{"title":"Halfway to Black Friday - 60% OFF - Partner Label","description":"","products":[{"product_id":"limbo-agfa","title":"Limbo","description":"\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1,5\u003c\/strong\u003e\u003cb\u003e00 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAfter starring in 100 movies over the past two decades, Tina Krause has established herself as an unstoppable warrior from the DIY fringes. LIMBO is the first -- and to this day, only -- movie written and directed by Krause. And it’s truly invigorating. LIMBO presents three days in the life of a woman named Elizabeth, as she deals with identity issues, sexist mouth-breathers, supernatural manifestations . . . and a possible trip to hell. Combining video collage experiments with dreamy horror mood, this is what might happen if David Lynch and Nine Inch Nails collaborated on a shot-on-video horror movie. Previously only available via VHS, AGFA and Bleeding Skull! are honored to present a brand new transfer of LIMBO from the original S-VHS master tape.\u003c\/p\u003e\n\u003cp\u003edirected by: Tina Krause\u003cbr\u003estarring: Tina Krause, Barron, Suze Daufler, Sean Farrell\u003cbr\u003e1999 \/ 55 min \/ 1.33:1 \/ English mono\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNew transfer from the original S-VHS master tape\u003c\/li\u003e\n\u003cli\u003eCommentary track with Tina Krause and the Bleeding Skull! team\u003c\/li\u003e\n\u003cli\u003eArchival behind-the-scenes documentary\u003c\/li\u003e\n\u003cli\u003eANSWERING MACHINE short film by Tina Krause\u003c\/li\u003e\n\u003cli\u003eFantastic Fest Q\u0026amp;A\u003c\/li\u003e\n\u003cli\u003eEATEN ALIVE, a W.A.V.E. Productions short starring Tina Krause\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7rOT7KuI32w\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":31824796319786,"sku":"AGFA-020 SLIP","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":31824796352554,"sku":"AGFA-020","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/limboslipfront.jpg?v=1762198399"},{"product_id":"sometimes-aunt-martha-does-dreadful-things-agfa","title":"Sometimes Aunt Martha Does Dreadful Things","description":"\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e1,500 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDropping somewhere between PINK FLAMINGOS, BLOOD FEAST, and an episode of THE BRADY BUNCH on acid, SOMETIMES AUNT MARTHA DOES DREADFUL THINGS is a histrionic psychodrama that could only have originated in the alternate dimension known as Florida. After robbing a bank in Baltimore, cross-dressing Paul (aka Aunt Martha) and his partner Stanley hide out in a Florida town. But it’s only a matter of time before Paul’s paranoia forces him to embark on a demented killing spree. AGFA is thrilled to present one of the most unforgettable exploitation movies of all time -- and an overlooked chapter of early queer cinema -- preserved from the only 35mm theatrical print in existence.\u003c\/p\u003e\n\u003cp\u003edirected by: Thomas Casey\u003cbr\u003estarring: Abe Swick, Wayne Crawford\u003cbr\u003e1971 \/ 95 min \/ 1.85:1 \/ English mono\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K preservation from the only 35mm theatrical print in existence\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCommentary with queer film historian Elizabeth Purchell + AGFA’s Bret Berg \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBonus Movie: THE DRAG QUEEN’S BALL\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eShorts: GAY-IN III, CAUGHT IN THE CAN\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailers: GAY LIBERATION, LUSTING HOURS, MY THIRD WIFE GEORGE THE QUEEN, SINS OF RACHEL\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/LdQTlGjOR7c\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":31874281766954,"sku":"AGFA-021 SLIP","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":31874281799722,"sku":"AGFA-021","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/auntmarthafrontslip.jpg?v=1762198402"},{"product_id":"the-curious-dr-humpp-agfa-something-weird","title":"The Curious Dr. Humpp","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e1,500 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTHE CURIOUS DR. HUMPP isn’t a movie -- it’s a rite of passage. Easily one of the most brainbreaking sensory overloads in exploitation history, the story follows Dr. Humpp and his army of grotesque monsters as they kidnap couples and drain their “blood forces of sex” to keep the doctor eternally young. Directed by the prolific Emilio Vieyra in Argentina, this movie combines artful gothic horror with unhinged sex, comic book pulp, and a talking brain in a jar. Plus a monster who plays the guitar. Basically, this is what might have happened if Mario Bava collaborated with Doris Wishman after an acid binge. AGFA + Something Weird are thrilled to present a brand new restoration of this iconic sex-horror classic, complete with a new commentary track from filmmaker Frank Henenlotter (BASKET CASE). Plus LA VENGANZA DEL SEXO, Vieyra’s original “horror” cut of THE CURIOUS DR. 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AGFA, in partnership with the Outfest UCLA Legacy Project, is thrilled to present these overlooked chapters of queer cinema -- preserved from the only known 16mm film elements in existence.\u003c\/p\u003e\n\u003cp\u003eFilms included: ALWAYS ON SUNDAY (1962, 8 mins), WHAT REALLY HAPPENED TO BABY JANE? (1963, 31 mins), THE ROMAN SPRINGS ON MRS. 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In partnership with OCN, Circle Collective will begin to release contemporary indie cinema across a variety of genres and origins onto physical media, maintaining the same artist-forward perspective as in their theatrical campaigns. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuiet City\u003c\/strong\u003e: Shot in Brooklyn in 2006, the Independent Spirit Award-nominated Quiet City is a gentle masterpiece of naturalistic performances and poetic cinematography. Jamie (Erin Fisher) arrives in New York to visit a friend, but the friend is nowhere to be found. Charlie (Cris Lankenau) has just quit his job and isn't sure what's next in life. Their paths cross late at night on an empty subway platform. From this chance encounter, an unlikely connection is formed. They spend twenty-four hours together drifting to and from diners, parks, art galleries, and parties. Inflected with melancholy and hopefulness, Aaron Katz's second feature is a fully realized work of truly independent American cinema.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDance Party, USA\u003c\/strong\u003e: In Dance Party, USA, Katz's impressionistic and audacious debut, apathetic teens Jessica (Anna Kavan) and Gus (Cole Pensinger) connect for a fleeting moment at a 4th of July party. Their relationship grows more complex when Gus reveals a disturbing secret. 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eA woman’s panicked decision to cover up an accidental killing spirals out of control when her conscience demands she return the dead man’s body to his family.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Matthew Pope\u003cbr\u003estarring: Bethany Anne Lind, Will Patton, Elisabeth Rohm, Jimmy Gonzales, Jared Ivers\u003cbr\u003e2019 \/ 83 min \/ 2.39:1 \/ English 5.1 Surround\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eCommentary with Crew\u003c\/li\u003e\n\u003cli\u003eCommentary with Cast \u0026amp; Crew\u003c\/li\u003e\n\u003cli\u003eProof of Concept\u003c\/li\u003e\n\u003cli\u003eCast and Crew in Conversation\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli\u003eTeaser Trailer\u003c\/li\u003e\n\u003cli\u003eEssay by senior critic Walter Chaw\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/o_DsbHZ6BV0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Yellow Veil Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":39851129372714,"sku":"YVP-003 SLIP","price":27.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":39851129405482,"sku":"YVP-003","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/bloodonhernameslipfront.jpg?v=1762198641"},{"product_id":"the-mob-canadian-international-pictures","title":"The Mob","description":"\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(designed by Tony Stella) \u003c\/span\u003ewas limited to \u003cb\u003e2,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSeasoned drug smuggler and thief François “Chico” Tremblay (Panic’s Marc Legault) is tired of his modest lifestyle. Given the opportunity to earn $50,000 killing a prominent New York City gangster, he leaps at the opportunity, ignoring the warnings of Montreal’s leading mob boss, who has forbidden local criminals from taking the assignment. Upon his return, Chico discovers he is being pursued from all sides, prompting an unlikely response: he calls a local talk radio show and starts revealing the mafia’s most carefully guarded secrets. As his revelations get more shocking, so do the tactics of his adversaries, culminating in a devastating gut punch of a finale.\u003c\/p\u003e\n\u003cp\u003eBringing seedy authenticity to his depiction of organized crime, director Jacques Godbout (YUL 871) reached new heights with this urgent, fatalistic gangster odyssey. Landing somewhere between the American and European crime films of the ’70s, The Mob (La gammick) is propelled into constant crisis by its uniquely unscrupulous protagonist – and those determined to avenge his indiscretions. Almost completely unseen outside of Quebec, this is a lost Canadian classic.\u003c\/p\u003e\n\u003cp\u003eIn addition to The Mob, this disc includes Godbout’s previous film – the madcap hockey-themed Les « troubbes » de Johnny – and Criminels québécois, a new collection of Quebec crime film trailers from the ’60s and ’70s, highlighting overlooked gems from Denys Arcand, Gilles Carle, Jean-Claude Lord, and several other notable auteurs of the era.\u003c\/p\u003e\n\u003cp\u003edirected by: Jacques Godbout\u003cbr data-mce-fragment=\"1\"\u003estarring: Marc Legault, Dorothée Berryman, Pierre Gobeil, André Guy, Gilbert Chénier, Julien Poulin, Gilles Renaud\u003cbr data-mce-fragment=\"1\"\u003e1975 \/ 87 min \/ 1.85:1 \/ French Mono with English subtitles\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eScanned and restored in 2K from the 35mm interpositive \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eCriminels québécois - A collection of Quebec crime film trailers from the ’60s and ’70s (39 min.) \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eLes « troubbes » de Johnny (1974, 21 min.) \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eBonus short: Hunger (1974, 11 min.) \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eBooklet featuring an essay by Fantasia programmer Marc Lamothe and a new interview with director Jacques Godbout \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles for all three films\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9VFQml1pBO8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Canadian International Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":40014153089066,"sku":"CIP-003 SLIP","price":24.49,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40014153121834,"sku":"CIP-003","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/themobslipfront.jpg?v=1762198676"},{"product_id":"beauty-day-circle-collective","title":"Beauty Day","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis listing is for the standard edition Blu-ray release. The limited edition slipcover was limited to \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1,000 units\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and is \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003esold out\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCircle Collective formed in June 2019 in order to provide a new avenue for and community around creative distribution as an artist-forward, feature film marketing and distribution consulting agency. In partnership with OCN, Circle Collective will begin to release contemporary indie cinema across a variety of genres and origins onto physical media, maintaining the same artist-forward perspective as in their theatrical campaigns. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBefore there was Tom Green...before there was Jackass...there was Ralph Zavadil. His Canadian cable access show, The Cap'n Video Show, ran from 1990 to 1995, spawning a small but loyal cult following. Each week, Ralph performed a series of idiotic and occasionally dangerous stunts, challenging the sensibilities of his small audience for five seasons. With the advent of the internet and reality television still years away, his unique brand of gross-out stunt comedy was truly ahead of its time. All it took was a broken neck for him to get noticed.\u003c\/p\u003e\n\u003cp\u003eNow, thirteen years after his show disappeared from the airwaves, Ralph decides to give the Cap'n one last chance in a brand new anniversary special shot for the same cable station that cancelled him years earlier. Together with his best friend Robert, Ralph attempts to recapture the magic that made him a local hero so many year ago, while confronting some of the unexpected - and sometimes dark - turns his life has taken since his days on Cable 10.\u003c\/p\u003e\n\u003cp\u003edirected by: Jay Cheel\u003cbr data-mce-fragment=\"1\"\u003estarring: Ralph Zavadil\u003cbr\u003e2011 \/ 92 min \/ 2.35:1 \/ English 5.1 Surround\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eDeleted Scenes\u003c\/li\u003e\n\u003cli\u003eCap'n Video's 20th Anniversary Special\u003c\/li\u003e\n\u003cli\u003eCommentary with Director Jay Cheel\u003c\/li\u003e\n\u003cli\u003eOriginal Clips from Cap'n Video Shows\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/honNjOY9QRY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Circle Collective","offers":[{"title":"Limited Edition Slipcover","offer_id":40014292975658,"sku":"CC-005 SLIP","price":25.49,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40014293008426,"sku":"CC-005","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/beautydayslipfront.jpg?v=1762198677"},{"product_id":"the-cornshukker-vhshitfest","title":"The Cornshukker","description":"\u003cp\u003e\u003cspan\u003eThis listing is for the standard edition Blu-ray release. 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But now he is besieged by urban sprawl. With nowhere else to go, he is forced to deal with varmints and outlandishly- odd townsfolk. As his food supply diminishes,  The Cornshukker is confronted by the bigoted Old Man Thomas. In an act of desperation, The Cornshukker is forced to do the unthinkable. His existence is in peril, and the mysterious world he inhabits could be destroyed. 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His existence is in peril, and the mysterious world he inhabits could be destroyed. Only Nature and the townsfolk will decide his fate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The Cornshukker is a mythical creature who has lived simply and peacefully with Nature. But now he is besieged by urban sprawl. With nowhere else to go, he is forced to deal with varmints and outlandishly- odd townsfolk. As his food supply diminishes,  The Cornshukker is confronted by the bigoted Old Man Thomas. In an act of desperation, The Cornshukker is forced to do the unthinkable. His existence is in peril, and the mysterious world he inhabits could be destroyed. Only Nature and the townsfolk will decide his fate.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eBrando Snider\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The Cornshukker is a mythical creature who has lived simply and peacefully with Nature. But now he is besieged by urban sprawl. With nowhere else to go, he is forced to deal with varmints and outlandishly- odd townsfolk. As his food supply diminishes,  The Cornshukker is confronted by the bigoted Old Man Thomas. In an act of desperation, The Cornshukker is forced to do the unthinkable. His existence is in peril, and the mysterious world he inhabits could be destroyed. Only Nature and the townsfolk will decide his fate.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eJason Snider, Doug Hutton\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The Cornshukker is a mythical creature who has lived simply and peacefully with Nature. But now he is besieged by urban sprawl. With nowhere else to go, he is forced to deal with varmints and outlandishly- odd townsfolk. As his food supply diminishes,  The Cornshukker is confronted by the bigoted Old Man Thomas. In an act of desperation, The Cornshukker is forced to do the unthinkable. His existence is in peril, and the mysterious world he inhabits could be destroyed. Only Nature and the townsfolk will decide his fate.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e1997 \/ 63 min \/ 1.37:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio commentary, Interview, Music Video, Still Gallery\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio commentary, Interview, Music Video, Still Gallery\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAudio commentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio commentary, Interview, Music Video, Still Gallery\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eInterview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio commentary, Interview, Music Video, Still Gallery\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eMusic Video\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio commentary, Interview, Music Video, Still Gallery\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eStill Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio commentary, Interview, Music Video, Still Gallery\"}' 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Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15231,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"When a pair of divers go missing near The Catfish, the notorious site of a mysterious 1920s shipwreck, a tenacious news reporter Megan Flowers (Pamela Sutch) becomes determined to unravel the mysterious connection between the divers’ disappearance and the ominous nuclear power plant located on the shores of the small coastal community. When a local, close knit group of salvage divers are enlisted to search the area, the tension mounts as the shores become awash in radioactive corpses and bloodsucking, mutant vampire humanoids!\\n\\nStarted in 1999 but not released on video until 2005, Saturn’s Core is proud to present the definitive release of director Dave Castiglione’s elusive, shot on video, aquatic eco-horror epic Deep Undead. An homage to the underwater creature features of the 1980’s that features a cavalcade of ‘90s SOV luminaries including Pamela Sutch (Psycho Sisters), Dawn Murphy (Backwoods Marcy), Mick McCleery (Addicted to Murder), Debbie D. (Burglar From Hell), Laura Giglio (Sorority Slaughter), \u0026amp; Osman Karriem (Love Is a Stranger Again), Deep Undead takes a deep dive into terror with its atmospheric scares, pulsing synth score, telepathic mutant sexcapades, and hypnotic underwater videography. \"}'\u003eWhen a pair of divers go missing near The Catfish, the notorious site of a mysterious 1920s shipwreck, a tenacious news reporter Megan Flowers (Pamela Sutch) becomes determined to unravel the mysterious connection between the divers’ disappearance and the ominous nuclear power plant located on the shores of the small coastal community. 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(Burglar From Hell), Laura Giglio (Sorority Slaughter), \u0026amp; Osman Karriem (Love Is a Stranger Again), Deep Undead takes a deep dive into terror with its atmospheric scares, pulsing synth score, telepathic mutant sexcapades, and hypnotic underwater videography. \"}'\u003eStarted in 1999 but not released on video until 2005, Saturn’s Core is proud to present the definitive release of director Dave Castiglione’s elusive, shot on video, aquatic eco-horror epic Deep Undead. An homage to the underwater creature features of the 1980’s that features a cavalcade of ‘90s SOV luminaries including Pamela Sutch (Psycho Sisters), Dawn Murphy (Backwoods Marcy), Mick McCleery (Addicted to Murder), Debbie D. (Burglar From Hell), Laura Giglio (Sorority Slaughter), \u0026amp; Osman Karriem (Love Is a Stranger Again), Deep Undead takes a deep dive into terror with its atmospheric scares, pulsing synth score, telepathic mutant sexcapades, and hypnotic underwater videography. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Dave Castiglione\u003cbr\u003estarring: Pamela Sutch, Vince Butler, Debbie D., David Maul, Dawn Murphy\u003cbr\u003e2005 \/ 104 min \/ 1.85:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan 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Giglio, Mick McCleery, \u0026amp; Phil Herman\\r\\n-Q\u0026amp;A from the 2019 cast \u0026amp; crew reunion screening at the Blue Moon Theatre\\r\\n-“Beyond the Deep Undead” -archival making-of featurette \\r\\n-Two alternate endings \\r\\n-“Open House” (2020) -a short film directed by Matt Cannon starring Deep Undead filmmaker Dave Castiglione \\r\\n-Trailer\\r\\n-Photo \/ artwork gallery \\r\\n-Reversible cover art\\r\\n-English SDH subtitles \\\"\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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Giglio, Mick McCleery, \u0026amp; Phil Herman\\r\\n-Q\u0026amp;A from the 2019 cast \u0026amp; crew reunion screening at the Blue Moon Theatre\\r\\n-“Beyond the Deep Undead” -archival making-of featurette \\r\\n-Two alternate endings \\r\\n-“Open House” (2020) -a short film directed by Matt Cannon starring Deep Undead filmmaker Dave Castiglione \\r\\n-Trailer\\r\\n-Photo \/ artwork gallery \\r\\n-Reversible cover art\\r\\n-English SDH subtitles \\\"\"}'\u003eNew transfer of the 2019 director’s cut version from the original SVHS master (104 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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Giglio, Mick McCleery, \u0026amp; Phil Herman\\r\\n-Q\u0026amp;A from the 2019 cast \u0026amp; crew reunion screening at the Blue Moon Theatre\\r\\n-“Beyond the Deep Undead” -archival making-of featurette \\r\\n-Two alternate endings \\r\\n-“Open House” (2020) -a short film directed by Matt Cannon starring Deep Undead filmmaker Dave Castiglione \\r\\n-Trailer\\r\\n-Photo \/ artwork gallery \\r\\n-Reversible cover art\\r\\n-English SDH subtitles \\\"\"}'\u003eAudio commentary with director Dave Castiglione moderated by Ross Snyder of Saturn’s Core \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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Giglio, Mick McCleery, \u0026amp; Phil Herman\\r\\n-Q\u0026amp;A from the 2019 cast \u0026amp; crew reunion screening at the Blue Moon Theatre\\r\\n-“Beyond the Deep Undead” -archival making-of featurette \\r\\n-Two alternate endings \\r\\n-“Open House” (2020) -a short film directed by Matt Cannon starring Deep Undead filmmaker Dave Castiglione \\r\\n-Trailer\\r\\n-Photo \/ artwork gallery \\r\\n-Reversible cover art\\r\\n-English SDH subtitles \\\"\"}'\u003eNew transfer of the original 2005 VHS cut from the original SVHS master \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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Giglio, Mick McCleery, \u0026amp; Phil Herman\\r\\n-Q\u0026amp;A from the 2019 cast \u0026amp; crew reunion screening at the Blue Moon Theatre\\r\\n-“Beyond the Deep Undead” -archival making-of featurette \\r\\n-Two alternate endings \\r\\n-“Open House” (2020) -a short film directed by Matt Cannon starring Deep Undead filmmaker Dave Castiglione \\r\\n-Trailer\\r\\n-Photo \/ artwork gallery \\r\\n-Reversible cover art\\r\\n-English SDH subtitles \\\"\"}'\u003e\"Diving Deeper Into Deep Undead” -a new feature length retrospective documentary featuring director Dave Castiglione, composer Matt Cannon, author Richard Mogg, and stars Debbie D., Laura Giglio, Mick McCleery, \u0026amp; Phil Herman \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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Giglio, Mick McCleery, \u0026amp; Phil Herman\\r\\n-Q\u0026amp;A from the 2019 cast \u0026amp; crew reunion screening at the Blue Moon Theatre\\r\\n-“Beyond the Deep Undead” -archival making-of featurette \\r\\n-Two alternate endings \\r\\n-“Open House” (2020) -a short film directed by Matt Cannon starring Deep Undead filmmaker Dave Castiglione \\r\\n-Trailer\\r\\n-Photo \/ artwork gallery \\r\\n-Reversible cover art\\r\\n-English SDH subtitles \\\"\"}'\u003e“Beyond the Deep Undead” -archival making-of featurette \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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Giglio, Mick McCleery, \u0026amp; Phil Herman\\r\\n-Q\u0026amp;A from the 2019 cast \u0026amp; crew reunion screening at the Blue Moon Theatre\\r\\n-“Beyond the Deep Undead” -archival making-of featurette \\r\\n-Two alternate endings \\r\\n-“Open House” (2020) -a short film directed by Matt Cannon starring Deep Undead filmmaker Dave Castiglione \\r\\n-Trailer\\r\\n-Photo \/ artwork gallery \\r\\n-Reversible cover art\\r\\n-English SDH subtitles \\\"\"}'\u003e“Open House” (2020) -a short film directed by Matt Cannon starring Deep Undead filmmaker Dave Castiglione \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Over 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eAndi Matichak; James Le Gros; Alex Breaux; Alex Hurt; Cody Kostro\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Over 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2021 \/ 95 min \/ 2.39:1 \/ English \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eIntroduction by director Jack Fessenden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBehind the Scenes featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAnimation Diary by Beck Underwood\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eMusic Video No Jockin’ (Darquell) shot by Larry Fessenden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eShort film All For One from Jack Fessenden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eQ\u0026amp;A from the screening at the MoMA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAudio commentary by director Jack Fessenden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e(Theatrical Trailer)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNew alternate art by Sam Coyle\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEssay by Anton Bitel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003ciframe title=\"YouTube video player\" 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Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"il\"\u003eFactory\u003c\/span\u003e \u003cspan class=\"il\"\u003e25\u003c\/span\u003e, a Brooklyn-based independent film distribution company was founded in 2009 by Matt Grady. F25 is a home for conceptually provocative narratives and documentaries. Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two young brothers drift aimlessly through their summer until involved in an accidental death of a young woman. With few options, the duo flees arrest across state lines in search of refuge. With a tendency to exacerbate even the calmest of situations, the eldest brother gets them booted from each and every hideout, resigning the youngest to follow him into car chases, knife fights with French Chefs, and finally a Vietnam War re-enactment with their estranged father. At turns poetic, funny, and poignant, Andrew T. Betzer’s feature debut is the epitome of an American Primitivist film. Shot on lush 16mm, this quietly mesmerizing story sees the brothers transition from boys to men, though not through responsibility, but rather an absorption of the world (good and bad) around them.\"}' data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003eTwo young brothers drift aimlessly through their summer until involved in an accidental death of a young woman. With few options, the duo flees arrest across state lines in search of refuge. With a tendency to exacerbate even the calmest of situations, the eldest brother gets them booted from each and every hideout, resigning the youngest to follow him into car chases, knife fights with French Chefs, and finally a Vietnam War re-enactment with their estranged father. At turns poetic, funny, and poignant, Andrew T. Betzer’s feature debut is the epitome of an American Primitivist film. Shot on lush 16mm, this quietly mesmerizing story sees the brothers transition from boys to men, though not through responsibility, but rather an absorption of the world (good and bad) around them.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two young brothers drift aimlessly through their summer until involved in an accidental death of a young woman. With few options, the duo flees arrest across state lines in search of refuge. With a tendency to exacerbate even the calmest of situations, the eldest brother gets them booted from each and every hideout, resigning the youngest to follow him into car chases, knife fights with French Chefs, and finally a Vietnam War re-enactment with their estranged father. At turns poetic, funny, and poignant, Andrew T. Betzer’s feature debut is the epitome of an American Primitivist film. Shot on lush 16mm, this quietly mesmerizing story sees the brothers transition from boys to men, though not through responsibility, but rather an absorption of the world (good and bad) around them.\"}' data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eAndrew T. Betzer\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two young brothers drift aimlessly through their summer until involved in an accidental death of a young woman. With few options, the duo flees arrest across state lines in search of refuge. With a tendency to exacerbate even the calmest of situations, the eldest brother gets them booted from each and every hideout, resigning the youngest to follow him into car chases, knife fights with French Chefs, and finally a Vietnam War re-enactment with their estranged father. At turns poetic, funny, and poignant, Andrew T. Betzer’s feature debut is the epitome of an American Primitivist film. Shot on lush 16mm, this quietly mesmerizing story sees the brothers transition from boys to men, though not through responsibility, but rather an absorption of the world (good and bad) around them.\"}' data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003estarring: \u003c\/span\u003eHale Lytle, Gabriel Croft, Daniel P. Jones, Sandy Hale, Judson Rosebush, Julie Sokolowski, Alexandre Marouani, Kate Lyn Shiel and Josephine Decker\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two young brothers drift aimlessly through their summer until involved in an accidental death of a young woman. With few options, the duo flees arrest across state lines in search of refuge. With a tendency to exacerbate even the calmest of situations, the eldest brother gets them booted from each and every hideout, resigning the youngest to follow him into car chases, knife fights with French Chefs, and finally a Vietnam War re-enactment with their estranged father. At turns poetic, funny, and poignant, Andrew T. Betzer’s feature debut is the epitome of an American Primitivist film. Shot on lush 16mm, this quietly mesmerizing story sees the brothers transition from boys to men, though not through responsibility, but rather an absorption of the world (good and bad) around them.\"}' data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e2014 \/ 102 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Blu Ray Features\\n-Directors Commentary with Andrew T Betzer \\n-Deleted and Extended Scenes\\n-Five Short Films: - John Wayne Hated Horses, Small Apartment, Ivan Runs Some Errands, Runs Amok, I Turn To Jello and Important Police Shit \\n-Trailer\\n-32 page booklet including interviews and essays by Sean Price Williams, Nicholas Elliott and Amber Wilkinson \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDirectors Commentary with Andrew T Betzer \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Blu Ray Features\\n-Directors Commentary with Andrew T Betzer \\n-Deleted and Extended Scenes\\n-Five Short Films: - John Wayne Hated Horses, Small Apartment, Ivan Runs Some Errands, Runs Amok, I Turn To Jello and Important Police Shit \\n-Trailer\\n-32 page booklet including interviews and essays by Sean Price Williams, Nicholas Elliott and Amber Wilkinson \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDeleted and Extended Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Blu Ray Features\\n-Directors Commentary with Andrew T Betzer \\n-Deleted and Extended Scenes\\n-Five Short Films: - John Wayne Hated Horses, Small Apartment, Ivan Runs Some Errands, Runs Amok, I Turn To Jello and Important Police Shit \\n-Trailer\\n-32 page booklet including interviews and essays by Sean Price Williams, Nicholas Elliott and Amber Wilkinson \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFive Short Films: - John Wayne Hated Horses, Small Apartment, Ivan Runs Some Errands, Runs Amok, I Turn To Jello and Important Police Shit \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Blu Ray Features\\n-Directors Commentary with Andrew T Betzer \\n-Deleted and Extended Scenes\\n-Five Short Films: - John Wayne Hated Horses, Small Apartment, Ivan Runs Some Errands, Runs Amok, I Turn To Jello and Important Police Shit \\n-Trailer\\n-32 page booklet including interviews and essays by Sean Price Williams, Nicholas Elliott and Amber Wilkinson \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Blu Ray Features\\n-Directors Commentary with Andrew T 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Edition","offer_id":40528629497898,"sku":"FTF-054","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/youngbodieshealquicklyslipfront.jpg?v=1762198962"},{"product_id":"the-hard-part-begins","title":"The Hard Part Begins","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition spot gloss slipcover (designed by \u003cspan data-sheets-value='{\"1\":2,\"2\":\"Tony Stella\"}' 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Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;50th anniversary special edition    \\n\\nVeteran country musician Jim King (Butch Cassidy and the Sundance Kid’s Donnelly Rhodes) has spent decades honing his craft, but he has yet to find success beyond the small-town touring circuit. With a prominent record label circling his current band, King and Country, Jim may be on the brink of a professional breakthrough, but the rest of his life is in disarray. From a suicidal son (Death Wish II’s David Daniels) and a terminally ill friend (Phobia's Neil Vipond) to a rocky romance with his bandmate Jenny (Pinocchio's Birthday Party's Nancy Belle Fuller), Jim’s life is hard – and it’s only getting harder.  \\n\\nThe feature directorial debut of celebrated Canadian genre filmmaker Paul Lynch (Prom Night), The Hard Part Begins blends the vivid Canadiana of independent classic Goin’ Down the Road with the unsentimental moral complexity of New Hollywood staples like Five Easy Pieces. 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Featuring a career-defining performance by Rhodes and a collection of unforgettable original songs, The Hard Part Begins is a lost treasure that's finally getting the break it deserves.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;50th anniversary special edition    \\n\\nVeteran country musician Jim King (Butch Cassidy and the Sundance Kid’s Donnelly Rhodes) has spent decades honing his craft, but he has yet to find success beyond the small-town touring circuit. With a prominent record label circling his current band, King and Country, Jim may be on the brink of a professional breakthrough, but the rest of his life is in disarray. From a suicidal son (Death Wish II’s David Daniels) and a terminally ill friend (Phobia's Neil Vipond) to a rocky romance with his bandmate Jenny (Pinocchio's Birthday Party's Nancy Belle Fuller), Jim’s life is hard – and it’s only getting harder.  \\n\\nThe feature directorial debut of celebrated Canadian genre filmmaker Paul Lynch (Prom Night), The Hard Part Begins blends the vivid Canadiana of independent classic Goin’ Down the Road with the unsentimental moral complexity of New Hollywood staples like Five Easy Pieces. Featuring a career-defining performance by Rhodes and a collection of unforgettable original songs, The Hard Part Begins is a lost treasure that's finally getting the break it deserves.\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003edirected by: \u003c\/span\u003ePaul Lynch\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;50th anniversary special edition    \\n\\nVeteran country musician Jim King (Butch Cassidy and the Sundance Kid’s Donnelly Rhodes) has spent decades honing his craft, but he has yet to find success beyond the small-town touring circuit. With a prominent record label circling his current band, King and Country, Jim may be on the brink of a professional breakthrough, but the rest of his life is in disarray. From a suicidal son (Death Wish II’s David Daniels) and a terminally ill friend (Phobia's Neil Vipond) to a rocky romance with his bandmate Jenny (Pinocchio's Birthday Party's Nancy Belle Fuller), Jim’s life is hard – and it’s only getting harder.  \\n\\nThe feature directorial debut of celebrated Canadian genre filmmaker Paul Lynch (Prom Night), The Hard Part Begins blends the vivid Canadiana of independent classic Goin’ Down the Road with the unsentimental moral complexity of New Hollywood staples like Five Easy Pieces. Featuring a career-defining performance by Rhodes and a collection of unforgettable original songs, The Hard Part Begins is a lost treasure that's finally getting the break it deserves.\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003estarring: \u003c\/span\u003eDonnelly Rhodes, Nancy Belle Fuller, Paul Bradley, Linda Sorensen, Robert Hawkins, Doug McGrath, David Daniels, Leslie Carlson, Neil Vipond\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;50th anniversary special edition    \\n\\nVeteran country musician Jim King (Butch Cassidy and the Sundance Kid’s Donnelly Rhodes) has spent decades honing his craft, but he has yet to find success beyond the small-town touring circuit. With a prominent record label circling his current band, King and Country, Jim may be on the brink of a professional breakthrough, but the rest of his life is in disarray. From a suicidal son (Death Wish II’s David Daniels) and a terminally ill friend (Phobia's Neil Vipond) to a rocky romance with his bandmate Jenny (Pinocchio's Birthday Party's Nancy Belle Fuller), Jim’s life is hard – and it’s only getting harder.  \\n\\nThe feature directorial debut of celebrated Canadian genre filmmaker Paul Lynch (Prom Night), The Hard Part Begins blends the vivid Canadiana of independent classic Goin’ Down the Road with the unsentimental moral complexity of New Hollywood staples like Five Easy Pieces. Featuring a career-defining performance by Rhodes and a collection of unforgettable original songs, The Hard Part Begins is a lost treasure that's finally getting the break it deserves.\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e1973 \/ 87 min \/ 1.85:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0 \u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNewly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eA Filmmaker Begins (2023, 26 min.) – New interview with Lynch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAfter the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEvolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAn Actor Begins (2023, 22 min.) – New interview with actor David Daniels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eThe Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eReyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with Donnelly Rhodes (1989, 4 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAlternate ending (1973, 1 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAfterword featuring Lynch and Gravestock (2023, 9 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet featuring a new interview with actress Nancy Belle Fuller\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}' 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Edition","offer_id":40577147404330,"sku":"CIP-018","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/thehardpartbeginsslipfront.jpg?v=1762199063"},{"product_id":"warm-blood","title":"Warm Blood","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition slipcover is limited to\u003cspan\u003e \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"il\"\u003eFactory\u003c\/span\u003e \u003cspan class=\"il\"\u003e25\u003c\/span\u003e, a Brooklyn-based independent film distribution company was founded in 2009 by Matt Grady. F25 is a home for conceptually provocative narratives and documentaries. Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eSet in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003edirected by: Rick Charnoski\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003estarring: Haley Isaacson, Ryan Toothman, John Veit, Andy Roy\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e2022 \/ 88 min \/ 1.78:1 \/ English Dolby Digital 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e16mm test footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eDeleted Scenes and outtakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eBooklet with essays by Megan Leonard, cinematographer Christopher Blauvelt, and director Rick Charnoski\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film. While Red searches the streets, a constant foreboding presence looms around the chemically toxic river polluting the town. Via a cable-access news reporter interviewing the local residents about its impact, Charnoski infuses today’s growing apathy around the insurmountable nature of our man-made ecological disasters into this raw, politically subversive tale.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UKkOf12GzFc?si=JR-fMCGNKFqRBJsG\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Factory 25","offers":[{"title":"Limited Edition Slipcover","offer_id":40703870238762,"sku":"FTF-146 SLIP","price":15.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40703870271530,"sku":"FTF-146","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/warmbloodslipfront.jpg?v=1762199117"},{"product_id":"in-bloom-my-happy-family","title":"In Bloom + My Happy Family","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition slipcover (designed by \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eElizabeth Yoo\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e) is limited to \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1,000 units\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFounded in 2013, Big World Pictures is a non-profit distribution outfit dedicated to bringing the best in world cinema to film enthusiasts across the United States. Previous releases include films by Radu Jude, Tamer El Said, Maya Vitkova, Jean-Gabriel Périot, Julia Murat, Tsai Ming-liang and Eric Rohmer. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Literature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own. \\n\\nEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\"}' data-sheets-root=\"1\"\u003eLiterature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Literature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own. \\n\\nEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\"}' data-sheets-root=\"1\"\u003eEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Literature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own. \\n\\nEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\"}' data-sheets-root=\"1\"\u003edirected by: Nana Ekvtimishvili \u0026amp; Simon Gross\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Literature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own. \\n\\nEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\"}' data-sheets-root=\"1\"\u003estarring: Ia Shugliashvili; Merab Ninidze; Berta Khapava; Tsisia Qumsashvili \/ Lika Babluani; Mariam Bokeria: Zurab Gogaladze; Data Zakareishvili\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Literature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own. \\n\\nEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\"}' data-sheets-root=\"1\"\u003e2013, 2017 \/ 221 min (combined) \/ 2.35:1, 1.85:1 \/ Georgian 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Literature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own. \\n\\nEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Literature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own. \\n\\nEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Literature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own. \\n\\nEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Literature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own. \\n\\nEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\"}' data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIn Bloom - booklet with essay by Gerald White\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Literature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own. \\n\\nEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\"}' data-sheets-root=\"1\"\u003eIN BLOOM trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Literature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own. \\n\\nEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\"}' data-sheets-root=\"1\"\u003eOther Big World Pictures trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Literature teacher Manana has been married for 25 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two adult children and her son-in-law. But on the evening of her 52nd birthday, she announces to the surprise of her family that she wants to leave. When she actually packs her suitcase and leaves, the family is shocked and incredulous: Where is she going? What is the reason for the decision? She is past the age for a divorce and has what everyone would call a good husband. But Manana sticks to her decision and does something unheard of in Georgia’s patriarchal society: She moves into a small apartment to live on her own. \\n\\nEarly ‘90s, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen-year-old inseparable friends, life just unfolds—in the street, at school, with friends or Eka’s elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom, life just goes on.\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Big World Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":40801939062826,"sku":"BWP-07 SLIP","price":17.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40801939095594,"sku":"BWP-07","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/inbloomslipfront.jpg?v=1762199154"},{"product_id":"surf-reality-movie-of-the-month-club-collection","title":"Surf Reality Movie of the Month Club Collection","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition slipcover \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eis limited to \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1,000 units\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArt Label is the new outlet for envelope-pushing arthouse and experimental cinema. Growing from previous work under the Verboden Video and Culture Shock Releasing banners, Art Label is focusing on films that challenge traditional rules of form and content. Art Label is broadening its roots in horror and exploitation, reaching into other dimensions of expression to give new kicks to a well-versed audience of cinematic thrill seekers. Even the most hardened moviegoers will find stimulation in Art Label's releases.\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eThe New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Matt Mitler, Robert Prichard, Jennifer Babtist, Bennett Theissen, Todd Alcott\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003estarring: Matt Mitler, Kevin Brown, Jeff Eyres, Kiki Flynn, Frank Senger, Carolyn McDermott\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003e1991, 1992 \/ 485 min (combined) \/ 1.33:1 \/ English Stereo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eRegion Free 2-Disc Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eInterviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Dale Goodsen, Bob Sikoryak, Julia Martin, and Linda Hill\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eThe newly completed, lost Movie of the Month Club feature, Turf of Savage Homicides\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eThe home video adaptation of Matt Mitler's wild play, Macbeth, King of Scoutland\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eMatt Mitler reading an excerpt of his essay about Movie of the Month Club\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eMatt Mitler's 10 Commandments of Low-Budget Production\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eA tour of the Movie of the Month Club shooting locations\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eTrailer for Matt Mitler's 16mm feature film, Cracking Up\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003eEnglish SDH on all of the movies\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The New York underground performance art scene in the late 80's was teeming with unique talents. Enter Robert Prichard and Jennifer Babtist (both of Class of Nuke 'Em High), who decided that the madness happening nightly needed to be preserved on videotape, under the moniker of Surf Reality. At the same time, genre favorite Matt Mitler (The Mutilator, Deadtime Stories) was challenged to improvise a feature film in a single day. Prichard and Mitler, who were friends since high school, joined forces to shoot a series of one-day features on video, and so the Movie of the Month Club was born!\\n\\nThis definitive collection features all of the tantalizing and gonzo Movie of the Month Club videos: Kid Scarface, Manic A Go Go, Dick and Jane Drop Acid and Die, I Was a Teenage Bride of Christ, Thrill Kill Video Club, Alien Sex Phone Psycho, Les Enfants Miserables, as well as the previously unfinished Turf of Savage Homicides, and the home video version of Matt Mitler's popular play, Macbeth, King of Scoutland, which wittily (and often irreverently) transplants Shakespeare's tragedy from Scotland to a scout camp.\\n\\nArt Label is thrilled to bring the Movie of the Month features to disc for the first time, from the best surviving videotape elements of these ultra-rare pieces of alternative moviemaking.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/890164606?h=9c92cbea15\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/890164606\"\u003eSurf Reality Blu-ray trailer\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/warrenxian\"\u003eWarren Chan\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Art Label","offers":[{"title":"Limited Edition Slipcover","offer_id":40801990737962,"sku":"AL001 SLIP","price":17.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40801990770730,"sku":"AL001","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/surfrealityslipfront.jpg?v=1762199155"},{"product_id":"queen-of-earth","title":"Queen of Earth","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e T\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003ehis special limited edition spot gloss and embossed slipcover (designed by \u003cspan data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16773836},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Beth Morris\"}' data-sheets-root=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBeth Morris\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e) is limited to\u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e 2,000 units\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEstablished in 2000 and based in New York City, IFC Films is a leading U.S. distributor of independent film. Its unique distribution model makes independent films available to a national audience by releasing them in theaters as well as on VOD. Partnered with OCN Distribution, IFC will release new titles on home video and revisit past favorites in brand new editions, with many making their HD physical media debuts. \u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Catherine (Elisabeth Moss) has entered a particularly dark period in her life: her father, a famous artist, has recently died, and on the heels of his death she's dumped by her boyfriend James. Looking to recuperate, Catherine heads out to her best friend Virginia's (Katherine Waterston) lake house for some much needed relaxation. Tranquility eludes her, however, as she's instantly overcome with memories of time spent at the same house with James the year before. Moreover, she finds no solace from Virginia, who is spending increasing amounts of time with a local love interest, Rich (Patrick Fugit). Before long fissures in the relationship between the two women begin to form, sending Catherine into a downward spiral of delusion and madness. A bracing, eerie look at the sometimes dangerously deep bonds of friendship, QUEEN OF EARTH is a thrilling examination of a troublingly complex relationship.\\n\\n\u0026quot;}\" data-sheets-root=\"1\"\u003eCatherine (Elisabeth Moss) has entered a particularly dark period in her life: her father, a famous artist, has recently died, and on the heels of his death she's dumped by her boyfriend James. Looking to recuperate, Catherine heads out to her best friend Virginia's (Katherine Waterston) lake house for some much needed relaxation. Tranquility eludes her, however, as she's instantly overcome with memories of time spent at the same house with James the year before. Moreover, she finds no solace from Virginia, who is spending increasing amounts of time with a local love interest, Rich (Patrick Fugit). Before long fissures in the relationship between the two women begin to form, sending Catherine into a downward spiral of delusion and madness. A bracing, eerie look at the sometimes dangerously deep bonds of friendship, QUEEN OF EARTH is a thrilling examination of a troublingly complex relationship.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003edirected by: Alex Ross Perry\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003estarring: Elisabeth Moss, Katherine Waterston, Patrick Fugit, Kate Lyn Sheil\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003e2015 \/ 90 min \/ 1.78:1 \/ English DTS-HD MA 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eBrand new audio commentary with writer\/director Alex Ross Perry, cinematographer Sean Price Williams and actress Hari Nef \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eBrand new interview with composer Keegan DeWitt \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eAudio commentary with writer\/director Alex Ross Perry, from 2016\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eVideo conversation with writer\/director Alex Ross Perry and actress Katherine Waterston, from 2021 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eBehind the scenes footage from the production \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eNew video essay by Samm Deighan \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eBooklet with essay by writer Alexandra Heller-Nicholas \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eTheatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AU3a8oniq2s?si=W7aWVJh4_AywaS6t\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br 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charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition slipcover \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eis limited to \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1,000 units\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArt Label is the new outlet for envelope-pushing arthouse and experimental cinema. Growing from previous work under the Verboden Video and Culture Shock Releasing banners, Art Label is focusing on films that challenge traditional rules of form and content. Art Label is broadening its roots in horror and exploitation, reaching into other dimensions of expression to give new kicks to a well-versed audience of cinematic thrill seekers. Even the most hardened moviegoers will find stimulation in Art Label's releases.\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDanny Gold is hilarious on stage, and a nightmare everywhere else. He brings the intensity of a Lenny Bruce performance to every aspect of his life -- friendships, work, love, sex, and amphetamine abuse. Danny crashes through the Lower East Side like a human wrecking ball, leaving a path of ruined relationships and burnt bridges in his wake. Every success makes him more intent on self-destruction, and no one can stop watching... or laughing.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAll involved consider Cracking Up to be the \"thesis project\" following the Movie of the Month videos, taking everything they learned about improvised storytelling for the screen and amping it up for a scripted and rehearsed 16mm feature film. A comic tragedy, but also a time capsule of the NYC performance art scene of the early 90's, Cracking Up was co-written and directed by Matt Mitler (The Mutilator, Deadtime Stories), and features a who's who of New York talent -- Kevin Brown (\"30 Rock\"), Debra Wilson (\"Mad TV\"), Camryn Manheim (Happiness), Kimberly Flynn (Striptease), Frank Senger (Léon: The Professional), Jeff Eyres (Pledge Night) Toby Huss (\"The Adventures of Pete \u0026amp; Pete\") Robert Prichard and Jennifer Babtist (Class of Nuke 'Em High), and most of the cast members from the Movie of the Month Club videos.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArt Label is proud to present our new, director-approved 4K restoration from the original 16mm negatives for Cracking Up's Blu-ray debut.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003edirected by: Matt Mitler\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003estarring: Matt Mitler, Kevin Brown, Carolyn McDermott, Kiki Flynn, Debra Wilson, Chuck Montgomery\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1994 \/ 91 min \/ 1.66:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFeature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\"Backing Up: Looking Back at Cracking Up\" featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eA new, director and cinematographer approved black and white version of Cracking Up\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eIntroduction to the black and white version by director Matt Mitler\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; 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If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition slipcover \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eis limited to \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1,000 units\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArt Label is the new outlet for envelope-pushing arthouse and experimental cinema. Growing from previous work under the Verboden Video and Culture Shock Releasing banners, Art Label is focusing on films that challenge traditional rules of form and content. Art Label is broadening its roots in horror and exploitation, reaching into other dimensions of expression to give new kicks to a well-versed audience of cinematic thrill seekers. Even the most hardened moviegoers will find stimulation in Art Label's releases.\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eIn the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Caroline Bennett\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003estarring: Caroline Bennett\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003e2021 \/ 51 min \/ 1.78:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eFeature-length commentary with Director Caroline Bennett and Composer Jake Lichter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eIsolated Map Interstitials from Stice’s Satyricon\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eAll 10 music videos from the album “The Very Best of Stice”\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eAll 12 music videos from the album “Here Come The Baton”\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eLunch Cult music video for “Return to Cucumber Castle”\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLive Stice performance (20 min)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Accoustice” live a capella performance by Caroline Bennett (11 min)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eEnglish SDH subtitles on Stice’s Satyricon\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Art Label","offers":[{"title":"Limited Edition Slipcover","offer_id":40955585200170,"sku":"AL003 SLIP","price":16.79,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40955585232938,"sku":"AL003","price":14.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/sticessatyriconslipfront.jpg?v=1762199230"},{"product_id":"everything-to-entertain-you-the-story-of-video-headquarters","title":"Everything to Entertain You: The Story of Video Headquarters","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003eDisclaimer:\u003c\/strong\u003e\u003c\/em\u003e The 'OOP' edition of this release is still in stock since there were leftovers following our 2025 Labor Day sale. Available for a limited time only.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e1,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eEverything to Entertain You: The Story of Video Headquarters is a documentary about one of the greatest video stores in the country: Video Headquarters from Keene, New Hampshire. The store existed for 32 years from 1983-2015. It's owner, Ken McAleer, was a prominent figure among independent video store owners and this documentary examines how one man, with a single video store far outside the film hubs of New York and L.A., can have such a big impact in the industry. The store, voted the best video retailer in the country in 1997, not only served as a cultural institution in southwest New Hampshire but Ken McAleer served prominent roles in trade organizations and buying groups to help bolster independent stores around the country. This documentary is as much about Ken and his contributions to the industry as it is about the store. A labor of love from a first time filmmaker and former employee, this nostalgic look back at the video store era includes interviews with Ken McAleer, former employees, customers, comic artist and former video store owner, Stephen Bissette, and a treasure trove of archival audio, video, photographs, and documents from the store.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Brantley Palmer\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003estarring: Ken McAleer, Stephen Bissette, Sarah Dublin, Emma Pantesco, Neil Rounds, Pamela Birch, Ned Braley, Mark Nelson, Tom Cook\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003e2023 \/ 60 min \/ 1.78:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003eIn his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Wolf Gremm\u003cbr\u003estarring: Rainer Werner Fassbinder, Gunther Kaufmann\u003cbr\u003e1982 \/ 106 min \/ 1.66:1 \/ German DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. 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type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":41703384154154,"sku":"FMC_005b SLIP","price":16.79,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41703384186922,"sku":"FMC_005b","price":14.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/kamikazeslipfront.jpg?v=1762199348"},{"product_id":"the-bitter-ash","title":"The Bitter Ash","description":"\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover is limited to \u003cb\u003e2,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/i\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\"Larry Kent was a heroic figure for me... I loved him on the spot.\" – David Cronenberg\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003eWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003eMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 4K from the 35mm fine-grain master positive by Films We Like \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky \\n• Archival audio commentary featuring writer-star Don McKellar and producer Colin Brunton \\n• Rebel Cinema (2024, 29 min.) – New interview with McKellar \\n• Ready for the Ride (2024, 23 min.) – New interview with star Valerie Buhagiar \\n• Rock n’ Road (2024, 28 min.) – New interview with Brunton \\n• Lyrical Surrealism (2024, 22 min.) - New interview with cinematographer Miroslaw Baszak \\n• Interview with Bruce McDonald (2018, 37 min.) – A career-spanning interview with director Bruce McDonald \\n• On Screen! (2006, 48 min.) - Documentary about the making of Roadkill \\n• Theatrical trailer \\n• Booklet featuring a new interview with former TIFF senior programmer Steve Gravestock \\n• Reversible cover artwork \\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003edirected by: Larry Kent\u003cbr\u003estarring: Alan Scarfe, Lynn Stewart, Philip Brown, Diane Griffith, Lee Mackenzie, Larry Kent, Leo Burdak, Brian Belfont, Joceline Thompson, Douglas Reid, Barbara Dalquist, John Brighton, Sharon Bunce, Mitzi Hurd\u003cbr\u003e1963 \/ 80 min \/ 1.37:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNewly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNew audio commentary featuring filmmaker and historian Stephen Broomer\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eArchival audio commentary featuring director Larry Kent and film professor David Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNew introduction to The Bitter Ash by Kent\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eVancouver Memories (2024, 11 min.) – New interview with Kent\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eFrom the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eAfter Ash (2024, 13 min.) – Scarfe reflects on his body of work\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eAn Authentic Beat Film (2024, 22 min.) – New interview with Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eFantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eHastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNew introduction to Hastings Street by Kent\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eSilent version of Hastings Street (2003, 26 min.)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eArchival audio interview with Kent (1964, 18 min.)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eBooklet featuring an essay by Brett Enemark\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eReversible cover artwork\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver 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class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover is limited to \u003cb\u003e2,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e“Larry Kent was very important to me. Those early films were so ahead of their time.” – Atom Egoyan\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Larry Kent\u003cbr\u003estarring: Robert Howay, Angela Gann, Carol Pastinsky, Lanny Beckman, Robert Silverman\u003cbr\u003e1964 \/ 86 min \/ 1.37:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNewly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival audio commentary featuring film professor David Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew introduction to Sweet Substitute by Larry Kent\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSweet and Sour (2024, 10 min.) – New interview with Kent\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNot Quite Liberated (2024, 17 min.) – New interview with Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew audio interview with actor Lanny Beckman (2024, 6 min.)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eThe Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival audio interview with Kent (1964, 11 min.)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eReversible cover artwork\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New 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Slipcover","offer_id":41946804682794,"sku":"CIP-028 SLIP","price":16.79,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41946804715562,"sku":"CIP-028","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/sweet_substitute_slip_front.jpg?v=1762199402"},{"product_id":"sky-pirates","title":"Sky Pirates","description":"\u003cp class=\"p1\"\u003eThis special limited edition spot gloss and embossed slipcover (designed by Robert Sammelin) is limited to \u003cb\u003e2,000\u003c\/b\u003e \u003cb\u003eunits\u003c\/b\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cem\u003eUmbrella Entertainment has been a 100% Australian-owned and operated distributor for over 20 years. Their vast home entertainment catalogue features an extensive range of Australian classic, cult and exploitation films restored under the eyes of the original filmmakers. All sourced from national archives, underground collectors and local basements.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003eIn the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. 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What’s not to like?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. 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Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. 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Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. 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In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003edirected by: Colin Eggleston\u003cbr\u003estarring: Bill Hunter; John Hargreaves; Max Phipps; Meredith Phillips\u003cbr\u003e1986 \/ 85 min \/ 2.39:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\\nExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\\nDeleted and extended scenes\\nVFX test footage with commentary by visual effects supervisor Dennis Nicholson\\nVFX breakdown featurette\\nFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\\n“INDIANA CLONES” trailer reel\\nColin Eggleston trailer reel\\nExtensive stills and poster gallery\\nOriginal theatrical trailer\"}' data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\\nExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\\nDeleted and extended scenes\\nVFX test footage with commentary by visual effects supervisor Dennis Nicholson\\nVFX breakdown featurette\\nFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\\n“INDIANA CLONES” trailer reel\\nColin Eggleston trailer reel\\nExtensive stills and poster gallery\\nOriginal theatrical trailer\"}' data-sheets-root=\"1\"\u003eAudio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\\nExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\\nDeleted and extended scenes\\nVFX test footage with commentary by visual effects supervisor Dennis Nicholson\\nVFX breakdown featurette\\nFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\\n“INDIANA CLONES” trailer reel\\nColin Eggleston trailer reel\\nExtensive stills and poster gallery\\nOriginal theatrical trailer\"}' data-sheets-root=\"1\"\u003eExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\\nExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\\nDeleted and extended scenes\\nVFX test footage with commentary by visual effects supervisor Dennis Nicholson\\nVFX breakdown featurette\\nFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\\n“INDIANA CLONES” trailer reel\\nColin Eggleston trailer reel\\nExtensive stills and poster gallery\\nOriginal theatrical trailer\"}' data-sheets-root=\"1\"\u003eDeleted and extended scenes\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\\nExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\\nDeleted and extended scenes\\nVFX test footage with commentary by visual effects supervisor Dennis Nicholson\\nVFX breakdown featurette\\nFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\\n“INDIANA CLONES” trailer reel\\nColin Eggleston trailer reel\\nExtensive stills and poster gallery\\nOriginal theatrical trailer\"}' data-sheets-root=\"1\"\u003eVFX test footage with commentary by visual effects supervisor Dennis Nicholson\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\\nExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\\nDeleted and extended scenes\\nVFX test footage with commentary by visual effects supervisor Dennis Nicholson\\nVFX breakdown featurette\\nFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\\n“INDIANA CLONES” trailer reel\\nColin Eggleston trailer reel\\nExtensive stills and poster gallery\\nOriginal theatrical trailer\"}' data-sheets-root=\"1\"\u003eVFX breakdown featurette\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\\nExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\\nDeleted and extended scenes\\nVFX test footage with commentary by visual effects supervisor Dennis Nicholson\\nVFX breakdown featurette\\nFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\\n“INDIANA CLONES” trailer reel\\nColin Eggleston trailer reel\\nExtensive stills and poster gallery\\nOriginal theatrical trailer\"}' data-sheets-root=\"1\"\u003eFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\\nExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\\nDeleted and extended scenes\\nVFX test footage with commentary by visual effects supervisor Dennis Nicholson\\nVFX breakdown featurette\\nFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\\n“INDIANA CLONES” trailer reel\\nColin Eggleston trailer reel\\nExtensive stills and poster gallery\\nOriginal theatrical trailer\"}' data-sheets-root=\"1\"\u003e“INDIANA CLONES” trailer reel\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\\nExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\\nDeleted and extended scenes\\nVFX test footage with commentary by visual effects supervisor Dennis Nicholson\\nVFX breakdown featurette\\nFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\\n“INDIANA CLONES” trailer reel\\nColin Eggleston trailer reel\\nExtensive stills and poster gallery\\nOriginal theatrical trailer\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\\nExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\\nDeleted and extended scenes\\nVFX test footage with commentary by visual effects supervisor Dennis Nicholson\\nVFX breakdown featurette\\nFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\\n“INDIANA CLONES” trailer reel\\nColin Eggleston trailer reel\\nExtensive stills and poster gallery\\nOriginal theatrical trailer\"}' data-sheets-root=\"1\"\u003eColin Eggleston trailer reel\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\\nExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\\nDeleted and extended scenes\\nVFX test footage with commentary by visual effects supervisor Dennis Nicholson\\nVFX breakdown featurette\\nFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\\n“INDIANA CLONES” trailer reel\\nColin Eggleston trailer reel\\nExtensive stills and poster gallery\\nOriginal theatrical trailer\"}' data-sheets-root=\"1\"\u003eExtensive stills and poster gallery\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. In pursuit is arch villain Savage (Max Phipps) hell-bent on getting his mitts on “the ultimate power”.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with producer Michael Hirsh, cinematographer Garry Wapshott, script supervisor Jenni Tosi and stills photographer David Parker moderated by filmmaker Mark Hartley\\nExtended NOT QUITE HOLLYWOOD interviews with writer\/producer John D. Lamond and cinematographer Garry Wapshott\\nDeleted and extended scenes\\nVFX test footage with commentary by visual effects supervisor Dennis Nicholson\\nVFX breakdown featurette\\nFilmbuff’s Forecast tribute to John D. Lamond with Michael Hirsh, Alan Finney, Paul Harris and Mark Hartley\\n“INDIANA CLONES” trailer reel\\nColin Eggleston trailer reel\\nExtensive stills and poster gallery\\nOriginal theatrical trailer\"}' data-sheets-root=\"1\"\u003eOriginal theatrical trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the wake of the success of RAIDERS OF THE LOST ARK, maverick Ozploitation auteurs John D. Lamond (FELICITY) and Colin Eggleston (LONG WEEKEND) joined forces on this breezy, tongue-in-cheek, thrill-a-minute, big screen epic inspired by their love of Republic Pictures’ cliffhanger serials.\\n\\nBoasting exotic location work (including a climactic showdown filmed on Easter Island) and an action-packed, genre-bending plot that includes time warps, UFOs, the Bermuda Triangle and the Philadelphia Experiment – not to mention an aerial dogfight and a RAIDERS-style truck chase – SKY PIRATES is the ultimate old fashioned, fast-moving, two-fisted, pulpy B-movie experience! What’s not to like?\\n\\nUmbrella Entertainment proudly presents the worldwide high-def debut of this weird and wild Ozploitation rarity with a new 4K transfer from the original 35mm vault materials supervised by cinematographer Garry Wapshott.\\n\\nJohn Hargreaves is Flight Lt. Harris – a wisecracking pilot with an addiction for adventure. He teams up with the feisty daughter of a kidnapped clergyman and they hotfoot it across the globe to rescue her father and locate the separated pieces of a powerful, mystical tablet. 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Edition","offer_id":41949704323114,"sku":"UMB-015","price":14.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/sky_pirates_slip_front.jpg?v=1762199409"},{"product_id":"mary-janes-not-a-virgin-anymore","title":"Mary Jane's Not a Virgin Anymore and the Films of Sarah Jacobson","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e1,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eSarah Jacobson's punk-spirited DIY films from the 1990s combine B-movie aesthetics and riot grrrl feminism, standing as a testament to the vision, determination, and raw talent of the “Queen of Underground Cinema.” MARY JANE'S NOT A VIRGIN ANYMORE (Jacobson's only feature film) is a vibrant and vital antidote to every phony Hollywood teen picture, bringing lo-fi realness to the coming-of-age genre. I WAS A TEENAGE SERIAL KILLER (Jacobson's underground sensation) is SLACKER meets Valerie Solanas, as a woman responds to catcalls, condescension, and bad sex the only way she knows how: murder. Taking on every major role of filmmaking from production through distribution, Sarah Jacobson was a shitkicker and rulebreaker, finding fans in filmmakers Allison Anders (GAS, FOOD LODGING) and Tamra Davis (CROSSROADS), as well as Kim Gordon of Sonic Youth.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. 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IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eMARY JANE’S NOT A VIRGIN ANYMORE (1996, 95 mins) \u0026amp; I WAS A TEENAGE SERIAL KILLER (1993, 25 mins): Preserved from the only 16mm elements in existence\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eI WAS A TEENAGE SERIAL KILLER: Commentary with star Kristin Calabrese and Bleeding Skull’s Annie Choi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eShort: SWEET MISS: THE DISCO YEARS (1988)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eShort: ROAD MOVIE (OR WHAT I LEARNED IN A BUICK STATION WAGON) (1991)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eShort: SFERIC WAVES (1996)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eShort:TECHNICOLOR YAWN (1996)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eShort: THE MAKING OF LADIES AND GENTLEMEN, FABULOUS STAINS (2000)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eShort: BRA SHOPPING(2002)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eEphemera gallery\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eBooklet with writing from filmmaker Allison Anders, Annie Choi, and AGFA’s Alicia Coombs\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" 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c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover is limited to \u003cb\u003e2,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cp class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\u003cspan data-sheets-root=\"1\"\u003e“A genuine cinematic gem… groundbreaking.” – Piers Handling, TIFF\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\u003cspan data-sheets-root=\"1\"\u003eFrustrated housewife Gwen James (Rabid’s Patricia Gage) feels like little more than a servant to her accountant husband (Strange Brew’s Douglas Campbell) and two daughters. Devoting all her time to their needs – and the demands of her cantankerous father – she feels her sense of self-worth slipping. As Gwen wrestles with increasingly despairing thoughts, she escapes into a world of glamorous fantasy and eventually finds a new sense of purpose by enrolling in a university course, where she strikes up a special bond with her young professor (American Nightmare’s Neil Dainard). But as Gwen reverts to a more youthful, carefree state, her family descends into chaos.\u003cbr\u003e\u003cbr\u003eArriving on the heels of The Bitter Ash and Sweet Substitute, When Tomorrow Dies concluded Larry’s Kent Vancouver Trilogy with a vivid new sense of style and daring. Working with a larger budget and a more seasoned crew, the director fused elements of film noir and the Hollywood melodrama to deliver a lurid – yet compassionate – investigation of the housewife psyche. Applying Kent’s preoccupation with youthful disaffection to an older generation, When Tomorrow Dies brought new depth to his approach and cemented his reputation as a maverick of Canadian independent filmmaking. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003edirected by: Larry Kent\u003cbr\u003estarring: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003ePatricia Gage, Douglas Campbell, Neil Dainard, Nikki Cole, Desmond Smiley, Francie Long, Patricia Wilson, Caroline Kennedy, Lanny Beckman\u003c\/span\u003e\u003cbr\u003e1965 \/ 89 min \/ 1.37:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew audio commentary featuring film historian and author Samm Deighan\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eArchival audio commentary featuring film professor Peter Rist\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew introduction to When Tomorrow Dies by Larry Kent\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTomorrow Lives (2024, 9 min.) – New interview with Kent\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eIndependent Evolution (2024, 18 min.) – New interview with film professor David Douglas\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew audio interview with Heather Whitehead, daughter of star Patricia Gage (2024, 9 min.)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTalking to Larry Kent (2005, 19 min.) – Archival conversation featuring Kent and Rist\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eKent on Kent (1965-1967, 20 min.) – Archival audio interviews with Kent\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eMothers and Daughters (1993, 85 min.) – Little-seen Kent feature exploring some of the same themes as When Tomorrow Dies\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew introduction to Mothers and Daughters by Douglas\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBooklet featuring a new essay by film critic and professor Tom 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e","brand":"Canadian International Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":42012709322794,"sku":"CIP-029 SLIP","price":16.79,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42012709355562,"sku":"CIP-029","price":14.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/when_tomorrow_dies_slip_front.jpg?v=1762199430"},{"product_id":"hotel","title":"Hotel","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eSteak Mtn) was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms \u003c\/span\u003eby auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan data-sheets-root=\"1\"\u003eNewly restored in 4k and available for the first time in North America, Austrian auteur Jessica Hausner radically upends genre tropes and preempts the resurgence of folk horror with her second and most formally audacious feature, HOTEL. The deceptively simple premise of a young woman who takes on a job as a night porter at a remote Austrian hotel and encounters unexplained phenomena amounts to a grand treatise on the inhibiting potential of imagination, the fine line between banality and terror and the looming specter of fate. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\"\u003eAllusions to local myth, mysterious disappearances and haunted forests eschew generic conclusions and serve to illustrate and complicate the inner life of a young woman reckoning with the essential ambiguities of defining one’s life. “An intelligent fable about fear and desire,” (Time Out) Hausner’s sophomore feature is a haunting metaphysical horror film unlike any other.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\"\u003eJessica Hausner\u003c\/span\u003e\u003cbr\u003estarring: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\"\u003eFranziska Weisz, Birgit Minichmayr, Marlene Streeruwitz, Rosa Waissnix, Christopher Schärf\u003c\/span\u003e\u003cbr\u003e2004 \/ 75 min \/ 1.85:1 \/ German \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eAudio commentary by director Jessica Hausner\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/1EFwdmDKLLs?si=wxzv2ilZnw4TH_Jc\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement","offers":[{"title":"Limited Edition Slipcover","offer_id":42019316072490,"sku":"FM-001 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42019316105258,"sku":"FM-001","price":14.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/hotel_slip_front.jpg?v=1762199441"},{"product_id":"lourdes","title":"Lourdes","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition slipcover (designed by Steak Mtn) is limited to \u003cb\u003e1,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\"\u003eAfflicted with multiple sclerosis, Christine makes a pilgrimage to the holy site of Lourdes in hopes of a miracle. Among thousands of ailed visitors, she proceeds through the well-oiled machinery of the religious tourist destination until the unbelievable happens: she is suddenly able to walk. As Christine becomes the object of wonder and envy, bolstering and testing the faith of her fellow pilgrims, the question remains whether all is as it seems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\"\u003eA personal favorite of Martin Scorsese, Jessica Hausner’s acclaimed third feature distills the central theme of her filmography: the contentious gray area between faith and fact. Dryly humorous and quietly riveting, LOURDES is the “superbly subtle, mysterious and brilliantly composed film” (The Guardian) that established Hausner as a vital contemporary auteur on a global scale. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\"\u003eJessica Hausner\u003c\/span\u003e\u003cbr\u003estarring: \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\"\u003eSylvie Testud, Léa Seydoux, Bruno Todeschini, Elina Löwensohn\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2009 \/ 96 min \/ 1.85:1 \/ French \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). 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This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A 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Edition","offer_id":42019345563690,"sku":"FM-002","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/lourdes_slip_front.jpg?v=1762199443"},{"product_id":"lovely-rita","title":"Lovely Rita","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition slipcover (designed by Steak Mtn) is limited to \u003cb\u003e1,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cp class=\"p1\"\u003eFeeling confined by her well-mannered suburban environment, the pubescent Rita gradually attempts to test and break the expectations made of her. As she skips class to pursue her infatuation for a local bus driver as well as her own desires, her disapproving parents and classmates begin to question the motivation behind her provocations. However, Rita’s adolescent rebellions occlude a more sinister intention.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“A deliciously observed, ironic take on middle-class Austrian life,” (Variety) Jessica Hausner’s debut feature establishes her thematic interest in societal assimilation with a singular portrait of teenage recalcitrance. Newly restored in 4k and available for the first time in North America, LOVELY RITA remains just as shocking as it was during its premiere at the Cannes Film Festival in 2001.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\"\u003eJessica Hausner\u003c\/span\u003e\u003cbr\u003estarring: \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\"\u003eBarbara Osika, Christoph Bauer, Peter Fiala, Wolfgang Kostal, Karina Brandmlmayer\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2001 \/ 79 min \/ 1.78:1 \/ German \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A 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data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Across walls, fences, and alleys, rats not only expose our boundaries of separation but make homes in them. \\\u0026quot;Rat Film\\\u0026quot; is a feature-length documentary that uses the rat—as well as the humans that love them, live with them, and kill them--to explore the history of Baltimore. \\\u0026quot;There's never been a rat problem in Baltimore, it's always been a people problem\\\u0026quot;. \\n\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e","brand":"Memory","offers":[{"title":"Limited Edition Slipcover","offer_id":42019395469354,"sku":"MEM-003 SLIP","price":15.19,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42019395502122,"sku":"MEM-003","price":13.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/dogleg_slip_front.jpg?v=1762199446"},{"product_id":"kid-thing","title":"Kid Thing","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003eThis special limited edition slipcover is limited to\u003cspan\u003e \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"il\"\u003eFactory\u003c\/span\u003e \u003cspan class=\"il\"\u003e25\u003c\/span\u003e, a Brooklyn-based independent film distribution company was founded in 2009 by Matt Grady. F25 is a home for conceptually provocative narratives and documentaries. Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003eAnnie is a rebellious ten-year-old girl. She lives on the outskirts of town with her father Marvin, who, when not herding goats, mostly sleeps the day away. Virtually devoid of parental guidance, Annie is left to fend for herself and do as she pleases. With no moral compass, she roams the neighboring lands, shoplifting and engaging in general destructive behavior. Her routine is broken one day while playing in the woods; she hears an old woman calling from deep within an abandoned well, asking for help. Scared and untrusting of the unseen stranger, Annie deliberates on her course of action.\u003c\/p\u003e\n\u003cp\u003eFrom the skewed minds of acclaimed filmmakers David and Nathan Zellner who brought you Sasquatch Sunset and Kumiko, The Treasure Hunter.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: David Zellner\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Sydney Aguirre, Susan Tyrrell, Nathan Zellner, David Zellner\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2012 \/ 83 min \/ 1.78:1 \/ English \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\"\u003eDolby Digital 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eBehind the Scenes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eShort Films:\u003cbr\u003e\n\u003cul\u003e\n\u003cli class=\"li1\"\u003eSasquatch Birth Journal 2 (2011)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eRummy (2003)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eQuasar Hernandez (2004)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThe Virile Man (2004)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFlotsam \/ Jestam (2005)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFoxy and the Weight of the World (2005)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eWho Is On First? (2005)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003ePardon My Downfall (2006)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eRedemptitude (2006)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAftermath on Meadowlark Lane (2007)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFiddlestixx Ep 1, 2, 3 (2009)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBlack Something (2016)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eMusic Videos:\u003cbr\u003e\n\u003cul\u003e\n\u003cli class=\"li1\"\u003eKid Thing Song Thing by Mauntajj (2012)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThis Old World by Ola Podrida (2012)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eWet Gold by Octopus Project (2009)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTruck by Octopus Project (2007)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eNutella \u0026amp; Gummi Bear Sandwich by Precarious Warehaüs Dwellers (2003)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBulbovian PSA (2002)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e28 page booklet with Zellner Brothers Interview Mash Up\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cem\u003eEstablished in 2000 and based in New York City, IFC Films is a leading U.S. distributor of independent film. Its unique distribution model makes independent films available to a national audience by releasing them in theaters as well as on VOD. Partnered with OCN Distribution, IFC will release new titles on home video and revisit past favorites in brand new editions, with many making their HD physical media debuts. \u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003eBased on horrifying crimes discovered in Snowtown, Australia in 1999, THE SNOWTOWN MURDERS is a stark journey into a brutal subculture of suspicion, addiction and violence. Hoping for much-needed stability and security in their lives, embattled mother Elizabeth (Louise Harris) and her three sons take up with John, the self-appointed moral compass of a vigilante neighborhood watch group. John's charismatic nature causes 16-year-old Jamie (Lucas Pittaway) to view the older man as a role model, and the two quickly strike up a bond. But when John introduces Jamie to his disturbing ideas of administering justice, the impressionable youth is confronted with a father figure who may be the most vicious predator he's encountered yet. Winner of the Special Jury Prize at Cannes' Critics Week, Justin Kurzel's directorial debut is an uncompromising look at the alarming circumstances that led to the notorious crimes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. 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Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Justin Kurzel\u003cbr\u003estarring: Lucas Pittaway, Daniel Henshall, Louise Harris\u003cbr\u003e2011 \/ 119 min \/ 1.85:1 \/ English DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. 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The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. 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Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}'\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. 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Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}'\u003e\u003cspan\u003eNew audio commentary with film critic Simon Abrams \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}'\u003e\u003cspan\u003eNew video essay by Samm Deighan\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}'\u003e\u003cspan\u003eNew booklet with writing by Alexandra Heller-Nicholas \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eThe Boy from Gawler: An interview with director Justin Kurzel\u003c\/li\u003e\n\u003cli\u003eCommentary with director Justin Kurzel\u003c\/li\u003e\n\u003cli\u003eDeleted Scenes with commentary by director Justin Kurzel\u003c\/li\u003e\n\u003cli\u003eOriginal casting footage\u003c\/li\u003e\n\u003cli\u003eThe Snowtown Crimes Featurette\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}'\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring 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The limited edition slipcover \u003cmeta charset=\"utf-8\"\u003e(designed by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSuspiria Vilchez\u003c\/span\u003e) was limited to \u003cb\u003e1,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. 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When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Conversations\\\" - Interviews with sculptor Charlie Becker, Composer Vaaal, Makeup Artist Ashely Thomas, and Makeup Effects Designer Dan Martin\\n\\n\\\"On Set\\\" - Actors \u0026amp; Costumer interviews\\n\\nCOAXIAL short film by Travis Stevens\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew audio commentary with writer\/director Gabriel Bier Gislason\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Conversations\\\" - Interviews with sculptor Charlie Becker, Composer Vaaal, Makeup Artist Ashely Thomas, and Makeup Effects Designer Dan Martin\\n\\n\\\"On Set\\\" - Actors \u0026amp; Costumer interviews\\n\\nCOAXIAL short film by Travis Stevens\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew audio commentary with film critic Lindsay Traves\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eBooklet with new writing from film critic BJ Colangelo\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. 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type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e","brand":"Shudder","offers":[{"title":"Limited Edition Slipcover","offer_id":42093376995370,"sku":"SHU-005 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42093377028138,"sku":"SHU-005","price":14.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/the_found_footage_phenomenon_slip_front.jpg?v=1762199509"},{"product_id":"adult-swim-yule-log","title":"Adult Swim Yule Log","description":"\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition lenticular slipcover was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eDekanalog is a film and soundtrack distribution company dedicated to the release of the most unique filmmaking voices and musical scores from around the world. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGet in the holiday spirit with this cozy, crackling fire.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003edirected by: Casper Kelly\u003cbr\u003estarring: Brendan Patrick Connor, Andrea Laing, Justin Miles, Hannah Alline, Skye Passmore\u003cbr\u003e2022 \/ 91 min \/ 1.78:1 \/ English \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion A Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e2 Feature length audio commentaries with cast and crew\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan\u003eSelect scene commentaries\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan\u003eFX Show-\u0026amp;-Tell\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan\u003eYule Log (For Real This Time)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan\u003eBooklet with an essay by Grady Hendrix \u0026amp; a conversation with Casper Kelly and Rodney Ascher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish SDH subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Limited Edition Lenticular Slipcover","offer_id":42146664546346,"sku":"DKA022 SLIP","price":34.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42146664579114,"sku":"DKA022","price":14.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Adult_Swim_Yule_Log_LTD_Front_7fb5b513-3e6f-43dc-ace7-6ffc2d6462fa.jpg?v=1762199521"},{"product_id":"have-a-nice-life","title":"Have a Nice Life","description":"\n\u003cp\u003eThis special limited edition slipcover (designed by Brandon Schaefer) is limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eDesk\u003c\/span\u003e is a theatrical and disc distributor founded in 2007 by Jake Perlin, dedicated to releasing masterpieces of international cinema, with a focus on titles never before released in the United States, or long out of circulation, primarily in new 35mm prints.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp style=\"text-align: left;\"\u003eOn two sides of Durham, North Carolina are two very different women: Jyothi, an Indian housewife in an arranged marriage, and Sophie, an unemployed stoner musician. 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCalled “one of the best streaming services in the world” by RogerEbert.com and described by Thrillist as “pretty much everything a horror fan could want,” Shudder is a premium streaming service offering the best selection of horror, thriller and supernatural movies, series and specials.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003eShot down after fleeing a coup and extracting a drug lord from Guinea-Bissau, the legendary mercenaries known as the Bangui Hyenas must stash their stolen gold bounty, lay low long enough to repair and refuel their plane and escape back to Dakar, Senegal. When they take refuge at a holiday camp in the coastal region of Sine-Saloum, they do their best to blend in with their fellow guests; but one Hyena is hiding a dark secret. 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Step-Dad","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition slipcover is limited to \u003cb\u003e1,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNoBudge is a streaming platform and boutique label for young and emerging filmmakers. Focused on low-budget cinema, DIY visions, alternative comedy, and more, we spotlight indie filmmakers working with limited resources and without major film industry connections. A leading curatorial voice since 2011, we have been featured by The New York Times, The New Yorker, The Guardian, Esquire, The Paris Review, and Indiewire. \"One of the best places to sample what’s happening in low-budget cinema worldwide.\" -The New York Times.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003eWhen Jim (Colin Burgess) and Dave (Anthony Oberbeck) meet at a cabin upstate in an attempt to bond with their 13-year-old son, Branson (Brian Fiddyment), tensions mount as differing parenting techniques come to the fore, along with trivial disagreements about everything from air mattresses, to cigars, to grilling hotdogs.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Tynan DeLong\u003cbr\u003estarring: Colin Burgess,  Anthony Oberbeck, Brian Fiddyment, Clare O'Kane, Anthony Oberbeck\u003cbr\u003e2023 \/ 79 min \/ 1.78:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eBlooper Reel\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDeleted Scenes \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eAlternate Takes\u003c\/li\u003e\n\u003cli\u003eThe Original Dad \u0026amp; Step-Dad Short Film\u003c\/li\u003e\n\u003cli\u003eTrailers\u003c\/li\u003e\n\u003cli\u003eCommentary with Director Tynan DeLong and Producer Graham Mason\u003c\/li\u003e\n\u003cli\u003eCommentary by Main Characters Jim and Dave\u003c\/li\u003e\n\u003cli\u003eFart Track\u003c\/li\u003e\n\u003cli\u003eBooklet featuring essays by film critic Elissa Suh 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class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eRobert Sammelin) was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cp\u003eBefore Johnny Utah, before Neo, before John Wick, there was… Ron.    \u003c\/p\u003e\n\u003cp\u003eKeanu Reeves gave his first lead performance in 1985’s One Step Away, establishing the charm and vulnerability of his beloved screen persona while exploring the pitfalls of juvenile delinquency. The film was directed by Robert Fortier, a seasoned documentarian venturing deeper into fiction filmmaking following the success of his daredevil stunt-driving doc The Devil at Your Heels. Keanu \u0026amp; Co. collects three of the films he directed for the NFB’s Family Crisis Series – including Keanu’s essential debut – vividly evoking the spirit of the After School Special and its ’80s heyday.\u003c\/p\u003e\n\u003cp\u003eIn Out of a Job, Dan Lett (The Shape of Water) plays a young engineer who returns to the home of his parents and computer whiz brother after his promising career abruptly falls apart. In One Step Away, Keanu Reeves plays Ron, a troubled teen struggling to overcome peer pressure and his own criminal impulses when his latest arrest derails the life of his single mother (Diana Belshaw). Finally, in the shocking thriller Running Scared, Stephen Mendel (Jack Frost) plays an intensely jealous boyfriend whose spying and scolding ways rapidly escalate to full blown stalking.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Robert Fortier\u003cbr\u003estarring: Keanu Reeves, Dan Lett, Dan MacDonald, Diana Belshaw, Stephen Mendel, Wanda Cannon\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1985-1986 \/ 85 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eScanned and restored in 2K from the 16mm interpositives by the National Film Board of Canada\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAn Excellent Adventure (2024, 15 min.) – New interview with One Step Away star Diana Belshaw\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eUnsettled on the Set (2024, 11 min.) – New interview with Running Scared star Stephen Mendel\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAn Actor Remembers (2024, 13 min.) – Mendel reflects on his body of work\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eJob Well Done (2024, 14 min.) – New interview with Out of a Job star Dan Lett\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eOn the Job (2024, 18 min.) – Lett reflects on his body of work\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eA Single Regret (1983, 22 min.) – Another Family Crisis Series short directed by Fortier\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eA Gift for Kate (1986, 28 min.) – Family Crisis Series short directed by John N. Smith (Dangerous Minds)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eThe Painted Door (1984, 24 min.) – Short written by One Step Away screenwriter Joe Wiesenfeld and directed by Bruce Pittman (Hello Mary Lou: Prom Night II)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eGoing to War (1985, 24 min.) – Short written by Wiesenfeld based on a short story by Timothy Findley (Don’t Let the Angels Fall)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eEnd of a Summer Day (1971, 9 min.) – Fortier’s directorial debut\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eOne Step Away in SD (1985, 29 min.) – Reeves’s debut as seen in the VHS era\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBooklet featuring a reproduction of the Family Crisis Series viewer’s guide, outlining “suggestions for film use” and other activities\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eEnglish SDH subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/LmxHNPDd3to?si=e6cfGz5w1ZIHvHoS\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Canadian International Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":42368617578538,"sku":"CIP-032 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42368617611306,"sku":"CIP-032","price":14.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Keanu_Co_LTD_Front.jpg?v=1762199756"},{"product_id":"once-were-warriors","title":"Once Were Warriors","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition debossed and satin finish slipcover (designed by Time Tomorrow) is limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003cb\u003e,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003eAmidst the mean streets of Auckland, Beth Heke (Rena Owen) lives with her husband Jake (Temuera Morrison) and their three children in a tenement house for native Maori. Jake’s battle with alcoholism frequently results in terrifyingly violent outbursts, but Beth’s unwavering devotion prevents her from seeing how much his rage is destroying their family until it is nearly too late.\u003c\/p\u003e\n\u003cp\u003eWinner of nine New Zealand Film Awards, this groundbreaking adaptation of Alan Duff’s hard-hitting novel set local box office records and launched the international career of director Lee Tamahori.\u003c\/p\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Lee Tamahori\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Rena Owen, Temuera Morrison, Cliff Curtis\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1994 \/ 102 min \/ 1.85:1 \/ English DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCommentary with Alexandra Heller-Nicholas and Josh Nelson\u003c\/li\u003e\n\u003cli\u003eVideo essay by Elizabeth Purchell\u003c\/li\u003e\n\u003cli\u003eBehind-the-Scenes Featurette\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEssay by New Zealand film critic Peter Calder\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/N0-Q3ChKcfE?si=d1VhCJiSHSf1xwAz\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":42369963524138,"sku":"FMC_020b SLIP","price":16.79,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42369963556906,"sku":"FMC_020b","price":14.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Once_Were_Warriors_LTD_Front.jpg?v=1762199759"},{"product_id":"the-last-circus","title":"The Last Circus","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss and embossed slipcover (designed by Black Coffiend) is limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eA leading independent film studio for 20 years, Magnolia Pictures is the theatrical and home entertainment distribution arm of the Wagner\/Cuban Companies, boasting a library of over 500 titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e1937, Spain is in the midst of the brutal Spanish Civil War. A Happy circus clown is interrupted mid-performance and forcibly recruited by a militia. Still in his costume, he is handed a machete and led into battle against National soldiers, where he single handedly massacres an entire platoon. Fast forward to 1973, the tail end of the Franco regime. Javier, the son of the clown, dreams of following in his father's career footsteps, but has seen too much tragedy in his life - he's simply not funny and is only equipped to play the role of the Sad Clown. He finds work in a circus where he befriends an outlandish cast of characters, but as the Sad Clown he must take the abuse of the brutish Happy Clown Sergio, who humiliates Javier daily in the name of entertainment. It is here that he meets Natalia, a gorgeous acrobat, and abused wife of Sergio. Javier falls deeply in love with Natalia and tries to rescue her from her cruel and violent husband, unleashing Sergio's jealousy. But Natalia is torn between her affection towards Javier and her lust for Sergio. With neither man willing to back down, this twisted love triangle evolves into a ferocious battle between Sad Clown and Happy Clown, escalating to unbelievable heights in this absurd, shocking, irreverent and unforgettable film.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Álex de la Iglesia\u003cbr\u003estarring: Carlos Areces, Antonio de la Torre, Carolina Bang, Manuel Tallafé\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2010 \/ 107 min \/ 2.35:1 \/ Spanish DTS-HD MA 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCalled “one of the best streaming services in the world” by RogerEbert.com and described by Thrillist as “pretty much everything a horror fan could want,” Shudder is a premium streaming service offering the best selection of horror, thriller and supernatural movies, series and specials.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhile struggling on a solo backpacking trip, social media influencer Madison meets CW, who shows her a more uninhibited way of living. But CW's interest in Madison takes a darker turn.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Kurtis David Harder\u003cbr\u003estarring: Emily Tennant, Rory J Saper, Cassandra Naud, Justin Sams, Paul Spurrier\u003cbr\u003e2022 \/ 92 min \/ 2.39:1 \/ English DTS-HD MA 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Conversations\\\" - Interviews with sculptor Charlie Becker, Composer Vaaal, Makeup Artist Ashely Thomas, and Makeup Effects Designer Dan Martin\\n\\n\\\"On Set\\\" - Actors \u0026amp; Costumer interviews\\n\\nCOAXIAL short film by Travis Stevens\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with Director Kurtis Harder and Cinematographer David Schurrman\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with Director Kurtis Harder and Actresses Emily Tennant and Cassandra Naud\u003c\/li\u003e\n\u003cli\u003eDeleted and Extended Scenes\u003c\/li\u003e\n\u003cli\u003eBehind the Scenes Footage\u003c\/li\u003e\n\u003cli\u003eProof of Concept Footage\u003c\/li\u003e\n\u003cli\u003eOriginal Teaser\u003c\/li\u003e\n\u003cli\u003eOriginal Trailer\u003c\/li\u003e\n\u003cli\u003eBooklet with new writing by film critic Molly Henry\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Conversations\\\" - Interviews with sculptor Charlie Becker, Composer Vaaal, Makeup Artist Ashely Thomas, and Makeup Effects Designer Dan Martin\\n\\n\\\"On Set\\\" - Actors \u0026amp; Costumer interviews\\n\\nCOAXIAL short film by Travis Stevens\"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Conversations\\\" - Interviews with sculptor Charlie Becker, Composer Vaaal, Makeup Artist Ashely Thomas, and Makeup Effects Designer Dan Martin\\n\\n\\\"On Set\\\" - Actors \u0026amp; Costumer interviews\\n\\nCOAXIAL short film by Travis Stevens\"}' data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/max4YbL3idk?si=5mU54eWV5i6YXAzc\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Shudder","offers":[{"title":"Limited Edition Slipcover","offer_id":42380317163562,"sku":"SHU-010 SLIP","price":16.79,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42380317196330,"sku":"SHU-010","price":14.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Influencer_LTD_Front.jpg?v=1762199765"},{"product_id":"two-faces-of-tai-kato","title":"Two Faces of Tai Katô","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover (designed by Poochamin) is limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003cb\u003e,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003eDouble feature of Japanese master Tai Kato's BY A MAN'S FACE SHALL YOU KNOW HIM and I, THE EXECUTIONER, released for the first time ever in HD in North America.\u003c\/p\u003e\n\u003cp\u003eBY A MAN'S FACE SHALL YOU KNOW HIM:\u003cbr\u003eWWII veteran Dr. Amamiya (played by real life former yakuza Noboru Ando) runs a clinic in a downtrodden Japanese neighborhood. When an accident victim brought to him for treatment turns out to be his ethically Korean war buddy he recalls the criminal strife that practically ripped their town apart and changed their lives forever just some years earlier right after the war. Flashbacks reveal the brash and contentious Korean gang that tried to take over the local market and turn it into a red light district. While fueled by innate prejudice from the native Japanese residents, the hoodlums’ ruthless methods lead to unspeakably treacherous acts. As both sides’ anger escalates to the brink, Dr. Amamiya takes things in his own hands to try and control this untenable conflict. Director Tai Kato’s groundbreaking feature takes on controversial sociopolitical issues with his distinct cinematic aesthetic in a seamless blend of melodrama and action that is exemplary of his “superb craftsmanship and personal style” (Los Angeles Times).\u003c\/p\u003e\n\u003cp\u003eI, THE EXECUTIONER:\u003cbr\u003eAs the police investigate a sudden rash of brutal murders whose victims are all women the unscrupulous killer’s murky motivations remain hauntingly elusive. A labyrinthine character study slowly unfolds implying that the targets of these unspeakable acts may be culpable in their own shocking demise. Although director Tai Kato worked within the studio system mostly on genre films, his distinctly bold and somber style proved him a maverick auteur, with I, the Executioner one of his most incendiary masterpieces. Kato matches the film’s bleak narrative themes to its innovative aesthetics, “with blown out negatives, extreme close-ups, and deep focus mixed with his characteristic low angle composition to add to the sense of noirish dread which paints the modern city as an inescapable hellscape” (Haley Scanlon - Windows on Worlds).\u003c\/p\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Tai Katô\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Makoto Sato, Chieko Baisho, Sanae Nakahara, Ranfan Ou, Noboru Ando, Ichiro Nakatani, Sanae Nakahara, Ryohei Uchida\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1966, 1968 \/ 179 min (combined) \/ 2.40:1 \/ Japanese DTS-HD MA 1.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A 2-Disc Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBy A Man's Face Shall You Know Him:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eOld Wounds, New Faces - Patrick Macias video essay\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eKenta Fukasaku on By A Man's Face Shall You Know Him\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eA Tribute to Sanae Nakahara\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTrailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eI, The Executioner:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBrutal Shadows - Patrick Macias video essay\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eKenta Fukasaku on I, The Executioner\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTrailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with essay by Japanese \u0026amp; East Asian cinema specialist, Hayley Scanlon\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":42480514170922,"sku":"FMC-007 SLIP","price":17.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42480514203690,"sku":"FMC-007","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Two_Faces_Of_Tai_Kato_LTD_Front.jpg?v=1762199809"},{"product_id":"4-44-last-days-on-earth","title":"4:44 Last Day On Earth","description":"\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover (designed by Steak Mtn) is limited to \u003cstrong\u003e2,000\u003c\/strong\u003e \u003cstrong\u003eunits\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEstablished in 2000 and based in New York City, IFC Films is a leading U.S. distributor of independent film. Its unique distribution model makes independent films available to a national audience by releasing them in theaters as well as on VOD. Partnered with OCN Distribution, IFC will release new titles on home video and revisit past favorites in brand new editions, with many making their HD physical media debuts. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn a large apartment high above the city lives our couple. They’re in love. She’s a painter, he’s a successful actor. Just a normal afternoon – except that this isn’t a normal afternoon, for them or anyone else. Because tomorrow, at 4:44 am, give or take a few seconds, the world will come to an end far more rapidly than even the worst doomsayer could have imagined. The final meltdown will come, not without warnings, but with no means of  escape. There will be no survivors.\u003c\/p\u003e\n\u003cp\u003eAs always, there are those who, as their final cigarette is being lit and the blindfold tightened, will still hope against hope  for some kind of reprieve. For a miracle. Not our two lovers. They – like the majority of the Earth’s population – have accepted their fate; the world is going to end.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003edirected by: Abel Ferrara\u003cbr\u003estarring: Willem Dafoe, Shanyn Leigh, Natasha Lyonne\u003cbr\u003e2011 \/ 82 min \/ 1.85:1 \/ English DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eNew audio commentary with film historians Chris O'Neill and Bill Ackerman\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eNew video interview with writer\/director Abel Ferrara\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cem\u003eWe're Angels Already: Faith and the Post Edgelord Apocalypse\u003c\/em\u003e - a new video essay by film critic Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eBooklet with a new essay by film archivist Justin LaLiberty\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Only Harmony Korine could weave Michael Jackson, Marilyn Monroe, her daughter Shirley Temple, and flying nuns into a hypnotically funny and truly poignant tale of the instability behind fanaticism and the redemption we can hope to find in one another. The film follows a lonely Michael Jackson impersonator who is invited by a beautiful Marilyn Monroe to a commune in the Scottish Highlands full of other impersonators, including the Queen of England, Madonna, Sammy Davis Jr., and James Dean. In a parallel storyline, the incomparable Werner Herzog plays a Latin American priest who learns his missionary of nuns can literally fly. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Acclaimed director Claire Denis’s jagged, daringly fragmented and darkest film is a genuinely contemporary film noir inspired by recent French sex ring scandals involving men of wealth and power. Vincent Lindon (Denis‘s Friday Night) stars as Marco, a sea captain gone AWOL to avenge his brother-in-law‘s suicide and to rescue his estranged sister and his teenaged niece (Lola Créton, Goodbye First Love); Chiara Mastroianni (A Christmas Tale) is Lindon’s married lover, who has sold her soul in exchange for the security of her young son; and the remarkable Michel Subor is her husband – a sleazy financier who is the very embodiment of an evil beyond comprehension. Denis takes the viewer into the very heart of darkness in her most unsettling film yet, an unforgettable and thrilling commentary on late capitalism.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":55,\"2\":{\"6\":1}}{\"1\":91}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;New audio commentary with film historian Samm Deighan \\nAdapting William Faulkner's Sactuary: a new video essay by Alexandra Heller-Nicolas \\nArchival casting featurette featuring commentary by director Claire Denis \\nBooklet featuring new writing by Madelyn Sutton \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/b0Nqx8ZK1ls?si=6-l2E1xwlaKorcmR\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"IFC Films","offers":[{"title":"Limited Edition Slipcover","offer_id":42480752459818,"sku":"IFC-007 SLIP","price":16.79,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42480752492586,"sku":"IFC-007","price":14.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/444_Last_Day_On_Earth_LTD_Front.jpg?v=1762199811"}],"url":"https:\/\/vinegarsyndrome.com\/collections\/halfway-to-black-friday-70-off-partner-label-copy.oembed?page=3","provider":"Vinegar Syndrome","version":"1.0","type":"link"}