{"title":"American Genre Film Archive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"supersoul-brother","title":"Supersoul Brother","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eSold out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAustin's American Genre Film Archive houses one of the world's best collections of 35mm exploitation prints and now Vinegar Syndrome is digitally restoring and releasing the weirdest, rarest and most outrageous movies in their archive!\u003c\/p\u003e\n\u003cp\u003eWhen a duo of criminals pay an evil doctor to create a serum that gives people superhuman strength, they fool a naive wino named Steve (Wildman Steve) into getting an injection to help them pull off a jewel heist. When Steve discovers that the serum kills whoever takes it within a few days of its ingestion, he hides the stolen jewels and begins a frantic quest to create an antidote as the thieving masterminds are in hot pursuit! Part low-rent comedy\/crime caper, part sci-fi weirdness, and all Miami shot regional filmmaking insanity, Rene Martinez' SUPERSOUL BROTHER blasts onto home video in its first ever authorized DVD release!\u003c\/p\u003e\n\u003cp\u003eDirector: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Rene+Martinez'\u0026amp;type=product\"\u003eRene Martinez\u003c\/a\u003e\u003cbr\u003eActors: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Wildman+Steve+Gallon'\u0026amp;type=product\"\u003eWildman Steve Gallon\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Peter+Conrad'\u0026amp;type=product\"\u003ePeter Conrad\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Joycelyn+Norris'\u0026amp;type=product\"\u003eJoycelyn Norris\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Wild+Savage'\u0026amp;type=product\"\u003eWild Savage\u003c\/a\u003e\u003cbr\u003e74m \/ 1978 \/ Color \/ 1.85:1\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDVD-9 Anamorphic | Region Free | 1.85:1 OAR\u003c\/li\u003e\n\u003cli\u003eScanned and restored in 2k from rare 35mm release print\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23718764609636,"sku":"VS-075","price":10.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/VS-075_front.jpg?v=1762198116"},{"product_id":"night-of-the-strangler","title":"Night of the Strangler","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff2a00;\" mce-data-marked=\"1\"\u003eSold Out \/ OOP\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInterracial baby-makers vs. insanely racist strangle-ragers in this southern-fried whodunnit hatewave. Everyone's second favorite Monkee (\u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Micky+Dolenz'\u0026amp;type=product\"\u003eMicky Dolenz\u003c\/a\u003e) stars in Louisiana's premier bloodletting blowout: Guns! Knives! Drowning! Venomous snakes! Absolutely zero strangling! It's a sweat-soaked, sleazoid slay-ride through segregated '70s slaughter!\u003c\/p\u003e\n\u003cp\u003eNow available on DVD for the first time ever in its original aspect ratio!\u003c\/p\u003e\n\u003cp\u003eThe American Genre Film Archive houses one of the world's best collections of 35mm exploitation prints and now Vinegar Syndrome is bringing the weirdest, rarest and most outrageous movies in their archive to DVD!\u003c\/p\u003e\n\u003cp\u003eDirector: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Joy+N.+Houk+Jr.'\u0026amp;type=product\"\u003eJoy N. Houk Jr.\u003c\/a\u003e\u003cbr\u003eActors: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Micky+Dolenz'\u0026amp;type=product\"\u003eMicky Dolenz\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Susan+McCullough'\u0026amp;type=product\"\u003eSusan McCullough\u003c\/a\u003e\u003cbr\u003e1972 \/ 90 min \/ Color \/ 1.85:1\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDVD | Region Free | 1.85:1 OAR\u003c\/li\u003e\n\u003cli\u003eRestored in 2k from a rare 35mm theatrical print\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23718812745828,"sku":"VS-082","price":11.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/VS-082_front.jpg?v=1762198123"},{"product_id":"sometimes-aunt-martha-does-dreadful-things","title":"Sometimes Aunt Martha Does Dreadful Things","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhile on the run from the law, two criminals decide to hide out in a small Florida town. The ringleader, Paul, concocts a plan to pretend to be his child-like accomplice Stanley's estranged Aunt Martha. Taking over a large old house, Paul and Stanley attempt to lay low, but trouble soon arises when a local girl takes a liking to Stanley and invites him out with her friends. Paul, becoming increasingly paranoid, decides that the only way they can maintain their cover is by murdering everyone who has even the slightest suspicion of what's really going on, but Stanley isn't so sure he wants to keep on hiding...\u003c\/p\u003e\n\u003cp\u003eThis bizarre, Florida shot regional film made by one-time director \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Thomas+Casey'\u0026amp;type=product\"\u003eThomas Casey\u003c\/a\u003e is less a horror movie than a hybrid of crime thriller and vaguely homoerotic relationship drama, with some bloody death scenes and moments of T\u0026amp;A thrown in for good measure. Nearly impossible to see for years, Vinegar Syndrome and AGFA bring this totally unique piece of low-rent trash to DVD, in its proper aspect ratio for the very first time. Also featuring a new commentary track with cult filmmaker \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='David+DeCoteau'\u0026amp;type=product\"\u003eDavid DeCoteau\u003c\/a\u003e (rapidheart.com) and film historian Nathaniel Thompson (mondo-digital.com).\u003c\/p\u003e\n\u003cp\u003eDirector: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Thomas+Casey'\u0026amp;type=product\"\u003eThomas Casey\u003c\/a\u003e\u003cbr\u003eActors: Abe Zwick, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Wayne+Crawford'\u0026amp;type=product\"\u003eWayne Crawford\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Robin+Hughes'\u0026amp;type=product\"\u003eRobin Hughes\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Yanka+Mann'\u0026amp;type=product\"\u003eYanka Mann\u003c\/a\u003e\u003cbr\u003e 1971 \/ Color \/ 95 minutes \/ 1.85:1\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDVD | Region Free | 1.85:1 OAR\u003c\/li\u003e\n\u003cli\u003eScanned and restored in 2k from the American Genre Film Archive's 35mm theatrical print\u003c\/li\u003e\n\u003cli\u003eHistorical commentary track by \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='David+DeCoteau'\u0026amp;type=product\"\u003eDavid DeCoteau\u003c\/a\u003e (rapidheart.com) \u0026amp; Nathaniel Thompson (mondo-digital.com)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23719022428260,"sku":"VS-088","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/VS-088_front.jpg?v=1762198128"},{"product_id":"the-mcpherson-tape-agfa","title":"The McPherson Tape","description":"\u003cp\u003eThis listing is for the standard edition Blu-ray release. The limited edition slipcover was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line, beginning with a loaded special edition of the notorious McPherson Tape!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe world's first found footage horror movie!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA decade before THE BLAIR WITCH PROJECT redefined the horror landscape, there was THE MCPHERSON TAPE. On October 8th, 1983, the McPherson family gathered together to celebrate the 5th birthday of Michelle, the littlest member of their household. Everything was captured on VHS by Michael McPherson and his new camcorder. Including the alien invasion. Shot for $6000 by first-time filmmaker Dean Alioto in 1989, this movie blends the production design of a Jaycees haunted house with a dead serious tone to forge a fun, hypnotic nightmare that upends the concept of reality. Due to a warehouse fire at the original distribution company, THE MCPHERSON TAPE was never legitimately released. AGFA + Bleeding Skull! are proud to present the world home video premiere of this important milestone in shot-on-video horror history, newly preserved from the original 3\/4” master tape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTICE!\u003c\/strong\u003e This movie was shot on VHS and edited on tape. Please approach the technical quality of the transfers with empathy.\u003c\/p\u003e\n\u003cp\u003edirected by: Dean Alioto\u003cbr\u003estarring: Tommy Giavocchini, Patrick Kelley,  Shirly McCalla, Stacey Shulman, Christine Staples, Laura Tomas, Dean Alioto\u003cbr\u003e1989 \/ 63 min \/ 1.33:1 OAR\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNew transfer from the original 3\/4\" master tape!\u003c\/li\u003e\n\u003cli\u003eUFO ABDUCTION: The 2017 director's cut!\u003c\/li\u003e\n\u003cli\u003eCommentary track with director Dean Alioto on original cut!\u003c\/li\u003e\n\u003cli\u003e1989 theatrical premiere introduction!\u003c\/li\u003e\n\u003cli\u003eENCOUNTERS TV segment!\u003c\/li\u003e\n\u003cli\u003eFantastic Fest Q\u0026amp;A!\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eSDH English subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":31373900873770,"sku":"AGFA-018 SLIP","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":31373900906538,"sku":"AGFA-018","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/McPhersonTapeslip-front.jpg?v=1762198363"},{"product_id":"drug-stories-agfa","title":"The Scare Film Archives Volume 1: Drug Stories!","description":"\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray release. The limited edition slipcover was limited to \u003cb\u003e1,500 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhat’s the best way to prevent young people from destroying their lives in a downward spiral of drug-fueled jubilation? Obviously, the answer is sentient LSD tabs, spiders on speed, and an ex-junkie named Florrie Fisher (the real-life inspiration for Amy Sedaris’s Jerri Blank character on STRANGERS WITH CANDY) berating them into submission. THE SCARE FILM ARCHIVES VOLUME 1: DRUG STORIES! collects the best-of-the-best educational drug-scare films from the twentieth century. Lovingly curated from Something Weird’s vaults, AGFA and Something Weird are thrilled to present 2K preservations of these bad trips, bummers, and flip-outs, all from original 16mm prints that were inflicted upon children in classrooms across the country.\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eIncludes new 2K preservations of these uncut scare film classics:\u003cbr\u003eBEYOND LSD; THE BOTTLE AND THE THROTTLE; CURIOUS ALICE; THE DISTANT DRUMMER; DRUGS, DRINKING, AND DRIVING; LSD: INSIGHT OR INSANITY; LSD 25; NARCOTICS THE DECISION: GOOFBALLS AND TEA; NONE FOR THE ROAD; THE TRIP BACK with Florrie Fisher; USERS ARE LOSERS.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003ePlus: DRUG STORIES! NARCOTIC NIGHTMARES AND HALLUCINOGENIC HELLRIDES, a full-length mixtape from the AGFA team!\u003c\/p\u003e\n\u003cp\u003edirected by: Various\u003cbr\u003e288 min \/ 1.33:1 OAR\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eSDH English subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/z8vRXz0tW04\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":31808899317802,"sku":"AGFA-019 SLIP","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":31808899350570,"sku":"AGFA-019","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/drugstoriesslipfront.png?v=1762198385"},{"product_id":"limbo-agfa","title":"Limbo","description":"\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1,5\u003c\/strong\u003e\u003cb\u003e00 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAfter starring in 100 movies over the past two decades, Tina Krause has established herself as an unstoppable warrior from the DIY fringes. LIMBO is the first -- and to this day, only -- movie written and directed by Krause. And it’s truly invigorating. LIMBO presents three days in the life of a woman named Elizabeth, as she deals with identity issues, sexist mouth-breathers, supernatural manifestations . . . and a possible trip to hell. Combining video collage experiments with dreamy horror mood, this is what might happen if David Lynch and Nine Inch Nails collaborated on a shot-on-video horror movie. Previously only available via VHS, AGFA and Bleeding Skull! are honored to present a brand new transfer of LIMBO from the original S-VHS master tape.\u003c\/p\u003e\n\u003cp\u003edirected by: Tina Krause\u003cbr\u003estarring: Tina Krause, Barron, Suze Daufler, Sean Farrell\u003cbr\u003e1999 \/ 55 min \/ 1.33:1 \/ English mono\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNew transfer from the original S-VHS master tape\u003c\/li\u003e\n\u003cli\u003eCommentary track with Tina Krause and the Bleeding Skull! team\u003c\/li\u003e\n\u003cli\u003eArchival behind-the-scenes documentary\u003c\/li\u003e\n\u003cli\u003eANSWERING MACHINE short film by Tina Krause\u003c\/li\u003e\n\u003cli\u003eFantastic Fest Q\u0026amp;A\u003c\/li\u003e\n\u003cli\u003eEATEN ALIVE, a W.A.V.E. Productions short starring Tina Krause\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7rOT7KuI32w\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":31824796319786,"sku":"AGFA-020 SLIP","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":31824796352554,"sku":"AGFA-020","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/limboslipfront.jpg?v=1762198399"},{"product_id":"sometimes-aunt-martha-does-dreadful-things-agfa","title":"Sometimes Aunt Martha Does Dreadful Things","description":"\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e1,500 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDropping somewhere between PINK FLAMINGOS, BLOOD FEAST, and an episode of THE BRADY BUNCH on acid, SOMETIMES AUNT MARTHA DOES DREADFUL THINGS is a histrionic psychodrama that could only have originated in the alternate dimension known as Florida. After robbing a bank in Baltimore, cross-dressing Paul (aka Aunt Martha) and his partner Stanley hide out in a Florida town. But it’s only a matter of time before Paul’s paranoia forces him to embark on a demented killing spree. AGFA is thrilled to present one of the most unforgettable exploitation movies of all time -- and an overlooked chapter of early queer cinema -- preserved from the only 35mm theatrical print in existence.\u003c\/p\u003e\n\u003cp\u003edirected by: Thomas Casey\u003cbr\u003estarring: Abe Swick, Wayne Crawford\u003cbr\u003e1971 \/ 95 min \/ 1.85:1 \/ English mono\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K preservation from the only 35mm theatrical print in existence\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCommentary with queer film historian Elizabeth Purchell + AGFA’s Bret Berg \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBonus Movie: THE DRAG QUEEN’S BALL\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eShorts: GAY-IN III, CAUGHT IN THE CAN\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailers: GAY LIBERATION, LUSTING HOURS, MY THIRD WIFE GEORGE THE QUEEN, SINS OF RACHEL\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/LdQTlGjOR7c\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":31874281766954,"sku":"AGFA-021 SLIP","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":31874281799722,"sku":"AGFA-021","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/auntmarthafrontslip.jpg?v=1762198402"},{"product_id":"scary-tales-agfa","title":"Scary Tales","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is the listing for the standard edition Blu-ray. The special limited edition embossed slipcover was limited to \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e1,500 units\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and is \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003esold out\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSCARY TALES proves that the films of John Waters and Don Dohler aren’t the only genre miracles from Baltimore. A shot-on-video horror anthology that plays out like a public access version of CREEPSHOW, this is what happens when Satanic necklaces, bloodthirsty slashers, and DUNGEONS \u0026amp; DRAGONS-styled live action role playing collide with cool dads, neon lightbulbs, and dungeon synthesizers. 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Produced and directed by NBC News veteran Maurice Levy, written by Diana Paschal, and featuring actresses culled from Jack Ruby’s infamous Dallas nightclub, SHE MOB is an essential jewel in the other-dimensional vortex known as Texploitation.\u003c\/p\u003e\n\u003cp\u003eShot in New York with the crude experimentation of an early Andy Warhol film, THE GIRL FROM PUSSYCAT is a fascinating outlier in the world of underground exploitation. The movie follows a girl gang of social and sexual anarchists as they have orgies, get stoned, rob banks, and torture men by jamming their fingers in toasters. 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Easily one of the most brainbreaking sensory overloads in exploitation history, the story follows Dr. Humpp and his army of grotesque monsters as they kidnap couples and drain their “blood forces of sex” to keep the doctor eternally young. Directed by the prolific Emilio Vieyra in Argentina, this movie combines artful gothic horror with unhinged sex, comic book pulp, and a talking brain in a jar. Plus a monster who plays the guitar. Basically, this is what might have happened if Mario Bava collaborated with Doris Wishman after an acid binge. AGFA + Something Weird are thrilled to present a brand new restoration of this iconic sex-horror classic, complete with a new commentary track from filmmaker Frank Henenlotter (BASKET CASE). Plus LA VENGANZA DEL SEXO, Vieyra’s original “horror” cut of THE CURIOUS DR. 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After watching this movie, you’ll never look at Edgar Allan Poe’s “The Premature Burial” the same way again.\u003c\/p\u003e\n\u003cp\u003eShot in New York by LOVE AFTER DEATH producer Charles Abrams and starring adult film princess Jennifer Welles, THE GOOD, THE BAD, AND THE BEAUTIFUL is an unknown jewel from the bizarro underground. The movie centers around the estate of a politician, where blackmail and scissor-murders go hand in hand with smoking weed and fetish whippings. Combining a trashy paperback feel with gutter-goth mood, this psychosexual spectacle would feel right at home with the work of exploitation auteur Joe Sarno.\u003c\/p\u003e\n\u003cp\u003edirected by: Guaco Del Mar \u0026amp; Robert Canton\u003cbr\u003estarring: Guillermo De Córdova, Jennifer Welles, Janis Young\u003cbr\u003e1968 \/ 154 min (total) \/ 1.33:1 \/ English\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eLOVE AFTER DEATH:2K preservation from the only known 35mm print in existence\u003c\/li\u003e\n\u003cli\u003eTHE GOOD, THE BAD, AND THE BEAUTIFUL:2K preservation from the only known 16mm print in existence\u003c\/li\u003e\n\u003cli\u003eShorts and trailers from beyond the grave\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GDfI1wdSIRA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":39343213051946,"sku":"AGFA-028 SLIP","price":27.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":39343213084714,"sku":"AGFA-028","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/loveafterdeathslipfront.jpg?v=1762198466"},{"product_id":"the-leather-boys-agfa","title":"The Leather Boys","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis listing is for the standard edition Blu-ray. 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The movie follows young newlyweds Reggie (Colin Campbell) and Dot (Rita Tushingham, A TASTE OF HONEY) as they embark on a new life together. But there’s trouble in paradise when Reggie develops feelings for Pete (Dudley Sutton), a member of a rival biker gang. Directed by Sidney J. Furie (THE ENTITY) and written by Gillian Freeman from her novel, THE LEATHER BOYS explodes with expressionistic photography, gripping themes, and a bold exploration of identity. Long unavailable on home video, AGFA + Shout! Factory are elated to present a sparkling new restoration of this important chapter of early queer cinema.\u003c\/p\u003e\n\u003cp\u003edirected by: Sidney J. Furie\u003cbr\u003estarring: Rita Tushingham, Colin Campbell, Dudley Sutton\u003cbr\u003e1964 \/ 108 min \/ 2.35:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNew restoration from the 35mm negative\u003c\/li\u003e\n\u003cli\u003eCommentary with director Sidney J. 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Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMeet your new favorite action hero. Throughout the 1980s, Black filmmaker and martial artist William Lee wrote, produced, directed, and starred in dozens of D.I.Y. action epics -- all shot on Super 8 in Ohio and New York City. From TREASURE OF THE NINJA (1987, Lee’s most ambitious and beloved movie) to THE NEW CHINESE CONNECTION (1980, an homage to Bruce Lee -- William Lee’s idol), these inclusive and explosive works serve as an inspiration to anyone with a dream, pulse, or appreciation for spinning kicks. AGFA + Bleeding Skull! are elated to bring the best-of-the-best in William Lee’s early filmography to a wider audience for the first time ever, complete with brand new transfers and a revelatory stack of previously unreleased films.\u003c\/p\u003e\n\u003cp\u003edirected by: William Lee\u003cbr data-mce-fragment=\"1\"\u003estarring: William Lee, Constance Lester \u003cbr data-mce-fragment=\"1\"\u003e1987 \/ 106 min \/ 1.33:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTREASURE OF THE NINJA: New transfer from the original 3\/4” master tape\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eTREASURE OF THE NINJA: Commentary track with William Lee and Bleeding Skull’s Annie Choi and Joseph A. Ziemba\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eBonus movie: DRAGON VS. 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But she discovers that what lurks behind the curtain doesn’t take too kindly to her backstabbing plans. A gutter-noir reworking Tod Browning’s FREAKS and a valentine to the carnival lifestyle that defined the career of producer David F. Friedman (BLOOD FEAST), SHE FREAK is a snapshot of life, love, and revenge on the grounds of a seedy carnival in Smalltown, USA -- complete with crackpot monster make-up effects from Harry Thomas (PLAN 9 FROM OUTER SPACE). Like Devo’s music and Ed Wood’s novels, SHE FREAK creates a synthetic reality that is often preferable to our own. 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Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBeneath the dumpsters of America, a netherworld of “adults only” genre movies lurks in the gutters. But what if these movies were less about the smut and more about everything else? “Smut Without Smut” is X-rated genre movies with the X-rated bits removed. 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eConceived when filmmaker Emily Hagins was 12 and released when she was 15, PATHOGEN is one of the most accomplished horror movies ever made by a person before they could legally drive a car. A mysterious technology has transformed the residents of Austin, TX into flesh-craving zombies. 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This is a highly personal treatise on the toxicity of society from one of the most singular filmmakers in trash-horror history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Barry Gillis\u003cbr\u003estarring: Barry Gillis\u003cbr data-mce-fragment=\"1\"\u003e1991 \/ 103 min \/ 1.33:1 \/ English Stereo\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eOriginal 1991 version preserved from the 3\/4” video master\u003c\/li\u003e\n\u003cli\u003e2019 director’s cut\u003c\/li\u003e\n\u003cli\u003eREALITY: THE MAKING OF WICKED WORLD, a full length documentary\u003c\/li\u003e\n\u003cli\u003eVideo essay: A TRIBUTE TO EDDIE PLATT\u003c\/li\u003e\n\u003cli\u003eVideo essay: TOMORROW’S DREAM\u003c\/li\u003e\n\u003cli\u003eMarshall Law video\u003c\/li\u003e\n\u003cli\u003eOriginal trailer\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/u7mbDHg2n7I\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":40012191531050,"sku":"AGFA-017b SLIP","price":25.49,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40012191563818,"sku":"AGFA-017b","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/wickedworldslipfront.jpg?v=1762198675"},{"product_id":"the-films-of-doris-wishman-the-twilight-years-agfa","title":"The Films of Doris Wishman: The Twilight Years","description":"\u003cp\u003eThis listing is for the standard edition 3-disc Blu-ray. The limited edition hard slipcase + slipcover combo was limited to \u003cstrong\u003e5,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the packaging.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE TWILIGHT YEARS surveys the last major era of Wishman’s career. From DEADLY WEAPONS and DOUBLE AGENT 73 (crime epics starring the iconic Chesty Morgan) to LET ME DIE A WOMAN (a semi-documentary about transgender people), AGFA + Something Weird are honored to present these triumphant DIY treasures in dazzling new restorations.\"}'\u003eNo one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE TWILIGHT YEARS surveys the last major era of Wishman’s career. From DEADLY WEAPONS and DOUBLE AGENT 73 (crime epics starring the iconic Chesty Morgan) to LET ME DIE A WOMAN (a semi-documentary about transgender people), AGFA + Something Weird are honored to present these triumphant DIY treasures in dazzling new restorations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE TWILIGHT YEARS surveys the last major era of Wishman’s career. From DEADLY WEAPONS and DOUBLE AGENT 73 (crime epics starring the iconic Chesty Morgan) to LET ME DIE A WOMAN (a semi-documentary about transgender people), AGFA + Something Weird are honored to present these triumphant DIY treasures in dazzling new restorations.\"}'\u003edirected by: \u003c\/span\u003eDoris Wishman\u003cbr\u003estarring: Various\u003cbr\u003e1970-1977 \/ 523 min (combined) \/ 1.37:1, 1.85:1 \/ English Mono\u003cbr\u003e  \u003cbr\u003eAdditional info:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974)\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003e2K restorations from the original 35mm camera negatives \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003eDEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003eDEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003eDOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003eTheatrical trailers \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003eBooklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview by artist Peggy Ahwhesh\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003e\u003cem\u003eDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e2K restorations from the original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003eLET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003e“Twilight Years” photo gallery\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003e\u003cem\u003eDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003e2K restorations from the original 35mm camera negatives \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003eTHE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}'\u003eTheatrical trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/e1AwVFRN99w\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcase","offer_id":40084230242346,"sku":"AGFA-038 SLIP","price":49.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40084230275114,"sku":"AGFA-038","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/thetwilightyearsboxfront.jpg?v=1762198694"},{"product_id":"final-flesh-agfa","title":"Final Flesh","description":"\u003cp\u003e\u003cspan\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover\u003c\/span\u003e\u003cspan\u003e was limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e and is \u003c\/span\u003e\u003cstrong\u003esold out\u003c\/strong\u003e\u003cspan\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eFINAL FLESH is unlike anything you’ve ever seen—on Earth or other places. In the early 2000s, Vernon Chatman (co-founder of the PFFR art collective, co-creator of WONDER SHOWZEN and XAVIER: RENEGADE ANGEL, and producer of SOUTH PARK) wrote a four-part screenplay about a family who lives adjacent to the Ground Zero of a thermonuclear disaster. Instead of sharing the finished script with Hollywood, Chatman sent each part to four different companies that specialize in custom adult fetish videos. And FINAL FLESH was born. Like the custom song poem craze of the 1970s, this metaphysical brain-stabber is an outsider miracle of Biblical proportions. Filled with nudity, brilliant sight gags, rubber monster masks, inventive toilet humor, and no sex, this is a surrealist spectacle of the highest order.\u003c\/p\u003e\n\u003cp\u003edirected by: Vernon Chatman \u003cbr\u003estarring: Melvin, Yvonne, Kesha \u003cbr\u003e2009 \/ 71 min \/ 1.33:1 \/ English DTS HD-MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}'\u003ePreserved from the original digital video 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Cinema’s Gregg Turkington\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}'\u003e\"Lay and Love\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}'\u003eNew alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}'\u003ePFFR commercial\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of 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commercial\\n• Outtakes\\n• Original trailer  \\\"\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/HfRuFGfK28A\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":40117829697578,"sku":"AGFA-041 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The limited edition slipcover\u003c\/span\u003e\u003cspan\u003e was limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e and is \u003c\/span\u003e\u003cstrong\u003esold out\u003c\/strong\u003e\u003cspan\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Made by one-and-done filmmakers in the shadows of Tampa, SATAN’S CHILDREN feels like an Afterschool Special from depths of hell . . . literally. Bobby is a troubled teen with problems. After deflecting his father’s insults and his stepsister’s come-ons, Bobby unknowingly ends up at a gay bar. Before long, he’s assaulted by four guys in the back seat of a car. With nowhere else to turn, Bobby joins a cult of Satanists to enact his murderous revenge. A truly deranged gut-punch, this is a gritty and baffling horror experience that could have only happened in Florida. AGFA + Something Weird are thrilled to present a 2K preservation of SATAN’S CHILDREN from the only known 35mm theatrical print in existence.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eMade by one-and-done filmmakers in the shadows of Tampa, SATAN’S CHILDREN feels like an Afterschool Special from depths of hell . . . literally. Bobby is a troubled teen with problems. After deflecting his father’s insults and his stepsister’s come-ons, Bobby unknowingly ends up at a gay bar. Before long, he’s assaulted by four guys in the back seat of a car. With nowhere else to turn, Bobby joins a cult of Satanists to enact his murderous revenge. A truly deranged gut-punch, this is a gritty and baffling horror experience that could have only happened in Florida. AGFA + Something Weird are thrilled to present a 2K preservation of SATAN’S CHILDREN from the only known 35mm theatrical print in existence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Made by one-and-done filmmakers in the shadows of Tampa, SATAN’S CHILDREN feels like an Afterschool Special from depths of hell . . . literally. Bobby is a troubled teen with problems. After deflecting his father’s insults and his stepsister’s come-ons, Bobby unknowingly ends up at a gay bar. Before long, he’s assaulted by four guys in the back seat of a car. With nowhere else to turn, Bobby joins a cult of Satanists to enact his murderous revenge. A truly deranged gut-punch, this is a gritty and baffling horror experience that could have only happened in Florida. AGFA + Something Weird are thrilled to present a 2K preservation of SATAN’S CHILDREN from the only known 35mm theatrical print in existence.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eJoe Wiezycki \u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Made by one-and-done filmmakers in the shadows of Tampa, SATAN’S CHILDREN feels like an Afterschool Special from depths of hell . . . literally. Bobby is a troubled teen with problems. After deflecting his father’s insults and his stepsister’s come-ons, Bobby unknowingly ends up at a gay bar. Before long, he’s assaulted by four guys in the back seat of a car. With nowhere else to turn, Bobby joins a cult of Satanists to enact his murderous revenge. A truly deranged gut-punch, this is a gritty and baffling horror experience that could have only happened in Florida. AGFA + Something Weird are thrilled to present a 2K preservation of SATAN’S CHILDREN from the only known 35mm theatrical print in existence.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: Unknown\u003c\/span\u003e\u003cbr\u003e1975 \/ 84 min \/ 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"• 2K preservation from the only known 35mm theatrical print in existence\\n• Commentary with queer film historian Elizabeth Purchell and AGFA’s Bret Berg\\n• Cast and crew reunion Q\u0026amp;A\\n• Bonus TV special: THE WEIRD WORLD OF WEIRD, transferred from the original Something Weird S-VHS master\\n• Bonus short: SATAN IN CHURCH\\n• Bonus short: BOYS BEWARE\\n• Torrid trailer reel from Lucifer’s archive \"}'\u003eRegion Free 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This is Vol#2 of a three part set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. 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One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}'\u003eNo one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}'\u003edirected by: \u003c\/span\u003eDoris Wishman\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. 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One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}'\u003e1965-1969 \/ 623 min (combined) \/ \u003c\/span\u003e1.37:1, 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray set\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cem\u003eDisc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003e2K restorations from the original 35mm camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eA TASTE OF FLESH: Preserved from the Something Weird S-VHS master*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eBAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eINDECENT DESIRES: Commentary with queer film historian Liz Purchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eTheatrical trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eBooklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview by author Mike Watt\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969) \u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2K restorations from the original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003ePASSION FEVER: Preserved from the Something Weird S-VHS master*\u003c\/li\u003e\n\u003cli\u003eMY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003e“Moonlight Years” photo gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003e2K restorations from the original 35mm camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eTOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eTheatrical trailers\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e*Original film elements for these titles have been lost.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gYIlh79sb4c\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcase","offer_id":40317636247594,"sku":"AGFA-039 CASE","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40317636280362,"sku":"AGFA-039","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/wishmanvol.2boxfront.jpg?v=1762198749"},{"product_id":"fuck-the-devil-fuck-the-devil-2-agfa","title":"Fuck the Devil + Fuck the Devil 2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition embossed and spot gloss slipcover is limited to \u003cstrong\u003e3,000 units\u003c\/strong\u003e and is only available here at VinegarSyndrome.com!\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Exploding out of the German horror underground, F*CK THE DEVIL (1990) + F*CK THE DEVIL 2: RETURN OF THE F*CKER (1991) are cinematic equivalents of DIY comic books that were made by a teenage stoner while experimenting with bootleg acid. And there's nothing else like them. The films tell the story of The F*cker—a phantasmagorical death machine who materializes from haunted VHS tapes of EVIL DEAD 2 and A NIGHTMARE ON ELM STREET to wreak havoc on unsuspecting parents, teens, and babies. Fueled by subversive violence, experimental techniques, and an unconditional love for the horror genre, these Casiocore-driven miracles teleport us into a dream-like panic state where Rambo posters, 8-bit sound barfs, and Nightmare Feddys rule our subconsciousness. AGFA + Bleeding Skull! are overjoyed to welcome The F*cker to home video for the first time ever—complete with new 2022 director's cuts, the original cuts, and a f*ck-ton of extras.\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eExploding out of the German horror underground, F*CK THE DEVIL (1990) + F*CK THE DEVIL 2: RETURN OF THE F*CKER (1991) are cinematic equivalents of DIY comic books that were made by a teenage stoner while experimenting with bootleg acid. And there's nothing else like them. The films tell the story of The F*cker—a phantasmagorical death machine who materializes from haunted VHS tapes of EVIL DEAD 2 and A NIGHTMARE ON ELM STREET to wreak havoc on unsuspecting parents, teens, and babies. Fueled by subversive violence, experimental techniques, and an unconditional love for the horror genre, these Casiocore-driven miracles teleport us into a dream-like panic state where Rambo posters, 8-bit sound barfs, and Nightmare Feddys rule our subconsciousness. AGFA + Bleeding Skull! are overjoyed to welcome The F*cker to home video for the first time ever—complete with new 2022 director's cuts, the original cuts, and a f*ck-ton of extras.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Exploding out of the German horror underground, F*CK THE DEVIL (1990) + F*CK THE DEVIL 2: RETURN OF THE F*CKER (1991) are cinematic equivalents of DIY comic books that were made by a teenage stoner while experimenting with bootleg acid. And there's nothing else like them. The films tell the story of The F*cker—a phantasmagorical death machine who materializes from haunted VHS tapes of EVIL DEAD 2 and A NIGHTMARE ON ELM STREET to wreak havoc on unsuspecting parents, teens, and babies. Fueled by subversive violence, experimental techniques, and an unconditional love for the horror genre, these Casiocore-driven miracles teleport us into a dream-like panic state where Rambo posters, 8-bit sound barfs, and Nightmare Feddys rule our subconsciousness. AGFA + Bleeding Skull! are overjoyed to welcome The F*cker to home video for the first time ever—complete with new 2022 director's cuts, the original cuts, and a f*ck-ton of extras.\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eMichael Pollklesener\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Exploding out of the German horror underground, F*CK THE DEVIL (1990) + F*CK THE DEVIL 2: RETURN OF THE F*CKER (1991) are cinematic equivalents of DIY comic books that were made by a teenage stoner while experimenting with bootleg acid. And there's nothing else like them. The films tell the story of The F*cker—a phantasmagorical death machine who materializes from haunted VHS tapes of EVIL DEAD 2 and A NIGHTMARE ON ELM STREET to wreak havoc on unsuspecting parents, teens, and babies. Fueled by subversive violence, experimental techniques, and an unconditional love for the horror genre, these Casiocore-driven miracles teleport us into a dream-like panic state where Rambo posters, 8-bit sound barfs, and Nightmare Feddys rule our subconsciousness. AGFA + Bleeding Skull! are overjoyed to welcome The F*cker to home video for the first time ever—complete with new 2022 director's cuts, the original cuts, and a f*ck-ton of extras.\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Exploding out of the German horror underground, F*CK THE DEVIL (1990) + F*CK THE DEVIL 2: RETURN OF THE F*CKER (1991) are cinematic equivalents of DIY comic books that were made by a teenage stoner while experimenting with bootleg acid. And there's nothing else like them. The films tell the story of The F*cker—a phantasmagorical death machine who materializes from haunted VHS tapes of EVIL DEAD 2 and A NIGHTMARE ON ELM STREET to wreak havoc on unsuspecting parents, teens, and babies. Fueled by subversive violence, experimental techniques, and an unconditional love for the horror genre, these Casiocore-driven miracles teleport us into a dream-like panic state where Rambo posters, 8-bit sound barfs, and Nightmare Feddys rule our subconsciousness. AGFA + Bleeding Skull! are overjoyed to welcome The F*cker to home video for the first time ever—complete with new 2022 director's cuts, the original cuts, and a f*ck-ton of extras.\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003e1990-1991 \/ 133 min (combined) \/ 1.33:1 \/ German \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original VHS masters\\n• German language with German and English subtitles\\n• F*CK THE DEVIL: 2022 director’s cut (29 mins) \u0026amp; original 1990 cut (35 mins)\\n• F*CK THE DEVIL 2: 2022 director’s cut (29 mins) \u0026amp; original 1991 cut (40 mins)\\n• Video introduction by director Michael Pollklesener\\n• Commentary on director’s cuts with director Michael Pollklesener and actor Kurt Dartsch\\n• Outtakes\\n• Shorts\\n• Trailers\\n• Booklet with vintage artwork,stills, and writing by AGFA + Bleeding Skull’s Joseph A. Ziemba\\n• Uncensored reverse cover art\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original VHS masters\\n• German language with German and English subtitles\\n• F*CK THE DEVIL: 2022 director’s cut (29 mins) \u0026amp; original 1990 cut (35 mins)\\n• F*CK THE DEVIL 2: 2022 director’s cut (29 mins) \u0026amp; original 1991 cut (40 mins)\\n• Video introduction by director Michael Pollklesener\\n• Commentary on director’s cuts with director Michael Pollklesener and actor Kurt Dartsch\\n• Outtakes\\n• Shorts\\n• Trailers\\n• Booklet with vintage artwork,stills, and writing by AGFA + Bleeding Skull’s Joseph A. 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Ziemba\\n• Uncensored reverse cover art\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eGerman language with German and English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original VHS masters\\n• German language with German and English subtitles\\n• F*CK THE DEVIL: 2022 director’s cut (29 mins) \u0026amp; original 1990 cut (35 mins)\\n• F*CK THE DEVIL 2: 2022 director’s cut (29 mins) \u0026amp; original 1991 cut (40 mins)\\n• Video introduction by director Michael Pollklesener\\n• Commentary on director’s cuts with director Michael Pollklesener and actor Kurt Dartsch\\n• Outtakes\\n• Shorts\\n• Trailers\\n• Booklet with vintage artwork,stills, and writing by AGFA + Bleeding Skull’s Joseph A. Ziemba\\n• Uncensored reverse cover art\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eF*CK THE DEVIL: 2022 director’s cut (29 mins) \u0026amp; original 1990 cut (35 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original VHS masters\\n• German language with German and English subtitles\\n• F*CK THE DEVIL: 2022 director’s cut (29 mins) \u0026amp; original 1990 cut (35 mins)\\n• F*CK THE DEVIL 2: 2022 director’s cut (29 mins) \u0026amp; original 1991 cut (40 mins)\\n• Video introduction by director Michael Pollklesener\\n• Commentary on director’s cuts with director Michael Pollklesener and actor Kurt Dartsch\\n• Outtakes\\n• Shorts\\n• Trailers\\n• Booklet with vintage artwork,stills, and writing by AGFA + Bleeding Skull’s Joseph A. Ziemba\\n• Uncensored reverse cover art\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eF*CK THE DEVIL 2: 2022 director’s cut (29 mins) \u0026amp; original 1991 cut (40 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original VHS masters\\n• German language with German and English subtitles\\n• F*CK THE DEVIL: 2022 director’s cut (29 mins) \u0026amp; original 1990 cut (35 mins)\\n• F*CK THE DEVIL 2: 2022 director’s cut (29 mins) \u0026amp; original 1991 cut (40 mins)\\n• Video introduction by director Michael Pollklesener\\n• Commentary on director’s cuts with director Michael Pollklesener and actor Kurt Dartsch\\n• Outtakes\\n• Shorts\\n• Trailers\\n• Booklet with vintage artwork,stills, and writing by AGFA + Bleeding Skull’s Joseph A. Ziemba\\n• Uncensored reverse cover art\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eVideo introduction by director Michael Pollklesener\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original VHS masters\\n• German language with German and English subtitles\\n• F*CK THE DEVIL: 2022 director’s cut (29 mins) \u0026amp; original 1990 cut (35 mins)\\n• F*CK THE DEVIL 2: 2022 director’s cut (29 mins) \u0026amp; original 1991 cut (40 mins)\\n• Video introduction by director Michael Pollklesener\\n• Commentary on director’s cuts with director Michael Pollklesener and actor Kurt Dartsch\\n• Outtakes\\n• Shorts\\n• Trailers\\n• Booklet with vintage artwork,stills, and writing by AGFA + Bleeding Skull’s Joseph A. 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Ziemba\\n• Uncensored reverse cover art\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eShorts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original VHS masters\\n• German language with German and English subtitles\\n• F*CK THE DEVIL: 2022 director’s cut (29 mins) \u0026amp; original 1990 cut (35 mins)\\n• F*CK THE DEVIL 2: 2022 director’s cut (29 mins) \u0026amp; original 1991 cut (40 mins)\\n• Video introduction by director Michael Pollklesener\\n• Commentary on director’s cuts with director Michael Pollklesener and actor Kurt Dartsch\\n• Outtakes\\n• Shorts\\n• Trailers\\n• Booklet with vintage artwork,stills, and writing by AGFA + Bleeding Skull’s Joseph A. Ziemba\\n• Uncensored reverse cover art\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original VHS masters\\n• German language with German and English subtitles\\n• F*CK THE DEVIL: 2022 director’s cut (29 mins) \u0026amp; original 1990 cut (35 mins)\\n• F*CK THE DEVIL 2: 2022 director’s cut (29 mins) \u0026amp; original 1991 cut (40 mins)\\n• Video introduction by director Michael Pollklesener\\n• Commentary on director’s cuts with director Michael Pollklesener and actor Kurt Dartsch\\n• Outtakes\\n• Shorts\\n• Trailers\\n• Booklet with vintage artwork,stills, and writing by AGFA + Bleeding Skull’s Joseph A. 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Ziemba\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original VHS masters\\n• German language with German and English subtitles\\n• F*CK THE DEVIL: 2022 director’s cut (29 mins) \u0026amp; original 1990 cut (35 mins)\\n• F*CK THE DEVIL 2: 2022 director’s cut (29 mins) \u0026amp; original 1991 cut (40 mins)\\n• Video introduction by director Michael Pollklesener\\n• Commentary on director’s cuts with director Michael Pollklesener and actor Kurt Dartsch\\n• Outtakes\\n• Shorts\\n• Trailers\\n• Booklet with vintage artwork,stills, and writing by AGFA + Bleeding Skull’s Joseph A. Ziemba\\n• Uncensored reverse cover art\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eUncensored reverse cover art\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original VHS masters\\n• German language with German and English subtitles\\n• F*CK THE DEVIL: 2022 director’s cut (29 mins) \u0026amp; original 1990 cut (35 mins)\\n• F*CK THE DEVIL 2: 2022 director’s cut (29 mins) \u0026amp; original 1991 cut (40 mins)\\n• Video introduction by director Michael Pollklesener\\n• Commentary on director’s cuts with director Michael Pollklesener and actor Kurt Dartsch\\n• Outtakes\\n• Shorts\\n• Trailers\\n• Booklet with vintage artwork,stills, and writing by AGFA + Bleeding Skull’s Joseph A. 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The limited edition slipcover was limited to \u003cb\u003e2,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eIn the 1990s, Something Weird Video hypnotized a generation of movie maniacs by unearthing the most radically surreal genre films of all time—all via the magic of VHS. SHOCK-O-RAMA VIDEO PARTY is a hallucinogenic tribute to those cathode-tube-fueled days. Featuring four regional horror-blasts—preserved from the original Something Weird S-VHS masters, as the film elements have been lost—this collection serves as a time machine to a beloved era in home video history.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTHE NAKED WITCH (1961, 59 mins)\u003c\/em\u003e\u003cbr\u003eOne-part documentary and all-parts unreal, this Texas-made exploration of witchcraft from Larry Buchanan (ZONTAR, THE THING FROM VENUS) is a dreamy travelogue to parts unknown.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVIOLATED (1953, 67 mins)\u003c\/em\u003e\u003cbr\u003eA pre-cursor to PSYCHO, this DIY horror-noir was filmed in the gutters of NYC and written by exploitation producer William Mishkin.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGHOSTS OF HANLEY HOUSE (1968, 85 mins)\u003c\/em\u003e\u003cbr\u003eWritten, produced, and directed by one-time filmmaker Louise Sherrill, this phantasmagorical DIY version of THE HAUNTING appears uncut for the first time on widely released home video.\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePASSION IN THE SUN (1964, 69 mins)\u003c\/em\u003e\u003cbr\u003eAlso known as THE GIRL AND THE GEEK, this carnival-set rampager from Texas wildman Dale Berry (HOT BLOODED WOMAN) is outsider trash-art of the highest order.\u003c\/p\u003e\n\u003cp\u003edirected by: Various \u003cbr\u003estarring: Various \u003cbr\u003e1953-1968 \/ 295 min (combined) \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan 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“all nite slumber party” mode \"}'\u003eShocked-out trailers and drive-in snipes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original Something Weird S-VHS tape masters\\n• THE NAKED WITCH: Archival commentary with director Larry Buchanan and Nathaniel Thompson\\n• Shocked-out trailers and drive-in snipes\\n• Watch the full, uninterrupted 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charset=\"utf-8\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. \u003c\/span\u003e\u003cspan\u003eThis is Vol#3 of a three part set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003eNo one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003edirected by: Doris Wishman\u003c\/span\u003e \u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003estarring: Various\u003c\/span\u003e \u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003e1960-1965 \/ 428 min (combined) \/ 1.37:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray set\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003cem\u003eDisc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRestorations from the original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003eNUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\u003c\/li\u003e\n\u003cli\u003eBLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003e“Daylight Years” photo gallery\u003c\/li\u003e\n\u003cli\u003eBooklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003cem\u003eDisc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\u003c\/li\u003e\n\u003cli\u003eHIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eGENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\u003c\/li\u003e\n\u003cli\u003eUnseen Doris Wishman interview from 1974\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003cem\u003eDisc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003eDIARY OF A NUDIST: Restoration from the original 35mm camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003eDIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003eTHE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements - in German with English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S9RJAMnyjqQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcase","offer_id":40429194182698,"sku":"AGFA-040 CASE","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40429194215466,"sku":"AGFA-040","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/doriswishmandaylightyearsboxfront.jpg?v=1762198807"},{"product_id":"the-black-crystal","title":"The Black Crystal","description":"\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition embossed and spot gloss slipcover is limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003eInspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \"power channeler\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\" tape master and enough extras to fill Daniel’s Satanic shed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003edirected by: \u003c\/span\u003eMike Conway\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003e1991 \/ 70 min \/ 1.33:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003ePreserved from the original 1” tape master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003eCommentary with director Mike Conway\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003eInterviews with Mike Conway and actor Mark Lang\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003eOriginal home video trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003eShorts by Mike Conway\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003eBonus movie: THE BLACK CRYSTAL (original VHS version)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. The story follows Will (writer-director-producer-editor-composer Mike Conway) as he and his yellow Trans Am encounter a gang of Satanic cultists led by the evil Daniel. Surviving the ordeal, Will meets up with Daphne, a goth witch with a \\\"power channeler\\\" called the Black Crystal that might hold the key to the underworld. Awash with kickboxing dads, dollar store bloodshed, and a killer synthesizer score, this is an imaginative and ambitious homemade funbomb that has been missing in action since its original VHS release. AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Inspired by the Matamoras cult murders and shot entirely on Super 8, THE BLACK CRYSTAL is an action-horror hallucination that was filmed in the backwoods of Tucson, Arizona. 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AGFA presents THE BLACK CRYSTAL on disc for the first time ever, featuring a new preservation from the original 3\/4\\\" tape master and enough extras to fill Daniel’s Satanic shed.\"}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WZduxY0gXck\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":40458111025194,"sku":"AGFA-046 SLIP","price":27.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40458111057962,"sku":"AGFA-046","price":25.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/theblackcrystalslipfront.jpg?v=1762198845"},{"product_id":"bat-pussy","title":"Bat Pussy","description":"\u003cp\u003e\u003cspan\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover\u003c\/span\u003e\u003cspan\u003e was limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e and is \u003c\/span\u003e\u003cstrong\u003esold out\u003c\/strong\u003e\u003cspan\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The citizens of Gothum City are under attack by smut filmmakers and only one hero can help! Bat Pussy (Dora Dildo) hangs out in her secret headquarters (aka an outhouse). When her “twat begins to twitch,” warning her of imminent crime, Bat Pussy hops on her Holy Hippity-Hop to foil the grotesque sex schemes of un-happily married couple Buddy and Sam. Considered to be the first adult film parody, BAT PUSSY is a sublime-yet-nightmarish extraterrestrial experience made by outlaw filmmakers who remain unidentified to this day. AGFA + Something Weird are thrilled to present a brand new preservation of BAT PUSSY—complete with newly discovered footage and the original long-lost ending—along with a utility belt full of extras. Sheee-it!\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eThe citizens of Gothum City are under attack by smut filmmakers and only one hero can help! Bat Pussy (Dora Dildo) hangs out in her secret headquarters (aka an outhouse). When her “twat begins to twitch,” warning her of imminent crime, Bat Pussy hops on her Holy Hippity-Hop to foil the grotesque sex schemes of un-happily married couple Buddy and Sam. Considered to be the first adult film parody, BAT PUSSY is a sublime-yet-nightmarish extraterrestrial experience made by outlaw filmmakers who remain unidentified to this day. AGFA + Something Weird are thrilled to present a brand new preservation of BAT PUSSY—complete with newly discovered footage and the original long-lost ending—along with a utility belt full of extras. Sheee-it!\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The citizens of Gothum City are under attack by smut filmmakers and only one hero can help! Bat Pussy (Dora Dildo) hangs out in her secret headquarters (aka an outhouse). When her “twat begins to twitch,” warning her of imminent crime, Bat Pussy hops on her Holy Hippity-Hop to foil the grotesque sex schemes of un-happily married couple Buddy and Sam. Considered to be the first adult film parody, BAT PUSSY is a sublime-yet-nightmarish extraterrestrial experience made by outlaw filmmakers who remain unidentified to this day. AGFA + Something Weird are thrilled to present a brand new preservation of BAT PUSSY—complete with newly discovered footage and the original long-lost ending—along with a utility belt full of extras. Sheee-it!\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: Unknown\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The citizens of Gothum City are under attack by smut filmmakers and only one hero can help! Bat Pussy (Dora Dildo) hangs out in her secret headquarters (aka an outhouse). When her “twat begins to twitch,” warning her of imminent crime, Bat Pussy hops on her Holy Hippity-Hop to foil the grotesque sex schemes of un-happily married couple Buddy and Sam. Considered to be the first adult film parody, BAT PUSSY is a sublime-yet-nightmarish extraterrestrial experience made by outlaw filmmakers who remain unidentified to this day. AGFA + Something Weird are thrilled to present a brand new preservation of BAT PUSSY—complete with newly discovered footage and the original long-lost ending—along with a utility belt full of extras. Sheee-it!\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003estarring: Unknown\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The citizens of Gothum City are under attack by smut filmmakers and only one hero can help! Bat Pussy (Dora Dildo) hangs out in her secret headquarters (aka an outhouse). When her “twat begins to twitch,” warning her of imminent crime, Bat Pussy hops on her Holy Hippity-Hop to foil the grotesque sex schemes of un-happily married couple Buddy and Sam. Considered to be the first adult film parody, BAT PUSSY is a sublime-yet-nightmarish extraterrestrial experience made by outlaw filmmakers who remain unidentified to this day. AGFA + Something Weird are thrilled to present a brand new preservation of BAT PUSSY—complete with newly discovered footage and the original long-lost ending—along with a utility belt full of extras. Sheee-it!\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003e1970s \/ 52 min \/ 1.33:1 \/ English \u003c\/span\u003eDTS HD-MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;• 2022 preservation from a newly discovered 16mm print\\n• Commentary on 2022 preservation by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\\n• 2017 preservation fromSomething Weird’s 16mm print\\n• Archival commentary on 2017 preservation with Something Weird's Lisa Petrucci \u0026amp; Tim Lewis \u0026amp; the AGFA team\\n• Super-smut shorts from Bat Pussy HQ including BATTYMAN AND RUBIN MEET DICKNOSE, A TRIP TO THE STOREFRONT THEATER, and more\\n• Bonus movie: ROBOT LOVE SLAVES (1971, 54 mins)\\n• Crime-smut trailers fromBat Pussy HQ\\n• Booklet with writing by Bat Pussy savior Mike McCarthy and Something Weird’s Lisa Petrucci \\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;• 2022 preservation from a newly discovered 16mm print\\n• Commentary on 2022 preservation by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\\n• 2017 preservation fromSomething Weird’s 16mm print\\n• Archival commentary on 2017 preservation with Something Weird's Lisa Petrucci \u0026amp; Tim Lewis \u0026amp; the AGFA team\\n• Super-smut shorts from Bat Pussy HQ including BATTYMAN AND RUBIN MEET DICKNOSE, A TRIP TO THE STOREFRONT THEATER, and more\\n• Bonus movie: ROBOT LOVE SLAVES (1971, 54 mins)\\n• Crime-smut trailers fromBat Pussy HQ\\n• Booklet with writing by Bat Pussy savior Mike McCarthy and Something Weird’s Lisa Petrucci \\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003e2022 preservation from a newly discovered 16mm print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;• 2022 preservation from a newly discovered 16mm print\\n• Commentary on 2022 preservation by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\\n• 2017 preservation fromSomething Weird’s 16mm print\\n• Archival commentary on 2017 preservation with Something Weird's Lisa Petrucci \u0026amp; Tim Lewis \u0026amp; the AGFA team\\n• Super-smut shorts from Bat Pussy HQ including BATTYMAN AND RUBIN MEET DICKNOSE, A TRIP TO THE STOREFRONT THEATER, and more\\n• Bonus movie: ROBOT LOVE SLAVES (1971, 54 mins)\\n• Crime-smut trailers fromBat Pussy HQ\\n• Booklet with writing by Bat Pussy savior Mike McCarthy and Something Weird’s Lisa Petrucci \\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eCommentary on 2022 preservation by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;• 2022 preservation from a newly discovered 16mm print\\n• Commentary on 2022 preservation by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\\n• 2017 preservation fromSomething Weird’s 16mm print\\n• Archival commentary on 2017 preservation with Something Weird's Lisa Petrucci \u0026amp; Tim Lewis \u0026amp; the AGFA team\\n• Super-smut shorts from Bat Pussy HQ including BATTYMAN AND RUBIN MEET DICKNOSE, A TRIP TO THE STOREFRONT THEATER, and more\\n• Bonus movie: ROBOT LOVE SLAVES (1971, 54 mins)\\n• Crime-smut trailers fromBat Pussy HQ\\n• Booklet with writing by Bat Pussy savior Mike McCarthy and Something Weird’s Lisa Petrucci \\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003e2017 preservation fromSomething Weird’s 16mm print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;• 2022 preservation from a newly discovered 16mm print\\n• Commentary on 2022 preservation by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\\n• 2017 preservation fromSomething Weird’s 16mm print\\n• Archival commentary on 2017 preservation with Something Weird's Lisa Petrucci \u0026amp; Tim Lewis \u0026amp; the AGFA team\\n• Super-smut shorts from Bat Pussy HQ including BATTYMAN AND RUBIN MEET DICKNOSE, A TRIP TO THE STOREFRONT THEATER, and more\\n• Bonus movie: ROBOT LOVE SLAVES (1971, 54 mins)\\n• Crime-smut trailers fromBat Pussy HQ\\n• Booklet with writing by Bat Pussy savior Mike McCarthy and Something Weird’s Lisa Petrucci \\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eArchival commentary on 2017 preservation with Something Weird's Lisa Petrucci \u0026amp; Tim Lewis \u0026amp; the AGFA team\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;• 2022 preservation from a newly discovered 16mm print\\n• Commentary on 2022 preservation by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\\n• 2017 preservation fromSomething Weird’s 16mm print\\n• Archival commentary on 2017 preservation with Something Weird's Lisa Petrucci \u0026amp; Tim Lewis \u0026amp; the AGFA team\\n• Super-smut shorts from Bat Pussy HQ including BATTYMAN AND RUBIN MEET DICKNOSE, A TRIP TO THE STOREFRONT THEATER, and more\\n• Bonus movie: ROBOT LOVE SLAVES (1971, 54 mins)\\n• Crime-smut trailers fromBat Pussy HQ\\n• Booklet with writing by Bat Pussy savior Mike McCarthy and Something Weird’s Lisa Petrucci \\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eSuper-smut shorts from Bat Pussy HQ including BATTYMAN AND RUBIN MEET DICKNOSE, A TRIP TO THE STOREFRONT THEATER, and more\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;• 2022 preservation from a newly discovered 16mm print\\n• Commentary on 2022 preservation by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\\n• 2017 preservation fromSomething Weird’s 16mm print\\n• Archival commentary on 2017 preservation with Something Weird's Lisa Petrucci \u0026amp; Tim Lewis \u0026amp; the AGFA team\\n• Super-smut shorts from Bat Pussy HQ including BATTYMAN AND RUBIN MEET DICKNOSE, A TRIP TO THE STOREFRONT THEATER, and more\\n• Bonus movie: ROBOT LOVE SLAVES (1971, 54 mins)\\n• Crime-smut trailers fromBat Pussy HQ\\n• Booklet with writing by Bat Pussy savior Mike McCarthy and Something Weird’s Lisa Petrucci \\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBonus movie: ROBOT LOVE SLAVES (1971, 54 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;• 2022 preservation from a newly discovered 16mm print\\n• Commentary on 2022 preservation by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\\n• 2017 preservation fromSomething Weird’s 16mm print\\n• Archival commentary on 2017 preservation with Something Weird's Lisa Petrucci \u0026amp; Tim Lewis \u0026amp; the AGFA team\\n• Super-smut shorts from Bat Pussy HQ including BATTYMAN AND RUBIN MEET DICKNOSE, A TRIP TO THE STOREFRONT THEATER, and more\\n• Bonus movie: ROBOT LOVE SLAVES (1971, 54 mins)\\n• Crime-smut trailers fromBat Pussy HQ\\n• Booklet with writing by Bat Pussy savior Mike McCarthy and Something Weird’s Lisa Petrucci \\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eCrime-smut trailers fromBat Pussy HQ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;• 2022 preservation from a newly discovered 16mm print\\n• Commentary on 2022 preservation by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\\n• 2017 preservation fromSomething Weird’s 16mm print\\n• Archival commentary on 2017 preservation with Something Weird's Lisa Petrucci \u0026amp; Tim Lewis \u0026amp; the AGFA team\\n• Super-smut shorts from Bat Pussy HQ including BATTYMAN AND RUBIN MEET DICKNOSE, A TRIP TO THE STOREFRONT THEATER, and more\\n• Bonus movie: ROBOT LOVE SLAVES (1971, 54 mins)\\n• Crime-smut trailers fromBat Pussy HQ\\n• Booklet with writing by Bat Pussy savior Mike McCarthy and Something Weird’s Lisa Petrucci \\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with writing by Bat Pussy savior Mike McCarthy and Something Weird’s Lisa Petrucci\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;• 2022 preservation from a newly discovered 16mm print\\n• Commentary on 2022 preservation by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\\n• 2017 preservation fromSomething Weird’s 16mm print\\n• Archival commentary on 2017 preservation with Something Weird's Lisa Petrucci \u0026amp; Tim Lewis \u0026amp; the AGFA team\\n• Super-smut shorts from Bat Pussy HQ including BATTYMAN AND RUBIN MEET DICKNOSE, A TRIP TO THE STOREFRONT THEATER, and more\\n• Bonus movie: ROBOT LOVE SLAVES (1971, 54 mins)\\n• Crime-smut trailers fromBat Pussy HQ\\n• Booklet with writing by Bat Pussy savior Mike McCarthy and Something Weird’s Lisa Petrucci \\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":40458132684842,"sku":"AGFA-003b SLIP","price":27.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40458132750378,"sku":"AGFA-003b","price":25.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/batpussyslipfront.jpg?v=1762198845"},{"product_id":"attack-of-the-beast-creatures","title":"Attack of the Beast Creatures","description":"\u003cp\u003e\u003cspan\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover\u003c\/span\u003e\u003cspan\u003e was limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e and is \u003c\/span\u003e\u003cstrong\u003esold out\u003c\/strong\u003e\u003cspan\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A beloved regional horror vortex that was conjured in Connecticut, ATTACK OF THE BEAST CREATURES is a triumph of low budget ingenuity. In an unknown galaxy, a group of travelers crash their boat on an island. At first, all is well. But when a man takes a dip in an acid lake and becomes a steaming pile of gloop, it's clear that there's trouble in paradise. That's when the cult of demon dolls reveal themselves . . . and their appetite for eating faces. Fueled by outrageous gore, a sublime synthesizer score, and jaw-dropping puppet effects, this is what happens when a mid-century creature feature collides with DIY surrealism and everyone wins. AGFA is honored to present ATTACK OF THE BEAST CREATURES—originally known as HELL ISLAND—on disc for the first time, featuring a restoration from the original 16mm camera negative and an island full of bloodthirsty extras.\u0026quot;}\"\u003eA beloved regional horror vortex that was conjured in Connecticut, ATTACK OF THE BEAST CREATURES is a triumph of low budget ingenuity. In an unknown galaxy, a group of travelers crash their boat on an island. At first, all is well. But when a man takes a dip in an acid lake and becomes a steaming pile of gloop, it's clear that there's trouble in paradise. That's when the cult of demon dolls reveal themselves . . . and their appetite for eating faces. Fueled by outrageous gore, a sublime synthesizer score, and jaw-dropping puppet effects, this is what happens when a mid-century creature feature collides with DIY surrealism and everyone wins. AGFA is honored to present ATTACK OF THE BEAST CREATURES—originally known as HELL ISLAND—on disc for the first time, featuring a restoration from the original 16mm camera negative and an island full of bloodthirsty extras.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A beloved regional horror vortex that was conjured in Connecticut, ATTACK OF THE BEAST CREATURES is a triumph of low budget ingenuity. In an unknown galaxy, a group of travelers crash their boat on an island. At first, all is well. But when a man takes a dip in an acid lake and becomes a steaming pile of gloop, it's clear that there's trouble in paradise. That's when the cult of demon dolls reveal themselves . . . and their appetite for eating faces. Fueled by outrageous gore, a sublime synthesizer score, and jaw-dropping puppet effects, this is what happens when a mid-century creature feature collides with DIY surrealism and everyone wins. AGFA is honored to present ATTACK OF THE BEAST CREATURES—originally known as HELL ISLAND—on disc for the first time, featuring a restoration from the original 16mm camera negative and an island full of bloodthirsty extras.\u0026quot;}\"\u003edirected by: \u003c\/span\u003eMike Stanley\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A beloved regional horror vortex that was conjured in Connecticut, ATTACK OF THE BEAST CREATURES is a triumph of low budget ingenuity. In an unknown galaxy, a group of travelers crash their boat on an island. At first, all is well. But when a man takes a dip in an acid lake and becomes a steaming pile of gloop, it's clear that there's trouble in paradise. That's when the cult of demon dolls reveal themselves . . . and their appetite for eating faces. Fueled by outrageous gore, a sublime synthesizer score, and jaw-dropping puppet effects, this is what happens when a mid-century creature feature collides with DIY surrealism and everyone wins. AGFA is honored to present ATTACK OF THE BEAST CREATURES—originally known as HELL ISLAND—on disc for the first time, featuring a restoration from the original 16mm camera negative and an island full of bloodthirsty extras.\u0026quot;}\"\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A beloved regional horror vortex that was conjured in Connecticut, ATTACK OF THE BEAST CREATURES is a triumph of low budget ingenuity. In an unknown galaxy, a group of travelers crash their boat on an island. At first, all is well. But when a man takes a dip in an acid lake and becomes a steaming pile of gloop, it's clear that there's trouble in paradise. That's when the cult of demon dolls reveal themselves . . . and their appetite for eating faces. Fueled by outrageous gore, a sublime synthesizer score, and jaw-dropping puppet effects, this is what happens when a mid-century creature feature collides with DIY surrealism and everyone wins. AGFA is honored to present ATTACK OF THE BEAST CREATURES—originally known as HELL ISLAND—on disc for the first time, featuring a restoration from the original 16mm camera negative and an island full of bloodthirsty extras.\u0026quot;}\"\u003e1985 \/ 80 min \/ 1.85:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Restoration of the original theatrical version from the 16mm camera negative\\n• Partial commentary with director Mike Stanley\\n• Interviews with Mike Stanley and writer Robert Hutton\\n• Test footage\\n• Preservation of the VHS version from the 1” tape master \\\"\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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The limited edition slipcover was limited to \u003cb\u003e2,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING is the true story of what happened behind the scenes of one of the most outrageous television shows in history. From 1986-92, the airwaves were ruled by GLOW—a neon and glitter-soaked reimagining of the World Wrestling Federation with an all-female cast . . . only with more skits, chainsaws, and personalized rap songs. This documentary, which inspired the hit Netflix series GLOW, chronicles the rise and fall of the iconic show through the stories of those who lived it. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (THE ROCK-AFIRE EXPLOSION), GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING pays tribute to the incredible women who made it all possible. AGFA is thrilled to bring GLOW to Blu-ray for the first time, complete with enough extras to fuel three-thousand suplexes.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eGLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING is the true story of what happened behind the scenes of one of the most outrageous television shows in history. From 1986-92, the airwaves were ruled by GLOW—a neon and glitter-soaked reimagining of the World Wrestling Federation with an all-female cast . . . only with more skits, chainsaws, and personalized rap songs. This documentary, which inspired the hit Netflix series GLOW, chronicles the rise and fall of the iconic show through the stories of those who lived it. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (THE ROCK-AFIRE EXPLOSION), GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING pays tribute to the incredible women who made it all possible. AGFA is thrilled to bring GLOW to Blu-ray for the first time, complete with enough extras to fuel three-thousand suplexes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING is the true story of what happened behind the scenes of one of the most outrageous television shows in history. From 1986-92, the airwaves were ruled by GLOW—a neon and glitter-soaked reimagining of the World Wrestling Federation with an all-female cast . . . only with more skits, chainsaws, and personalized rap songs. This documentary, which inspired the hit Netflix series GLOW, chronicles the rise and fall of the iconic show through the stories of those who lived it. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (THE ROCK-AFIRE EXPLOSION), GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING pays tribute to the incredible women who made it all possible. AGFA is thrilled to bring GLOW to Blu-ray for the first time, complete with enough extras to fuel three-thousand suplexes.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eBrett Whitcomb\u003cbr\u003estarring: Various\u003cbr\u003e2012 \/ 77 min \/ 1.78:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br 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data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003ePreservation from the original digital master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eArchival commentary track with Billy Corgan of The Smashing Pumpkins \u003c\/span\u003eand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eUnited Film Festival Q\u0026amp;A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eOriginal Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003e70 minutes of vintage GLOW matches, skits, and 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The limited edition slipcover\u003c\/span\u003e\u003cspan\u003e was limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e and is \u003c\/span\u003e\u003cstrong\u003esold out\u003c\/strong\u003e\u003cspan\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A gonzo martial arts double feature from the vaults of the American Genre Film Archive (AGFA)!\\n\\nSHAOLIN INVINCIBLES\\nWizards! Gorillas! Bloodsplurts! You’ve never seen a Taiwanese martial arts movie like this one. Two sword-wielding sisters seek revenge against the villains who murdered their family. But these are no ordinary villains—they’re wizards with giant, elasticized tongues who use black magic to control . . . kung fu gorillas! Starring the magnificent Judy Lee (QUEEN BOXER) and the fierce Carter Wong (BIG TROUBLE IN LITTLE CHINA), this supreme basher combines the electricity of a Super Nintendo game with exceptional fight choreography to deliver an otherworldly experience.\\n\\nSEVEN TO ONE\\nAn earlier film from the director of SHAOLIN INVINCIBLES, SEVEN TO ONE finds Ting (martial arts whirlwind Polly Shang Kwan) on a revenge-fueled rampage following the murder of her father. Assisted by her rock star samurai boyfriend, Ting rages against all manner of street gangs and malcontents. This gonzo Taiwanese battle-epic is filled with non-stop fights, bootleg soundtrack cues, and incredible stunt work from the effervescent Kwan.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eA gonzo martial arts double feature from the vaults of the American Genre Film Archive (AGFA)!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A gonzo martial arts double feature from the vaults of the American Genre Film Archive (AGFA)!\\n\\nSHAOLIN INVINCIBLES\\nWizards! Gorillas! Bloodsplurts! You’ve never seen a Taiwanese martial arts movie like this one. Two sword-wielding sisters seek revenge against the villains who murdered their family. But these are no ordinary villains—they’re wizards with giant, elasticized tongues who use black magic to control . . . kung fu gorillas! Starring the magnificent Judy Lee (QUEEN BOXER) and the fierce Carter Wong (BIG TROUBLE IN LITTLE CHINA), this supreme basher combines the electricity of a Super Nintendo game with exceptional fight choreography to deliver an otherworldly experience.\\n\\nSEVEN TO ONE\\nAn earlier film from the director of SHAOLIN INVINCIBLES, SEVEN TO ONE finds Ting (martial arts whirlwind Polly Shang Kwan) on a revenge-fueled rampage following the murder of her father. Assisted by her rock star samurai boyfriend, Ting rages against all manner of street gangs and malcontents. This gonzo Taiwanese battle-epic is filled with non-stop fights, bootleg soundtrack cues, and incredible stunt work from the effervescent Kwan.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003e\u003cem\u003eSHAOLIN INVINCIBLES\u003c\/em\u003e\u003cbr\u003eWizards! Gorillas! Bloodsplurts! You’ve never seen a Taiwanese martial arts movie like this one. Two sword-wielding sisters seek revenge against the villains who murdered their family. But these are no ordinary villains—they’re wizards with giant, elasticized tongues who use black magic to control . . . kung fu gorillas! Starring the magnificent Judy Lee (QUEEN BOXER) and the fierce Carter Wong (BIG TROUBLE IN LITTLE CHINA), this supreme basher combines the electricity of a Super Nintendo game with exceptional fight choreography to deliver an otherworldly experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A gonzo martial arts double feature from the vaults of the American Genre Film Archive (AGFA)!\\n\\nSHAOLIN INVINCIBLES\\nWizards! Gorillas! Bloodsplurts! You’ve never seen a Taiwanese martial arts movie like this one. Two sword-wielding sisters seek revenge against the villains who murdered their family. But these are no ordinary villains—they’re wizards with giant, elasticized tongues who use black magic to control . . . kung fu gorillas! Starring the magnificent Judy Lee (QUEEN BOXER) and the fierce Carter Wong (BIG TROUBLE IN LITTLE CHINA), this supreme basher combines the electricity of a Super Nintendo game with exceptional fight choreography to deliver an otherworldly experience.\\n\\nSEVEN TO ONE\\nAn earlier film from the director of SHAOLIN INVINCIBLES, SEVEN TO ONE finds Ting (martial arts whirlwind Polly Shang Kwan) on a revenge-fueled rampage following the murder of her father. Assisted by her rock star samurai boyfriend, Ting rages against all manner of street gangs and malcontents. This gonzo Taiwanese battle-epic is filled with non-stop fights, bootleg soundtrack cues, and incredible stunt work from the effervescent Kwan.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003e\u003cem\u003eSEVEN TO ONE\u003c\/em\u003e\u003cbr\u003eAn earlier film from the director of SHAOLIN INVINCIBLES, SEVEN TO ONE finds Ting (martial arts whirlwind Polly Shang Kwan) on a revenge-fueled rampage following the murder of her father. Assisted by her rock star samurai boyfriend, Ting rages against all manner of street gangs and malcontents. This gonzo Taiwanese battle-epic is filled with non-stop fights, bootleg soundtrack cues, and incredible stunt work from the effervescent Kwan.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A gonzo martial arts double feature from the vaults of the American Genre Film Archive (AGFA)!\\n\\nSHAOLIN INVINCIBLES\\nWizards! Gorillas! Bloodsplurts! You’ve never seen a Taiwanese martial arts movie like this one. Two sword-wielding sisters seek revenge against the villains who murdered their family. But these are no ordinary villains—they’re wizards with giant, elasticized tongues who use black magic to control . . . kung fu gorillas! Starring the magnificent Judy Lee (QUEEN BOXER) and the fierce Carter Wong (BIG TROUBLE IN LITTLE CHINA), this supreme basher combines the electricity of a Super Nintendo game with exceptional fight choreography to deliver an otherworldly experience.\\n\\nSEVEN TO ONE\\nAn earlier film from the director of SHAOLIN INVINCIBLES, SEVEN TO ONE finds Ting (martial arts whirlwind Polly Shang Kwan) on a revenge-fueled rampage following the murder of her father. Assisted by her rock star samurai boyfriend, Ting rages against all manner of street gangs and malcontents. This gonzo Taiwanese battle-epic is filled with non-stop fights, bootleg soundtrack cues, and incredible stunt work from the effervescent Kwan.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eCheng Hou\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A gonzo martial arts double feature from the vaults of the American Genre Film Archive (AGFA)!\\n\\nSHAOLIN INVINCIBLES\\nWizards! Gorillas! Bloodsplurts! You’ve never seen a Taiwanese martial arts movie like this one. Two sword-wielding sisters seek revenge against the villains who murdered their family. But these are no ordinary villains—they’re wizards with giant, elasticized tongues who use black magic to control . . . kung fu gorillas! Starring the magnificent Judy Lee (QUEEN BOXER) and the fierce Carter Wong (BIG TROUBLE IN LITTLE CHINA), this supreme basher combines the electricity of a Super Nintendo game with exceptional fight choreography to deliver an otherworldly experience.\\n\\nSEVEN TO ONE\\nAn earlier film from the director of SHAOLIN INVINCIBLES, SEVEN TO ONE finds Ting (martial arts whirlwind Polly Shang Kwan) on a revenge-fueled rampage following the murder of her father. Assisted by her rock star samurai boyfriend, Ting rages against all manner of street gangs and malcontents. This gonzo Taiwanese battle-epic is filled with non-stop fights, bootleg soundtrack cues, and incredible stunt work from the effervescent Kwan.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A gonzo martial arts double feature from the vaults of the American Genre Film Archive (AGFA)!\\n\\nSHAOLIN INVINCIBLES\\nWizards! Gorillas! Bloodsplurts! You’ve never seen a Taiwanese martial arts movie like this one. Two sword-wielding sisters seek revenge against the villains who murdered their family. But these are no ordinary villains—they’re wizards with giant, elasticized tongues who use black magic to control . . . kung fu gorillas! Starring the magnificent Judy Lee (QUEEN BOXER) and the fierce Carter Wong (BIG TROUBLE IN LITTLE CHINA), this supreme basher combines the electricity of a Super Nintendo game with exceptional fight choreography to deliver an otherworldly experience.\\n\\nSEVEN TO ONE\\nAn earlier film from the director of SHAOLIN INVINCIBLES, SEVEN TO ONE finds Ting (martial arts whirlwind Polly Shang Kwan) on a revenge-fueled rampage following the murder of her father. Assisted by her rock star samurai boyfriend, Ting rages against all manner of street gangs and malcontents. This gonzo Taiwanese battle-epic is filled with non-stop fights, bootleg soundtrack cues, and incredible stunt work from the effervescent Kwan.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003e1977, 1973 \/ 175 min (combined) \/ 2.35:1 \/ Mandarin \u0026amp; English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• SHAOLIN INVINCIBLES: Preserved from the only known 35mm print in existence, featuring Mandarin language with burned-in English subtitles\\n• SEVEN TO ONE: Preserved from the only known 35mm print in existence, featuring an English language dub\\n• Explosive martial arts trailer reel from the AGFA vaults (27 mins)\\\"\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• SHAOLIN INVINCIBLES: Preserved from the only known 35mm print in existence, featuring Mandarin language with burned-in English subtitles\\n• SEVEN TO ONE: Preserved from the only known 35mm print in existence, featuring an English language dub\\n• Explosive martial arts trailer reel from the AGFA vaults (27 mins)\\\"\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eSHAOLIN INVINCIBLES: Preserved from the only known 35mm print in existence, featuring Mandarin language with burned-in English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• SHAOLIN INVINCIBLES: Preserved from the only known 35mm print in existence, featuring Mandarin language with burned-in English subtitles\\n• SEVEN TO ONE: Preserved from the only known 35mm print in existence, featuring an English language dub\\n• Explosive martial arts trailer reel from the AGFA vaults (27 mins)\\\"\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eSEVEN TO ONE: Preserved from the only known 35mm print in existence, featuring an English language dub\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• SHAOLIN INVINCIBLES: Preserved from the only known 35mm print in existence, featuring Mandarin language with burned-in English subtitles\\n• SEVEN TO ONE: Preserved from the only known 35mm print in existence, featuring an English language dub\\n• Explosive martial arts trailer reel from the AGFA vaults (27 mins)\\\"\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eExplosive martial arts trailer reel from the AGFA vaults (27 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• SHAOLIN INVINCIBLES: Preserved from the only known 35mm print in existence, featuring Mandarin language with burned-in English subtitles\\n• SEVEN TO ONE: Preserved from the only known 35mm print in existence, featuring an English language dub\\n• Explosive martial arts trailer reel from the AGFA vaults (27 mins)\\\"\"}' 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Edition","offer_id":40505669648426,"sku":"AGFA-050","price":25.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/shaolininvinciblesslipfront.jpg?v=1762198920"},{"product_id":"the-zodiac-killer","title":"The Zodiac Killer","description":"\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition spot gloss and embossed slipcover \u003c\/span\u003e\u003cspan\u003eis limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;This is the only horror movie in history that was made explicitly to catch a serial killer. Directed by Tom Hanson, who had previously owned a chain of Pizza Man restaurants, THE ZODIAC KILLER reimagines the crimes of the then-active Zodiac Killer in hopes of luring the madman out of hiding. That plan didn’t work. Instead, we got the most outrageous and compelling \\\u0026quot;tabloid horror\\\u0026quot; vortex on the planet. And beyond. During theatrical screenings, Hanson constructed in-theater traps to catch the killer. These included the use of an ice cream freezer filled with rent-a-cops and a raffle with a motorcycle as a prize. You won’t get insight like this by watching David Fincher's ZODIAC. But you will get it while watching THE ZODIAC KILLER.\u0026quot;}\"\u003eThis is the only horror movie in history that was made explicitly to catch a serial killer. Directed by Tom Hanson, who had previously owned a chain of Pizza Man restaurants, THE ZODIAC KILLER reimagines the crimes of the then-active Zodiac Killer in hopes of luring the madman out of hiding. That plan didn’t work. Instead, we got the most outrageous and compelling \"tabloid horror\" vortex on the planet. And beyond. During theatrical screenings, Hanson constructed in-theater traps to catch the killer. These included the use of an ice cream freezer filled with rent-a-cops and a raffle with a motorcycle as a prize. You won’t get insight like this by watching David Fincher's ZODIAC. 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Directed by Tom Hanson, who had previously owned a chain of Pizza Man restaurants, THE ZODIAC KILLER reimagines the crimes of the then-active Zodiac Killer in hopes of luring the madman out of hiding. That plan didn’t work. Instead, we got the most outrageous and compelling \\\u0026quot;tabloid horror\\\u0026quot; vortex on the planet. And beyond. During theatrical screenings, Hanson constructed in-theater traps to catch the killer. These included the use of an ice cream freezer filled with rent-a-cops and a raffle with a motorcycle as a prize. You won’t get insight like this by watching David Fincher's ZODIAC. 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Directed by Tom Hanson, who had previously owned a chain of Pizza Man restaurants, THE ZODIAC KILLER reimagines the crimes of the then-active Zodiac Killer in hopes of luring the madman out of hiding. That plan didn’t work. Instead, we got the most outrageous and compelling \\\u0026quot;tabloid horror\\\u0026quot; vortex on the planet. And beyond. During theatrical screenings, Hanson constructed in-theater traps to catch the killer. These included the use of an ice cream freezer filled with rent-a-cops and a raffle with a motorcycle as a prize. You won’t get insight like this by watching David Fincher's ZODIAC. 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Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eEscaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eWilliam Edwards\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003e1969 \/ 65 min \/ 1.85:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003ePreserved from the only known 35mm print in existence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eCommentary by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eAlternate version (SD preservation, 69 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eBonus movie: TALES OF A SALESMAN (1965, 53 mins), preserved from the only known 35mm Technicolor print in existence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eTrailers from Dracula’s dirty old cave\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rTufehMwGv8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle 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A group of coked-up filmmakers—including Tom “DAWN OF THE DEAD” Savini, Joe \\\"DAY OF THE DEAD\\\" Pilato, and John “TALES FROM THE DARKSIDE: THE MOVIE” Harrison—gather in Pittsburgh to make a slasher called DUPED: THE SNUFF MOVIE. As filming begins and “accidents” happen, it’s clear that something isn’t right. And no one can be trusted. A gritty melting pot of De Palma-like shocks and Carpenter-esque tension, EFFECTS is a meta-enhanced takedown on the philosophy of horror that doubles as a sleazy and chilling movie on its own. AGFA is honored to present the worldwide UHD debut of EFFECTS, newly restored in 4K from its original, long-lost 16mm camera negative.\"}'\u003eCobbled together with loose change by George Romero’s friends, EFFECTS is a mesmerizing D.I.Y. frightmare that no one talks about, but everyone should. 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data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: UHD\\n• 4K restoration from the original 16mm camera negative\\n• Archival commentary with producer and star John Harrison, director Dusty Nelson, and editor Pasquale Buba   \\n\\nDisc 2: Blu-ray\\n• 4K restoration from the original 16mm camera negative\\n• Archival commentary with producer and star John Harrison, director Dusty Nelson, and editor Pasquale Buba\\n• 4K “grindhouse” preservation from the only 35mm print in existence\\n• Zoom Q\u0026amp;A with John Harrison, Dusty Nelson, and the AGFA team\\n• AFTER 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Archival commentary with producer and star John Harrison, director Dusty Nelson, and editor Pasquale Buba\\n• 4K “grindhouse” preservation from the only 35mm print in existence\\n• Zoom Q\u0026amp;A with John Harrison, Dusty Nelson, and the AGFA team\\n• AFTER EFFECTS documentary with commentary\\n• Early short films\\n• Photo gallery\\n• Booklet with Dusty Nelson interview and more\"}'\u003eAFTER EFFECTS documentary with commentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: UHD\\n• 4K restoration from 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The limited edition slipcover was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. 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And in Uganda’s finest storytelling tradition, the films are complemented by the acerbic wit of narrator\/VJ (Video Joker) VJ Emmie, who sums up the Wakaliwood experience with a single sentiment: “It is a love story . . . LOVE OF ACTION!”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Welcome to Wakaliwood, Uganda: home of “DA BEST OF DA BEST MOVIES!” and the vanguards of DIY commando cinema! 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The limited edition slipcover was limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"The feature film debut from writer-director Lindsay Denniberg and co-writer Chris Shields, VIDEO DIARY OF A LOST GIRL is a hypercolored dreamland that combines a love for genre film history with a gorgeous handmade aesthetic. Louise (Pris McEver) works in a video store. But she’s also a demon. A descendent of biblical demon-mother Lilith, Louise fulfills her predestined obligation to have sex with a man—and then kill him—every full moon. When she meets Charlie (Shields), a reincarnated partner from her past, Louise struggles to not do what she does best. Meticulously crafted with the use of repurposed art materials and green screen, VIDEO DIARY is a valentine to the VHS aesthetic and an exploration of personal themes via the guise of body horror. The movie was influenced by everything from LIQUID SKY to ROCKULA, from HEATHERS to DEAD RINGERS, resulting in an absurdist, experimental horror-comedy that was years ahead of its time.\"}'\u003eThe feature film debut from writer-director Lindsay Denniberg and co-writer Chris Shields, VIDEO DIARY OF A LOST GIRL is a hypercolored dreamland that combines a love for genre film history with a gorgeous handmade aesthetic. Louise (Pris McEver) works in a video store. 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Louise (Pris McEver) works in a video store. But she’s also a demon. A descendent of biblical demon-mother Lilith, Louise fulfills her predestined obligation to have sex with a man—and then kill him—every full moon. When she meets Charlie (Shields), a reincarnated partner from her past, Louise struggles to not do what she does best. Meticulously crafted with the use of repurposed art materials and green screen, VIDEO DIARY is a valentine to the VHS aesthetic and an exploration of personal themes via the guise of body horror. The movie was influenced by everything from LIQUID SKY to ROCKULA, from HEATHERS to DEAD RINGERS, resulting in an absurdist, experimental horror-comedy that was years ahead of its time.\"}'\u003edirected by: \u003c\/span\u003eLindsay Denniberg\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"The feature film debut from writer-director Lindsay Denniberg and co-writer Chris Shields, VIDEO DIARY OF A LOST GIRL is a hypercolored dreamland that combines a love for genre film history with a gorgeous handmade aesthetic. 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The movie was influenced by everything from LIQUID SKY to ROCKULA, from HEATHERS to DEAD RINGERS, resulting in an absurdist, experimental horror-comedy that was years ahead of its time.\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"The feature film debut from writer-director Lindsay Denniberg and co-writer Chris Shields, VIDEO DIARY OF A LOST GIRL is a hypercolored dreamland that combines a love for genre film history with a gorgeous handmade aesthetic. 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BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThis listing is for the standard edition 3-disc Blu-ray release. The limited edition slipcase was limited to \u003c\/span\u003e\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2,000 units\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e and is \u003c\/span\u003e\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003esold out\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e. The two versions are identical, aside from the packaging.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A force of nature since 1985, underground icon Jon Moritsugu—in partnership with wife Amy Davis—creates candy-colored genre riots that feel like NC-17 sitcoms from outer space. Moritsugu's fearless, protopunk deconstructions function as a giant middle finger to everything from racism to gender expectations—while also exploring themes of Asian-American identity. TERMINAL DEGENERATION: THE FILMS OF JON MORITSUGU collects these joyous, trash-art ragers for the first time on widely released home video. From MY DEGENERATION (a DIY answer to BENEATH THE VALLEY OF THE DOLLS) to TERMINAL USA (an ultra-90s teen-crime berserker that was funded by PBS), AGFA is honored to present sparkling new restorations of Moritsugu's essential work.\u0026quot;}\"\u003eA force of nature since 1985, underground icon Jon Moritsugu—in partnership with wife Amy Davis—creates candy-colored genre riots that feel like NC-17 sitcoms from outer space. Moritsugu's fearless, protopunk deconstructions function as a giant middle finger to everything from racism to gender expectations—while also exploring themes of Asian-American identity. TERMINAL DEGENERATION: THE FILMS OF JON MORITSUGU collects these joyous, trash-art ragers for the first time on widely released home video. From MY DEGENERATION (a DIY answer to BENEATH THE VALLEY OF THE DOLLS) to TERMINAL USA (an ultra-90s teen-crime berserker that was funded by PBS), AGFA is honored to present sparkling new restorations of Moritsugu's essential work.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A force of nature since 1985, underground icon Jon Moritsugu—in partnership with wife Amy Davis—creates candy-colored genre riots that feel like NC-17 sitcoms from outer space. Moritsugu's fearless, protopunk deconstructions function as a giant middle finger to everything from racism to gender expectations—while also exploring themes of Asian-American identity. TERMINAL DEGENERATION: THE FILMS OF JON MORITSUGU collects these joyous, trash-art ragers for the first time on widely released home video. From MY DEGENERATION (a DIY answer to BENEATH THE VALLEY OF THE DOLLS) to TERMINAL USA (an ultra-90s teen-crime berserker that was funded by PBS), AGFA is honored to present sparkling new restorations of Moritsugu's essential work.\u0026quot;}\"\u003edirected by: \u003c\/span\u003eJon Moritsugu\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A force of nature since 1985, underground icon Jon Moritsugu—in partnership with wife Amy Davis—creates candy-colored genre riots that feel like NC-17 sitcoms from outer space. Moritsugu's fearless, protopunk deconstructions function as a giant middle finger to everything from racism to gender expectations—while also exploring themes of Asian-American identity. TERMINAL DEGENERATION: THE FILMS OF JON MORITSUGU collects these joyous, trash-art ragers for the first time on widely released home video. From MY DEGENERATION (a DIY answer to BENEATH THE VALLEY OF THE DOLLS) to TERMINAL USA (an ultra-90s teen-crime berserker that was funded by PBS), AGFA is honored to present sparkling new restorations of Moritsugu's essential work.\u0026quot;}\"\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A force of nature since 1985, underground icon Jon Moritsugu—in partnership with wife Amy Davis—creates candy-colored genre riots that feel like NC-17 sitcoms from outer space. Moritsugu's fearless, protopunk deconstructions function as a giant middle finger to everything from racism to gender expectations—while also exploring themes of Asian-American identity. TERMINAL DEGENERATION: THE FILMS OF JON MORITSUGU collects these joyous, trash-art ragers for the first time on widely released home video. From MY DEGENERATION (a DIY answer to BENEATH THE VALLEY OF THE DOLLS) to TERMINAL USA (an ultra-90s teen-crime berserker that was funded by PBS), AGFA is honored to present sparkling new restorations of Moritsugu's essential work.\u0026quot;}\"\u003e1987-2013 \/ 519 min (combined) \/ 1.33:1, 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3-Disc Region Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003e\u003cem\u003eDisc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRestorations from the original 16mm camera negatives\u003c\/li\u003e\n\u003cli\u003eMY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\u003c\/li\u003e\n\u003cli\u003eShort: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003e\u003cspan\u003eNote: HIPPY PORN was created by Jon Moritsugu and Jacques Boyreau\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003e\u003cem\u003eDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eTERMINAL USA: Restoration from the original 16mm camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eCommentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eRough cut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eCensored PBS cut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eFantastic Fest Zoom Q\u0026amp;A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eMOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eCommentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eCommentary with AGFA’s Elizabeth Purchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eShort: CRACK (1999) \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003e\u003cem\u003eDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eFAME WHORE: Restoration from the original 16mm camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eCommentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom Q\u0026amp;A\\n• MOD FUCK EXPLOSION: Restoration from the original 16mm camera negative with 16mm print inserts\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Commentary with AGFA’s Elizabeth Purchell\\n• Outtakes\\n• Short: CRACK (1999)   \\nDisc 3: FAME WHORE (1997), SCUMROCK (2002) and PIG DEATH MACHINE (2013)\\n• FAME WHORE: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• SCUMROCK: Preservation from BetaSP tape master\\n• Outtakes, auditions, and camera tests\\n• PIG DEATH MACHINE: Preservation from digital master\\n• Booklet with a vintage interview\"}'\u003eSCUMROCK: Preservation from BetaSP tape master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: MY DEGENERATION (1989) and HIPPY PORN (1991)\\n• Restorations from the original 16mm camera negatives\\n• MY DEGENERATION: Archival commentary with Jon Moritsugu \u0026amp; Amy Davis\\n• Short: LITTLE DEBBIE SNACKWHORE OF NEW YORK CITY (1987)\\nDisc 2: TERMINAL USA (1993) and MOD FUCK EXPLOSION (1994)\\n• TERMINAL USA: Restoration from the original 16mm camera negative\\n• Commentary with Jon Moritsugu \u0026amp; Amy Davis, preserved from audio cassette tape\\n• Rough cut\\n• Censored PBS cut\\n• Fantastic Fest Zoom 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The limited edition slipcover was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! 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Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \"roughie,\" THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \"an adult experience!\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003edirected by: \u003c\/span\u003eDavid F. Friedman, R. Lee Frost, Byron Mabe \u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e1965, 1966 \/ 138 min \/ 1.85:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eTHE DEFILERS: Restored from the 35mm dupe camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eArchival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eA SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eArchival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eShort: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eDavid F. Friedman trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003ePhoto galleries\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eBooklet with writing by Something Weird’s Lisa Petrucci\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. 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The limited edition slipcover was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Just when you thought it was safe to go back to the petting zoo, you meet . . . GODMONSTER OF INDIAN FLATS! Written and directed by infamous outsider artist Fredric C. Hobbs (ALABAMA’S GHOST), this is the story of an eight-foot-tall toxic sheep monster that blows up gas stations, smashes crooked politicians, and terrorizes stoners. From the surreal “wild west” locations to the outrageous monster effects, GODMONSTER OF INDIAN FLATS is one of the most berserk and inexplicably deranged creature features in motion picture history. This includes the scene where the Godmonster crashes a children’s picnic. 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Moore and writing by Amy Rose\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YzzC5oxLnjQ?si=twKTUyLtTxqt9ABw\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":40703201050666,"sku":"AGFA-054 SLIP","price":27.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40703201116202,"sku":"AGFA-054","price":25.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/shredderorpheusslipfront.jpg?v=1762199113"},{"product_id":"take-it-out-in-trade","title":"Take It Out in Trade","description":"\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Ed Wood was the filmmaker behind PLAN 9 FROM OUTER SPACE and GLEN OR GLENDA, the author of hundreds of novels, and a pall-bearer at Bela Lugosi's funeral. Wood fought in the Pacific Ocean theater during World War II while wearing a bra and panties under his uniform. Basically, there will never be another hero like Ed Wood. And there will never be another movie like TAKE IT OUT IN TRADE. Once thought lost, this surreal sexploitation detective comedy would feel right at home on a triple-bill with John Waters’s MULTIPLE MANIACS and Russ Meyer’s THE IMMORAL MR. TEAS. With delirious narration by Wood himself, positive depictions of LGBTQ relationships, and a miraculous role by Ed Wood in drag as “Alecia,” TAKE IT OUT IN TRADE is a joyous swan song from one of the most seminal exploitation filmmakers of all time.\u0026quot;}\" data-sheets-root=\"1\"\u003eEd Wood was the filmmaker behind PLAN 9 FROM OUTER SPACE and GLEN OR GLENDA, the author of hundreds of novels, and a pall-bearer at Bela Lugosi's funeral. Wood fought in the Pacific Ocean theater during World War II while wearing a bra and panties under his uniform. Basically, there will never be another hero like Ed Wood. And there will never be another movie like TAKE IT OUT IN TRADE. Once thought lost, this surreal sexploitation detective comedy would feel right at home on a triple-bill with John Waters’s MULTIPLE MANIACS and Russ Meyer’s THE IMMORAL MR. TEAS. With delirious narration by Wood himself, positive depictions of LGBTQ relationships, and a miraculous role by Ed Wood in drag as “Alecia,” TAKE IT OUT IN TRADE is a joyous swan song from one of the most seminal exploitation filmmakers of all time.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Ed Wood was the filmmaker behind PLAN 9 FROM OUTER SPACE and GLEN OR GLENDA, the author of hundreds of novels, and a pall-bearer at Bela Lugosi's funeral. Wood fought in the Pacific Ocean theater during World War II while wearing a bra and panties under his uniform. Basically, there will never be another hero like Ed Wood. And there will never be another movie like TAKE IT OUT IN TRADE. Once thought lost, this surreal sexploitation detective comedy would feel right at home on a triple-bill with John Waters’s MULTIPLE MANIACS and Russ Meyer’s THE IMMORAL MR. TEAS. With delirious narration by Wood himself, positive depictions of LGBTQ relationships, and a miraculous role by Ed Wood in drag as “Alecia,” TAKE IT OUT IN TRADE is a joyous swan song from one of the most seminal exploitation filmmakers of all time.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: \u003c\/span\u003eEdward D. Wood, Jr.\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Ed Wood was the filmmaker behind PLAN 9 FROM OUTER SPACE and GLEN OR GLENDA, the author of hundreds of novels, and a pall-bearer at Bela Lugosi's funeral. Wood fought in the Pacific Ocean theater during World War II while wearing a bra and panties under his uniform. Basically, there will never be another hero like Ed Wood. And there will never be another movie like TAKE IT OUT IN TRADE. Once thought lost, this surreal sexploitation detective comedy would feel right at home on a triple-bill with John Waters’s MULTIPLE MANIACS and Russ Meyer’s THE IMMORAL MR. TEAS. With delirious narration by Wood himself, positive depictions of LGBTQ relationships, and a miraculous role by Ed Wood in drag as “Alecia,” TAKE IT OUT IN TRADE is a joyous swan song from one of the most seminal exploitation filmmakers of all time.\u0026quot;}\" data-sheets-root=\"1\"\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Ed Wood was the filmmaker behind PLAN 9 FROM OUTER SPACE and GLEN OR GLENDA, the author of hundreds of novels, and a pall-bearer at Bela Lugosi's funeral. Wood fought in the Pacific Ocean theater during World War II while wearing a bra and panties under his uniform. Basically, there will never be another hero like Ed Wood. And there will never be another movie like TAKE IT OUT IN TRADE. Once thought lost, this surreal sexploitation detective comedy would feel right at home on a triple-bill with John Waters’s MULTIPLE MANIACS and Russ Meyer’s THE IMMORAL MR. TEAS. With delirious narration by Wood himself, positive depictions of LGBTQ relationships, and a miraculous role by Ed Wood in drag as “Alecia,” TAKE IT OUT IN TRADE is a joyous swan song from one of the most seminal exploitation filmmakers of all time.\u0026quot;}\" data-sheets-root=\"1\"\u003e1970 \/ 70 min \/ 1.33:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\\n• TAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\\n• Bonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\\n• Booklet with exclusive liner notes by Rudolph Grey\"}' data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\\n• TAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\\n• Bonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\\n• Booklet with exclusive liner notes by Rudolph Grey\"}' data-sheets-root=\"1\"\u003ePreserved from the only 16mm theatrical print in existence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\\n• TAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\\n• Bonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\\n• Booklet with exclusive liner notes by Rudolph Grey\"}' data-sheets-root=\"1\"\u003eCommentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\\n• TAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\\n• Bonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\\n• Booklet with exclusive liner notes by Rudolph Grey\"}' data-sheets-root=\"1\"\u003eTAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\\n• TAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\\n• Bonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\\n• Booklet with exclusive liner notes by Rudolph Grey\"}' data-sheets-root=\"1\"\u003eBonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. 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The limited edition slipcover was limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. 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Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. 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Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRestoration from the original 35mm camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eCommentary track with filmmaker Frank Henenlotter and Ed Wood biographer Rudolph Grey\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eUnseen footage from Ed Wood’s HELLBORN\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eTHE VIOLENT YEARS original trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eGutter-noir trailers from the Something Weird vault\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBonus movie: ANATOMY OF A PSYCHO (1961, 74 mins), preserved from a 35mm theatrical print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBooklet with vintage ephemera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. 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type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":40801874116650,"sku":"AGFA-004b SLIP","price":27.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40801874149418,"sku":"AGFA-004b","price":25.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/theviolentyearsslipfront.jpg?v=1762199152"},{"product_id":"the-rock-afire-explosion","title":"The Rock-afire Explosion","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eSold Out \/ OOP\u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eThis special limited edition spot gloss slipcover is limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e \u003c\/span\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eTHE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Brett Whitcomb\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e2008 \/ 72 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003ePreservation from the original digital master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eCommentary with filmmakers Brett Whitcomb and Bradford Thomason \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eVintage Creative Engineering promo video\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eVintage \"Tune Machine\" skit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eVintage \"Willy Rabbit\" news broadcast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eVintage “Pizza Party” promo video\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eVintage “Uncle Klunk” promo video\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eOriginal home video trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBehind the scenes photo gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br 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SLIP","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/therockafireexplosioonslipfront.jpg?v=1762199228"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/collections\/Logo_AGFA_White_REV.jpg?v=1643396380","url":"https:\/\/vinegarsyndrome.com\/collections\/agfa.oembed?page=4","provider":"Vinegar Syndrome","version":"1.0","type":"link"}