despite being over 40 years old. One day, after receiving a request for a young girl, Tome goes to the designated inn. On arrival she encounters Yone, who is unable to find work. A few days later, Yone tells Tome that she is pregnant...\u003c\/p\u003e\n\u003cp\u003e20 years have passed since the Prostitution Prevention Law was enacted, and the red-light district is now gone. Nonetheless, sex work as a profession persists. Noboru Tanaka's controversial film (also known as \"\"Lusty Beast Market\"\") portrays sorrowful but strong and resilient women who have no other choice but to earn a living by selling their bodies.\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003edirected by: Noboru Tanaka\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003estarring: Meika Seri, Junko Miyashita, Genshû Hanayagi, Moeko Ezawa, Shiro Yumemura\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e1973 \/ 84 min \/ 2.39:1 \/ Japanese DTS-HD MA 1.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\"Private Business \u0026amp; Public Obscenities\" video essay by Japanese cinema expert Jasper Sharp\u003c\/li\u003e\n\u003cli\u003e16 page booklet with a written essay by Japan Society film programmer Alexander Fee\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":42589101195306,"sku":"FMC-010 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42589101228074,"sku":"FMC-010","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/The_Oldest_Profession_LTD_Front.jpg?v=1762199861"},{"product_id":"enter-the-void","title":"Enter the Void","description":"\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition holofoil hard slipcase + slipcover combo (designed by \u003cmeta charset=\"utf-8\"\u003eAdam Maida) was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the packaging and the 40-page book.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEstablished in 2000 and based in New York City, IFC Films is a leading U.S. distributor of independent film. Its unique distribution model makes independent films available to a national audience by releasing them in theaters as well as on VOD. Partnered with OCN Distribution, IFC will release new titles on home video and revisit past favorites in brand new editions, with many making their HD physical media debuts. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe long-awaited follow up to Gaspar Noé’s controversial IRREVERSIBLE, ENTER THE VOID is a visionary cinematic roller-coaster ride that “represents a revolutionary break from ordinary movie storytelling” (Andrew O’Hehir, Salon). Nathaniel Brown and Paz de la Huerta star in the visceral journey set against the thumping neon club scene of Tokyo, which hurls the viewer into an astonishing trip through life, death, and the universally wonderful and horrible moments in between.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003edirected by: Gaspar Noé\u003cbr\u003estarring: Nathaniel Brown, Paz de la Huerta, Cyril Roy, Olly Alexander\u003cbr\u003e2009 \/ 161 min \/ 2.35:1 \/ English, Japanese DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eNew audio commentary by film writer Elena Lazic\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cem\u003eSex and the Dead\u003c\/em\u003e: a new video essay by Chris O'Neill\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eDeleted scenes\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eVFX reel\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eVortex featurette\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eDMT Loop featurette\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eVarious trailers and teasers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003e40 page book with new writing by film critics Bilge Ebiri, Caden Mark Gardner and Nick Newman (\u003cem\u003e\u003cstrong\u003elimited edition only\u003c\/strong\u003e\u003c\/em\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dL0lNGXoP8E?si=GfrVJzQtZxCqOVd3\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"IFC Films","offers":[{"title":"Limited Edition Slipcase","offer_id":42822690078762,"sku":"IFC-011 CASE","price":39.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42822690111530,"sku":"IFC-011","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Enter_The_Void_LTD_Front.jpg?v=1762199976"},{"product_id":"tokyo-uber-blues","title":"Tokyo Uber Blues","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis special limited edition slipcover (designed by Benoit Tardif) is limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003e,000 units \u003c\/b\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eUnemployed in the wake of the pandemic, 26 year-old filmmaker Taku Aoyagi decides to try his luck in Tokyo. Short on worldly possessions but a bike and a phone, he becomes an Uber Eats rider. Now, he can decide his own hours and is free to choose when to take orders! But pedalling through deserted streets delivering boba tea to cloistered condos, he starts to wonder... what was it that Ken Loach said about the Uberization of society?\u003c\/p\u003e\n\u003cp\u003eThrillingly shot from a first-person perspective on a mixture of smartphones and GoPros, first-time vlogger-turned-director Taku Aoyagi invites the audience to join him on his daily rides speeding through a deserted city. Talking to himself and his peers, he asks: for a young, unemployed person with $40,000 of student debt, does gig-work offer a model for the future?\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Taku Aoyagi\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003estarring: various\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e2021 \/ 93 min \/ 1.78:1 \/ Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eTheatrical Cut (93mins, 2021)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eDirector's Introduction\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eTV Cut (52 mins, 2024) with optional Audio Description\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eThe Road He Walks: A Story of He-Kun (47mins, 2018)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003ePerformance of “Tokyo Uber Blues” by composer Shû Akiyama (4mins, 2023)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eTheatrical Q\u0026amp;A in Los Angeles (31mins, 2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eTheatrical Release Trailer (2 mins, 2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eBooklet with new writing by Calliope Vasiliki\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eOptional English subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/RMERHWhtSIU?si=uOnbnVLQJeS05jby\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":42822769115178,"sku":"KANI-027 SLIP","price":30.49,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42822769147946,"sku":"KANI-027","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Tokyo_Uber_Blues_LTD_Front.jpg?v=1762199978"},{"product_id":"warm-water-under-a-red-bridge-1","title":"Warm Water Under a Red Bridge","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss and embossed slipcover (designed by Brandon Schaefer) is limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003cb\u003e,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003eBrimming with magical realism, sensuality, and humor, the final film by revered filmmaker Shohei Imamura is \"an enlightening, even liberating, experience\" (Roger Ebert, Chicago Sun-Times) that tells the story of Yosuke Sasano, an unemployed salaryman who arrives in a remote fishing village following a rumor of hidden treasure. Instead, he meets Saeko Aizawa, a charming and unusual woman with a unique problem: a well of warm water inside her longing for release. Saeko faces both shame and adoration for her condition, which the local anglers believe feeds the river and its fish. Intrigued and enamored, Yosuke decides to take up a new life as a fisherman. Through their passionate affair, Imamura paints a picture of longing, fantasy, and the search for true happiness in the most unexpected of places that's both \"nonchalantly freaky and uncommonly pleasurable\" (Michael Atkinson, The Village Voice).\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Shohei Imamura\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003estarring: Kôji Yakusho, Misa Shimizu\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003e2001 \/ 119 min \/ 1.78:1 \/ Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eMessy and Juicy video essay by author and film curator Tom Vick\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003e16-page booklet with essays by film scholar and writer Hwang Kyunmin and film critic Jessica Yeung\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/2j2vu9tJRk4?si=rRSmdeDFgaIk8rBq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":42889530998826,"sku":"FMC_024b SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42889531031594,"sku":"FMC_024b","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Warm_Water_LTD_Front.jpg?v=1762199996"},{"product_id":"nature-and-nurture-three-films-by-naomi-kawase","title":"Nature and Nurture: Three Films By Naomi Kawase","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eAdam Maida) was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms \u003c\/span\u003eby auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable for the first time ever on Blu-Ray in North America, Film Movement presents 3 films by Japanese auteur Naomi Kawase.\u003c\/p\u003e\n\u003cp\u003eTRUE MOTHERS:\u003cbr\u003eAfter a long and unsuccessful struggle to get pregnant, Satoko and her husband decide to adopt a child. Over the next six years, the middle-class couple and their young son Asato settle into a comfortable, albeit routine, life. The family’s orderly existence is shattered by the arrival of Hikari, a young woman claiming to be Asato’s biological mother, demanding his return. As tensions mount, Satoko grows more and more emboldened to defend her family. \u003c\/p\u003e\n\u003cp\u003eRADIANCE:\u003cbr\u003eMisako (Ayame Misaki) is a passionate writer of film versions for the visually impaired. At a screening, she meets Nakamori (Masatoshi Nagase), an older photographer who is slowly losing his eyesight. Misako soon discovers Nakamori’s photographs, which strangely bring her back to her past. Together, they learn to see the radiant world that had been invisible to her eyes.\u003c\/p\u003e\n\u003cp\u003eSTILL THE WATER:\u003cbr\u003eOn the subtropical Japanese island of Amami, sixteen-year-old Kaito (Nijiro Murakami) discovers a young woman’s body floating in the sea. His girlfriend Kyoko (Jun Yoshinaga) attempts to help him make sense of this mystery while also coming to terms with her shaman mother’s terminal illness. Together, they broach adulthood by experiencing the interwoven cycles of life, death and love.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003edirected by: Naomi Kawase\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003estarring: \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eTRUE MOTHERS - Hiromi Nagasaku, Arata Iura, Aju Makita, Reo Sato\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eRADIANCE - Ayame Misaki, Masatoshi Nagase, Tatsuya Fuji\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSTILL THE WATER - Nijirô Murakami, Junko Abe, Miyuki Matsuda, Tetta Sugimoto\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e2014-2020 \/ 383 min (combined) \/ 1.85:1, 2.39:1, 2.35:1 \/ Japanese DTS-HD MA 2.0, 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e2-Disc Region A Blu-ray\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eBonus feature: Actress Juliette Binoche and filmmaker Naomi Kawase discuss True Mothers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement","offers":[{"title":"Limited Edition Slipcover","offer_id":42893004898346,"sku":"FM-019 SLIP","price":31.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42893004931114,"sku":"FM-019","price":29.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Nature_And_Nurture_LTD_Front.jpg?v=1762199997"},{"product_id":"shari","title":"Shari","description":"\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis special limited edition slipcover (designed by Yurie Hata) is limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003e,000 units \u003c\/b\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eWelcome to Shari: a small town, located on the easternmost part of Japan’s northernmost island, Hokkaido, in the Shiretoko Peninsula where the Sea of Okhotsk meets Russian shores. Here, we meet hunters and bakers who love venison a few ways; expert flying squirrel enthusiasts and a collector known for his “Hall of Hidden Treasures”. At the heart of it all is the conspicuous absence of drift ice and fish in this crucial winter season. Meanwhile, the Red Thing, a yeti sanguine “like a throbbing blood clot” rampages through the scenery where folklore blossoms from man and nature converging – the latter now skipping a beat.\u003c\/p\u003e\n\u003cp\u003eNao Yoshigai (whose spectacular short films have charmed festival audiences across the world, including at Cannes’ Director’s Fortnight with Grand Bouquet) makes her feature debut with Shari, a remarkable experimental documentary bringing the viewers to one of Japan’s most secluded and magnificent areas. Like Yoshigai’s short works – which straddles the line between documentary, dance film, and fantasy – Shari is multifaceted: part introspective travelogue, part exploration of myth and legend, part climate change diary and artful in situ intervention. It offers a unique viewpoint into a place and people rarely captured on film and advocates for the future of Japan’s far-flung areas, uncertain in a warming world.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Nao Yoshigai\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: various\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2021 \/ 63 min \/ 1.78:1 \/ Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eShort film: Breathing House (2019, 14 minutes)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eShort film: Wheel Music (2017, 13 minutes)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with Nao Yoshigai (2025, 19 minutes)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFeaturette: Shari Winter 2025 (2025, 10 minutes)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":42893133512746,"sku":"KANI-028 SLIP","price":30.49,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42893133545514,"sku":"KANI-028","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Shari_LTD_Front.jpg?v=1762200002"},{"product_id":"freeze-me","title":"Freeze Me","description":"\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eFive years ago, Chihiro was raped by three men. The crime was captured on video, its images hanging over her life like a sword. Having left her rural hometown for the big city, she has managed to start anew. She works an office job and is about to marry her boyfriend when one of her assailants shows up at her doorstep, threatens blackmail and warns her: they are back, it is happening again. Now waking to a recurring nightmare, Chihiro is shocked into an unexpected set of actions action that will keep her abusers close, forever.\u003c\/p\u003e\n\u003cp\u003eOne of the most memorable Japanese exploitation films of the 2000s, Takashi Ishii’s Freeze Me places a heavier emphasis on stasis, anger, and the haunting effects of sexual assault, than is usually customary for the rape-revenge genre. Icy, shocking and carried by Harumi Inoue’s bold performance, the film also serves as a culmination of sorts for director Ishii’s formalism (A Night in Nude, Gonin) and his time at Nikkatsu. Shot on 16mm for a small budget on the studios’ sound stages, this is an bitter and confrontational work that isn’t easy to recommend to all, but that nonetheless lingers in the mind as one of its director’s most refined ‘women in peril’ films — inviting allegorical readings that complicates its own base function as provocation and emphasize the horrors of Japanese patriarchy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Takashi Ishii\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003estarring: Harumi Inoue, Shingo Tsurumi, Kazuki Kitamura, Shunsuke Matsuoka, Daisuke Iijima, Ito Yozaburo, Naoto Takenaka\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e2000 \/ 101 min \/ 1.85:1 \/ Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e2K Restoration\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eInterview with cinematographer Yasushi Sasakibara (17mins, 2025)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eBooklet with new writing by Samm Deighan\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cspan\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bqFSwSeeHxE?si=IZ4iPK5hMsz4XNWv\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":42991801466922,"sku":"KANI-029 SLIP","price":30.49,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42991801499690,"sku":"KANI-029","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Freeze_Me_LTD_Front.jpg?v=1753118395"},{"product_id":"amiko","title":"Amiko","description":"\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis special limited edition slipcover is limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003e,000 units \u003c\/b\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eBefore Desert of Namibia, Yoko Yamanaka premiered Amiko, described as a “distant cousin of Louis Malle’s Zazie dans le métro” by way of the uniquely DIY spirit of the self-produced film (jishu eiga) tradition.\u003c\/p\u003e\n\u003cp\u003eThe young Amiko is obsessed with her classmate Aomi, a cool soccer player and Radiohead fan, with whom she goes on a short, but memorable stroll through the park. There begins a fixation that carries over the entire school year: a period during which she dares not speak to the boy, though she obsesses over him with every waking thought. So when he run away to the big city to pursue his own life, Amiko becomes determined to find him, and tell him how she really feels, on a journey that will take her from her banal home town of Nagano to the bustling, anonymous streets of Tokyo. \u003c\/p\u003e\n\u003cp\u003eAmiko is a gleefully irreverent, crystalline sour-sweet confection of extreme emotions, forged in the fiery pits of adolescence. Having dropped out of college herself to pursue this first feature, Yamanaka subverts the image of the schoolgirl into a strong counter-cultural figure, revealing what should become a cult character: a young punk in seifuku, resisting apathy, mass culture and a boy’s indifference one fistful of conviction at a time. Shot with available means and a bathtub-full of mouth-puckering passion, this Pia Film Festival-awarded and Berlinale-selected film established Yamanaka as one to watch.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Yoko Yamanaka\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003estarring: various\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e2017 \/ 66 min \/ 1.78:1 \/ Japanese DTS-HD MA 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eHigh Definition presentation\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eArchival Q\u0026amp;A with director Yoko Yamanaka (Japan Cuts, 2018)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eQ\u0026amp;A with director Yoko Yamanaka, moderated by Jawni Han (Metrograph, 2025)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eBooklet with on-set photographs and writing from novelist Missouri Williams\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eNew art from Dylan Haley\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/05-SQGUlzO0?si=QoouNZiTiCXdI3dW\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":43383143497770,"sku":"KANI-031 SLIP","price":30.49,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":43383143530538,"sku":"KANI-031","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Amiko_LTD_Front.jpg?v=1755285223"},{"product_id":"sato-1-re-wind-lustmord-love-letter-in-the-sand","title":"The Films of Hisayasu Satô: Volume #1 - Re-Wind \/ Lustmord \/ Love Letter In the Sand","description":"\u003cp\u003eThis listing is for the standard edition Blu-ray. The limited edition hard slipcase + slipcover combo\u0026amp;nbsp;(designed by Luke Insect) was limited to \u003cstrong\u003e4,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the packaging and 40-page book.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe 1970s through 1990s saw a boom in transgressive genre filmmaking throughout Asia, but particularly in Japan where the \"Pinku Eiga\" became one of the most popular types of films produced in the country. With young filmmakers seizing an opportunity to hone their craft, countless soon-to-be celebrated directors created work which were more daring, unusual, and often shocking than just about any of the other genre cinema ergering across the globe. Pink Line will present exclusive new restorations of select works from key Asian erotic filmmakers, with a focus on Japan's Pinku Eiga genre.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the most esteemed and transgressive filmmakers ever to work in Japan's explosively popular Pink Film genre, Hisayasu Satô crafted erotic films that were both genre-defying and artfully-minded. While Satô's work is infused with horror and thriller tropes, it boasts a punk and avant-garde aesthetic singularly his own. In this debut release, Pink Line begins to explore this immense body of work with three of Satô's most outlandish and profound features, each newly and exclusively restored in 2K from their 35mm original camera negatives with newly-translated English subtitles, all under the supervision of Satô himself.\u003c\/p\u003e\n\u003cp\u003eIn LUSTMORD (aka Pleasure Kill), Satô commences his meditation on the fusion of sex and death. Eiji, a reclusive and awkward teenage boy, is fixated on creating a serum capable of breaking down the barrier between pleasure and pain, much to the dismay of his research physician mother. Deciding to conduct his own experiments, Eiji slips the serum to several women, but is unprepared for the horrifying results. Later remade by Satô as the straight horror feature Naked Blood, this early directing effort conjures a remarkable waking nightmare approach, as the impending threat of violence and insanity permeates every scene as it builds towards a typically cynical and cryptic conclusion.\u003c\/p\u003e\n\u003cp\u003eRE-WIND (aka Celluloid Nightmare) functions as Satô's tribute to Michael Powell's masterpiece Peeping Tom. After a grisly, point-of-view snuff videotape is found in a refrigerator, a young man becomes obsessed with discovering who made it and whether or not the brutal murder was real. As he delves into Tokyo's underground video scene, his own perversions come to the fore as he grows ever closer to uncovering the shocking truth, alongside a female reporter who calls herself Crime Hunter. Fusing gruesome gore and raw sex while wryly playing with the artifice inherent to the video format, RE-WIND remains one of Satô's most powerful and impressive early works.\u003c\/p\u003e\n\u003cp\u003eLOVE LETTER IN THE SAND (aka Pervert Ward: Torturing the White Uniform), is Satô crafting a noir-inspired erotic thriller, using blazing, heavily-gelled color. During a month of unusually heavy rain in Tokyo, a mystery assailant has been brutally assaulting and killing people with a metal bat. When a handsome young man with amnesia is found outside an area hospital, the nurse who discovered him begins to suspect that he may in fact be the assailant. But her own strange erotic fixations with him, and the questionable involvement of the doctor tasked with the amnesia victim, lead them all down an increasingly twisted path of deeply-rooted trauma and violence.\u003c\/p\u003e\n\u003cp\u003edirected by: Hisayasu Satô \u003cbr\u003estarring: Masae Abe, Sayaka Hitomi, Kiyomi Itô, Maya Shiraki, Yoko Fujita, \u003cbr\u003eShigeru Sasaki, Nanako Fujitani, Yui Hoshikawa\u003cbr\u003e1987, 1988, 1988 \/ 58 min, 64 min, 61 min \/ 1.85:1 \/ Japanese \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-Disc Region Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e40-page perfect bound book (\u003cem\u003elimited edition only\u003c\/em\u003e) includes essays by Ariel Esteban Cayer, Tori Potenza, and Jasper Sharp\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLUSTMORD\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with Japanese cinema expert Jasper Sharp for Lustmord\u003c\/li\u003e\n\u003cli\u003e\"Kill Kill\" - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Written in Blood\" - an interview with writer Taketoshi Watari\u003c\/li\u003e\n\u003cli\u003e\"Walking in Circles\" - a locations featurette with director Hisayasu Satô covering all three films\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRE-WIND\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with film critic Simon Abrams\u003c\/li\u003e\n\u003cli\u003e\"Visual Pleasure\" - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Caught in the Act\" - an interview with actress Kiyomi Itô\u003c\/li\u003e\n\u003cli\u003e\"Shooting His Shot\" - an interview with writer Yumeno Shiro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLOVE LETTER IN THE SAND\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with film historian \u0026amp; author Samm Deighan\u003c\/li\u003e\n\u003cli\u003e\"Medical Mayhem\" - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Pretty in Pink\" - an interview with film critic Risaku Kiridoshi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/wr0uKBjW5zg?si=Sx4vNC5C9C8-4tWh\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Pink Line","offers":[{"title":"Limited Edition Slipcase","offer_id":43485349183530,"sku":"PL-001 CASE","price":42.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":43485349216298,"sku":"PL-001","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Sato_Vol1_P1_PL-001_Y837W.jpg?v=1777650351"},{"product_id":"desert-of-namibia","title":"Desert of Namibia","description":"\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis special limited edition slipcover (designed by Dylan Haley) is limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003e,000 units \u003c\/b\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e21-year-old Kana (rising star Yuumi Kawai) works a disaffected job at a beauty salon, where she bristles against the beauty expectations placed on women her age. Her erratic mood and default to self-destruct impacts all of her relationships, as moments of levity erupt into violence and optimism simmers to despair. Bored with her slavish boyfriend, she finds another; the novel excitement of it all soon devolving into a volatile predicament. Uncommitted and trapped in her own life, Kana slowly makes her way towards the inner desert of her emotions. \u003c\/p\u003e\n\u003cp\u003eAlternating between claustrophobic blocking, ample zooms and expressive whip-pans brought together by dryly comedic editing and an intense actor’s direction, the sophomore effort from director Yoko Yamanaka (the youngest filmmaker to have a film selected at the Berlin International Film Festival with her 2017 debut Amiko) provides a frank and dynamic examination of womanhood and mental health in contemporary Japan. Inspired by the female protagonists of Yasuzo Masumura as much as the intense Cassavetes\/Rowlands collaboration, Yamanaka breaks out with a work of stark confrontational honesty.\u003c\/p\u003e\n\u003cp\u003e“Yoko Yamanaka's Desert of Namibia is profoundly affecting; imbued with a calm, introverted cruelty; like a girl without a home standing on any Tokyo street corner saying to the world, ‘I don't understand!’” – Lou Ye (Suzhou River)\u003c\/p\u003e\n\u003cp\u003e\"Yamanaka’s film defies cliché by depicting an unpleasant side of girlhood that many would prefer to deny exists.\" - Ariana King, Far-Near\u003c\/p\u003e\n\u003cp\u003e\"With Desert of Namibia, Yoko Yamanaka creates a heroine for our thoroughly addled times.\" Lisa Wong Macabasco, Vogue\u003c\/p\u003e\n\u003cp\u003e\"Desert of Namibia is a somewhat unclassifiable film, but it’s deeply felt, defiant, embodied – female.\" - Blake Simons, IndieWire\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Yoko Yamanaka\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003estarring: Yuumi Kawaii, Daichi Kaneko, Kanichiro, Erika Karata\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e2024 \/ 137 min \/ 1.33:1 \/ Japanese DTS-HD MA 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eHigh Definition presentation\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eInterview with director Yoko Yamanaka (2025)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003ePanel discussion with director Yoko Yamanaka and actor Yuumi Kawaii (2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eAudio Commentary with director Yoko Yamanaka and actors Yuumi Kawaii, Daichi Kaneko, and Kanichiro\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eFeaturette \"Yoko in NYC\" (Aaron Hunt, 2025)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eQ\u0026amp;A with director Yoko Yamanaka at MOMI First Look (2025)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eBooklet with on-set photographs and new writing from critic Katherine Connell\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eNew art from Dylan Haley\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eEnglish, English SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/24ewX2Zf4m0?si=1lH8rNBe0kOT_sSu\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":43650164949034,"sku":"KANI-032 SLIP","price":30.49,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":43650164981802,"sku":"KANI-032","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Desert_Of_Namibia_LTD_Front_c6d07d8a-d782-463d-8863-395ba412df48.png?v=1759418653"},{"product_id":"the-maiku-hama-trilogy","title":"The Maiku Hama Trilogy","description":"\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThis listing is for the standard edition 3-Disc Blu-ray. The limited edition slipcover \u003cmeta charset=\"utf-8\"\u003e(designed by Maxime Gérin) was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eLaunched to stardom by Jim Jarmusch’s Mystery Train, enigmatic actor Masatoshi Nagase thrives as the hardboiled detective wannabe Maiku Hama in Kaizo Hayashi’s trilogy of the same name, encompassing The Most Terrible Time in My Life (1994), The Stairway to the Distant Past (1995) and The Trap (1996). Stomping through the bustling-and-hustling port city of Yokohama, Hama operates out of a run-down movie theatre and his office sees every kind of customer: from rich ladies looking for runaway pups to serial murderers who look suspiciously like himself… Equal part American hardboiled detective pastiche, Seijun Suzuki-style Nikkatsu akushon send-up, and Masatoshi Nagase’s own new school comedic charmer, the Maiku Hama Trilogy is a cult phenomena of 90s Japanese cinema, that would go on to inspire many – and spawn its own anthology NTV television series The Private Detective Mike by 2002.\u003c\/p\u003e\n\u003cp\u003eThe trilogy kicks things off in akushon black-and-white with The Most Terrible Time in My Life, set among immigrant communities of a multi-cultural Yokohama. When Maiku accidentally saves a Taiwanese immigrant named Yang during a mahjong parlour brawl, he becomes embroiled in a tale of two brothers at the heart of an underground pan-Asian mafia on the brink of war.  \u003c\/p\u003e\n\u003cp\u003eIn The Stairway to the Distant Past, now in vibrant color, Maiku Hama returns in a dashing convertible that is promptly repo’d. Taking on odd jobs, from lost dogs to men looking for their own selves, Hama’s search leads him to a past he thought he’d left him behind as the port city’s most legendary stripper returns and our detective struggles with being a chip off the old block. \u003c\/p\u003e\n\u003cp\u003eClosing out the trilogy is The Trap in which Nagase stars in a memorable double role. When a string of young women in floral dresses are found serenely posed and afflicted with rigor mortis, alarms are sounded throughout Yokohama about the possibility of a serial killer on the loose. But when all evidence points to Hama, he has to fight against the clock and former allies, putting his trust in a rookie cop and his trusted sidekick Hoshino. Will Hama escape the trap?\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Kaizo Hayashi\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003estarring: Masatoshi Nagase, Akaji Maro, Haruko Wanibuchi, Hou De Jian, Housei Kondo\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e1993, 1995, 1996 \/ 299 min (combined) \/ 2.35:1 \/ Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cspan\u003e3-Disc Region A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eNew art by Maxime Gérin\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eEnglish, English SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eDISC 1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K Restoration of The Most Terrible Time In My Life\u003c\/li\u003e\n\u003cli\u003eAudio commentary by writer Jasper Sharp\u003c\/li\u003e\n\u003cli\u003eInterview with director Kaizo Hayashi\u003c\/li\u003e\n\u003cli\u003eInterview with producer Shunsuke Koga\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDISC 2\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K Restoration of The Stairway to the Distant Past\u003c\/li\u003e\n\u003cli\u003eSelected scene commentary from director Edmund Yeo\u003c\/li\u003e\n\u003cli\u003e\"The Mike Hama Trilogy: An Introduction,\" a video essay by Matthew Carter\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDISC 3\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K Restoration of The Trap\u003c\/li\u003e\n\u003cli\u003eAudio Commentary by film writer Samm Deighan\u003c\/li\u003e\n\u003cli\u003e\"From Memphis to Yokohama: Chasing the Shadow of Masatoshi Nagase,\" a video essay by James Balmont\u003c\/li\u003e\n\u003cli\u003eTrailer\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XoWO68gMPoQ?si=6QWoEplP5ySMkg_q\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":43650193129514,"sku":"KANI-033 SLIP","price":42.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":43650193162282,"sku":"KANI-033","price":40.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Maikuhama_Trilogy_LTD_Front_4294b240-6897-42e6-85f9-d3f64d29dd9b.png?v=1759418892"},{"product_id":"creepy","title":"Creepy","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover (designed by Chris Barnes) is limited to \u003cb\u003e2,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eKimStim is a Brooklyn based, full-service distribution company dedicated to the release of exceptional independent, foreign, and documentary film. Founded in 2000 by Mika Kimoto and Ian Stimler, KimStim brings to US and North American audiences selected films from around the world gleaned from the most prestigious film festivals and include top prize winners from Sundance, Cannes, Venice, Toronto, Berlin, and Tribeca.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003eKiyoshi Kurosawa, who made his name with classics Cure and Bright Future, gets back to his roots by putting the thumbscrews to the audience with his latest, Creepy. A year after a botched hostage negotiation with a serial killer turned deadly, ex-detective Koichi (Hidetoshi Nishijima), and his wife move into a new house with a deeply strange new neighbor (Teruyuki Kagawa). His old cop colleagues come calling for his help on a mysterious case, which may be related to the strange goings-on next door, in this insidiously-constructed narrative that braids plot twists on top of plot twists and shock on top of shock.\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003edirected by: Kiyoshi Kurosawa\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003estarring: Hidetoshi Nishijima, Yuko Takeuchi, Teruyuki Kagawa, Haruna Kawaguchi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e2016 \/ 130 min \/ 2.35:1 \/ Japanese DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eNew audio commentary with film historians Jasper Sharp and Amber T.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cem\u003eProximity: Kiyoshi Kurosawa’s Creepy\u003c\/em\u003e by Cristina Álvarez López and Adrian Martin, July 2017, for MUBI Notebook\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eBooklet with new writing by film critic Kristen Yoonsoo Kim\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"KimStim","offers":[{"title":"Limited Edition Slipcover","offer_id":43650314633258,"sku":"KIM-004 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":43650314666026,"sku":"KIM-004","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Creepy_LTD_Front_11f97d9f-68d0-4a5b-b266-5e26fedd5210.png?v=1759418476"},{"product_id":"loves-whirlpool","title":"Love's Whirlpool","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition slipcover (designed by Matt Needle) is limited to \u003cstrong\u003e1,0\u003c\/strong\u003e\u003cb\u003e00 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms \u003c\/span\u003eby auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSix strangers meet at an underground sex club in Japan for a night of anonymous pleasure. While first-timers and regulars collide, each member’s attitude towards sex and satisfaction becomes challenged as their kinks and inhibitions begin to reveal more than they were initially willing to let on.\u003c\/p\u003e\n\u003cp\u003eAdapted from the critically acclaimed play of the same name, LOVE’S WHIRLPOOL explores Japan’s fuzoku (sex industry) with candor, humor and freewheeling indecency. “Stylishly shot and explicit,” Daisuke Miura’s foray into the city’s erotic underbelly provides “great thrills, both erotic and comedic, as well as genuine emotion” (Screen Anarchy).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Daisuke Miura\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003estarring: Sôsuke Ikematsu, Mugi Kadowaki, Ken'ichi Takitô, Eriko Nakamura, Hirofumi Arai, Yôko Mitsuya\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003e2014 \/ 123 min \/ 1.85:1 \/ Japanese DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eInterview with director Daisuke Miura\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/67zajbSJkvE?si=6c9MYZFODA9iapMV\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement","offers":[{"title":"Limited Edition Slipcover","offer_id":43702788816938,"sku":"FM-029 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":43702788849706,"sku":"FM-029","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Love_s_Whirlpool_LTD_Front.png?v=1760136330"},{"product_id":"shall-we-dance","title":"Shall We Dance?","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eElizabeth Yoo) was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003eShohei Sugiyama (Koji Yakusho) seems to have it all - a high-paying job as an accountant, a beautiful home, a caring wife and a doting daughter he loves dearly. However, he feels something is missing in his life. One day while commuting on the train he spots a beautiful woman staring wistfully out a window and eventually decides to find her. His search leads him head-first into the world of competitive ballroom dancing.\u003c\/p\u003e\n\u003cp\u003eAn “infinitely touching\" (Washington Post) modern classic from director Masayuki Suo, SHALL WE DANCE? is a feel-good romantic comedy that \"will sweep you off your feet\" (Austin Chronicle). A box office sensation in North America upon its initial release (which led to a Hollywood remake with Richard Gere), Film Movement Classics presents SHALL WE DANCE? in a new 4K restoration of the original 137-minute film, available uncut for the first time in North America.\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Masayuki Suo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003estarring: Koji Yakusho, Tamiyo Kusakari, Naoto Takenaka\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003e1996 \/ 137 min \/ 1.85:1 \/ Japanese DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eNew introduction by director Masayuki Suo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eArchival interviews with the director and cast\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RIN-eac86j0?si=VsP45FqfC2tJn5cG\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":43702794190890,"sku":"FMC-012 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":43702794223658,"sku":"FMC-012","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Shall_We_Dance_LTD_Front.png?v=1760137072"},{"product_id":"pink-cut-top-stripper","title":"Pink Cut \u0026 Top Stripper","description":"\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eBefore The Family Game redefined the Japanese cinema of the 1980s, Yoshimitsu Morita cut his teeth on two remarkable erotic films for Nikkatsu’s Roman Porno line: Top Stripper (1982) and Pink Cut: Love Me Hard, Love Me Deep (1983). Marked by an atypically sweet, sex-positive tone and an infectious pop sensibility that stands out amongst the more tortured classics of the genre, both films find the independent filmmaker working with studio resources for the first time and therefore experimenting with various new modes of filmmaking.\u003c\/p\u003e\n\u003cp\u003eTop Stripper follows Yoichi (Kensuke Miyawaki), a bright-eyed delivery boy who misguidedly falls in love with the stripper next door, Gloria (Kaori Okamoto). Shot on-location in a near-documentary style that forefronts delightful bygone locations and the camaraderie inherent to the strip club’s troupe, the film hits a surprising note of coming-of-age, suffused with open-ended questions about spectatorship that prove critical of the medium itself. Its pop-inflected counterpart, Pink Cut: Love Me Hard, Love Me Deep, sees Morita working on a set for the first time, basking in the artificiality of it all. Morita goes as far as staging musical numbers, in a fantasmatic tale of entrepreneurship that finds Mami (Mayumi Terashima) and Yuka (Mai Inoue) open a barbershop best known for its… special services. A pure candy-colored concoction emblematic of the 1980s, it reveals Morita as a thoroughly versatile filmmaker that here takes his first steps towards the striking, playful postmodernism that would define his entire oeuvre.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Yoshimitsu Morita\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003estarring: Kaori Okamoto, Ken Miyawaki, Nami Misaki, Ayako Ota, Jun Ueno, Yudo Yoshikawa, Akio Kaneda\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e1982, 1983 \/ 130 min (combined) \/ 1.85:1 \/ Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eHigh Definition presentation\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eInterview with producer Kazuko Misawa on Yoshimitsu Morita (2025)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eKazuko Misawa introduces Top Stripper (2026)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eKazuko Misawa introduces Top Stripper\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eBooklet with on-set photographs and new writing from Aaron Gerow\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eNew art from Seosie Kim\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eEnglish, English SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GJnwuF0j5e0?si=o2yveHQpKWps8peO\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":43708195110954,"sku":"KANI-034 SLIP","price":35.49,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":43708195143722,"sku":"KANI-034","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Top_Stripper_LTD_Front.png?v=1760377184"},{"product_id":"hot-spring-shark-attack","title":"Hot Spring Shark Attack","description":"\u003cp\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eJohnny Ryan) was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn a small hot spring town in Japan, a ferocious ancient shark reawakens and begins terrorizing the local hot spring facilities. As the threat escalates, the townspeople band together to protect their beloved town from the menacing predator, leading to a fierce and thrilling battle.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003edirected by: Morito Inoune\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cbr\u003estarring: Shoichiro Akaboshi, Takuya Fujimura, Kiyobumi Kaneko, Koichi Makigami, Masaki Naito, Mio Takaki, Shigeo Ôsako\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cbr\u003e2024 \/ 77 min \/ 2.35:1 \/ Japanese DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003eAudio commentary by assistant director \/ special effects coordinator Jun Shimazaki and writer\/ director Morihito Inoue\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003eCrowdfunding promotional video\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003eSocial Media Trailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003eAtami Monster Film Festival Trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003e\"Fake News\" Teaser Trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003e\"Hot Spa Shark\" Early Teaser Trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003eRecording the musical score\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003eFootage of the 3D Billboard Advertisement in Shinjuku\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003eMaking the Practical Special Effects\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003eMaking the Visual Effects\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003e\"Scorching War Song\" - Theme from Hot Spring Shark Attack music video\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003eAudience footage from the 2024 Tokyo International Shark Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003eBooklet with new writing by film critic Sam Cohen\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-root=\"1\"\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/9oK8BhY2pfY?si=JnDl7wLwVLMnUEeG\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Utopia","offers":[{"title":"Limited Edition Slipcover","offer_id":43708277391402,"sku":"UTO-036 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":43708277424170,"sku":"UTO-036","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Hotspring_Shark_Attack_LTD_Front.png?v=1760382933"},{"product_id":"the-films-of-hisayasu-sato-volume-2-an-aria-on-gazes-love-zero-infinity","title":"The Films of Hisayasu Satô: Volume #2 - An Aria on Gazes \/ Love - Zero = Infinity","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003ePlease Note:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eIf you ordered Satô Vol.1 between September 1st - 3rd, please use coupon code \u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSATO2 \u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eto save $6 on this release. Subscribers, please use coupon code \u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSATO2-SUB\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Luke Insect), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e4,000 units\u003c\/strong\u003e.\u003c\/span\u003e It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe 1970s through 1990s saw a boom in transgressive genre filmmaking throughout Asia, but particularly in Japan where the \"Pinku Eiga\" became one of the most popular types of films produced in the country. With young filmmakers seizing an opportunity to hone their craft, countless soon-to-be celebrated directors created work which were more daring, unusual, and often shocking than just about any of the other genre cinema ergering across the globe. Pink Line will present exclusive new restorations of select works from key Asian erotic filmmakers, with a focus on Japan's Pinku Eiga genre.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAs pink film auteur Hisayasu Satô evolved as a filmmaker, he both expanded and refined his fascination with connecting elements of melancholy, violence, voyeurism, and repressed sexuality. In this second installment of THE FILMS OF HISAYASU SATÔ, Pink Line presents two of his most celebrated and also most controversial features from his prolific early 90s output, presented in new director-approved restorations from their 35mm original camera negatives.\u003c\/p\u003e\n\u003cp\u003eIn AN ARIA ON GAZES (aka The Bedroom), an exclusive Tokyo club offers a safe haven for its clients to anonymously indulge in perverse and deeply personal erotic fantasies as the lines between reality and imagination become increasingly opaque - and dangerous. One of Satô’s most lyrical and structurally experimental films, which effortlessly blends moments of tenderness and brutality, centers on a stirring performance by Kiyomi Itô (Muscle) and an appearance by real-life cannibal Issei Sagawa.\u003c\/p\u003e\n\u003cp\u003eIn LOVE - ZERO = INFINITY, Satô’s focus on bonding and connection through voyeurism hits a fever pitch in this simultaneously unsettling and romantic saga of two disturbed outsiders finding unexpectedly kindred spirits in each other. Tōru Bessho, a lonely voyeur whose feverish desire for companionship borders on stalking, is hired by a doctor to follow his mysterious young wife. But as they each grow increasingly aware of the other’s presence, violent desires also begin to erupt within them in this fatalistic piece, blurring intimacy and blood ritual.\u003c\/p\u003e\n\u003cp\u003edirected by: Hisayasu Satô \u003cbr\u003estarring: Kiyomi Itô, Momori Asano, Kyôko Nakamura, Issei Sagawa, Takeshi Itô, Ryûmei Homura\u003cbr\u003e1992, 1994 \/ 127 min (combined) \/ 1.85:1 \/ Japanese\u003cspan data-sheets-root=\"1\"\u003e 1.0 Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e40-page perfect-bound book (\u003cem\u003elimited edition only\u003c\/em\u003e) includes essays by Jasper Sharp, Hayley Scanlon, and Filipe Furtado\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles for both films\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAN ARIA ON GAZES:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with Asian cinema historian Pierce Conran \u0026amp; critic James Marsh\u003c\/li\u003e\n\u003cli\u003e\"I’m Being Watched\" (14 min) - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Lost in the Bedroom\" (12 min) - an interview with actress Kyôko Nakamura\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLOVE - ZERO = INFINITY:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with Japanese cinema expert Jasper Sharp\u003c\/li\u003e\n\u003cli\u003e\"Unidentified Followed Objects (UFOs)\" (10 min) - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Walking in Circles: Part 2\" (24 min) - a locations featurette with director Hisayasu Satô\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/0k_eQomNQa0?si=-gt39TRQyrOOwceY\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Pink Line","offers":[{"title":"Limited Edition Slipcase","offer_id":43787493638186,"sku":"PL-002 CASE","price":37.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":43787493670954,"sku":"PL-002","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Sato_Vol2_P1_PL-002_US791.jpg?v=1777650412"},{"product_id":"fuji_jukai-mov","title":"Fuji_Jukai.mov","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eSince 2004, Bleeding Skull has explored otherworldly cinema through reviews, books, and home video releases. We shine a light on independent genre films that have flown under the radar but deserve to be seen by all. Fangoria has called Bleeding Skull “The go-to encyclopedia for trash, bizarre, and shot-on-video cinema,” while Vice referred to it as “like a fever dream glimpse into parallel worlds\". Visit us at \u003c\/i\u003e\u003ca href=\"http:\/\/bleedingskull.com\/\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eBLEEDINGSKULL.COM\u003c\/i\u003e\u003c\/span\u003e\u003c\/a\u003e\u003ci\u003e.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eNever released outside of Japan, FUJI_JUKAI.MOV is an eerie found footage horror movie from filmmaker Katsumi Sakashita. The story follows Ami, a high school student who travels to the Jukai forest to take her own life. But when students Mi-tan and Hinata interrupt Ami's plans, an even darker side of the forest is revealed. The first J-horror feature to be filmed entirely on an iPhone, FUJI_JUKAI.MOV combines true crime chills with ambitious unfiction to build an unsettling experience that's a true discovery for found footage archeologists.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Closing the gap between dreams and reality, Fabio Salerno's films are the missing link between Dario Argento and George \u0026amp; Mike Kuchar. THE OTHER DIMENSION AND THE FILMS OF FABIO SALERNO is a 2-disc set that presents the late Salerno's complete filmography for the first time in North America. From the accomplished anthology THE OTHER DIMENSION to the fan-favorite short ARPIE, these D.I.Y. arthouse horror films from Italy are true discoveries for adventurous horrorheads.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Shot for $2000 on video in the enchanted forests of Florida, WAY BAD STONE is the unofficial Dungeons \u0026amp; Dragons adaptation that you've been waiting for. The story follows Aladar, a wizard seeking revenge against a gang barbarians—and one demon—who stole a magic stone. Directed by Archie Waugh and co-produced\/written by Jan and Janne Skipper, this bewitching passion project features raucous Ren Faire dialogue, splattery violence, and a powerful dungeon synth soundtrack. It's the perfect complement to your next regularly scheduled LARP campaign.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Katsumi Sakashita\u003cbr\u003estarring: various\u003cbr\u003e2016 \/ 84 min \/ 1.85:1 \/ Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Closing the gap between dreams and reality, Fabio Salerno's films are the missing link between Dario Argento and George \u0026amp; Mike Kuchar. THE OTHER DIMENSION AND THE FILMS OF FABIO SALERNO is a 2-disc set that presents the late Salerno's complete filmography for the first time in North America. From the accomplished anthology THE OTHER DIMENSION to the fan-favorite short ARPIE, these D.I.Y. arthouse horror films from Italy are true discoveries for adventurous horrorheads.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Shot for $2000 on video in the enchanted forests of Florida, WAY BAD STONE is the unofficial Dungeons \u0026amp; Dragons adaptation that you've been waiting for. The story follows Aladar, a wizard seeking revenge against a gang barbarians—and one demon—who stole a magic stone. Directed by Archie Waugh and co-produced\/written by Jan and Janne Skipper, this bewitching passion project features raucous Ren Faire dialogue, splattery violence, and a powerful dungeon synth soundtrack. It's the perfect complement to your next regularly scheduled LARP campaign.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eIn Japanese language with optional English subtitles\u003c\/li\u003e\n\u003cli\u003eRestored from the original HDCAM master\u003c\/li\u003e\n\u003cli\u003eVideo introduction by director Katsumi Sakashita\u003c\/li\u003e\n\u003cli\u003ePartial commentary by film programmer and critic Jenny Nulf\u003c\/li\u003e\n\u003cli\u003eGO TO YOUR HAPPY PLACE: AN APPRECIATION OF FUJI_JUKAI.MOV, a video essay by Bleeding Skull's Joseph A. Ziemba\u003c\/li\u003e\n\u003cli\u003eOriginal trailers\u003c\/li\u003e\n\u003cli\u003eBehind the scenes photo gallery\u003c\/li\u003e\n\u003cli\u003eVHS version\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DzcOW-GTIjE?si=o9Myxw9e45Yz-Qh-\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bleeding Skull","offers":[{"title":"Limited Edition Slipcover","offer_id":43832164286506,"sku":"BS-011 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":43832164319274,"sku":"BS-011","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Fuji_Jukai.mov_LTD_Front.png?v=1763141863"},{"product_id":"100-yen-love","title":"100 Yen Love","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eMatt Needle) was limited to \u003cstrong\u003e500 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms \u003c\/span\u003eby auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e32-year-old Ichiko (Sakura Ando, \u003cem\u003eShoplifters\u003c\/em\u003e) lives at home in self-indulgent grunginess with her parents and recently divorced younger sister. One morning, after a particularly heated argument, Ichiko decides to leave for good. With few options to support herself, she finds a job at a 100 yen shop (dollar store). Each day on her way home from work Ichiko passes a boxing gym where she watches Yuji Kano (Hirofumi Arai) silently practice. The two make plans to see each other, and suddenly life starts to change for Ichiko... At last, the bell rings, and this longtime loser's rematch with life begins!\u003c\/p\u003e\n\u003cp\u003eJapan's official entry for the Best Foreign Language Film Oscar, Masaharu Take's 100 YEN LOVE had its world premiere at the Tokyo International Film Festival where it won the Japanese Cinema Splash Best Picture Award.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Masaharu Take\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Sakura Andô, Hirofumi Arai\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2014 \/ 113 min \/ 1.85:1 \/ Japanese DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eMaking-of Documentary\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7_a-umtxiRU?si=sG4G6iZehcoKAHGi\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement","offers":[{"title":"Limited Edition Slipcover","offer_id":43839500681258,"sku":"FM-031 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":43839500714026,"sku":"FM-031","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/100_Yen_Love_LTD_Front.png?v=1763413835"},{"product_id":"courtesans-criminals-the-underworld-of-hideo-gosha","title":"Courtesans \u0026 Criminals: The Underworld of Hideo Gosha","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003eThis special limited edition spot gloss slipcover (designed by Poochamin) is limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003cb\u003e,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003eOnimasa: Matsue is the adoptive daughter of the Kiryuin House, a small yakuza clan in Shikoku. Onimasa, their leader, is the last heir to a family of samurai. He is hard in business but respected by the poor because of his fairness. Matsue lives in the middle of this society, between gang wars and rivalries among the chief's mistresses. But when Onimasa takes a chivalrous attitude and finds himself on the side of train workers on strike, it annoys the Great Godfather of the island. The story starts in 1918, ending with the nearing of the Second World War.\u003c\/p\u003e\n\u003cp\u003eJapan's Official Submission to the 1982 Academy Awards.  Presented in a new 4K restoration.\u003c\/p\u003e\n\u003cp\u003eTokyo Bordello: A ruined businessman was forced to sell his daughter, Hisano, to a brothel in Yoshiwara, the largest red-light district in Tokyo. After several months of training, she tries to flee Yoshiwara when the time has come for her to take her first customer.\u003c\/p\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Hideo Gosha\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Yuko Natori, Rino Katase, Jinpachi Nezu, Sayoko Ninomiya, Mariko Fuji\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1982, 1987 \/ 279 min (combined) \/ 1.85:1 \/ Japanese DTS-HD MA 1.0, 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eOnimasa:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCommentary by Japanese cinema scholar Jasper Sharp\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eVideo essay by TokyoScope author Patrick Macias\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTokyo Bordello:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCommentary by Japanese cinema scholar Jasper Sharp\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eVideo essay by TokyoScope author Patrick Macias\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":43839527583786,"sku":"FMC-014 SLIP","price":30.49,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":43839527616554,"sku":"FMC-014","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Courtesans_And_Criminals_LTD_Front.png?v=1763416165"},{"product_id":"bye-bye-love","title":"Bye Bye Love","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e2026 Subscribers\u003c\/strong\u003e: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eLost and nihilistic drifter Utamaro chances upon Giko, a female-presenting shoplifter who immediately catches his eye. One thing leads to another and the couple soon find themselves on the lam for murder. This provides for a delightful pretext to explore notions of societal malaise, free love and gender fluidity in a rapidly evolving 1970s Japan, as both Utamaro and Giko begin to know each other on the road by way of a variety of encounters, alternating between surrealistic, psychedelic and sexual.\u003c\/p\u003e\n\u003cp\u003eThe sole feature film directed by Isao Fujisawa, who learned his craft as an assistant director to Hiroshi Teshigahara on New Wave classics such as Woman in the Dunes and The Face of Another, Bye Bye Love is a deeply personal reckoning with sexual identity. Bridging the distance between Pierrot le fou, Bonnie and Clyde and Funeral Parade of Roses with an impeccable sense of style, splashes of Godardian color as well as strong anti-imperialist and existentialist themes, this iconic jishu eiga (self-produced film) was long thought lost until recently shepherded towards restoration by director and programmer Akihiro Suzuki. A new landmark of Japanese queer cinema, it is now distributed in North America for the very first time in 50 years.\u003c\/p\u003e\n\u003cp\u003e“Anticipates the transgressive New Queer Cinema movies of Gregg Araki and Gus Van Sant...” — Luke Goodsell, Metrograph\u003c\/p\u003e\n\u003cp\u003e“A veritable unicorn fossil unearthed from the Pleistocene bogland of 1974 and spit-shined for our retro-retro delectation… Bye Bye Love is pure snot-nosed anti-establishment indie heaven...” — Michael Atkinson, The Village Voice\u003c\/p\u003e\n\u003cp\u003e“Presciently offers an accomplished representation of queer love and genderfluid identity nailing both ends of the trans experience: the reassuring euphoria when gender identity and presentation align and the thorny, insidious envy of cisgender people.\" — Ren Scateni, BFMAF\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Isao Fujisawa\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Ren Tamura, Miyagi Ichijo, Puzo Morita, Atsuko Ami, Satomi Oki, Enver Altenbay\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1974 \/ 85 min \/ 1.85:1 \/ Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e2K restoration\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eIntroduction by director and programmer Akihiro Suzuki\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with director Isao Fujisawa\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with new writing by Akihiro Suzuki\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/tWPsvL5cXqE?si=s6E4MJWhCMVcIfoE\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":43908086169642,"sku":"KANI-035 SLIP","price":30.49,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":43908086202410,"sku":"KANI-035","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Bye_Bye_Love_LTD_Front.png?v=1766086022"},{"product_id":"the-films-of-hisayasu-sato-volume-3-kyrie-eleison-rafureshia-turtle-vision","title":"The Films of Hisayasu Satô: Volume #3 - Kyrie Eleison \/ Rafureshia \/ Turtle Vision","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e2026 Subscribers:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Steak Mtn.), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e4,000 units\u003c\/strong\u003e.\u003c\/span\u003e It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe 1970s through 1990s saw a boom in transgressive genre filmmaking throughout Asia, but particularly in Japan where the \"Pinku Eiga\" became one of the most popular types of films produced in the country. With young filmmakers seizing an opportunity to hone their craft, countless soon-to-be celebrated directors created work which were more daring, unusual, and often shocking than just about any of the other genre cinema ergering across the globe. Pink Line will present exclusive new restorations of select works from key Asian erotic filmmakers, with a focus on Japan's Pinku Eiga genre.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA master of combining the macabre with nihilistic and ill-fated character studies of women on the brink of madness, this third volume of THE FILMS OF HISAYASU SATÔ collects a trio of the master filmmaker's most unsettling (and unpredictable) looks at doomed and demented relationships, all newly restored in 2K from their 35mm original camera negatives, under Satô's supervision, and presented by Pink Line on Blu-ray for the first time.\u003c\/p\u003e\n\u003cp\u003eSatô's study of the psychosexual world of loneliness, KYRIE ELEISON tells the story of a socially isolated medical researcher who begins a series of bizarre experiments she hopes may heal her boyfriend left comatose after an accident. But as her wild experiments in wiretapping have increasingly violent and masochistic results, the lines between reality and nightmare start to irreparably blur.\u003c\/p\u003e\n\u003cp\u003eIn RAFURESHIA, Satô takes a much lighter, almost absurdist tone, in this equally bizarre approach to the Pink film, as he explores the interwoven lives of a set of very different women, as each tries to explore and harness their sexuality in the face of unavoidable abuse. Set in an almost fairytale arc, albeit one with incestuous fathers, dominatrixes, and lecherous homeless men, RAFURESHIA plays with mood and comedy with surprising results.\u003c\/p\u003e\n\u003cp\u003eSatô updates the tropes of a classic “rape and revenge” drama in the highly voyeuristic TURTLE VISION, as a traumatized young woman grows into a cynical and vengeful adult, focusing her carnal and often bloodthirsty rage on the men who court her. Dramatically photographed with exemplary use of Satô’s fixation on video and TV monitors, the story is framed around a professional cameraman (working for an unknown shadowy outfit) whose work takes him to shoot covert footage of sexual acts.\u003c\/p\u003e\n\u003cp\u003edirected by: Hisayasu Satô \u003cbr\u003estarring: Takeshi Itô, Kinako, Yumi Yoshiyuki, Kiyomi Itô, Rei Takagi, Naomi Sugishita, Miki Fukada\u003cbr\u003e1991-1995 \/ 186 min (combined) \/ 1.85:1 \/ Japanese\u003cspan\u003e 1.0 Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-disc Region Free Blu-ray Set\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eKYRIE ELEISON commentary track with Japanese cinema expert Jasper Sharp\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eRAFURESHIA commentary track with Asian cinema historian Pierce Conran \u0026amp; critic James Marsh\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eTURTLE VISION commentary track with critic Amber T\u003c\/li\u003e\n\u003cli\u003e“Lord, Have Mercy” (9 min) - an interview with Hisayasu Satô on KYRIE ELEISON\u003c\/li\u003e\n\u003cli\u003e\"Escape 3\" (14 min) - an interview with Hisayasu Satô on RAFURESHIA\u003c\/li\u003e\n\u003cli\u003e\"Revenge in S\u0026amp;M\" (12 min) - an interview with Hisayasu Satô on TURTLE VISION\u003c\/li\u003e\n\u003cli\u003e\"A Guide to Pink\" (20 min) - an interview with critic Yoshiyuki Hayashida\u003c\/li\u003e\n\u003cli\u003e\"Walking in Circles: Part 3\" (27 min) - Shinjuku with Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e40-page perfect-bound book with essays by: Dakota Noot, Amber T, Fred Barrett (\u003cem\u003elimited edition only\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eReversible sleeve artwork\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/_dGTewdCaZk?si=jF9_Twfms1JfC2FW\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Pink Line","offers":[{"title":"Limited Edition Slipcase","offer_id":43914831626282,"sku":"PL-003 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":43914831659050,"sku":"PL-003","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Sato_Vol3_P1_PL-003_SK1JU.jpg?v=1777650462"},{"product_id":"suo-duo-two-films-by-masayuki-suo","title":"Suo Duo: Two Films by Masayuki Suo","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e2026 Subscribers\u003c\/strong\u003e: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003eThis special limited edition slipcover (designed by Michael DeForge) is limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003cb\u003e,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003e\u003cstrong\u003eFancy Dance\u003c\/strong\u003e: Popular punk rock singer Yohei (Masahiro Motoki, Departures) agrees to become a Buddhist monk for a year in order to inherit his family’s lucrative temple. With his head fully shaved he leaves behind his aggressive girlfriend and other worldly desires for an ascetic lifestyle in the countryside. There he is teamed up with a quirky cast of characters, including his younger brother, who becomes a monastic heartthrob of the fanatical high school girls nearby. While life is hard at first with endless duties and harassment by the higher-ups, pretty soon Yohei discovers that even the senior monks have found ways to buck the system. Some of the nefarious activities of the novice and seasoned monks include dating a woman on the sly, cavorting at hostess bars outside campus grounds, hording candies and other secular antics. When Yohei’s estranged girlfriend comes to drag him back to secular life he finds himself at a crossroads. The sophomore feature by Masayuki Suo (Shall We Dance?) is a sublime hangout comedy whose “mix of belly laughs, slapstick, sex jokes and satire pushes towards a predictably serene, spiritual conclusion\" (Time Out).\u003c\/p\u003e\n\u003cp\u003eThe restoration of FANCY DANCE? was done by Tokyo Koon Co. Ltd., and supervised by Yuichi Nagata. The original camera negative underwent a 4K scan by Imagica Entertainment Media Services, Inc. (Scanity by Digital Film Technology)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSumo Do, Sumo Don't\u003c\/strong\u003e: College student Shuhei (Masahiro Motoki, Departures) finds out he is lacking a few credits for graduation. His crafty professor, a sumo enthusiast, says he’ll let it slip if Shuhei joins the school team and competes in the regional university tournament. Shuhei begrudgingly joins the team, which includes one member, the eccentric repeat student Aoki, and the pretty club manager Natsuko. They are soon joined by a ragtag group of new members including an outspoken British exchange student and a tough overweight coed. Everyone seems driven by ulterior motives at first. Yet as their trials and tribulations see them grow though hilariously outrageous shenanigans, so too does the team cultivate a winning spirit for the traditional Japanese pastime. Sumo Do, Sumo Don’t finds director Masayuki Suo (Shall We Dance?) refining his themes and motifs in this “fully entertaining, sometimes laugh out loud movie about sports underdogs who rise to success” (Japan On Film).\u003c\/p\u003e\n\u003cp\u003eThe restoration of SUMO DO, SUMO DON'T was done by Tokyo Koon Co. Ltd., and supervised by Naoki Kayano. The original camera negative underwent a 4K scan by Imagica Entertainment Media Services, Inc. (Scanity by Digital Film Technology)\u003c\/p\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Masayuki Suo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Masahiro Motoki, Honami Suzuki, Ken Ohsawa, Hikomaro, Masahiro Motoki, Misa Shimizu, Naoto Takenaka, Akira Emoto\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1989, 1992 \/ 205 min (combined) \/ 1.37:1, 1.85:1 \/ Japanese DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e2-Disc Region A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eVideo introductions by director Masayuki Suo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival interviews with actors Naoto Takenaka, Hiromasa Taguchi and director Masayuki Suo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e16-page booklet with essay by film programmer and writer Ariel Esteban Cayer\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/QRrz5rTD0dE?si=po7zM8RBJVnYyeLI\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/7gZhTdKgF4k?si=jUiKKzyWAfUUcFwe\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":44004962369578,"sku":"FMC-015 SLIP","price":31.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":44004962402346,"sku":"FMC-015","price":29.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Fancy_Dance_LTD_Front.png?v=1768934756"},{"product_id":"looking-for-an-angel","title":"Looking for an Angel","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e2026 Subscribers\u003c\/strong\u003e: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis special limited edition slipcover is limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003e,000 units \u003c\/b\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eMostly seen on the gay pink circuit and recently restored by its director to its rightful place in the Japanese arthouse canon, Akihiro Suzuki's debut takes the death of a young gay porn performer named Takachi as its starting point. Looking for an Angel follows Shinpei and Reiko as they process their friend’s disappearance, their memories coalescing into a bold exploration of grief set against the backdrop of a nostalgic, blue-hued city shot in a variety of filmic formats. As the viewer begins to piece together Takachi’s story, laden with desire for another boy named Sorao, between the cities of Tokyo and Kochi (“where the boys look like angels”), a powerful free-associative beauty emerges from a unique work described by Suzuki himself as “neither straight, gay, queer, bisexual, asexual or pornographic, but [rather] anti-heterosexist” — a film completely free of dogma and convention.\u003c\/p\u003e\n\u003cp\u003e“At the time, I felt a sense of rebellion against the heterosexual-dominated world, and wanted to portray sexuality and identity through an ambiguity that cannot be categorized,” says director Akihiro Suzuki. \"I wanted to make a 35mm film like an 8mm film, mix various visual media, and include people of diverse sexualities around me in it.” — Akihiro Suzuki\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Akihiro Suzuki\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Kōichi Imaizumi, Akira Suehiro, Hotaru Hazuki, Akira Kuroiwa, Kôichi Fujishima, Tho Ogura, Keiko Suzuki, Yusui Kawasaki, Hiroyuki Oki\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1999 \/ 61 min \/ 1.85:1 \/ Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with director Akihiro Suzuki\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCommentary track by Dakota Noot (co-host of Two in the Pinku podcast)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBonus feature: New scan of Angel's Body Temperature (2003, 82mins)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSelected scenes commentary by Dakota Noot on Angel's Body Temperature\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with new writing by Elizabeth Purchell\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":44009074753578,"sku":"KANI-036 SLIP","price":30.49,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":44009074786346,"sku":"KANI-036","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Looking_For_An_Angel_LTD_Front.png?v=1769038964"},{"product_id":"great-absence","title":"Great Absence","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e2026 Subscribers\u003c\/strong\u003e: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eThis special limited edition slipcover (designed by Elizabeth Yoo) is limited to \u003cstrong\u003e500 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms \u003c\/span\u003eby auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen working actor Takashi receives a jarring call from the police, he is forced to reconnect with his estranged father of 20 years, Yohji — an esteemed academic slipping rapidly into dementia.  As Takashi attempts to piece together the mystery of Yohji’s missing wife and the fractured life his father now inhabits, their reunion uncovers long-buried tensions and unspoken grief, forcing Takashi to trace the past of his father that he has long refused to accept.\u003c\/p\u003e\n\u003cp\u003eUnfolding as a meditation on loss — of time, identity, and familial closeness never fully grasped — Great Absence is a “delicately devastating” (Variety) award-winning drama from rising star director Kei Chikaura that navigates the fragile terrain of memory, estrangement, and the quiet devastations of aging.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Kei Chikaura\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Mirai Moriyama, Tatsuya Fuji, Yoko Maki, Hideko Hara\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2023 \/ 133 min \/ 1.78:1 \/ Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with director Kei Chikaura\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBehind-the-scenes footage\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e16-page booklet with essay by film critic Brian Tallerico\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/Ip4aoRYBC-k?si=jEgBlGeTRy5Ic-_H\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement","offers":[{"title":"Limited Edition Slipcover","offer_id":44079191097386,"sku":"FM-036 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":44079191130154,"sku":"FM-036","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Great_Absence_LTD_Front_4_gdW.png?v=1771267674"},{"product_id":"carnival-in-the-night","title":"Carnival in the Night","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff0000;\"\u003eNOTE:\u003c\/span\u003e \u003c\/strong\u003eNot for sale in Japan.\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e2026 Subscribers\u003c\/strong\u003e: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis special limited edition slipcover is limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003e,000 units \u003c\/b\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eOf a pair with his 8mm debut Saint Terrorism — in which wayward youths and sex workers navigate attraction and murderous intent — Masashi Yamamoto’s jishu-eiga (self-produced) breakthrough Carnival in the Night unfurls with a palpable sense of rage and abandon, capturing images of Shinjuku’s underground and transforming its DIY scene into a purgatorial and claustrophobic realm. Aspiring punk rocker and single mother Kumi (Kumiko Ota) drops off her child with her ex-husband and the world is bled of colour, beginning a phantasmagorical journey of self-discovery and self-destruction; a pitch black look at the margins of society contrasted by a backhanded, yet no less poignant, reflection on responsibility and motherhood.\u003c\/p\u003e\n\u003cp\u003eYamamoto’s film — shot in an hypnotizing vérité style — propels Kumi forward as she crosses paths with a variety of addicts, squatters and bomb-makers, her march ‘till dawn marked by senseless acts of violence. Anticipating the squatter’s eden depicted in Robinson’s Garden as well as the anti-capitalist global antics of What’s Up Connection, Carnival in the Night also prefigures Japanese punk cinema classics such as Sogo Ishii’s Burst City (1982) and Shinya Tsukamoto’s Bullet Ballet (1998). Saint Terrorism and Carnival in the Night, presented here restored from their original 8mm and 16mm elements, showcase Masashi Yamamoto at his most anarchic and transgressive.\u003c\/p\u003e\n\u003cp\u003e\"These are Yamamoto’s politics: to squat, to squander, and to soil reality. Whether anyone takes notice is beyond him; his unceasing state of resistance exists beyond society and blooms by virtue of its separation from its norms.\" — Nicolas Pedrero-Setzer, Screen Slate\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003edirected by: Masashi Yamamoto\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cbr\u003estarring: Kumiko Ota, Nobutaka Kuwabara, Akemi Edo, Michiro Endo, Shigeru Muroi, Eiichi Uchida, Shinichiro Yagi, Makiko Tsunoda, Megumi Asako, Hitoshi Okumura\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cbr\u003e1981 \/ 115 min \/ 1.33:1 \/ Japanese DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003e4K restoration of Carnival in the Night from the 16mm negatives\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003e2K restoration of Saint Terrorism (1981, 127min) from Single 8mm elements\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003eDUDE (2025, 39 minutes) a newly commissioned short film directed by Masashi Yamamoto, exclusive to this release\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003eBooklet with a new essay by James Balmont\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003eEnglish, English SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":44079247818794,"sku":"KANI-037 SLIP","price":32.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":44079247851562,"sku":"KANI-037","price":30.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Carnival_In_The_Night_LTD_Front_Bhsre5_2gaw.png?v=1771271695"},{"product_id":"plan-75","title":"Plan 75","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003e\u003cstrong\u003e2026 Subscribers\u003c\/strong\u003e: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eThis special limited edition slipcover (designed by Benoit Tardif) is limited to \u003cstrong\u003e500 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eKimStim is a Brooklyn based, full-service distribution company dedicated to the release of exceptional independent, foreign, and documentary film. Founded in 2000 by Mika Kimoto and Ian Stimler, KimStim brings to US and North American audiences selected films from around the world gleaned from the most prestigious film festivals and include top prize winners from Sundance, Cannes, Venice, Toronto, Berlin, and Tribeca.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003eIn a near dystopian future, Japan's government launches PLAN 75, a program encouraging the elderly to terminate their own lives to relieve its rapidly aging population's social and economic burdens. In Chie Hayakawa's remarkable and sensitive feature film debut, the lives of three ordinary citizens intersect in this new reality as they confront the crushing callousness of a world ready to dispose of those no longer deemed valuable. Legendary Japanese actress Chieko Baishō stars as a 78-year-old Michi who considers signing up for the program after losing her meager but fulfilling hotel job and the means to live independently. A young Plan 75 salesman Himoru (Hayato Isomura), initially believes in the program's benefits and serves as the human face of the program. And Maria (Stephanie Arianne), a Filipino care worker living overseas, reluctantly accepts a position with PLAN 75 to send money home to her ailing daughter. On the surface, the plan and its hawkers exude a kindness that serves as the film's chilling vision of bureaucratic indifference and our increasing loss of interconnectedness. However, Hayakawa's view is far from grim, as these characters soon learn to fully reckon with their own lives and what it truly means to live.\u003c\/p\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Chie Hayakawa\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Chieko Baisho\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2022 \/ 113 min \/ 1.85:1 \/ Japanese DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFilmmaker Chie Hayakawa’s first short film: Niagara (2013)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAsian Movie Pulse Interview with Filmmaker Chie Hayakawa\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet essay by critic Hayley Scanlon\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/pZ4VP9kApGM?si=qSk_wqXerbN3ZzZJ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"KimStim","offers":[{"title":"Limited Edition Slipcover","offer_id":44079260565546,"sku":"KIM-006 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":44079260598314,"sku":"KIM-006","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Plan_75_LTD_Front_bdPojb5_wsl.png?v=1771272827"},{"product_id":"small-slow-but-steady","title":"Small, Slow But Steady","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e2026 Subscribers\u003c\/strong\u003e: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition slipcover is limited to \u003cb\u003e500 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eSeveral Futures is an independent film distributor with a focus on auteurist and anti-imperialist work. The label was founded in 2022 by filmmaker and programmer Graham L. Carter in the hopes of bringing films to North America that might otherwise not be released. “My loyalty is always with the oppressed.” - Heiny Srour.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003eKeiko is a semi-professional boxer who has been deaf since childhood. Her biggest supporter is the owner of her struggling Tokyo gym, but due to the pandemic and his advanced age, her greatest refuge is under threat of closure.\u003c\/p\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Sho Miyake\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Yukino Kishii, Tomokazu Miura\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2022 \/ 99 min \/ 1.66:1 \/ Japanese DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eMaking-Of Featurette\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet Featuring a New Translation of a Conversation Between Sho Miyake and Legendary Film Critic Shiguéhiko Hasumi and a New Essay by Film Critic Emerson Goo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew Artwork by Tyler Rubenfeld\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Several Futures","offers":[{"title":"Limited Edition Slipcover","offer_id":44181679079466,"sku":"SF-005 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":44181679112234,"sku":"SF-005","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Small_Slow_But_Steady_LTD_Front__4F3Scdhy7.png?v=1773953961"},{"product_id":"bushido","title":"Bushido","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e2026 Subscribers\u003c\/strong\u003e: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eThis special limited edition slipcover (designed by Poochamin) is limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms \u003c\/span\u003eby auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTaciturn Kakunoshin, renowned for his formidable skills both with a sword and in the game of go, embodies the purest ideals of the samurai code. But when his unwavering honesty is exploited, he is framed by his own clan for a theft he did not commit. Disgraced and forced to become a ronin, he survives as a humble seal maker, quietly supporting his grown daughter while burying the wounds of betrayal. Years later, when a case of missing gold pulls him into a new web of intrigue, Kakunoshin finally uncovers the truth behind his long-buried downfall. With the real culprit exposed, the restraint that once defined him shatters. The go board flips, and a hellstorm of righteous vengeance follows.\u003c\/p\u003e\n\u003cp\u003eAcclaimed director Kazuya Shiraishi’s first entry in the genre, “is not only a great return to form reminiscent of the golden age of samurai cinema\" (\u003cem\u003eAsian Movie Pulse\u003c\/em\u003e), but an elegant, ferocious epic destined to be hailed as a new classic.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Kazuya Shiraishi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003estarring: Tsuyoshi Kusanagi, Kaya Kiyohara, Taishi Nakagawa, Kyoko Koizumi, Takumi Saitoh\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003e2024 \/ 129 min \/ 2.35:1 \/ Japanese DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eMaking of featurette\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003e16-page booklet with essay by film writer Hayley Scanlon\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/TTojfZrWJPs?si=yabUDD8_mX8JXSMO\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement","offers":[{"title":"Limited Edition Slipcover","offer_id":44260338597930,"sku":"FM-039 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":44260338630698,"sku":"FM-039","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Bushido_P1_FM-039_5RTBV.jpg?v=1777496268"},{"product_id":"my-sunshine","title":"My Sunshine","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e2026 Subscribers\u003c\/strong\u003e: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eDylan Haley) was limited to \u003cstrong\u003e500 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms \u003c\/span\u003eby auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOne winter on the Japanese island of Hokkaido, a young boy named Takuya has resigned himself to the fact that he's the worst player on his ice hockey team. While practicing, he becomes transfixed by the figure skaters who share the ice rink, particularly Sakura, a rising star from Tokyo. Her coach, Arakawa, takes an interest in Takuya, seeing himself in the young boy. He pairs the two up and trains them as a competitive ice-dancing duo. Although tentative with each other at first, the kids eventually grow closer and form a deep bond with their supportive coach. But as the winter continues, unspoken feelings begin to surface and the harmony the trio once knew begins to falter.\u003c\/p\u003e\n\u003cp\u003e“A gentle, unassuming film about the pain and misdirection that can arise from young love,” (\u003cem\u003eRogerEbert.com\u003c\/em\u003e), Hiroshi Okuyama’s sophomore feature \u003cem\u003eMy Sunshine\u003c\/em\u003e is a heartwarming coming of age drama buoyed by its picturesque cinematography and beautiful score.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Hiroshi Okuyama\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Sosuke Ikematsu, Keitatsu Koshiyama, Kiara Nakanishi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2024 \/ 90 min \/ 1.33:1 \/ Japanese DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDirector Hiroshi Okuyama interview\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e16-page booklet with essay by film critic Robert Daniels\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/PIHH-kELXEQ?si=en1LTbpvGemaHFUr\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement","offers":[{"title":"Limited Edition Slipcover","offer_id":44260343218218,"sku":"FM-040 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":44260343250986,"sku":"FM-040","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/My_Sunshine_P1_FM-040_VC763.jpg?v=1777496356"},{"product_id":"roman-porno-box","title":"Roman Porno Reboot Collection Vol. 1","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e2026 Subscribers\u003c\/strong\u003e: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eThis special limited edition 4-Disc Blu-ray set comes with a spot gloss hard slipcase + slipcover combo (designed by Brandon Schaefer), includes a 40-page perfect bound book, and is limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms \u003c\/span\u003eby auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAntiporno\u003c\/em\u003e\u003c\/strong\u003e: Kyoko, a young artist with a sadomasochistic streak, wreaks havoc on everyone that she encounters, but her absolute worst behavior is reserved for her simpering older assistant Noriko, whom she routinely humiliates in increasingly kinky ways. That is, until their sense of reality gets upended in an exuberantly reflexive twist.\u003c\/p\u003e\n\u003cp\u003eAn outrageous, rabble-rousing contribution to the Roman Porno redux series, \u003cem\u003eAntiporno\u003c\/em\u003e is an expectation-defying, antic study in blighted eroticism, damaged psyches, and shifting power dynamics, set against outlandishly theatrical backdrops; “a feverish op-art dream that turns on us at every corner.” (\u003cem\u003eSlant Magazine\u003c\/em\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAroused by Gymnopedies\u003c\/em\u003e\u003c\/strong\u003e: A modern take on the “Roman Porno” genre from director Isao Yukisada, \u003cem\u003eAroused by Gymnopedies\u003c\/em\u003e is an “engaging and ultimately touching portrait of love, loneliness and loss of youth” (\u003cem\u003eVariety\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eShinji, a middle-aged film director, is trapped in a seemingly hopeless cycle of creative crisis and self-destruction. After his failure making art films, he now finds himself shooting low-budget pornography as a means to get by. Over the span of one week, he embarks on a series of sexual encounters that put his work, relationships and happiness in jeopardy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDawn of the Felines\u003c\/em\u003e\u003c\/strong\u003e: \u003cem\u003eDawn of the Felines\u003c\/em\u003e is a haunting, empathetic journey through the nocturnal world of three sex workers navigating the neon-soaked street of Ikebukuro, Tokyo. Each night brings new encounters – eccentric clients, dangerous fetishes and the looming threat of police crackdowns – while each dawn finds them wrestling with loneliness, survival, and the search for meaning in a city that rarely looks back. Directed by Kazuya Shiraishi (\u003cem\u003eThe Devil’s Path\u003c\/em\u003e, \u003cem\u003eTwisted Justice\u003c\/em\u003e, \u003cem\u003eBushido\u003c\/em\u003e), \u003cem\u003eDawn of the Felines\u003c\/em\u003e is a “suitably melancholy” (\u003cem\u003eSouth China Morning Post\u003c\/em\u003e) tribute to Noboru Tanaka’s classic Roman Porno film \u003cem\u003eNight of the Felines\u003c\/em\u003e. Modern and unflinching, Shiraishi’s update to the genre famously created by the Nikkatsu film studio in the 1970s offers a portrait of women living on the edge of society while negotiating their agency, connection, and dignity.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWet Woman in the Wind\u003c\/strong\u003e\u003c\/em\u003e: A tornado of unbridled sexual desire is unleashed when a free spirited seductress sets her sights on a reclusive playwright. \u003cem\u003eWet Woman in the Wind\u003c\/em\u003e highlights the id in its stream of consciousness tale. Having a character who overturns the inhibitions of all that cross her path with wild abandon allows this striking entry in Nikkatsu's Roman Porno Reboot series to transcend its sexploitation raison d'être. Director Akihiko Shiota cuts to the chase, taking advantage of the subgenre's sparse requirements: a sex scene every ten minutes with a total running time no longer than 80 minutes. What ensues is a gleefully anarchic plot that explores the human psyche through sexuality within a psychodrama that is as hilarious as it is titillating. Featuring a tour de force performance by Yuki Mamiya as the eponymous agent provocateur, \u003cem\u003eWet Woman in the Wind\u003c\/em\u003e is a \"hugely enjoyable film - and often, partly because of its relative demureness, a fairly arousing one, with female pleasure and male discomfiture foremost on the menu\" (\u003cem\u003eScreen International\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWhite Lily\u003c\/strong\u003e\u003c\/em\u003e: Celebrated ceramic artist Tokiko (Kaori Yamaguchi) takes Haruka (Rin Asuka), a troubled teenage runaway, into her home where she becomes her apprentice. When Tokiko’s husband dies, Haruka promises to remain by her side, and the two begin a romantic, but volatile relationship. Overcome by sorrow and struggling with alcohol abuse, Tokiko drifts into a series of casual sexual encounters, leaving Haruka torn between her feelings of passion and devotion for her mentor and the emotional abuse she has been forced to endure.\u003c\/p\u003e\n\u003cp\u003eProduced as part of Nikkatsu's Roman Porno Reboot series, \u003cem\u003eWhite Lily\u003c\/em\u003e is directed by Hideo Nakata, the master behind such J-horror classics as \u003cem\u003eRingu\u003c\/em\u003e and \u003cem\u003eDark Water\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Akihiko Shiota, Sion Sono,  Isao Yukisada, Kazuya Shiraishi, Hideo Nakata\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003estarring: Ami Tomite, Mariko Tsutsui, Fujiko, Sayaka Kotani, Sumire Ashina, Itsuji Itao, Shô Nishino, Izumi Okamura, Juri Ihata, Satsuki Maue, Michie, Kazuko Shirakawa, Tasuku Nagaoka, Yuki Mamiya, Yumi Akagi, Masatoshi Ikemura, Rin Asuka, Kaori Yamaguchi, Shoma Machii, Kanako Nishikawa\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003e2016 \/ 402 min (combined) \/ 1.85:1, 2.35:1 \/ Japanese DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003e4-Disc Region A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eMaking of Featurettes\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eCast and Crew Introductions\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/CiADmF66a9U?si=PdfJ-PSGr7LPkkXO\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/X-bqSvel1Bc?si=B5XjTraIU_QPOToN\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/ef7vNw6-Ji4?si=pVKP_B8a8nLOpybG\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement","offers":[{"title":"Limited Edition Slipcase","offer_id":44262802063402,"sku":"FM-038 CASE","price":52.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":44262802096170,"sku":"FM-038","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Roman_Porno_Reboot_Vol1_P1_FM-038_VCB1T.jpg?v=1777497402"}],"url":"https:\/\/vinegarsyndrome.com\/collections\/khmer-copy.oembed?page=2","provider":"Vinegar Syndrome","version":"1.0","type":"link"}