{"title":"2024 Releases","description":null,"products":[{"product_id":"cracking-up","title":"Cracking Up","description":"\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition slipcover \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eis limited to \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1,000 units\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArt Label is the new outlet for envelope-pushing arthouse and experimental cinema. Growing from previous work under the Verboden Video and Culture Shock Releasing banners, Art Label is focusing on films that challenge traditional rules of form and content. Art Label is broadening its roots in horror and exploitation, reaching into other dimensions of expression to give new kicks to a well-versed audience of cinematic thrill seekers. Even the most hardened moviegoers will find stimulation in Art Label's releases.\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDanny Gold is hilarious on stage, and a nightmare everywhere else. He brings the intensity of a Lenny Bruce performance to every aspect of his life -- friendships, work, love, sex, and amphetamine abuse. Danny crashes through the Lower East Side like a human wrecking ball, leaving a path of ruined relationships and burnt bridges in his wake. Every success makes him more intent on self-destruction, and no one can stop watching... or laughing.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAll involved consider Cracking Up to be the \"thesis project\" following the Movie of the Month videos, taking everything they learned about improvised storytelling for the screen and amping it up for a scripted and rehearsed 16mm feature film. A comic tragedy, but also a time capsule of the NYC performance art scene of the early 90's, Cracking Up was co-written and directed by Matt Mitler (The Mutilator, Deadtime Stories), and features a who's who of New York talent -- Kevin Brown (\"30 Rock\"), Debra Wilson (\"Mad TV\"), Camryn Manheim (Happiness), Kimberly Flynn (Striptease), Frank Senger (Léon: The Professional), Jeff Eyres (Pledge Night) Toby Huss (\"The Adventures of Pete \u0026amp; Pete\") Robert Prichard and Jennifer Babtist (Class of Nuke 'Em High), and most of the cast members from the Movie of the Month Club videos.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArt Label is proud to present our new, director-approved 4K restoration from the original 16mm negatives for Cracking Up's Blu-ray debut.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003edirected by: Matt Mitler\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003estarring: Matt Mitler, Kevin Brown, Carolyn McDermott, Kiki Flynn, Debra Wilson, Chuck Montgomery\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1994 \/ 91 min \/ 1.66:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFeature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\"Backing Up: Looking Back at Cracking Up\" featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eA new, director and cinematographer approved black and white version of Cracking Up\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eIntroduction to the black and white version by director Matt Mitler\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDeleted scenes\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eThe complete \"Honesty Laundry Detergent\" commercial\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRaw footage of 4 scenes (with optional commentary)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eThree Lives Sketches (1991) featuring cast from Cracking Up\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eLive performance of Matt Mitler's sketch, Shindlerfella (1995)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTwo original Cracking Up trailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;- Feature-length commentary with Matt Miter, co-writer Ted LoRusso, co-star Carolyn McDermott, and composer Arthur Rosen\\n- \\\u0026quot;Backing Up: Looking Back at Cracking Up\\\u0026quot; featuring new interviews with Matt Mitler, Robert Prichard, Jennifer Babtist, Chuck Montgomery, Jeff Eyres, Kiki Flynn, Jason Brill, Debra Kaplan, Bob Sikoryak, and Julia Martin\\n- A new, director and cinematographer approved black and white version of Cracking Up\\n- Introduction to the black and white version by director Matt Mitler\\n- Deleted scenes\\n- The complete \\\u0026quot;Honesty Laundry Detergent\\\u0026quot; commercial\\n- Raw footage of 4 scenes (with optional commentary)\\n- Three Lives Sketches (1991) featuring cast from Cracking Up\\n- Live performance of Matt Mitler's sketch, Shindlerfella (1995)\\n- Two original Cracking Up trailers\\n- English SDH on all of the movies\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH on all of the movies\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Art Label","offers":[{"title":"Limited Edition Slipcover","offer_id":40864631783466,"sku":"AL002 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40864631816234,"sku":"AL002","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/crackingupslipfront.jpg?v=1762199178"},{"product_id":"blonde-death","title":"Blonde Death","description":"\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eSince 2004, Bleeding Skull has explored otherworldly cinema through reviews, books, and home video releases. We shine a light on independent genre films that have flown under the radar but deserve to be seen by all. Fangoria has called Bleeding Skull “The go-to encyclopedia for trash, bizarre, and shot-on-video cinema,” while Vice referred to it as “like a fever dream glimpse into parallel worlds\". Visit us at \u003c\/i\u003e\u003ca href=\"http:\/\/bleedingskull.com\/\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eBLEEDINGSKULL.COM\u003c\/i\u003e\u003c\/span\u003e\u003c\/a\u003e\u003ci\u003e.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLet's all go to Donkeyland! Shot on video for $2,000 by “James Dillinger” (aka author James Robert Baker) and produced by Los Angeles art collective EZTV, BLONDE DEATH is a savage blast of underground anarchy. This limited edition flexi disc features \"The Ballad of Blonde Death,\" an exclusive, rip-roaring audio collage by Bleeding Skull that pays tribute to the most accomplished and important shot-on-video film ever made.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe story follows the transformation of Tammy Lynn Beaverdorf (Sara Lee Wade) from bubbly teen to death-tripping speed freak—an in-your-face rampage of sex, drugs, and violence that climaxes with scenes that were secretly filmed inside Disneyland. Satiric, subversive, and gleefully enraged, BLONDE DEATH is an essential chapter of queer cinema history. \u003c\/p\u003e\n\u003cp\u003edirected by: James Dillinger aka James Robert Baker\u003cbr\u003estarring: Various\u003cbr\u003e1984 \/ 98 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003ePreservation from the original 3\/4” tape master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCommentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with star Sara Lee Wade\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with EZTV Director Michael J. Masucci\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival interview with EZTV founder John Dorr\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eJohn Dorr’s 1986 tour of EZTV\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eOriginal trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. 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The limited edition slipcover was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). 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As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. 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As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. 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As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. 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As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eScanned and restored in 2K from the 16mm interpositive by the National Film Board of Canada \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eAudio commentary featuring filmmaker and historian Stephen Broomer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eOne Sister (2023, 10 min.) – New interview with Robin Spry’s sister Lib Spry\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eOne Friend (2023, 13 min.) – New interview with Spry’s longtime collaborator Bob Presner\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eFive short films directed by Spry: Miner (1966, 19 min.), Change in the Maritimes (1966, 13 min.), Illegal Abortion (1967, 25 min.), Ride for Your Life (1967, 10 min.), and Downhill (1973, 36 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eThe Dowry (1969, 20 min.) – Short film written and directed by One Man co-writer Peter Pearson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eCell 16 (1972, 14 min.) – Short film written by One Man co-writer Peter Madden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eRed Shoes (1986, 24 min.) – Short film featuring One Man co-star Carol Lazare\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eBonus short: Trafficopter (1972, 10 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eTheatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eBooklet featuring a new interview with star Len Cariou\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). 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The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eWith beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! 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The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Jack Bennett\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! 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Edition","offer_id":40864670416938,"sku":"ETRM018","price":24.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/neversurrenderslipfront.jpg?v=1762199181"},{"product_id":"sex-and-broadcasting-a-film-about-wfmu","title":"Sex and Broadcasting: A Film about WFMU","description":"\n\u003cp\u003eThis special limited edition slipcover is limited to\u003cspan\u003e \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"il\"\u003eFactory\u003c\/span\u003e \u003cspan class=\"il\"\u003e25\u003c\/span\u003e, a Brooklyn-based independent film distribution company was founded in 2009 by Matt Grady. F25 is a home for conceptually provocative narratives and documentaries. Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003eSex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003eThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity. Can WFMU stay on the air and stay true to its independent spirit?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003eSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003edirected by: Tim K. Smith\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003estarring: Ken Freedman, Tom Scharpling, Matt Groening, Adam Horovitz, Patton Oswalt, Bradford Cox, Lee Ranaldo\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003e2014 \/ 78 min \/ 1.78:1 \/ English Dolby Digital 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003eBlu-ray info:\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003eRegion Free\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eBrian Turner gives a tour of the WFMU record library\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003eAt Home with WFMU DJ's\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003eAlternative Film Open\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003eBooklet info: \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003eEssay Director Tim K. Smith,\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003eESSAY BY Dave the Spazz,\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003e”HOW I GOT HERE, WHY I STAYED” ESSAY BY Irwin Chusid,\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003e”THE GENESIS OF SEX AND BROADCASTING” ESSAY BY Lorenzo W. Milam\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. Their captain is station manager Ken Freedman, who has spent the past three decades keeping WFMU alive, independent, and one of a kind.  \\n\\nThe film weaves personal stories of WFMU’s eccentric DJs with an exploration of the 21st-century media landscape that has made the station such a rarity.  Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Sex and Broadcasting is a human, and humorous, look at New Jersey’s WFMU, a radio station that refuses any programming boundaries. Most of its disc jockeys are unpaid volunteers, working for their love of surprising, spontaneous radio. They play everything from flat-out uncategorizable strangeness to every form of rock and roll, experimental music, jazz, psychedelia, hip-hop, hand-cranked wax cylinders, gospel, Inuit marching bands, R\u0026amp;B, C\u0026amp;W, radio improvisations, spoken-word collages, and throat singers of the Lower East Side. 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Can WFMU stay on the air and stay true to its independent spirit?  \\n\\nSex and Broadcasting explores the past and present of this essential, weird, and utterly unique American institution while telling the gripping, yet comical, story of its fight for survival.\"}' data-sheets-root=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/6WVrBoh4Z6E?si=xfeH8t_uQPRfY91j\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br 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data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eElizabeth Yoo\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e) is limited to\u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e 1,000 units\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003eFrom master director Asghar Farhadi (Academy Award winners for Best International Film, THE SALESMAN and A SEPARATION), Film Movement presents his first two films, DANCING IN THE DUST and BEAUTIFUL CITY, restored and released as a double feature on Blu Ray for the first time ever in North America.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;From master director Asghar Farhadi (Academy Award winners for Best International Film, THE SALESMAN and A SEPARATION), Film Movement presents his first two films, DANCING IN THE DUST and BEAUTIFUL CITY, restored and released as a double feature on Blu Ray for the first time ever in North America. \\n\\nDANCING IN THE DUST:\\nShortly following their impulsive wedding, the naive, young Nazar is pressured by his family into divorcing his new wife, Reyhane, after rumors circulate of her mother's possible sex-work. Still deeply in love, he insists on paying back Reyhane's marriage dowry despite his insolvency. Nazar is soon on the run from creditors and finds himself hiding out in the desert where he meets a taciturn old snake hunter. Much to the man's chagrin, Nazar insists on working with the hunter until he earns enough money to return to the city and make good on his mistakes. \\\u0026quot;Engrossing and eye-catching\\\u0026quot; (Variety), Farhadi's debut feature DANCING IN THE DUST ultimately reveals itself to be a tale of love, sacrifice, and redemption. Presented in a new 2K restoration.\\n\\nBEAUTIFUL CITY:\\nThe sophmore feature of Asghar Farhadi. After spending two years in juvenile detention for killing his girlfriend as a teenager, the troubled, young Akbar is transferred to an adult facility shortly after turning 18. No longer a minor, his death sentence will soon be legally carried out. Meanwhile outside, Ala — Akbar’s friend and newly paroled petty thief — along with Akbar's sister Firoozeh (played by Taraneh Alidoosti, in the first of her three collaborations with director Farhadi) set out to convince the victim's bereaved father to forgive Akbar, which could potentially reduce his sentence from death to life in prison. Navigating the complexities of Iran's judicial system together, the two form a close bond in their desperate attempts to seek clemency before it is too late. A “well-acted [and] compelling human drama,\\\u0026quot; (The Hollywood Reporter), Beautiful City is now presented in a new 2K restoration approved by the director.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cstrong\u003eDANCING IN THE DUST:\u003c\/strong\u003e\u003cbr\u003eShortly following their impulsive wedding, the naive, young Nazar is pressured by his family into divorcing his new wife, Reyhane, after rumors circulate of her mother's possible sex-work. Still deeply in love, he insists on paying back Reyhane's marriage dowry despite his insolvency. Nazar is soon on the run from creditors and finds himself hiding out in the desert where he meets a taciturn old snake hunter. Much to the man's chagrin, Nazar insists on working with the hunter until he earns enough money to return to the city and make good on his mistakes. \"Engrossing and eye-catching\" (Variety), Farhadi's debut feature DANCING IN THE DUST ultimately reveals itself to be a tale of love, sacrifice, and redemption. Presented in a new 2K restoration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;From master director Asghar Farhadi (Academy Award winners for Best International Film, THE SALESMAN and A SEPARATION), Film Movement presents his first two films, DANCING IN THE DUST and BEAUTIFUL CITY, restored and released as a double feature on Blu Ray for the first time ever in North America. \\n\\nDANCING IN THE DUST:\\nShortly following their impulsive wedding, the naive, young Nazar is pressured by his family into divorcing his new wife, Reyhane, after rumors circulate of her mother's possible sex-work. Still deeply in love, he insists on paying back Reyhane's marriage dowry despite his insolvency. Nazar is soon on the run from creditors and finds himself hiding out in the desert where he meets a taciturn old snake hunter. Much to the man's chagrin, Nazar insists on working with the hunter until he earns enough money to return to the city and make good on his mistakes. \\\u0026quot;Engrossing and eye-catching\\\u0026quot; (Variety), Farhadi's debut feature DANCING IN THE DUST ultimately reveals itself to be a tale of love, sacrifice, and redemption. Presented in a new 2K restoration.\\n\\nBEAUTIFUL CITY:\\nThe sophmore feature of Asghar Farhadi. After spending two years in juvenile detention for killing his girlfriend as a teenager, the troubled, young Akbar is transferred to an adult facility shortly after turning 18. No longer a minor, his death sentence will soon be legally carried out. Meanwhile outside, Ala — Akbar’s friend and newly paroled petty thief — along with Akbar's sister Firoozeh (played by Taraneh Alidoosti, in the first of her three collaborations with director Farhadi) set out to convince the victim's bereaved father to forgive Akbar, which could potentially reduce his sentence from death to life in prison. Navigating the complexities of Iran's judicial system together, the two form a close bond in their desperate attempts to seek clemency before it is too late. A “well-acted [and] compelling human drama,\\\u0026quot; (The Hollywood Reporter), Beautiful City is now presented in a new 2K restoration approved by the director.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cstrong\u003eBEAUTIFUL CITY:\u003c\/strong\u003e\u003cbr\u003eThe sophmore feature of Asghar Farhadi. After spending two years in juvenile detention for killing his girlfriend as a teenager, the troubled, young Akbar is transferred to an adult facility shortly after turning 18. No longer a minor, his death sentence will soon be legally carried out. Meanwhile outside, Ala — Akbar’s friend and newly paroled petty thief — along with Akbar's sister Firoozeh (played by Taraneh Alidoosti, in the first of her three collaborations with director Farhadi) set out to convince the victim's bereaved father to forgive Akbar, which could potentially reduce his sentence from death to life in prison. Navigating the complexities of Iran's judicial system together, the two form a close bond in their desperate attempts to seek clemency before it is too late. A “well-acted [and] compelling human drama,\" (The Hollywood Reporter), Beautiful City is now presented in a new 2K restoration approved by the director.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;From master director Asghar Farhadi (Academy Award winners for Best International Film, THE SALESMAN and A SEPARATION), Film Movement presents his first two films, DANCING IN THE DUST and BEAUTIFUL CITY, restored and released as a double feature on Blu Ray for the first time ever in North America. \\n\\nDANCING IN THE DUST:\\nShortly following their impulsive wedding, the naive, young Nazar is pressured by his family into divorcing his new wife, Reyhane, after rumors circulate of her mother's possible sex-work. Still deeply in love, he insists on paying back Reyhane's marriage dowry despite his insolvency. Nazar is soon on the run from creditors and finds himself hiding out in the desert where he meets a taciturn old snake hunter. Much to the man's chagrin, Nazar insists on working with the hunter until he earns enough money to return to the city and make good on his mistakes. \\\u0026quot;Engrossing and eye-catching\\\u0026quot; (Variety), Farhadi's debut feature DANCING IN THE DUST ultimately reveals itself to be a tale of love, sacrifice, and redemption. Presented in a new 2K restoration.\\n\\nBEAUTIFUL CITY:\\nThe sophmore feature of Asghar Farhadi. After spending two years in juvenile detention for killing his girlfriend as a teenager, the troubled, young Akbar is transferred to an adult facility shortly after turning 18. No longer a minor, his death sentence will soon be legally carried out. Meanwhile outside, Ala — Akbar’s friend and newly paroled petty thief — along with Akbar's sister Firoozeh (played by Taraneh Alidoosti, in the first of her three collaborations with director Farhadi) set out to convince the victim's bereaved father to forgive Akbar, which could potentially reduce his sentence from death to life in prison. Navigating the complexities of Iran's judicial system together, the two form a close bond in their desperate attempts to seek clemency before it is too late. A “well-acted [and] compelling human drama,\\\u0026quot; (The Hollywood Reporter), Beautiful City is now presented in a new 2K restoration approved by the director.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Asghar Farhadi\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;From master director Asghar Farhadi (Academy Award winners for Best International Film, THE SALESMAN and A SEPARATION), Film Movement presents his first two films, DANCING IN THE DUST and BEAUTIFUL CITY, restored and released as a double feature on Blu Ray for the first time ever in North America. \\n\\nDANCING IN THE DUST:\\nShortly following their impulsive wedding, the naive, young Nazar is pressured by his family into divorcing his new wife, Reyhane, after rumors circulate of her mother's possible sex-work. Still deeply in love, he insists on paying back Reyhane's marriage dowry despite his insolvency. Nazar is soon on the run from creditors and finds himself hiding out in the desert where he meets a taciturn old snake hunter. Much to the man's chagrin, Nazar insists on working with the hunter until he earns enough money to return to the city and make good on his mistakes. \\\u0026quot;Engrossing and eye-catching\\\u0026quot; (Variety), Farhadi's debut feature DANCING IN THE DUST ultimately reveals itself to be a tale of love, sacrifice, and redemption. Presented in a new 2K restoration.\\n\\nBEAUTIFUL CITY:\\nThe sophmore feature of Asghar Farhadi. After spending two years in juvenile detention for killing his girlfriend as a teenager, the troubled, young Akbar is transferred to an adult facility shortly after turning 18. No longer a minor, his death sentence will soon be legally carried out. Meanwhile outside, Ala — Akbar’s friend and newly paroled petty thief — along with Akbar's sister Firoozeh (played by Taraneh Alidoosti, in the first of her three collaborations with director Farhadi) set out to convince the victim's bereaved father to forgive Akbar, which could potentially reduce his sentence from death to life in prison. Navigating the complexities of Iran's judicial system together, the two form a close bond in their desperate attempts to seek clemency before it is too late. A “well-acted [and] compelling human drama,\\\u0026quot; (The Hollywood Reporter), Beautiful City is now presented in a new 2K restoration approved by the director.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003estarring: Yousef Khodaparast, Baran Kosari, Faramarz Gharibian, Taraneh Alidoosti, Babak Ansari, Ahoo Kheradmand\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;From master director Asghar Farhadi (Academy Award winners for Best International Film, THE SALESMAN and A SEPARATION), Film Movement presents his first two films, DANCING IN THE DUST and BEAUTIFUL CITY, restored and released as a double feature on Blu Ray for the first time ever in North America. \\n\\nDANCING IN THE DUST:\\nShortly following their impulsive wedding, the naive, young Nazar is pressured by his family into divorcing his new wife, Reyhane, after rumors circulate of her mother's possible sex-work. Still deeply in love, he insists on paying back Reyhane's marriage dowry despite his insolvency. Nazar is soon on the run from creditors and finds himself hiding out in the desert where he meets a taciturn old snake hunter. Much to the man's chagrin, Nazar insists on working with the hunter until he earns enough money to return to the city and make good on his mistakes. \\\u0026quot;Engrossing and eye-catching\\\u0026quot; (Variety), Farhadi's debut feature DANCING IN THE DUST ultimately reveals itself to be a tale of love, sacrifice, and redemption. Presented in a new 2K restoration.\\n\\nBEAUTIFUL CITY:\\nThe sophmore feature of Asghar Farhadi. After spending two years in juvenile detention for killing his girlfriend as a teenager, the troubled, young Akbar is transferred to an adult facility shortly after turning 18. No longer a minor, his death sentence will soon be legally carried out. Meanwhile outside, Ala — Akbar’s friend and newly paroled petty thief — along with Akbar's sister Firoozeh (played by Taraneh Alidoosti, in the first of her three collaborations with director Farhadi) set out to convince the victim's bereaved father to forgive Akbar, which could potentially reduce his sentence from death to life in prison. Navigating the complexities of Iran's judicial system together, the two form a close bond in their desperate attempts to seek clemency before it is too late. A “well-acted [and] compelling human drama,\\\u0026quot; (The Hollywood Reporter), Beautiful City is now presented in a new 2K restoration approved by the director.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e2003, 2004 \/ 203 min (combined) \/ 1.85:1 \/ Persian PCM Stereo, PCM Dual Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;From master director Asghar Farhadi (Academy Award winners for Best International Film, THE SALESMAN and A SEPARATION), Film Movement presents his first two films, DANCING IN THE DUST and BEAUTIFUL CITY, restored and released as a double feature on Blu Ray for the first time ever in North America. \\n\\nDANCING IN THE DUST:\\nShortly following their impulsive wedding, the naive, young Nazar is pressured by his family into divorcing his new wife, Reyhane, after rumors circulate of her mother's possible sex-work. Still deeply in love, he insists on paying back Reyhane's marriage dowry despite his insolvency. Nazar is soon on the run from creditors and finds himself hiding out in the desert where he meets a taciturn old snake hunter. Much to the man's chagrin, Nazar insists on working with the hunter until he earns enough money to return to the city and make good on his mistakes. \\\u0026quot;Engrossing and eye-catching\\\u0026quot; (Variety), Farhadi's debut feature DANCING IN THE DUST ultimately reveals itself to be a tale of love, sacrifice, and redemption. Presented in a new 2K restoration.\\n\\nBEAUTIFUL CITY:\\nThe sophmore feature of Asghar Farhadi. After spending two years in juvenile detention for killing his girlfriend as a teenager, the troubled, young Akbar is transferred to an adult facility shortly after turning 18. No longer a minor, his death sentence will soon be legally carried out. Meanwhile outside, Ala — Akbar’s friend and newly paroled petty thief — along with Akbar's sister Firoozeh (played by Taraneh Alidoosti, in the first of her three collaborations with director Farhadi) set out to convince the victim's bereaved father to forgive Akbar, which could potentially reduce his sentence from death to life in prison. Navigating the complexities of Iran's judicial system together, the two form a close bond in their desperate attempts to seek clemency before it is too late. A “well-acted [and] compelling human drama,\\\u0026quot; (The Hollywood Reporter), Beautiful City is now presented in a new 2K restoration approved by the director.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;From master director Asghar Farhadi (Academy Award winners for Best International Film, THE SALESMAN and A SEPARATION), Film Movement presents his first two films, DANCING IN THE DUST and BEAUTIFUL CITY, restored and released as a double feature on Blu Ray for the first time ever in North America. \\n\\nDANCING IN THE DUST:\\nShortly following their impulsive wedding, the naive, young Nazar is pressured by his family into divorcing his new wife, Reyhane, after rumors circulate of her mother's possible sex-work. Still deeply in love, he insists on paying back Reyhane's marriage dowry despite his insolvency. Nazar is soon on the run from creditors and finds himself hiding out in the desert where he meets a taciturn old snake hunter. Much to the man's chagrin, Nazar insists on working with the hunter until he earns enough money to return to the city and make good on his mistakes. \\\u0026quot;Engrossing and eye-catching\\\u0026quot; (Variety), Farhadi's debut feature DANCING IN THE DUST ultimately reveals itself to be a tale of love, sacrifice, and redemption. Presented in a new 2K restoration.\\n\\nBEAUTIFUL CITY:\\nThe sophmore feature of Asghar Farhadi. After spending two years in juvenile detention for killing his girlfriend as a teenager, the troubled, young Akbar is transferred to an adult facility shortly after turning 18. No longer a minor, his death sentence will soon be legally carried out. Meanwhile outside, Ala — Akbar’s friend and newly paroled petty thief — along with Akbar's sister Firoozeh (played by Taraneh Alidoosti, in the first of her three collaborations with director Farhadi) set out to convince the victim's bereaved father to forgive Akbar, which could potentially reduce his sentence from death to life in prison. Navigating the complexities of Iran's judicial system together, the two form a close bond in their desperate attempts to seek clemency before it is too late. A “well-acted [and] compelling human drama,\\\u0026quot; (The Hollywood Reporter), Beautiful City is now presented in a new 2K restoration approved by the director.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Video essays, trailers\"}' 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Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. 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Like a primitive, analog episode of Ultraman captured through the subversive camcorder lens of Hugh Gallagher, Age of Demons simultaneously revolts and charms with its blend of crude humor, hair brained homemade creature suits, and vibrant visual insanity.\u003cem\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"A trio of sorceresses are hellbent on offering 100 human sacrifices in order to access Hades and bring forty the age of demons. They kidnap Mitch Feinstein (Eric Matson), a satanic punk rocker with unique psychic powers and force him to summon a demonic monster who is let loose into the world to wreak mayhem and destruction. Mitch quickly enlists his goofy brother Don (Damon Foster) and his karate club compadres to do battle with the coven’s evil henchmen. In a final ditch effort to save humanity, the brothers combine their powers to resurrect Don’s mammoth robotics class project Cybertron; who flies to the rescue and challenges the demon head to head in a blood soaked, laser beam battle to the death! \\n\\nA brain-scrambling amalgamation of high-risk amateur kung-fu stunts, raucous punk rock, bursts of extreme gore, crude visual effects, and scads of gratuitous nudity, notorious publisher, martial artist, fillmmaker (Hot Dogs on the Run), and outspoken satanist Damon Foster turned heads in 1993 with Age of Demons; his homespun, madcap SOV homage to the Asian Tokusatsu and Kyodai Hero films. Like a primitive, analog episode of Ultraman captured through the subversive camcorder lens of Hugh Gallagher, Age of Demons simultaneously revolts and charms with its blend of crude humor, hair brained homemade creature suits, and vibrant visual insanity. \\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Damon Foster\u003cbr\u003estarring: Damon Foster, Eric Matson, Butch Portillo, Anthony Houk, Rebecca Torres\u003cbr\u003e1993 \/ 77 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary with director Damon Foster moderated by film journalist William Connolly\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“The Making of Age of Demons” - a new feature length documentary (109 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBehind the scenes footage and outtakes \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSuper 8mm works -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDamon Foster trailer vault \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eReversible sleeve 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Slipcover","offer_id":40864682770474,"sku":"SC-031 SLIP","price":30.49,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40864682803242,"sku":"SC-031","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/ageofdemonsslipfront.jpg?v=1762199184"},{"product_id":"dogs-dont-wear-pants","title":"Dogs Don't Wear Pants","description":"\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold\u003c\/strong\u003e \u003cstrong\u003eout\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003eAfter a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003edirected by: J.-P. Valkeapää\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003estarring: Pekka Strang, Krista Kosonen, Jani Volanen, Ester Geislerová, Oona Airola\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003e2019 \/ 105 min \/ 2.35:1 \/ Finnish DTS-HD MA 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003eIntroduction by Director Jukka-Pekka Valkeapää\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003eInterview with J-P Valkeapää\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003eInterview with Actor Pekka Strang\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003eInterview with Actor Krista Kosonen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003eDogs Don’t Wear Pants: Camera test\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003eAudio commentary with J-P Valkeapää\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003eDogs Don’t Wear Pants Storyboard slide show\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003eStoryboard to Scenes comparaison\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"After a tragic event, Juha develops an unexpected but powerful connection with a dominatrix named Mona. But his dangerous addiction to suffocation will lead them both down a wild, freaky path towards emotional enlightenment. \"}' data-sheets-root=\"1\"\u003eEssay by Annie Rose Malamet, writer \u0026amp; creator\/host of Girls, Guts \u0026amp; Giallo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qjYQvLjS9MY?si=GmJaCpQhaB9hzKFE\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Yellow Veil Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":40864684933162,"sku":"YVP-021 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40864684965930,"sku":"YVP-021","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/dogsdontwearpantsslipfront.jpg?v=1762199187"},{"product_id":"santet-santet-2","title":"Santet \/ Santet 2","description":"\u003cp\u003eThis special limited edition slipcover (designed by JJ Harrison) is limited to \u003cstrong\u003e6,000 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003eIndonesia’s beloved scream queen, Suzzanna, stars in this decidedly demented duo of supernatural revenge thrillers, SANTET and SANTET 2, which boast not just over-the-top gore set-pieces, but an abundance of slimy creatures, wild plot twists, and even impromptu musical numbers! Vinegar Syndrome presents this hugely popular set of Southeast Asian horror classics on disc for the first time in the United States, both newly restored from their 35mm camera negatives!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eSANTET \u003c\/strong\u003e(94 min):\u003c\/em\u003e After poisoning his wife, local gangster Bisman blames her death on the village cleric and instigates an outraged mob to burn down his hut, killing him in the process. The cleric's wife Katemi (Suzzanna) escapes into the jungle, eventually meeting Nyi Angker, a half-crocodile half-witch who gives Katemi diabolical powers, thus allowing her to commence a bloody revenge…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eSANTET 2 \u003c\/strong\u003e(92 min):\u003c\/em\u003e Katemi is trying to live a pious life in her village, but most of the villagers shun and curse her on account of her previous murderous deeds. When the mentor of Nyi Angker finds Katemi and curses her, the madness in the village starts anew as Katemi turns into a vicious tiger every night, ripping the townspeople from limb to limb!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Sisworo Gautama Putra\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Suzzanna, Joice Erna, K. Arief Raduma, Busiti, Dorman Borisman, Karsiman Gada\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1988-1989 \/ 94 min + 92 min \/ 1.85:1 \/ Indonesian Mono with English subtitles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 2K from their 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eCommentary track with film historian Dr. Ekky Imanjaya for SANTET\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e16-page booklet with an essay by Thomas Barker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vQcrP00PA8c?si=rOfbay6rOK-bBDQg\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":40864786481194,"sku":"VS-456 SLIP","price":29.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40864786513962,"sku":"VS-456","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/santetslipfront.jpg?v=1762199185"},{"product_id":"the-horrible-dr-hichcock","title":"The Horrible Dr. 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data-sheets-userformat='{\"2\":639,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13624051},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Haunt Love\"}'\u003e), includes a 40-page perfect bound book\u003c\/span\u003e and is limited to \u003cstrong\u003e8,000\u003c\/strong\u003e \u003cb\u003eunits\u003c\/b\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cstrong\u003e'Versions' Note:\u003c\/strong\u003e The Horrible Dr. Hichcock is presented with two unique picture edits, comprising three versions of the film, all on 4K UHD: The original Italian version, with Italian language credits, is offered with both its English and Italian language sound mixes. The alternate U.S. version is presented with its English language mix and original U.S. credit sequence and title card. Historically, there were never any editorial differences between the English language version of the Italian cut and the Italian language version, other than the language of the opening credits themselves. While we are presenting the Italian language credits with both language tracks specifically on the Italian version, the English “Raptus” title sequence card can be found on the Blu-ray bonus features.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrilliant scientist, Professor Bernard Hichcock, harbors a secret fascination with the corpses of beautiful young women. His perverse desires are so strong that he has developed a unique serum capable of placing people into a death-like state; a drug he has decided to experiment with on his wife, Margaretha. However, after accidentally giving her a lethal dose, the doctor panics and covers up his wife’s death. Hichcock soon remarries, this time to the orphaned Cynthia, whom he brings to live with him at his isolated castle. Shortly after her arrival, Cynthia begins to experience increasingly strange and ghastly goings-on. While her new husband dismisses these seemingly supernatural occurrences, Cynthia becomes convinced that someone - or something - is lurking in the castle and her loving husband might know more than he’s letting on…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA crucial early work in the Italian gothic horror canon, THE HORRIBLE DR. HICHCOCK, from director Riccardo Freda (Tragic Ceremony) and screenwriter Ernesto Gastaldi (The Strange Vice of Mrs. Wardh), is a macabre period chiller which stars Barbara Steele (Black Sabbath) alongside Robert Flemyng (The Blood Beast Terror), Silvano Tranquilli (So Sweet, So Dead), and Harriet Medin (Blood and Black Lace). Graced with eye-poppingly colorful cinematography from Raffaele Masciocchi (The Ghost), Vinegar Syndrome proudly presents the UHD debut of this twisted and suspenseful classic in a brand new and exclusive 4K restoration of its original negative, and loaded with fresh extras including interviews with second assistant director Marcello Avallone and star Barbara Steele!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Riccardo Freda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Barbara Steele, Robert Flemyng, Silvano Tranquilli, Harriet Medin, Maria Teresa Vianello, Spencer Williams, Aldo Cristiani, Evaristo Signorini, Giovanni Querrel\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1962 \/ 1.85:1\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eItalian Cut: 87 min \/ Italian Mono + English Mono\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmerican Cut: 76 min \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e2-disc Set: 4K Ultra HD (\u003cem\u003eUHD100\u003c\/em\u003e) \/ Region A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe 87-minute Italian cut features both its Italian and English language tracks and is available on both the UHD and Blu-ray discs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe 76-minute American cut with its English language track and is available on both the UHD and Blu-ray discs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eCommentary track with film historians Eugenio Ercolani, Troy Howarth and Nathaniel Thompson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"The Horrible Dr. Freda\" - an interview with second assistant director Marcello Avallone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"The Most Honorable Julyan Perry\" - an interview with screenwriter Ernesto Gastaldi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Necropolises and Necrophiliacs\" - filmmaker Marcello Avallone on Italian horror and his experiences of working within the genre\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eScene select commentary track with actress Barbara Steele, moderated by Barbara Steele archivist Russ Lanier\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish \"Raptus\" title sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eItalian trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eStill gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/loS3wZ3nXck?si=XHO1r7vfJNNDOAUn\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcase","offer_id":40864803127338,"sku":"VS-457 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40864803160106,"sku":"VS-457","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/thehorribledr.hitchcockboxfront_887a8695-6f82-42cf-b0a4-d1834eebbfbe.jpg?v=1762199187"},{"product_id":"forgotten-gialli-volume-six","title":"Forgotten Gialli: Volume Six","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis limited edition box set (designed by Alessa Kreger) is limited to \u003cstrong\u003e7,000 units \u003c\/strong\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOne of the favorite tropes of the giallo genre was and is the presence of \"amateur detectives;\" wherein members of the public take on the challenge of solving a spate of mysterious murders. Presented here are a trio of films, all of which rely on this cherished device, and representing three distinct periods in the genre.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDEATH CARRIES A CANE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile enjoying an otherwise leisurely day, Kitty, a professional photographer, happens to witness the murder of a nude woman, via a sightseeing telescope. While she is unable to make out the black trench coat-wearing killer’s face, it’s not long before this mystery assailant begins stalking and gorily bumping off all potential witnesses to the crime. Fearing that she might become the killer’s next target, Kitty enlists the help of her boyfriend, Alberto, as the two launch their own investigation into the murders…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA sensationally trashy and fun giallo from the genre’s early 70s golden age, Maurizio Pradeaux’ DEATH CARRIES A CANE (aka Passi di danza su una lama di rasoio) offers a non-stop barrage of sex and violence, all within the confines of a clever whodunit. Starring Nieves Navarro (Death Walks on High Heels), Robert Hoffmann (Spasmo), Simón Andreu (Open Season), and Rosita Torosh (The Bird with the Crystal Plumage), Vinegar Syndrome is delighted to present the world Blu-ray debut of this deliriously sleazy hidden gem from a new, 4K restoration of its 35mm camera negative, in both its original Italian and English language dubs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Maurizio Pradeaux\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Robert Hoffmann, Nieves Navarro, Jorge Martín, Anuska Borova, Serafino Profumo, Simón Andreu, Anna Liberati, Rosita Torosh\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1973 \/ 91 min \/ 1.85:1 \/ Italian Mono with English subtitles + English Mono dub track\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresented in its original Italian mono soundtrack with optional English subtitles as well as its English mono dub soundtrack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with film historians Eugenio Ercolani, Troy Howarth and Nathaniel Thompson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"A Life in the Suite\" - an interview with editor Eugenio Alabiso\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePromotional still gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInside sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNAKED YOU DIE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing the arrival of a mysterious trunk to an all-girls boarding school, a series of strange disappearances and murders begin to plague the institution. To appease the panic-stricken students and staff, Inspector Durand begins searching the school grounds in a bid to unmask the culprit. However, student and amateur sleuth, Jill, decides to solve the mystery on her own, unwittingly putting herself into the sights of a bloodthirsty killer!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA transitional giallo which bridges the “style over substance” and gothic-inspired thrillers of the mid-60s with the grimier and sleazier efforts of the 1970s and beyond, Antonio Margheriti’s (Cannibal Apocalypse) debut giallo, the perfunctorily-titled NAKED YOU DIE (aka Nude... si muore; The Young, the Evil and the Savage) stars Mark Damon (The Devil’s Wedding Night), Eleonora Brown (Two Women), and Michael Rennie (The Day the Earth Stood Still). Featuring striking scope photography from Fausto Zuccoli (Zombie Holocaust) and a memorable score by Carlo Savina (The House of Exorcism), Vinegar Syndrome presents the English-friendly Blu-ray debut of NAKED YOU DIE, including the original Italian cut and English export version, both restored in 4K from its original 35mm camera negative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Antonio Margheriti\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Mark Damon, Eleonora Brown, Sally Smith, Patrizia Valturri, Michael Rennie, Ludmila Lvova, Luciano Pigozzi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1968 \/ 1.85:1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eItalian Cut: 97 min \/ Italian Mono with newly translated English subtitles\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnglish \"School Girl Killer\" Cut: 78 min \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresented in two versions: the original 97-minute Italian cut and the 78-minute English language \"School Girl Killer\" edit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with film historians Eugenio Ercolani, Troy Howarth and Nathaniel Thompson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Young, Evil \u0026amp; Savage\" - an interview with actress Sally Smith\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"School Girl Killer\" - an interview with actress Eleonora Brown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Last Shower\" - an interview with actress Malisa Longo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Hello Giallo: Death Finds Its Feet\" - a video essay by Mike Foster on NAKED YOU DIE and the early days of the giallo film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Giallo Dawson\" - a video essay by Pier Maria Bocchi on the lesser-known films of NAKED YOU DIE director Antonio Margheriti aka Anthony Dawson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePromotional image gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInside sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE BLOODSTAINED SHADOW\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the 1950s, the body of a teenage girl was found strangled near a small village. Decades later, with the murder remaining unsolved, a young man named Stefano, who grew up in the area, returns home to visit his older brother, Paulo, who has become the local priest. Shortly after his arrival, more mysterious murders begin to plague the community, with the victims being members of a strange local sect. But when Paulo begins receiving menacing warnings from an unknown source, Stefano, with the help of his girlfriend Sandra, begins looking into the seemingly ordinary town’s sinister past...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA late 70s standout in the giallo genre, director Antonio Bido’s sophomore feature, THE BLOODSTAINED SHADOW (aka Solamente nero), subverts expectations by offering a complex and serious-in-tone mystery set against the beauty and majesty of Venice. Starring American expat, Craig Hill (A Taste for Killing), Alfredo Zammi (Convoy Busters), and Italian genre film legend, Stefania Casini (Suspiria, Blood for Dracula), Vinegar Syndrome brings this this highly acclaimed thriller to Blu-ray, sourced from a new, director-approved 4K restoration and featuring a vast array of interviews with its cast and crew.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Antonio Bido\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Lino Capolicchio, Stefania Casini, Craig Hill, Massimo Serato, Juliette Mayniel, Laura Nucci, Alfredo Zammi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1978 \/ 109 min \/ 1.85:1 \/ Italian Mono with English subtitles + English Mono dub track\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with film historians Eugenio Ercolani, Troy Howarth and Nathaniel Thompson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Deep Black\" - an interview with director Antonio Bido\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Inkstained Shadow\" - an interview with screenwriter Marisa Andalò\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Beauty in the Darkness\" - actress Stefania Casini interviewed by Antonio Bido\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Rural Horror Hero\" - actor Lino Capolicchio interviewed by Antonio Bido\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"The Bloodstained Set\" - an interview with production assistant Luciano Lucchi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"A Bloodstained Sound\" - an interview with musician Claudio Simonetti\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStill gallery featuring behind-the-scenes photos \u0026amp; promotional images\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate English titles \u0026amp; credits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal Italian trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal English trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInside sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0u5nVuTUoyc?si=EOYZF9JkkHab6-DY\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":40864811122730,"sku":"VS-458 BOX","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/forgottengiallivol.6front.jpg?v=1762199187"},{"product_id":"southern-comfort","title":"Southern Comfort","description":"\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: this is a brand new limited edition variant slipcase of a 4K UHD\/Blu-ray originally released in 2024. It is not included in any subscription, nor will a subscriber coupon be issued. Due to licensing constraints, we will not be offering a \"case-only\" version of this product.\u003c\/p\u003e\n\u003cp\u003eThis special limited edition 2-disc 4K UHD\/Blu-ray set comes with a brand new spot gloss hard slipcase + slipcover combo (designed by Adam Maida), includes a 40-page perfect bound book and is limited to \u003cstrong\u003e3,000 units\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. The original limited edition deluxe box \u003cmeta charset=\"utf-8\"\u003e(designed by Tony Stella) was limited to \u003cstrong\u003e8,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eSet during the height of the Vietnam War and deep in the swamps of Louisiana, a group of National Guardsmen have been ordered to partake in a simulated jungle exploration in an isolated part of Cajun country. After getting lost during the training mission, the soldiers commandeer canoes belonging to the locals in order to take a shortcut. When the rightful owners discover the soldiers with their property, the situation spirals out of control leaving one man dead and the soldiers caught in a deadly game of retribution. What follows is a bloody fight for survival as, with only their wits and blanks for ammunition, the soldiers will have to journey deeper and deeper into the bayou as they’re forced to face the brutal reality of Cajun justice...\u003c\/p\u003e\n\u003cp\u003eAn intensely violent war metaphor filmed on location in the Louisiana Bayou, director and co-writer Walter Hill’s (The Warriors, 48 Hrs.) acclaimed “backwoods” survival thriller, SOUTHERN COMFORT features an all-star cast headlined by Oscar winner Keith Carradine (Nashville), Emmy winner Powers Booth (Red Dawn), Fred Ward (Short Cuts), T.K. Carter (John Carpenter’s The Thing), and Emmy winner Peter Coyote (Bitter Moon). Vinegar Syndrome Ultra is proud to present SOUTHERN COMFORT in 4K UHD for the first time, newly restored and loaded with extras.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003edirected by: Walter Hill\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Keith Carradine, Powers Booth, Fred Ward, T.K. Carter, Peter Coyote, Lewis Smith\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1981 \/ 106 min \/ 1.85:1 \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2-disc Set: 4K Ultra HD \/ Region Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm interpositive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with Walter Chaw, author of A Walter Hill Film: Tragedy and Masculinity in the Films of Walter Hill\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Battle in the Bayou\" (17 min) - brand new interview with co-writer \/ director Walter Hill\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Behind Enemy Lines\" (26 min) - brand new featurette with editor Freeman A. Davies and assistant editor Lisa Zeno Churgin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Soldiers, Not Mailmen\" (17 min) - brand new interview with costumer Dan Moore\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Into the Unknown\" (15 min) - brand new interview with film historian Wayne Byrne on Southern Comfort and the legacy of Walter Hill\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival featurette featuring interviews with: co-writer \/ director Walter Hill and co-writer \/ producer David Giler, along with actors Powers Boothe, Keith Carradine, Peter Coyote and Lewis Smith (27 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStill gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVideo trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eLimited edition deluxe box includes a 40 page perfect bound book featuring essays by Nicolas Rapold, Justine Peres Smith and Matt Lynch \u003cem\u003e(\u003cspan style=\"color: #ff2a00;\"\u003eNote:\u003c\/span\u003e only included with the deluxe box edition)\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e20-page booklet with an essay by author Brian Brems\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SbjrFYzVnDw?si=sN0qy6zAg4NCu1uD\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eG4w4A13jXY?si=83y26iXVWwHTi8rt\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome Ultra","offers":[{"title":"Limited Edition Slipcase","offer_id":44380538929194,"sku":"VSU-008 CASE","price":39.99,"currency_code":"USD","in_stock":true},{"title":"Limited Edition Deluxe Box","offer_id":42341537939498,"sku":"VSU-008 BOX","price":44.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42341537972266,"sku":"VSU-008","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Southern_Comfort_P1_VSU-008-CASE_HTR54.jpg?v=1779293270"},{"product_id":"black-cat-1-2","title":"Black Cat 1 \u0026 2","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003eBLACK CAT 1 \u0026amp; 2 is part of our Vinegar Syndrome Archive collection, celebrating forgotten cinematic oddities from the video store era.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis collection was inspired by our own brick \u0026amp; mortar video stores, with locations in Bridgeport, CT; Aurora, CO and Toronto, ON!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUnique to this line, each hand numbered limited edition release will come fitted in a specially designed, bottom loading VHS inspired slipcase, while also including a double-sided poster.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese releases will ONLY be available on our website and at participating indie retailers. Absolutely no major retailers will be stocking them. This slipcase edition (designed by \u003c\/span\u003e\u003cspan\u003eJJ Harrison\u003c\/span\u003e) is strictly limited to \u003cstrong\u003e5,000 units\u003c\/strong\u003e and includes a \u003cstrong\u003e40-page perfect bound book\u003c\/strong\u003e. This release may (\u003cem\u003ebut probably not\u003c\/em\u003e) be followed by a standard edition in the future.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eExplosive action, bloody gunfights and bone-breaking martial arts all collide in this \"girls with guns\" double feature of BLACK CAT and BLACK CAT 2. Vinegar Syndrome Archive is proud to present this deadly duo for the first time on Blu-ray in the US, newly restored from archival film elements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cem\u003eBLACK CAT \u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e(96 min)\u003c\/em\u003e: After brutally killing an abusive trucker at a rest stop, tough as nails drifter Catherine soon finds herself facing life in prison due to her violent outbursts. But, when a daring escape from the courthouse leaves her all but dead, Catherine awakens to find she's been given another lease on life, the only catch: she must train to become an assassin for the CIA under the codename Black Cat. With the tutelage of fellow agent, Brian (Simon Yam, Ip Man), Catherine must learn to give up any chance of a normal life if she wishes to remain alive. Known to many as \"the Hong Kong version of La Femme Nikita,\" BLACK CAT manages to separate itself from its predecessor thanks in part to the intense martial arts sequences captured by director Stephen Shin (Easy Money), as well as a stellar performance from the lovely but deadly Jade Leung (Satin Steel, Enemy Shadow).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cem\u003eBLACK CAT 2 \u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e(91 min)\u003c\/em\u003e: After undergoing a series of medical experiments in order to become a more efficient assassin, Catherine struggles to maintain what little of her human side is left. Deemed compromised by her higher-ups, Catherine is given one more chance when she is partnered with a young hot-headed agent, Robin (Robin Shou, Mortal Kombat). Catherine must use her newly enhanced skills in order to stop a violent assassin before he claims his next victim. BLACK CAT 2 sees the reunion of director Stephen Shin with Jade Leung returning as the title character. However, this sequel manages to up the ante on the original by combining sci-fi elements with over-the-top action sequences, including an end fight scene that is sure to make your head spin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Stephen Shin\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Jade Leung, Simon Yam, Thomas Lam, Robin Shou, Zoltan Buday\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlack Cat: 1991 \/ 96 min \/ Cantonese Mono + English Mono\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlack Cat 2: 1992 \/ 91 min \/ Cantonese Stereo + English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e2-disc Region A Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly restored by Vinegar Syndrome from existing studio masters\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes both Cantonese and English language tracks for both films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eCommentary track for Black Cat by author and historian Samm Deighan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrand new interview with actress Jade Leung (14 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrand new interview with martial arts director Benz Kong To-Hoi (13 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Copycat? Black Cat and Its Influences\" (17 min) - a video essay by author and historian Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlack Cat trailer in Cantonese \u0026amp; English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlack Cat 2 trailer in Cantonese \u0026amp; English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eStill galleries for Black Cat \u0026amp; Black Cat 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e40-page perfect bound book!\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GnMlPqgRw8Y?si=x_RmnHjcVPYA4zcY\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome Archive","offers":[{"title":"Numbered Slipcase Edition","offer_id":42028147867690,"sku":"VSA-041","price":32.99,"currency_code":"USD","in_stock":false},{"title":"Dashed Slipcase Edition","offer_id":42028147900458,"sku":"VSA-041 DASHED","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/theblackcatboxfront.jpg?v=1762199188"},{"product_id":"sexmission","title":"Sexmission","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis special limited edition spot gloss slipcover (designed by \u003c\/span\u003eAdam Maida) is limited to \u003cstrong\u003e6,000\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eunits\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWelcome \u003cstrong\u003eVinegar Syndrome Labs (VSL)\u003c\/strong\u003e to the VS Sub-Label family! As with each of our sub-labels we are hoping to expand and defy expectations with the diversity of films we restore and release. As the name implies, VSL will serve as a kind of testing area for releasing genres and eras of film that one might not immediately expect to come from VS. The ultimate objective of VSL will be to see if these types of films will find an audience, and if so, pursue and release more of them…and even if not, still serve as a means of restoring more of the weird, rare, and unusual movies you might not expect from Vinegar Syndrome.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe year is 1991. Max and Albert are two pioneers about to embark on the scientific experiment of a lifetime, volunteering to be the first ever cryogenically frozen humans. If all goes well they'll wake up in 3 years to fame and fortune. Luckily for Max and Albert the experiment is a success...until they find out that the year is now 2044, a global war has taken place, the M-Bomb has wiped out all male species on Earth and reproduction is handled via test tubes in a lab. The Congress of the World Women's League is in complete control and they're the only two men alive! What seems like a dream scenario soon turns into a nightmare when they realize males have been demonized and 'The League' may be keeping a sinister secret. They'll have to convince The League that they're ready to serve in the old ways of reproduction or lose their manhood in the process of 'Naturalization'!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSEXMISSION is a side-splitting satire from Polish director Juliusz Machulski that straddles the genre lines of sci-fi and sex-romp in equal measure! Critical and skewering of both chauvinist fears about the extremes of feminism and the Polish government's fallible attempt to pull the wool over its citizen's eyes, it features a cast of Polish all-stars from Jerzy Stuhr (Dekalog) and Olgierd Łukaszewicz (Interrogation) to Boguslawa Pawelec (Blind Chance) and Dorota Stalinska (Ga-ga: Glory to the Heroes). Vinegar Syndrome Labs is proud to present the North American Blu-ray debut of SEXMISSION!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Juliusz Machulski\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Jerzy Stuhr, Olgierd Łukaszewicz, Boguslawa Pawelec, Dorota Stalinska\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1984 \/ 122 min \/ 1.85:1 \/ Polish Mono with English subtitles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly restored by Vinegar Syndrome from an existing studio master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eCommentary track with author and film historian Jeremy Richey\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Mission-Exmission-Sexmission\" (15 min) - an interview with actor Olgierd Łukaszewicz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Dark Side of the Moon: Science Fiction Films in The Polish People's Republic\" (12 min) - an interview with film historian Tomasz Kolankiewicz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Mission Accomplished?: Womenworlds and Male Power\" (17 min) - a video essay by author and film historian Andrew Nette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2rHia6FcBjE?si=H-e4qLIc8wVS-zpO\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome Labs","offers":[{"title":"Limited Edition Slipcover","offer_id":40867583918122,"sku":"VSL-007 SLIP","price":29.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40867583950890,"sku":"VSL-007","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/sexmissionslipfront.jpg?v=1762199189"},{"product_id":"divinity","title":"Divinity","description":"\u003cp\u003eThis special limited edition side loading slipcase (designed by \u003cspan data-sheets-validation-id=\"0\" data-sheets-validation-definition='{\"1\":{\"1\":{\"1\":24,\"2\":[{\"1\":0,\"5\":{\"1\":{\"1\":0},\"2\":{\"1\":2,\"2\":\"Robert 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJaxxon Pierce (Stephen Dorff, Blade), a capitalist in a now-barren Earth is responsible for manufacturing an immortality serum named \"Divinity\", which was originally developed by his late father Sterling Pierce (Scott Bakula, Lord of Illusions). Two brothers (Moises Arias and Jason Genao, Ender's Game and Logan, respectively), crash into the decaying Earth to stop Jaxxon from capitalizing on his serum, which is synthesized utilizing heinous methods and leaving an increasingly dire infertility rate in its wake. The twins hold Jaxxon hostage, dosing him with his own drug until his body becomes monstrous, setting the stage for a practical effects-fueled climax full of gruesome make-up and stop motion animation that has to be seen to be believed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWritten and directed by Eddie Alcazar (Perfect), produced by Steven Soderbergh (Solaris) and gorgeously shot on 16mm black and white reversal film, DIVINITY is a sci-fi horror show like no other in recent memory. Featuring an eclectic ensemble cast that includes former teen star Bella Thorne (The DUFF), four-time Mr. Universe champion Michael O'Hearn, TV star Karrueche Tran (TNT's Claws) and contemporary adult film performer Emily Willis, Vinegar Syndrome Pictures is proud to bring Alcazar's lovingly crafted analog genre blast to home video following an international festival run that included nominations at Sundance and Sitges.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Eddie Alcazar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Stephen Dorff, Scott Bakula, Bella Thorne, Michael O'Hearn, Karrueche Tran, Emily Willis\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2023 \/ 94 min \/ 1.78:1 \/ English 5.1 Surround + 2.0 Stereo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"The Midnight Movie Is Dead\" (60 min) - an audio conversation between DIVINITY writer\/director Eddie Alcazar and producer Steven Soderbergh, moderated by Vinegar Syndrome's Justin LaLiberty\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"The Modern Prometheus: Divinity and Speculative Science Fiction\" (16 min) - a video essay by author and film historian Samm Deighan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBehind-the-scenes footage (10 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTheatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSundance trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTeaser trailers with Jupiter, Miki and Ogg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStill Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e28-page booklet with an essay by Ariel Esteban Cayer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bDM4w_W7kdw?si=5a0tDGH0QzMRcsTM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome Pictures","offers":[{"title":"Default Title","offer_id":40867587883050,"sku":"VSP-005 CASE","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/divintyboxfront.jpg?v=1762199190"},{"product_id":"little-darlings","title":"Little Darlings","description":"\u003cp class=\"p1\"\u003eThis listing is for the standard edition 4k Ultra HD\/Blu-ray combo. 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The two versions are identical, aside from the limited edition packaging.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTaking its name from the Lumière Brothers invention of the same name, Cinématographe is a new sub-label from Vinegar Syndrome that seeks to fill gaps in the canon of American cinema. Offering a mix of auteur driven studio films produced during the New Hollywood era of the late 1960s and 70s all the way through the indie boom of the 1980s and 90s, Cinématographe will explore the wide breadth of American moviemaking, spanning numerous genres and scales of production. Curated and produced by Vinegar Syndrome's Justin LaLiberty, each limited edition release will be housed in a specially designed, cloth-bound, media book with embossed foil titles and custom molded disc trays accompanied by a slipcase featuring newly commissioned art and an individually numbered J-card.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the fleeting summer days of 1980, fifteen year old girls Ferris (Tatum O’Neal, Paper Moon) and Angel (Kristy McNichol, Two Moon Junction) attend Camp Little Wolf outside of Atlanta, Georgia as an escape from the city. Coming from different walks of life, with the privileged Ferris at odds with the scrappy, streetwise Angel, the two immediately end up in a disagreement during their bus ride to camp which is only exacerbated by their lodging accommodations once they arrive, bunking next to one another. Fueled by their competitive peers, the two enter into a contest to see who will lose their virginity first, Angel to camper from the other side of the lake Randy (Matt Dillon, Wild Things) or Ferris to camp counselor Gary (Armand Assante, Gotti). Through the trial, the two learn as much about each other as they do themselves, turning a ribald competition into budding days of friendship.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLong elusive on home video, Ron Maxwell’s (Gettysburg) charming teen sex comedy\/drama is an evocative, and often very funny, antidote and precursor to the more raucous (and masculine) sex comedies of its era, including the similarly loss of virginity focused Porky’s and Losin’ It. Written by Dalene Young (The Baby-Sitters Club) and Kimi Peck, with lush on location photography by noted Czech cinematographer Bedřich Baťka (Marketa Lazarová), Cinématographe is proud to bring LITTLE DARLINGS to blu-ray and 4K UHD for the first time in the world, newly restored from archival elements and full of illuminating special features that tell the story of this contemporary coming-of-age classic.\u003c\/p\u003e\n\u003cp\u003edirected by: Ron Maxwell\u003cbr\u003estarring: Tatum O'Neal, Kristy McNichol, Armand Assante, Matt Dillon, Cynthia Nixon\u003cbr\u003e1980 \/ 96 min \/ 2.35:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free UHD\/Region A Blu-ray\u003c\/li\u003e\n\u003cli\u003eNew 4K Restoration from the Original Camera Negative, presented in HDR on the UHD disc with original stereo soundtrack\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with director Ron Maxwell\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with Millie De Chirico of I Saw What You Did podcast\u003c\/li\u003e\n\u003cli\u003eAlternate Scenes with commentary by director Ron Maxwell\u003c\/li\u003e\n\u003cli\u003eHour long video interview with director Ron Maxwell\u003c\/li\u003e\n\u003cli\u003e\"Don’t Let the Title Fool You: Little Darlings Beyond the Teen Sex Comedy\": a video essay by Samm Deighan\u003c\/li\u003e\n\u003cli\u003eEssays by writers Kate Hagen and Quatoyiah Murry\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CZgwXFJSQ90?si=1lm1ItSZginbPZq2\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Cinématographe","offers":[{"title":"Limited Edition Slipcase","offer_id":42819271852074,"sku":"CIN-001 CASE","price":39.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42819271884842,"sku":"CIN-001","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/littledarlingswithjcardfront.jpg?v=1762199191"},{"product_id":"red-rock-west","title":"Red Rock West","description":"\u003cp class=\"p1\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition J-card MediaBook slipcase (designed by \u003cspan\u003eSean Phillips)\u003c\/span\u003e was limited to \u003cstrong\u003e6\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the limited edition packaging.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTaking its name from the Lumière Brothers invention of the same name, Cinématographe is a new sub-label from Vinegar Syndrome that seeks to fill gaps in the canon of American cinema. Offering a mix of auteur driven studio films produced during the New Hollywood era of the late 1960s and 70s all the way through the indie boom of the 1980s and 90s, Cinématographe will explore the wide breadth of American moviemaking, spanning numerous genres and scales of production. Curated and produced by Vinegar Syndrome's Justin LaLiberty, each limited edition release will be housed in a specially designed, cloth-bound, media book with embossed foil titles and custom molded disc trays accompanied by a slipcase featuring newly commissioned art and an individually numbered J-card.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMichael (Nicolas Cage, Wild at Heart), a discharged marine turned drifter, ends up in Red Rock, Wyoming in search of honest work. Wayne (J.T. Walsh, Breakdown), a local bar owner, offers Michael the dishonest work of carrying out a hit on his wife Suzanne (Lara Flynn Boyle, The Last Seduction) after mistaking him for the actual hitman, “Lyle, from Dallas”, that he hired to murder his spouse. Before Michael can split town with his downpayment, he runs into the real Lyle (Dennis Hopper, Blue Velvet) and, from there, all hell breaks loose.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDirected and co-written by John Dahl (Kill Me Again), RED ROCK WEST is an\u003cspan class=\"Apple-converted-space\"\u003e e\u003c\/span\u003endlessly twisty slice of distinctly American neo-noir set in the heartland of the United States. Featuring stellar performances from all three leads and a nearly repellent mean-streak, Dahl’s film is an often forgotten jewel of 90s crime cinema, making its US blu-ray debut in an all new restoration from Cinématographe.\u003c\/p\u003e\n\u003cp\u003edirected by: John Dahl\u003cbr\u003estarring: Nicolas Cage, Dennis Hopper, Lara Flynn Boyle, J.T. Walsh\u003cbr\u003e1993 \/ 98 min \/ 1.85:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eNew 4K Restoration of the 35mm Interpositive with original stereo soundtrack\u003c\/li\u003e\n\u003cli\u003eNew interview with director and co-writer John Dahl\u003c\/li\u003e\n\u003cli\u003eNew interview with co-writer Rick Dahl\u003c\/li\u003e\n\u003cli\u003eNew commentary track with historian Alain Silver and filmmaker Christopher Coppola\u003c\/li\u003e\n\u003cli\u003e\"Desperate Times Call for Desperate Measures\" -- New video essay by Chris O'Neill\u003c\/li\u003e\n\u003cli\u003eArchival interview with editor Scott Chestnut\u003c\/li\u003e\n\u003cli\u003e\"Caged In\" -- Archival video essay by Petros Patsilivas\u003c\/li\u003e\n\u003cli\u003eNew text essays by writers Jourdain Searles, Keith Phipps and Justin LaLiberty\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1kP0yuB0W-o?si=EJvwHt-WJQWyDF37\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Cinématographe","offers":[{"title":"Limited Edition Slipcase","offer_id":41192063369258,"sku":"CIN-002 CASE","price":34.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":41192063402026,"sku":"CIN-002","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/redrockwestwithjcardfront.jpg?v=1762199191"},{"product_id":"freeway-1-2-hard-case","title":"Freeway 1 \u0026 2 [Hard Case]","description":"\u003cdiv\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThis special limited edition hard case (designed by Robert Sammelin\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e) is limited to \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e4,000\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eunits\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. This hard case is designed to perfectly hold both slipcovers for FREEWAY and FREEWAY II. It's available in two options: \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eEmpty hard case (for those that already have the two slipcover'd releases)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe hard case + FREEWAY and FREEWAY II with slipcovers\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom the twisted mind of writer\/director Matthew Bright, two of the most depraved “fairy tales” ever put on film, FREEWAY 1 \u0026amp; 2, are now available together in this beautifully designed hard box (Robert Sammelin). If you're new to FREEWAY, these twisted takes on Little Red Riding Hood and Hansel \u0026amp; Gretel (respectively) feature all star casts doing the most demented things in the name of bloody revenge. Already own both films? You can still suit them up properly by purchasing the box itself!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFREEWAY\u003c\/strong\u003e\u003cbr\u003eVanessa Lutz' life is a mess. Her mother, a prostitute, and father, an abusive drunk, have been hauled off to jail. With nowhere to live, Vanessa has no choice but to move in with her grandmother. Hitting the road to granny's house, she quickly encounters the silver-tongued Bob Wolverton, who offers to give her a lift. However, what Vanessa doesn't realize is that Bob is the notorious I-5 Killer; a vicious murderer who preys on young, female hitchhikers, and soon finds herself face-to-face with a real \"Big Bad Wolf.\" Using all her wits, she sets in motion a cunning trap which all comes to a grisly head in this modern take on Little Red Riding Hood...\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAmong the most notorious and jaw dropping \"mainstream\" movies of the 90s, Matthew Bright's (Ted Bundy) FREEWAY has earned a reputation as a neo-exploitation classic and critically acclaimed indie thriller thanks to its unhinged violence, sharply written dialogue, and general non-stop barrage on good taste, all wrapped up as one truly twisted fairytale. Starring Oscar winner Reese Witherspoon (Legally Blonde, Wild) alongside film and TV superstar Kiefer Sutherland (The Lost Boys), and co-starring Emmy nominee Bokeem Woodbine (Dead Presidents), along with acclaimed character actors Wolfgang Bodison (A Few Good Men), and Dan Hedaya (The Usual Suspects), plus a special appearance from Brooke Shields (Pretty Baby), Vinegar Syndrome is thrilled to present the worldwide UHD and BD debut of FREEWAY, newly restored in 4K from its long lost 35mm original camera negative and presented fully uncut with two minutes of additional violence and dialogue deemed too extreme for its original run!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003edirected by: Matthew Bright\u003cbr data-mce-fragment=\"1\"\u003estarring: Reese Witherspoon, Kiefer Sutherland, Bokeem Woodbine, Brooke Shields, Guillermo Diaz, Wolfgang Bodison, Dan Hedaya, Brittany Murphy, Alanna Ubach, Amanda Plummer\u003cbr data-mce-fragment=\"1\"\u003e1996 \/ 105 min \/ 1.85:1 \/ English Stereo\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRegion Free 4K Ultra HD \/ Region A Blu-ray Set\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e4K UHD presented in High-Dynamic-Range\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBrand new commentary track with writer\/director Matthew Bright\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eArchival commentary track with writer\/director Matthew Bright\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"Vulgarity is Timeless\" (31 min) - a brand new interview with writer\/director Matthew Bright\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"Producing Freeway\" (18 min) - a brand new interview with producer Brad Wyman\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"Changing Lanes\" (17 min) - a brand new interview with editor Maysie Hoy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"To Catch a Predator\" - a brand new interview with actor Wolfgang Bodison\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"You're Under Arrest\" (12 min) - a brand new interview with actor Robert Peters\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"Murder Twins\" (24 min) - a brand new interview with actresses Leanna Creel and Monica Lacy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eArchival interview with director Matthew Bright (15 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eArchival interview with actress Amanda Plummer (3 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eArchival interview with composer Danny Elfman (5 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eArchival interview with executive producer Oliver Stone (8 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eArchival interview with co-producer Samuel Hadida (8 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRaw behind-the-scenes footage (6 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOriginal Electronic Press Kit featurette (6 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOn-set 'soundbite' interviews\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOriginal video trailer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAlternate scenes from the R-Rated cut\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e---\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eFREEWAY II: CONFESSIONS OF A TRICKBABY\u003c\/strong\u003e\u003cbr\u003eWhite Girl is a twisted teenage prostitute with a bad attitude and a nasty eating disorder, who's been sent to the slammer for 25 years. Her cellmate, Cyclona, is equally deranged, being a vicious killer. And, as like minds attract, the two are quick to form a truly twisted alliance. When the opportunity arises, White Girl and Cyclona manage to escape from the pen and embark on a non-stop orgy of violence and debauchery, all while hoping to make it across the border into Mexico in order to seek refuge with Cyclona's proxy caretaker, Sister Gomez. However, there's a big hitch in their plans as the good Sister isn't as \"she\" seems...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSomehow weirder, sleazier, and even more jaw dropping than its predecessor, director Matthew Bright's in-name-only sequel, FREEWAY II: CONFESSIONS OF A TRICKBABY regurgitates onto the screen with an unflinching barrage of gross-out-gags and adept social satire. Starring Natasha Lyonne (But I'm A Cheerleader, TV's Poker Face and Russian Doll) in one of her first, and most controversial, starring roles alongside Vincent Gallo (Buffalo '66), María Celedonio (Dragstrip Girl), and a rare on-screen appearance from filmmaker John Landis (An American Werewolf in London), Vinegar Syndrome is delighted to present the UHD debut of this demented reimagining of Hansel \u0026amp; Gretel, newly restored in 4K from its 35mm original camera negative, jam packed with extras, and looking so perversely crystal clear you can almost taste the perversion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Matthew Bright\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Natasha Lyonne, María Celedonio, Vincent Gallo, David Alan Grier, John Landis\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1999 \/ 98 min \/ 1.85:1 \/ English 2.0 Stereo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e4K Ultra HD \/ Region A Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Once Upon a White Girl: Remembering Confessions of a Trickbaby\" (98 min) - a brand new making-of documentary with the cast and crew\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Bright on Dark\" (23 min) - an interview with writer\/director Matthew Bright from 2018\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Disrupt and Revolt\" (29 min) - an interview with producer Chris Hanley from 2018\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eArchival interview with Matthew Bright (4 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eArchival interview with executive producer Samuel Hadida (5 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBTS Footage (28 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eStill Gallery (7 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e---\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gkLVpFZPwNc\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1ImBo3Fi0eM\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcase Combo Pack (with 4k UHD\/BD)","offer_id":40868156309546,"sku":"VS-417\/426 CASE","price":57.99,"currency_code":"USD","in_stock":false},{"title":"Limited Edition Slipcase (case only)","offer_id":40868156342314,"sku":"VS-417\/426 CASE-ONLY","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/freewayboxfront.jpg?v=1762199199"},{"product_id":"violent-streets","title":"Violent Streets","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003eAfter making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Hideo Gosha\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003estarring: Noboru Andô, Akira Kobayashi, Isao Natsuyagi, Bunta Sugawara, Tetsurô Tanba\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003e1974 \/ 96 min \/ 2.35:1 \/ Japanese Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003eTattooed Director: Hideo Gosha featurette with Tomoe Gosha\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003eA Street That Can’t Be Beat video essay by TokyoScope author Patrick Macias\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. The result is a kinetic and stylish explosion of deception, mayhem, and death that leaves no one safe - and a masterpiece of 1970's yakuza cinema.\u0026quot;}\" data-sheets-root=\"1\"\u003e16-page booklet with a new essay by Japanese film expert Mark Schilling\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;After making his name in the samurai genre, master filmmaker Hideo Gosha (THREE OUTLAW SAMURAI, SAMURAI WOLF) turned his camera to the world of the yakuza, and the violent streets they control. Legendary gangster-turned-actor Noboru Ando plays Egawa, a retired yakuza underboss, now nightclub owner, who gets pulled back into the life when his old comrades demand control of his club. Meanwhile, a gang war quietly roiling behind the scenes erupts into open violence in response to a high-profile kidnapping, lending unimaginably high stakes to Egawa's reemergence onto the yakuza scene. 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Edition","offer_id":40947581419562,"sku":"FMC_046","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/violentstreetsslipfront.jpg?v=1762199221"},{"product_id":"the-pillow-book","title":"The Pillow Book","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003eBeautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \"a seductive and elegant story [that] stands outside the ordinary.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Peter Greenaway\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003estarring: Ewan McGregor, Vivian Wu, Yoshi Oida, Ken Ogata\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003e1996 \/ 126 min \/ 1.33:1 \/ English, Cantonese, Italian, Japanese, Mandarin, French Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. 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Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003eCommentary by director Peter Greenaway\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK \\\u0026quot;a seductive and elegant story [that] stands outside the ordinary.\\\u0026quot;\u0026quot;}\" data-sheets-root=\"1\"\u003eA new essay by film critic Nicolas Rapold\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14785,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway's erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father's canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father's exploitative publisher. 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Film Movement Classics","offers":[{"title":"Default Title","offer_id":40947663601706,"sku":"FMC_061","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/thepillowbookfront.jpg?v=1762199228"},{"product_id":"the-rock-afire-explosion","title":"The Rock-afire Explosion","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eSold Out \/ OOP\u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eThis special limited edition spot gloss slipcover is limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e \u003c\/span\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eTHE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Brett Whitcomb\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e2008 \/ 72 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003ePreservation from the original digital master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eCommentary with filmmakers Brett Whitcomb and Bradford Thomason \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eVintage Creative Engineering promo video\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eVintage \"Tune Machine\" skit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eVintage \"Willy Rabbit\" news broadcast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eVintage “Pizza Party” promo video\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eVintage “Uncle Klunk” promo video\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eOriginal home video trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBehind the scenes photo gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;THE ROCK-AFIRE EXPLOSION is the true story behind one of the strangest pop culture phenomenons of the 1980s. Before being mysteriously replaced by Chuck-E-Cheese, the ShowBiz Pizza chain (and its animatronic rock band, the Rock-Afire Explosion) took the U.S. by storm and eventually inspired the hit video game FIVE NIGHT'S AT FREDDY'S. This documentary chronicles the rise and fall of ShowBiz Pizza, the Rock-Afire Explosion, and the obsessive fans who have kept the dream alive. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING), THE ROCK-AFIRE EXPLOSION is a joyful and touching look at the importance of nostalgia and the eternal quest to stay young. AGFA is excited to bring this overlooked doc to Blu-ray for the first time, complete with enough extras to inspire a million animatronic sing-alongs.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br 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SLIP","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/therockafireexplosioonslipfront.jpg?v=1762199228"},{"product_id":"stices-satyricon","title":"Stice's Satyricon","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e2024 Subscribers\u003c\/strong\u003e: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition slipcover \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eis limited to \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1,000 units\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArt Label is the new outlet for envelope-pushing arthouse and experimental cinema. Growing from previous work under the Verboden Video and Culture Shock Releasing banners, Art Label is focusing on films that challenge traditional rules of form and content. Art Label is broadening its roots in horror and exploitation, reaching into other dimensions of expression to give new kicks to a well-versed audience of cinematic thrill seekers. Even the most hardened moviegoers will find stimulation in Art Label's releases.\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eIn the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Caroline Bennett\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003estarring: Caroline Bennett\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003e2021 \/ 51 min \/ 1.78:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eFeature-length commentary with Director Caroline Bennett and Composer Jake Lichter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eIsolated Map Interstitials from Stice’s Satyricon\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eAll 10 music videos from the album “The Very Best of Stice”\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eAll 12 music videos from the album “Here Come The Baton”\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eLunch Cult music video for “Return to Cucumber Castle”\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLive Stice performance (20 min)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Accoustice” live a capella performance by Caroline Bennett (11 min)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the oldest known work of literature (written by Petronius in 63-65 AD), an educated man named Encolpius wanders around ancient Rome with his slave, Giton, getting into every kind of trouble imaginable. Encolpius encounters poets, prostitutes, witches, minotaurs, and more in the pursuit of adventure and pleasure.\\n\\nFamously adapted by Federico Fellini in 1969 on 35mm Panavision, this manic adaptation was shot primarily on a built-in laptop camera, then chopped up and collaged into gorgeous, hypnotizing oblivion. The story is interspersed with sublime digital animation and Jake Lichter's alternatingly beautiful and abrasive music. Starring director Caroline Bennett in every role, Stice's Satyricon is bold, brassy, and must be seen to be believed.\\n\\nArt Label is proud to present this jaw-dropping piece of contemporary video art from two of the most fiercely unique and prolific artists working today.\u0026quot;}\" data-sheets-root=\"1\"\u003eEnglish SDH subtitles on Stice’s Satyricon\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Art Label","offers":[{"title":"Limited Edition Slipcover","offer_id":40955585200170,"sku":"AL003 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40955585232938,"sku":"AL003","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/sticessatyriconslipfront.jpg?v=1762199230"},{"product_id":"rejeanne-padovani","title":"Réjeanne Padovani","description":"\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e1,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003e50th anniversary special edition!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003edirected by: Denys Arcand\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003estarring: Jean Lajeunesse, Luce Guilbeault, J. Léo Gagnon, Thérèse Cadorette, René Caron, Hélène Loiselle, Jean-Pierre Lefebvre, Frédérique Collin, Roger Lebel, Céline Lomez, Paule Baillargeon, Gabriel Arcand\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003e1973 \/ 94 min \/ 1.78:1 \/ French DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eNewly scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original magnetic final mix and optical track\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eAudio commentary featuring author and professor Anthony Kinik\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eShooting Réjeanne (2023, 24 min.) – New interview with director Denys Arcand\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eNew audio interviews with cast members Gabriel Arcand (10 min.), Paule Baillargeon (11 min.), and Céline Lomez (23 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eTrailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eBooklet featuring a new interview with author Peter Edwards (The Encyclopedia of Canadian Organized Crime) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eAlternate English language audio track\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_3sqGtEvvC0?si=00dl-ikTAKpCcvTK\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDark Star Pictures is a new-age North American distribution company, focused on bringing unique and targeted content to audiences across the country and is committed to releasing auteur-driven, original cinema in the theatrical, digital and home video space. In partnership with OCN Distribution, new Dark Star titles - along with celebrated features in their back catalog - will receive features packed blu-ray editions that will maintain the OCN standard of quality and Dark Star's deft curation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a remote mountain village, two sisters grow up at the mercy of their abusive mother. A terrible accident happens when the eldest, Šarlota, escapes into the woods, followed by her sister Tamara. Otyla, a Roma woman living on the outskirts of town, is blamed for the girls’ disappearance and accused of witchcraft. Twenty years later, Šarlota unexpectedly shows up in the village. As she digs into her past, the locals grow suspicious. Only a young and eccentric herbalist, Mira, is willing to befriend her. When the animals in the village start to fall ill, the locals accuse Šarlota of conjuring Otyla's spirit.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eIn a remote mountain village, two sisters grow up at the mercy of their abusive mother. A terrible accident happens when the eldest, Šarlota, escapes into the woods, followed by her sister Tamara. Otyla, a Roma woman living on the outskirts of town, is blamed for the girls’ disappearance and accused of witchcraft. Twenty years later, Šarlota unexpectedly shows up in the village. As she digs into her past, the locals grow suspicious. Only a young and eccentric herbalist, Mira, is willing to befriend her. When the animals in the village start to fall ill, the locals accuse Šarlota of conjuring Otyla's spirit.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a remote mountain village, two sisters grow up at the mercy of their abusive mother. A terrible accident happens when the eldest, Šarlota, escapes into the woods, followed by her sister Tamara. Otyla, a Roma woman living on the outskirts of town, is blamed for the girls’ disappearance and accused of witchcraft. Twenty years later, Šarlota unexpectedly shows up in the village. As she digs into her past, the locals grow suspicious. Only a young and eccentric herbalist, Mira, is willing to befriend her. When the animals in the village start to fall ill, the locals accuse Šarlota of conjuring Otyla's spirit.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Tereza Nvotová\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a remote mountain village, two sisters grow up at the mercy of their abusive mother. A terrible accident happens when the eldest, Šarlota, escapes into the woods, followed by her sister Tamara. Otyla, a Roma woman living on the outskirts of town, is blamed for the girls’ disappearance and accused of witchcraft. Twenty years later, Šarlota unexpectedly shows up in the village. As she digs into her past, the locals grow suspicious. Only a young and eccentric herbalist, Mira, is willing to befriend her. When the animals in the village start to fall ill, the locals accuse Šarlota of conjuring Otyla's spirit.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003estarring: Natalia Germani, Eva Mores, Juliana Olhová, Iva Bittová\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a remote mountain village, two sisters grow up at the mercy of their abusive mother. A terrible accident happens when the eldest, Šarlota, escapes into the woods, followed by her sister Tamara. Otyla, a Roma woman living on the outskirts of town, is blamed for the girls’ disappearance and accused of witchcraft. Twenty years later, Šarlota unexpectedly shows up in the village. As she digs into her past, the locals grow suspicious. Only a young and eccentric herbalist, Mira, is willing to befriend her. When the animals in the village start to fall ill, the locals accuse Šarlota of conjuring Otyla's spirit.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e2022 \/ 106 min \/ 1.66:1 \/ Slovak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a remote mountain village, two sisters grow up at the mercy of their abusive mother. A terrible accident happens when the eldest, Šarlota, escapes into the woods, followed by her sister Tamara. Otyla, a Roma woman living on the outskirts of town, is blamed for the girls’ disappearance and accused of witchcraft. Twenty years later, Šarlota unexpectedly shows up in the village. As she digs into her past, the locals grow suspicious. Only a young and eccentric herbalist, Mira, is willing to befriend her. When the animals in the village start to fall ill, the locals accuse Šarlota of conjuring Otyla's spirit.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a remote mountain village, two sisters grow up at the mercy of their abusive mother. A terrible accident happens when the eldest, Šarlota, escapes into the woods, followed by her sister Tamara. Otyla, a Roma woman living on the outskirts of town, is blamed for the girls’ disappearance and accused of witchcraft. Twenty years later, Šarlota unexpectedly shows up in the village. As she digs into her past, the locals grow suspicious. Only a young and eccentric herbalist, Mira, is willing to befriend her. When the animals in the village start to fall ill, the locals accuse Šarlota of conjuring Otyla's spirit.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a remote mountain village, two sisters grow up at the mercy of their abusive mother. A terrible accident happens when the eldest, Šarlota, escapes into the woods, followed by her sister Tamara. Otyla, a Roma woman living on the outskirts of town, is blamed for the girls’ disappearance and accused of witchcraft. Twenty years later, Šarlota unexpectedly shows up in the village. As she digs into her past, the locals grow suspicious. Only a young and eccentric herbalist, Mira, is willing to befriend her. When the animals in the village start to fall ill, the locals accuse Šarlota of conjuring Otyla's spirit.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a remote mountain village, two sisters grow up at the mercy of their abusive mother. A terrible accident happens when the eldest, Šarlota, escapes into the woods, followed by her sister Tamara. Otyla, a Roma woman living on the outskirts of town, is blamed for the girls’ disappearance and accused of witchcraft. Twenty years later, Šarlota unexpectedly shows up in the village. As she digs into her past, the locals grow suspicious. Only a young and eccentric herbalist, Mira, is willing to befriend her. 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When the animals in the village start to fall ill, the locals accuse Šarlota of conjuring Otyla's spirit.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eStills Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a remote mountain village, two sisters grow up at the mercy of their abusive mother. A terrible accident happens when the eldest, Šarlota, escapes into the woods, followed by her sister Tamara. Otyla, a Roma woman living on the outskirts of town, is blamed for the girls’ disappearance and accused of witchcraft. Twenty years later, Šarlota unexpectedly shows up in the village. As she digs into her past, the locals grow suspicious. Only a young and eccentric herbalist, Mira, is willing to befriend her. When the animals in the village start to fall ill, the locals accuse Šarlota of conjuring Otyla's spirit.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a remote mountain village, two sisters grow up at the mercy of their abusive mother. A terrible accident happens when the eldest, Šarlota, escapes into the woods, followed by her sister Tamara. Otyla, a Roma woman living on the outskirts of town, is blamed for the girls’ disappearance and accused of witchcraft. Twenty years later, Šarlota unexpectedly shows up in the village. As she digs into her past, the locals grow suspicious. Only a young and eccentric herbalist, Mira, is willing to befriend her. 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Edition","offer_id":40955646017578,"sku":"DS-016","price":24.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/nightsirenslipfront.jpg?v=1762199232"},{"product_id":"everything-to-entertain-you-the-story-of-video-headquarters","title":"Everything to Entertain You: The Story of Video Headquarters","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003eDisclaimer:\u003c\/strong\u003e\u003c\/em\u003e The 'OOP' edition of this release is still in stock since there were leftovers following our 2025 Labor Day sale. Available for a limited time only.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e1,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eEverything to Entertain You: The Story of Video Headquarters is a documentary about one of the greatest video stores in the country: Video Headquarters from Keene, New Hampshire. The store existed for 32 years from 1983-2015. It's owner, Ken McAleer, was a prominent figure among independent video store owners and this documentary examines how one man, with a single video store far outside the film hubs of New York and L.A., can have such a big impact in the industry. The store, voted the best video retailer in the country in 1997, not only served as a cultural institution in southwest New Hampshire but Ken McAleer served prominent roles in trade organizations and buying groups to help bolster independent stores around the country. This documentary is as much about Ken and his contributions to the industry as it is about the store. A labor of love from a first time filmmaker and former employee, this nostalgic look back at the video store era includes interviews with Ken McAleer, former employees, customers, comic artist and former video store owner, Stephen Bissette, and a treasure trove of archival audio, video, photographs, and documents from the store.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Brantley Palmer\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003estarring: Ken McAleer, Stephen Bissette, Sarah Dublin, Emma Pantesco, Neil Rounds, Pamela Birch, Ned Braley, Mark Nelson, Tom Cook\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003e2023 \/ 60 min \/ 1.78:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! 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The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eAudio Commentary from the Director\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eExtended and Never Seen Interviews\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eRadio Interview about the film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eMaking of Documentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eFeaturette on the Score\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eFeaturette on the Documentary's Titles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eInterview with Film Archivist and Historian Justin LaLiberty\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;With beloved cult classic Galaxy Quest reaching its 20th Anniversary, this star-studded anniversary documentary unveils how the film turned fans in to true heroes and predicted a future where geeks would rule the world! The cast and crew recall how a fire on set, the loss of a powerful director and an unconvinced studio couldn't stop the film that would never give up and never surrender!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_V2_eaDk_Ic?si=HO5tywAsZbCWiK3v\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"ETR Media","offers":[{"title":"Limited Edition Slipcover","offer_id":40959100813354,"sku":"ETRM019 SLIP","price":18.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40959100846122,"sku":"ETRM019","price":24.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/everythingtoentertainyouslipfront.jpg?v=1762199233"},{"product_id":"totally-wired-three-films-by-nathan-silver","title":"Totally Wired: Three Films By Nathan Silver","description":"\n\u003cp\u003eThis special limited edition slipcover is limited to\u003cspan\u003e \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"il\"\u003eFactory\u003c\/span\u003e \u003cspan class=\"il\"\u003e25\u003c\/span\u003e, a Brooklyn-based independent film distribution company was founded in 2009 by Matt Grady. F25 is a home for conceptually provocative narratives and documentaries. Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exit Elena:\\nWith no place to call home, 19-year-old Elena takes a job as a live-in aide. She finds herself thrust into the middle of a family in crisis: all the things that go on between a father, grandmother, mother, and cat. Eventually, Elena strikes something of a balance though... That is, until the prodigal son returns home. \\n\\nSoft In The Head:\\nThrown out of her New York City apartment, Natalia, a 25-year-old hot mess, relies on the kindness of friends and strangers…\\n\\nStinking Heaven:\\nJim and Lucy run a commune for sober living out of their New Jersey home. Although there’s constant bickering and many fires to be put out, they have established a haven for these outcasts. But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives.\"}' data-sheets-root=\"1\"\u003e\u003cstrong\u003e\u003cem\u003eExit Elena:\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003eWith no place to call home, 19-year-old Elena takes a job as a live-in aide. She finds herself thrust into the middle of a family in crisis: all the things that go on between a father, grandmother, mother, and cat. Eventually, Elena strikes something of a balance though... That is, until the prodigal son returns home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exit Elena:\\nWith no place to call home, 19-year-old Elena takes a job as a live-in aide. She finds herself thrust into the middle of a family in crisis: all the things that go on between a father, grandmother, mother, and cat. Eventually, Elena strikes something of a balance though... That is, until the prodigal son returns home. \\n\\nSoft In The Head:\\nThrown out of her New York City apartment, Natalia, a 25-year-old hot mess, relies on the kindness of friends and strangers…\\n\\nStinking Heaven:\\nJim and Lucy run a commune for sober living out of their New Jersey home. Although there’s constant bickering and many fires to be put out, they have established a haven for these outcasts. But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives.\"}' data-sheets-root=\"1\"\u003e\u003cstrong\u003e\u003cem\u003eSoft In The Head:\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003eThrown out of her New York City apartment, Natalia, a 25-year-old hot mess, relies on the kindness of friends and strangers…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exit Elena:\\nWith no place to call home, 19-year-old Elena takes a job as a live-in aide. She finds herself thrust into the middle of a family in crisis: all the things that go on between a father, grandmother, mother, and cat. Eventually, Elena strikes something of a balance though... That is, until the prodigal son returns home. \\n\\nSoft In The Head:\\nThrown out of her New York City apartment, Natalia, a 25-year-old hot mess, relies on the kindness of friends and strangers…\\n\\nStinking Heaven:\\nJim and Lucy run a commune for sober living out of their New Jersey home. Although there’s constant bickering and many fires to be put out, they have established a haven for these outcasts. But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives.\"}' data-sheets-root=\"1\"\u003e\u003cstrong\u003e\u003cem\u003eStinking Heaven:\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003eJim and Lucy run a commune for sober living out of their New Jersey home. Although there’s constant bickering and many fires to be put out, they have established a haven for these outcasts. But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exit Elena:\\nWith no place to call home, 19-year-old Elena takes a job as a live-in aide. She finds herself thrust into the middle of a family in crisis: all the things that go on between a father, grandmother, mother, and cat. Eventually, Elena strikes something of a balance though... That is, until the prodigal son returns home. \\n\\nSoft In The Head:\\nThrown out of her New York City apartment, Natalia, a 25-year-old hot mess, relies on the kindness of friends and strangers…\\n\\nStinking Heaven:\\nJim and Lucy run a commune for sober living out of their New Jersey home. Although there’s constant bickering and many fires to be put out, they have established a haven for these outcasts. But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives.\"}' data-sheets-root=\"1\"\u003edirected by: Nathan Silver\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exit Elena:\\nWith no place to call home, 19-year-old Elena takes a job as a live-in aide. She finds herself thrust into the middle of a family in crisis: all the things that go on between a father, grandmother, mother, and cat. Eventually, Elena strikes something of a balance though... That is, until the prodigal son returns home. \\n\\nSoft In The Head:\\nThrown out of her New York City apartment, Natalia, a 25-year-old hot mess, relies on the kindness of friends and strangers…\\n\\nStinking Heaven:\\nJim and Lucy run a commune for sober living out of their New Jersey home. Although there’s constant bickering and many fires to be put out, they have established a haven for these outcasts. But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives.\"}' data-sheets-root=\"1\"\u003estarring: Hannah Gross, Keith Poulson, Deragh Cambell, Eleonore Hendricks, Tallie Medel, Henri Douvry, Jay Giampietro, Jason Grisell, Eileen Kearney, Larry Novak, Eleanore Pienta, Carl Kranz, Diane Lanyi, Julie Marcus, Theodore Bouloukos, Mark Gotbaum, Nechama Kessler, Sheila Etxeberria, Moshe Kessler, Ed Ryan, Jason Simba, Bruce Smalanoff, Melanie J. Scheiner, Kia Davis, Nathan Silver, and Cindy Silver\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exit Elena:\\nWith no place to call home, 19-year-old Elena takes a job as a live-in aide. She finds herself thrust into the middle of a family in crisis: all the things that go on between a father, grandmother, mother, and cat. Eventually, Elena strikes something of a balance though... That is, until the prodigal son returns home. \\n\\nSoft In The Head:\\nThrown out of her New York City apartment, Natalia, a 25-year-old hot mess, relies on the kindness of friends and strangers…\\n\\nStinking Heaven:\\nJim and Lucy run a commune for sober living out of their New Jersey home. Although there’s constant bickering and many fires to be put out, they have established a haven for these outcasts. But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives.\"}' data-sheets-root=\"1\"\u003e2013 \/ 213 min (combined) \/ 1.78:1 \/ English Dolby Digital 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exit Elena:\\nWith no place to call home, 19-year-old Elena takes a job as a live-in aide. She finds herself thrust into the middle of a family in crisis: all the things that go on between a father, grandmother, mother, and cat. Eventually, Elena strikes something of a balance though... That is, until the prodigal son returns home. \\n\\nSoft In The Head:\\nThrown out of her New York City apartment, Natalia, a 25-year-old hot mess, relies on the kindness of friends and strangers…\\n\\nStinking Heaven:\\nJim and Lucy run a commune for sober living out of their New Jersey home. Although there’s constant bickering and many fires to be put out, they have established a haven for these outcasts. But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives.\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exit Elena:\\nWith no place to call home, 19-year-old Elena takes a job as a live-in aide. She finds herself thrust into the middle of a family in crisis: all the things that go on between a father, grandmother, mother, and cat. Eventually, Elena strikes something of a balance though... That is, until the prodigal son returns home. \\n\\nSoft In The Head:\\nThrown out of her New York City apartment, Natalia, a 25-year-old hot mess, relies on the kindness of friends and strangers…\\n\\nStinking Heaven:\\nJim and Lucy run a commune for sober living out of their New Jersey home. Although there’s constant bickering and many fires to be put out, they have established a haven for these outcasts. But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives.\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exit Elena:\\nWith no place to call home, 19-year-old Elena takes a job as a live-in aide. She finds herself thrust into the middle of a family in crisis: all the things that go on between a father, grandmother, mother, and cat. Eventually, Elena strikes something of a balance though... That is, until the prodigal son returns home. \\n\\nSoft In The Head:\\nThrown out of her New York City apartment, Natalia, a 25-year-old hot mess, relies on the kindness of friends and strangers…\\n\\nStinking Heaven:\\nJim and Lucy run a commune for sober living out of their New Jersey home. Although there’s constant bickering and many fires to be put out, they have established a haven for these outcasts. But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives.\"}' data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRiot - A short film by Nathan Silver\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exit Elena:\\nWith no place to call home, 19-year-old Elena takes a job as a live-in aide. She finds herself thrust into the middle of a family in crisis: all the things that go on between a father, grandmother, mother, and cat. Eventually, Elena strikes something of a balance though... That is, until the prodigal son returns home. \\n\\nSoft In The Head:\\nThrown out of her New York City apartment, Natalia, a 25-year-old hot mess, relies on the kindness of friends and strangers…\\n\\nStinking Heaven:\\nJim and Lucy run a commune for sober living out of their New Jersey home. Although there’s constant bickering and many fires to be put out, they have established a haven for these outcasts. But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives.\"}' data-sheets-root=\"1\"\u003eNathan Silver interview by Ricky D'Ambrose\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exit Elena:\\nWith no place to call home, 19-year-old Elena takes a job as a live-in aide. She finds herself thrust into the middle of a family in crisis: all the things that go on between a father, grandmother, mother, and cat. Eventually, Elena strikes something of a balance though... That is, until the prodigal son returns home. \\n\\nSoft In The Head:\\nThrown out of her New York City apartment, Natalia, a 25-year-old hot mess, relies on the kindness of friends and strangers…\\n\\nStinking Heaven:\\nJim and Lucy run a commune for sober living out of their New Jersey home. Although there’s constant bickering and many fires to be put out, they have established a haven for these outcasts. But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives.\"}' data-sheets-root=\"1\"\u003eBooklet includes: \u003c\/span\u003eEssays by Jonathan Lethem (Author of The Fortress of Solitude and Motherless Brooklyn), Rick Alverson (The Mountain and The Comedy), and Cindy Silver\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br 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listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16773836},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Beth Morris\"}' data-sheets-root=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBeth Morris\u003c\/span\u003e) was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold\u003c\/strong\u003e \u003cstrong\u003eout\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEstablished in 2000 and based in New York City, IFC Films is a leading U.S. distributor of independent film. Its unique distribution model makes independent films available to a national audience by releasing them in theaters as well as on VOD. Partnered with OCN Distribution, IFC will release new titles on home video and revisit past favorites in brand new editions, with many making their HD physical media debuts. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003eA heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003edirected by: Antonio Campos\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003estarring: Brady Corbet, Mati Diop\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003e2012 \/ 105 min \/ 2.35:1 \/ English DTS-HD MA 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003eNewly recorded audio commentary with Co-Writer \/ Director Antonio Campos and Co-Writer \/ Star Brady Corbet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003eVideo Conversation with Co-Writer \/ Director Antonio Campos and Co-Writer \/ Star Brady Corbet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003eThe Case of the Curious Camera - interview with Antonio Campos on the aesthetics of Simon Killer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003eThe Last 15 - Antonio Campos' 2007 short film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003eBehind the scenes and rehearsal footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003eSundance Alumni Spotlight - interview with Antonio Campos, Sean Durkin and Josh Mond\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003eOriginal theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003eBooklet with new writing by Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer\/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a plan to blackmail one of her wealthy clients -- a crime that has some unexpected repercussions for all involved.\"}' data-sheets-root=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VJICFO4lbtQ?si=cVl5IfalSfykCax2\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"IFC Films","offers":[{"title":"Limited Edition Slipcover","offer_id":40959114510378,"sku":"IFC-002 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40959114543146,"sku":"IFC-002","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/simonkillerslipfront.jpg?v=1762199234"},{"product_id":"man-on-the-brink","title":"Man on the Brink","description":"\u003cp\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by Robert Sammelin) was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eImpatient with low-level police work, rookie cop Chui (Eddie Chen) recklessly accepts his superior’s offer to go undercover. With few ties and an ambiguous moral compass that soon starts to spin out of control, his life outside the underworld begins to crumble.\u003c\/p\u003e\n\u003cp\u003eFollowing the success of Cops and Robbers (1979), Alex Cheung’s Man on the Brink further redefined the Hong Kong crime sub-genre. While indebted to New Hollywood staples such as Sidney Lumet’s Serpico (1973), this Best Director, Best Screenplay and Best Actor Golden Horse Award winner unleashed a new appetite for undercover cop mayhem, prefiguring classics such as the Infernal Affairs trilogy (2002-2003) with its jaw-dropping synthesis of urban grit, realistic drama and high stakes, captured with evocative hand-held, on-location camerawork. A missing link – if not a turning point – in Hong Kong action cinema, ready to be rediscovered.\u003c\/p\u003e\n\u003cp\u003edirected by: Alex Cheung\u003cbr\u003estarring: Eddie Chen, Ga Lun, Kam Hing Yin, Ada Fung\u003cbr\u003e1981 \/ 100 min \/ 1.85:1 \/ Cantonese DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eInterview with director Alex Cheung (2022, 39 minutes)\u003c\/li\u003e\n\u003cli\u003eCommentary with Director Alex Cheung and Assistant Director Teddy Chan (2022, 100 minutes)\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eFeature commentary by historian Frank Djeng\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eQ\u0026amp;A Post Screening Talk (2019, 72 minutes)\u003c\/li\u003e\n\u003cli\u003e8mm Shorts:\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eMan on the Brink Making Of (1981, 14 minutes)\u003c\/li\u003e\n\u003cli\u003eC.I.D. Making Of (1976, 1 minute)\u003c\/li\u003e\n\u003cli\u003eYoung Teddy \u0026amp; Alex Cheung (1973, 1 minute)\u003c\/li\u003e\n\u003cli\u003e\"Come Together\" Music Video (1973, 3 minutes)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eBooklet: New writing by John Charles, Archival Photos\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YHcQAe2amqo?si=FfGjOhwtGL7E-Gln\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Limited Edition Slipcover","offer_id":40959124537386,"sku":"KANI-017 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40959124570154,"sku":"KANI-017","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/manonthebrinkslipfront.jpg?v=1762199234"},{"product_id":"carpet-cowboys","title":"Carpet Cowboys","description":"\n\u003cp\u003e\u003cspan\u003eThis special limited edition slipcover\u003c\/span\u003e\u003cspan\u003e is limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e \u003c\/span\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMEMORY is an independent artist-driven motion picture company specializing in producing, curating and distributing innovative, thought-provoking works that push the formal boundaries of their medium. Focused on discovering and mentoring new diverse voices, MEMORY creates and showcases these new compositions on and off-line.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In Dalton, GA, the “Carpet Capital of the World,” we find the unsung creators behind the psychedelic carpets lining casinos, offices, and hotel hallways. 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Memory","offers":[{"title":"Limited Edition Slipcover","offer_id":40959132368938,"sku":"MEM-001 SLIP","price":26.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40959132401706,"sku":"MEM-001","price":24.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/carpetcowboysslipfront.jpg?v=1762199235"},{"product_id":"the-zombie-army","title":"The Zombie Army","description":"\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e1,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eSaturn's Core Audio \u0026amp; Video is a New Jersey based home video label devoted to releasing underground oddities and shot on video cinema on VHS, and now, blu-ray discs! In partnership with OCN Distribution, Saturn's Core will exhume forgotten or under-seen genre cinema from the 80s and 90s, with an emphasis on SOV horror features. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eThe Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003edirected by: Betty Stapleford\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003estarring: Cindie Lou Acker, Jack Armstrong, Kevin Wiggins, Natalie Kidd\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e1991 \/ 82 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary with Richard Mogg, Author of Analog Nightmares: The Shot on Video Horror Films of 1982-1995 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e“Incubators of Death: The Asylum in Horror Cinema” -a visual essay by Dr. Will Dodson and Ryan Verrill of Someone's Favorite Productions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e“Analog Outlaw” -Distributor \/ filmmaker J.R. Bookwalter discusses The Zombie Army\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e“The Video Makers” -3 episodes of the vintage cable access TV show hosted by writer \/ producer John Kalinowski \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eArchival contest video \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eIsolated music by The Killtoys \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eOriginal trailer \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eReversible sleeve \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The Pentagon has purchased an abandoned insane asylum as a training ground for The Lethal Ladies; an elite experimental female combat unit. Unfortunately, two former psychotic inmates were left behind in the asylum’s deserted fallout shelter. One is a shock therapy obsessed lunatic who fancies himself as a psychiatrist. The other, an unhinged nymphomaniac hellbent on lethal seduction. Together, they wreak havoc by capturing soldiers and turning them into mindless zombies by means of electricity. Trapped within the subterranean catacombs of the old asylum, The Lethal Ladies must rally their troops and do battle with the flesh-ripping hordes of the living dead. \\n\\nShot in Wilmington, Delaware and utilizing a real, abandoned asylum location, The Zombie Army was the brainchild of former military vet turned writer \/ producer John Kalinowski who harnessed local cable production talent to help realize his dream of staging a regional SOV zombie epic. Directed by local high school drama coach Betty Stapleford and featuring an amateur cast of hundreds firing live ammunition rounds, The Zombie Army is an outrageous eruption of exploding heads, melting faces, eyeball gouging, acid showers, gut-munching gore, and surprising nudity. Directed by a woman and featuring an oddly empowering feminist slant, The Zombie Army would go on to become a ‘90s rental store and fanzine favorite that continues to bewilder unsuspecting audiences. \\n\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vHTZcK8hqGw?si=yHnAna12_Wu9003x\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 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Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cem\u003eUmbrella Entertainment has been a 100% Australian-owned and operated distributor for over 20 years. Their vast home entertainment catalogue features an extensive range of Australian classic, cult and exploitation films restored under the eyes of the original filmmakers. 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Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eThe 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\u003cbr\u003eFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eCosmic Psychos:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003edirected by: Serge Ou, Andy Nehl \/ Matt Weston\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003estarring: Ed Kuepper, Chirs Bailey, Kym Bradshaw, Jello Biafra, Steve Diggle\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e2015, 2013 \/ 153 min (combined) \/ 1.77:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eInterviews with Bob Geldof, Jello Biafra, Ed Wreckage, Steve Diggle, Mick Harvey, Pauline Murray, Kim Bradshaw, Ivor Hay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eCosmic Psychos - Live at the the Forum 2021\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"The 1970s Punk Rock movement: New York had The Ramones, London had Sex Pistols, Australia had The Saints...\\nSTRANDED takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements.\\nFeaturing interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob Geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, STRANDED examines how the oppressive and conservative government of Joh Bjelke-Petersen in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.\\n\\nFor 30 years, the Cosmic Psychos have blazed a trail of empty beer cans and busted ear drums around the globe with their quintessential Australian drawl and pounding punk rock songs.\\nWith appearances (and party tricks) by Eddie Vedder, Mudhoney, The Melvins, Butch Vig, Hard-Ons, L7 (to name but a few), this doco is a full frontal assault on the senses. Loud, rugged and entertaining Blokes You can Trust shows all of the Psychos’ highs and lows riches and rip offs, line up changes and loss.\\nThis is an extraordinary tale of Australia’s most unique cultural ambassadors, who sing about dead kangaroos, pubs and schnitzels. It’s a tribute to a country lad, a family man, still rocking and rolling, when most have retired to the couch.\"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle 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type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Umbrella Entertainment","offers":[{"title":"Limited Edition Slipcover","offer_id":40959139053610,"sku":"UMB-011 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard 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It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eTed Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003edirected by: Dean Wilson\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003estarring: Kevin Yon, David Winick, Doris Quest, Mary Keith Roe, Eric Gunn\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e1988 \/ 82 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary with director Dean Wilson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eInterview with Dean Wilson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eInterview with actor David Winick\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eInterview with Michael Heinz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003ePhoto gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eBonus movies: My Father's Gun (1976, 23min), Coming Soon: A Bullet from My Father (1976, 3min), Clayton County Line, (1978, 73min), Boots MacAllistar (1981, 12min), Free Amerika Broadcasting (1981, 44min), Director’s Cut : The Making of Free Amerika Broadcasting (1981, 9min), North County War (1985, 7min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Ted Partridge is a mass murdering serial killer going around killing unsuspecting woman — brutally torturing them beyond imagination. It is up to Detective William Lindsay and Psychologist Richard Stroud to try to stop this killer before more innocent people meet their maker. \\n\\nBased upon the true story of Philadelphia serial killer Gary Heidnik, Blind Faith is an unsung late 80s regional slasher\/thriller hybrid that uniquely unravels to one of the most jaw dropping final moments. VHSHITFEST is so happy to bring this movie to disc for the first time along with hours and hours of extras that showcase the forty year career of director Dean Wilson. \"}' data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"VHSHitfest","offers":[{"title":"Limited Edition Slipcover","offer_id":40959147507754,"sku":"VHSHitfest-008 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40959147540522,"sku":"VHSHitfest-008","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/blindfaithslipfront.jpg?v=1762199237"},{"product_id":"where-the-devil-roams","title":"Where the Devil Roams","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e1,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Follows a family of traveling sideshow performers as they traverse the harsh conditions of Depression-era America on a bloody search for eternal life.\"}' data-sheets-root=\"1\"\u003eFollows a family of traveling sideshow performers as they traverse the harsh conditions of Depression-era America on a bloody search for eternal life.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Follows a family of traveling sideshow performers as they traverse the harsh conditions of Depression-era America on a bloody search for eternal life.\"}' data-sheets-root=\"1\"\u003edirected by: Zelda Adams, John Adams, and Toby Poser\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Follows a family of traveling sideshow performers as they traverse the harsh conditions of Depression-era America on a bloody search for eternal life.\"}' data-sheets-root=\"1\"\u003estarring: Zelda Adams, Toby Poser, John Adams, Lulu Adams, Sam Rodd\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Follows a family of traveling sideshow performers as they traverse the harsh conditions of Depression-era America on a bloody search for eternal life.\"}' data-sheets-root=\"1\"\u003e2023 \/ 93 min \/ 1.85:1 \/ English DTS-HD MA 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA troupe of five showgirls, along with their manager, are traveling through a remote stretch of countryside when their minibus gets stuck after a rainstorm. Finding refuge at the castle home of the mysterious Count Gabor Kernassy, the women make the best of the situation by continuing to practice their burlesque routines. 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Starring actor-turned-producer Walter Brandi (Bloody Pit of Horror) along with veteran screen stars Lyla Rocco (One Step to Eternity) and Alfredo Rizzo (The Beast in Heat), and featuring striking black-and-white photography by Aldo Greci (Play Motel), Vinegar Syndrome proudly brings this delightfully offbeat drive-in and late-night TV favorite to Blu-ray for the first time, newly restored in 4K from its 35mm fine grain master and presented in both its original Italian language version and English dub.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Piero Regnoli\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Walter Brandi, Lyla Rocco, Maria Giovannini, Alfredo Rizzo, Marisa Quattrini, Leonardo Botta, Antoine Nicos, Corinne Fontaine\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1960 \/ 81 min \/ 1.66:1 \/ Italian Mono with English subtitles + English dub\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm fine grain master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresented in its original Italian language mono soundtrack with newly translated English subtitles as well as an English dub mono soundtrack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Striptease Gothic\" (26 min) - a conversation with Mark Thompson Ashworth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate “The Playgirls and the Vampire” opening title sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate “Curse of the Vampire” opening title\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate “Des filles pour un vampire” French title sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStill gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Du0DamC_nS8?si=ajX7A5lNMEB83RSJ\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7nRXF9F-l9g?si=k2BkE-zblhTSP1sm\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":40964917952554,"sku":"VS-459 SLIP","price":29.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40964917985322,"sku":"VS-459","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/theplaygirlsandthevampireslipfront.jpg?v=1762199238"},{"product_id":"spanish-blood-bath-night-of-the-skull-violent-blood-bath-the-fish-with-the-eyes-of-gold","title":"Spanish Blood Bath: Night of the Skull \/ Violent Blood Bath \/ The Fish with the Eyes of Gold","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThis listing is for the standard edition Blu-ray. 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Rodriguez]]LSJacob Phillips]]LSMichele Rosenthal]]LSMarko Manev]]LSOther]]FARRAY_ROW:33]FARRAY_LITERAL:1]FTRIM:1]FEXACT:2]FOR:1]FARRAYFORMULA:1]S\"},\"3\":[{\"1\":{\"1\":0,\"2\":1,\"3\":0,\"4\":1,\"5\":1118464},\"2\":0}]},\"2\":\"\",\"3\":1,\"4\":1,\"6\":0}' data-sheets-validation-id=\"0\"\u003eJJ Harrison\u003c\/span\u003e) was limited to \u003cstrong\u003e5,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn the early 70s, while Italy led the charge in the production of gialli, its neighbor to the West, Spain, began churning out more and more of its own takes on the genre. With their uniquely Catalan flavor and casts, this trio of criminally-underseen Spanish gialli have all been newly restored in 4K from their 35mm camera negatives and are at last making their worldwide Blu-ray debuts from Vinegar Syndrome.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter Lord Archibald Marion is brutally murdered by an unknown assailant, the bitter and feuding members of his family gather at his large country mansion for a reading of the will. But their arrival is marked by a second grisly killing, that of Archibald's wife, which sets into motion an increasingly chilling series of deaths. One of only a handful of traditional gialli directed by Jess Franco (Venus in Furs), the improbably Louisiana-set, NIGHT OF THE SKULL (La noche de los asesinos) is a delightfully pulpy old-dark-house whodunit. (1974 \/ 82 min)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA notoriously harsh French judge, vacationing at a luxury resort, finds his holiday interrupted when a mysterious killer begins murdering those in and around the hotel. But what makes these killings all the more unsettling is that they're being carried out identically to the methods used by the judge's executed murderers. Offering a more subtextual narrative which leads to a memorably cynical and downbeat ending, Jorge Grau’s (The Blood Spattered Bride) VIOLENT BLOOD BATH (Pena de muerte) is a uniquely thought-provoking entry in the annals of Spanish gialli. (1974 \/ 92 min)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDerek, a handsome young Englishman, has recently moved to a Spanish seaside town. A lothario, Derek is quick to begin seducing the local women, only for a murderer to start picking them off one by one. Despite his protests of innocence, the police conclude that Derek is a sex maniac and responsible for the crimes. However, could another individual be behind the heinous killings? Remaining thematically and structurally aligned with its Italian forebears, Pedro Luis Ramírez’ (School of Death) THE FISH WITH THE EYES OF GOLD (El pez de los ojos de oro) is an engrossing, twist-filled coastal caper with plenty of murders and other macabre surprises. (1974 \/ 84 min)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Jorge Grau (VBB), Jess Franco (NOTS), Pedro L. Ramírez (Fish)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: VBB: Fernando Rey, Marisa Mell, Máximo Valverde, Espartaco Santoni. NOTS: Alberto Dalbés, Evelyne Scott, William Berger, Maribel Hidalgo. Fish: Wal Davis, Norma Kastel, Ada Tauler, Ricardo Vázquez\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1974 \/ 258 min \/ 1.85:1 \/ Spanish Mono with English subtitles + English Mono dub track for VBB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e3-disc Region Free Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from their 35mm original camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresented in their original Spanish mono soundtracks with newly translated English subtitles as well as an English mono dub soundtrack for VIOLENT BLOOD BATH\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAn interview with actor Antonio Mayans for NIGHT OF THE SKULL (13 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAn interview with Sitges Festival director Ángel Sala for NIGHT OF THE SKULL (10 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAn interview with Carlos Grau, son of director Jorge Grau for VIOLENT BLOOD BATH (20 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAn interview with actor José Lifante for VIOLENT BLOOD BATH (11 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAn interview with Sitges Festival director Ángel Sala for VIOLENT BLOOD BATH (10 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAn interview with Sitges Festival director Ángel Sala for THE FISH WITH THE EYES OF GOLD (14 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e5 Spanish Giallo Recommendations by Ángel Sala\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TNgHXt2X63E?si=N1mQk0okDZ2GDCYS\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":40964939808810,"sku":"VS-461 SLIP","price":37.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40964939841578,"sku":"VS-461","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/spanishbloodbathslipfront.jpg?v=1762199240"},{"product_id":"phase-iv","title":"Phase IV","description":"\u003cp class=\"p1\"\u003eThis listing is for the standard edition 3-disc 4k UHD\/Blu-ray release. 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Rosenthal\"}},{\"1\":3,\"5\":{\"1\":2,\"2\":\"Marko Manev\"}},{\"1\":3,\"5\":{\"1\":2,\"2\":\"Other\"}},{\"1\":2,\"3\":\"ARRAY_ROW\",\"4\":33},{\"1\":2,\"3\":\"ARRAY_LITERAL\",\"4\":1},{\"1\":2,\"3\":\"TRIM\",\"4\":1},{\"1\":2,\"3\":\"EXACT\",\"4\":2},{\"1\":2,\"3\":\"OR\",\"4\":1},{\"1\":2,\"3\":\"ARRAYFORMULA\",\"4\":1},{\"1\":1,\"2\":\"=\"}]},\"3\":\"R0]FTRIM:1]LSRobert Sammelin]]LSHaunt Love]]LSEarl Kessler Jr.]]LSTom Hodge]]LSRalf Krause]]LSChris Barnes]]LSSteak Mtn.]]LSTony Stella]]LSDerek Gabryszak]]LSCharles Forsman]]LSAlessa Kreger]]LSRichard Hilliard]]LSBlack Coffiend]]LSGary Pullin]]LSDani Manning]]LSAdam Maida]]LSAdam Juresko]]LSAleksander Walijewski]]LSLucas Peverill]]LSMatt Frank]]LSBeth Morris]]LSCorinne Halbert]]LSJJ Harrison]]LSVlad Rodriguez]]LSSean Phillips]]LSRachel Merrill]]LSNicole Rifkin]]LSLuke Insect]]LSVlad Rodriguez]]LSJacob Phillips]]LSMichele Rosenthal]]LSMarko Manev]]LSOther]]FARRAY_ROW:33]FARRAY_LITERAL:1]FTRIM:1]FEXACT:2]FOR:1]FARRAYFORMULA:1]S\"},\"3\":[{\"1\":{\"1\":0,\"2\":1,\"3\":0,\"4\":1,\"5\":1118464},\"2\":0}]},\"2\":\"\",\"3\":1,\"4\":1,\"6\":0}' data-sheets-validation-id=\"0\"\u003eAdam Maida\u003c\/span\u003e) was limited to \u003cstrong\u003e8,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the packaging and 40-page book.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFollowing a mysterious eclipse-like solar event, scientists begin to notice strange and unexplainable behavioral changes in ants. While initially written off as an unconcerning anomaly, it soon becomes apparent that the creatures have developed advanced intelligence along with the ability to work collectively. Scientists Ernest Hubbs and James Lesko have been transferred to a futuristic lab in a remote part of the Arizona desert in which to study these phenomena. However, when the ants begin to attack and kill both wildlife and humans, Hubbs and Lesko realize that the entire human race might now be at a deadly evolutionary disadvantage to the tiny insects…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe sole feature film directed by acclaimed graphic artist Saul Bass, PHASE IV is a landmark of 1970s science fiction as it blends arresting visuals, photographed by Dick Bush (Sorcerer) along with nature photographer Ken Middleham, with a tense and harrowing animal attack narrative. Starring Nigel Davenport (Chariots of Fire), Michael Murphy (Nashville), and Lynne Frederick (Schizo) and featuring a mesmerizing musical score by electronic music pioneer Brian Gascoigne, Vinegar Syndrome presents PHASE IV on 4K UHD, newly restored from its 35mm original camera negative and at last containing its legendary and never-before-on-video Preview Version, featuring exclusive, extended, and alternate sequences which have remained unseen since 1974!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003edirected by: Saul Bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Nigel Davenport, Michael Murphy, Lynne Frederick, Alan Gifford, Robert Henderson, Helen Horton\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1974 \/ 1.85:1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTheatrical Version: 84 min \/ English Mono\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePreview Version (BD only): 89 min \/ (2) English Mono soundtracks\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e3-disc Set: 4K Ultra HD \/ Region A Blu-ray x2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe 84-minute Theatrical Version is available on both the UHD and Blu-ray discs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe 89-minute Preview Version with multiple soundtrack options is included on a Blu-ray disc\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track for the Theatrical Version with film historian Matthew Asprey Gear\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Evolutions: The Making of Phase IV\" (48 min) - a brand new documentary by Elijah Drenner featuring interviews with Jeffrey Bass, co-star Michael Murphy, screenwriter Mayo Simon, archivist Sean Savage and design historian\/Saul Bass biographer Pat Kirkham\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Formicidae Sinfonia: The Music and Sounds of Phase IV\" (15 min) - a brand new featurette with composer Brian Gascoigne and electronic music artist David Vorhaus\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeleted shots and sequences (2 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRaw footage from Saul Bass' original ending montage sequence (16 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTheatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStill gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IT__jmBwG_k?si=i7d6bg1zmXT0DkVf\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcase","offer_id":40965046370346,"sku":"VS-460 CASE","price":44.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40965046403114,"sku":"VS-460","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/phase4boxfront.jpg?v=1762199240"},{"product_id":"5-card-stud","title":"5 Card Stud","description":"\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003edesigned by \u003c\/span\u003e\u003cspan\u003eTony Stella\u003c\/span\u003e) was limited to \u003cb\u003e4,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWelcome \u003cstrong\u003eVinegar Syndrome Labs (VSL)\u003c\/strong\u003e to the VS Sub-Label family! As with each of our sub-labels we are hoping to expand and defy expectations with the diversity of films we restore and release. As the name implies, VSL will serve as a kind of testing area for releasing genres and eras of film that one might not immediately expect to come from VS. The ultimate objective of VSL will be to see if these types of films will find an audience, and if so, pursue and release more of them…and even if not, still serve as a means of restoring more of the weird, rare, and unusual movies you might not expect from Vinegar Syndrome.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAfter a player is discovered to have cheated his way to winning at a high-stakes card game, he’s sentenced to a no-trial hanging, despite the objections of fellow player, Van Morgan. Although the men responsible for the murder go unpunished, it’s not long before a cowboy-garbed killer begins stalking those involved with the crime and killing them off one by one. Is Van dispensing his own breed of outlaw justice or could another, even more vengeful assailant be responsible for the bloodshed?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA creative blend of old-fashioned Hollywood Western sensibilities with a twist-filled whodunit, acclaimed Western director Henry Hathaway’s (True Grit) unique thriller 5 CARD STUD stars Academy Award® nominee Robert Mitchum (The Night of the Hunter), Rat Pack member Dean Martin (Ocean’s 11), cult character actor Roddy McDowell (Fright Night), two time Emmy® nominee Inger Stevens, plus an early performance from future star Yaphet Kotto (Alien). Juxtaposing exciting action sequences with unexpectedly mean-spirited murders, all leading to a very giallo-esque final act, Vinegar Syndrome Labs proudly brings this unique Hollywood genre hybrid to Blu-ray for the first time, freshly restored in 4K from its 35mm camera negative!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Henry Hathaway\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Dean Martin, Robert Mitchum, Inger Stevens, Roddy McDowall, Yaphet Kotto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1968 \/ 103 min \/ 1.85:1 \/ English mono soundtrack\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with author and film historian Brian Hannan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Jack of All Trades\" (21 min) - film critic Walter Chaw on the films of Henry Hathaway\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"A Woman of True Grit\" (14 min) - Lizzie Francke on screenwriter Marguerite Roberts’ legacy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e16-page booklet with an essay by Jim Healy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/V5t3ZDWkmq4?si=eHyHtwwX-SbyDWok\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome Labs","offers":[{"title":"Limited Edition Slipcover","offer_id":40965110038570,"sku":"VSL-008 SLIP","price":29.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40965110071338,"sku":"VSL-008","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/5cardstudslipfront.jpg?v=1762199241"},{"product_id":"herencia-diabolica","title":"Herencia Diabólica","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover \u003cmeta charset=\"utf-8\"\u003e(designed by \u003cmeta charset=\"utf-8\"\u003eRobert Sammelin) was limited to \u003cstrong\u003e3\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eDegausser Video is a brand new label \u003cspan\u003ecreated by several of the devious minds behind VS\u003c\/span\u003e, which will bring to Blu-ray deluxe editions of both canonical and under-seen shot on video (SOV) genre cinema, in addition to work shot on film, but edited on tape, wherein the original film materials are believed to be lost or destroyed. Similar to Vinegar Syndrome's focus on FILM preservation, Degausser will work only from original analogue tape materials with an emphasis on maintaining the aesthetics inherent to each respective video format. Additionally, each title released by Degausser will be made available in an ultra limited \"new\" VHS edition, fitted in a custom designed hard shell light box.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhen Tony, a successful businessman, receives a call informing him that he has inherited his late aunt's vast estate, he uproots himself and his wife, Annie, from New York to Mexico City. While adjusting to and exploring their new gothic home, Tony and Annie come upon a mysterious clown doll. Although merely unnerved by the doll’s strange appearance at first, Annie soon becomes concerned as it begins turning up out of nowhere in every corner of the house. When a series of fatal 'accidents’ occur on or near the couple’s property, with the doll always at the scene, Tony and Annie come to the terrifying realization that a sinister force has possessed it, and begin a race against time to figure out how to bring the carnage to an end!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe last film directed by the prolific screenwriter Alfredo Salazar, HERENCIA DIABÓLICA is a unique take on Mexico’s \"possessed doll\" sub-genre and has been hailed as the country’s answer to Child's Play. Starring Mexican genre cinema heavyweights Lorena Herrera, Roberto Guinar and cultural sensation Margarito Esparza as the evil clown doll come to life, Degausser Video is proud to present the disc debut and first English-friendly release of this long-unavailable and much sought-after VHS rarity, which has been restored from its original master tape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003edirected by: Alfredo Salazar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Lorena Herrera, Roberto Guinar, Margarito Esparza, Holda Ramírez, Alan Fernando\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1993 \/ 78 min \/ 1.33:1 \/ Spanish Mono with newly translated English subtitles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly transferred and restored from the best quality archival tape master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with film critic \u0026amp; historian Hugo Lara\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Memorias diabólicas: The Mexican Chucky\" (11 min) - an interview with actor Roberto Guinar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInside sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NGDmiZ2gWZA?si=CKCCFLdo4iTkope6\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Degausser Video","offers":[{"title":"Limited Edition Slipcover","offer_id":40965167874090,"sku":"DV-004 SLIP","price":27.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40965167906858,"sku":"DV-004","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/herenciadiabolicaslipfront.jpg?v=1762199241"},{"product_id":"a-man-called-hero","title":"A Man Called Hero","description":"\u003cp data-mce-fragment=\"1\"\u003eA MAN CALLED HERO is part of our Vinegar Syndrome Archive collection, celebrating forgotten cinematic oddities from the video store era. \u003cmeta charset=\"utf-8\"\u003eThis collection was inspired by our own brick \u0026amp; mortar video stores, with locations in Bridgeport, CT; Aurora, CO and Toronto, ON!\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUnique to this line, each hand numbered limited edition release will come fitted in a specially designed, bottom loading VHS inspired slipcase, while also including a double-sided poster.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese releases will ONLY be available on our website and at participating indie retailers. Absolutely no major retailers will be stocking them. This slipcase edition (designed by \u003c\/span\u003e\u003cspan\u003eTony Stella\u003c\/span\u003e) is strictly limited to \u003cstrong\u003e5,000 units\u003c\/strong\u003e and may (\u003cem\u003ebut probably not\u003c\/em\u003e) be followed by a standard edition in the future.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---\u003c\/strong\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHero is a gifted martial artist who is honored to be chosen for training by his mentor, Pride. Upon arriving home to tell his family about this achievement, Hero discovers that his parents have been murdered by a group of foreign gangsters. Hero then uses his family's mystical red sword to exact revenge on his parents' killers. Now a wanted man, Hero is forced to leave behind his lover Jade and his best friend Sheng in order to start a new life in America. 16 years later, Sheng and Hero's now grown son, Sword, travel to 1930s New York City in search of him. Sword learns of his father's time in America through a series of stories told by those that knew Hero best. However, now in this new land, Sword undergoes some of the same treatment as his father and is forced to face many new enemies, such as violent gangsters and racist mine workers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLoosely based on the popular Chinese Hero: Tales of the Blood Sword comic book series and directed by one of Hong Kong's most celebrated directors, Andrew Lau (Infernal Affairs, Initial D), A MAN CALLED HERO is an epic tale of revenge and redemption told mostly through flashbacks and is remembered in part for its comic book style cinematography and innovative effects. Starring Ekin Cheng (Heroic Duo, Tokyo Raiders) as Hero, Nicholas Tse (Raging Fire, New Police Story) as Sword, and featuring a strong supporting cast including Hong Kong's notorious Anthony Wong (Ebola Syndrome), martial arts master Yuen Biao (Righting Wrongs), and the lovely Kristy Yeung (Storm Riders), Vinegar Syndrome Archive is proud to present A MAN CALLED HERO on Blu-ray for the first time in North America, newly restored from a studio provided master, complete with all the stylized martial arts action one could ask for, including a memorable fight scene on the top of the Statue of Liberty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Andrew Lau\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Ekin Cheng, Nicholas Tse, Anthony Wong, Yuen Biao, Kristy Yeung\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1999 \/ 116 min \/ 2.35:1 \/ Cantonese 5.1 Surround with English subtitles + English Stereo dub + Mandarin Stereo dub\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly restored by Vinegar Syndrome from an existing studio master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresented in its original Cantonese language 5.1 surround soundtrack with newly translated English subtitles, an English language dub 2.0 stereo soundtrack and a Mandarin language dub 2.0 stereo soundtrack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrand new commentary track with film historian Frank Djeng\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"A Blood Sword in the Road: A Man Called Hero’s Place in Hong Kong Cinema’s Action Movie Landscape\" (17 min) - a video essay by Justin Decloux of The Important Cinema Club\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dykAD_Ow2c0?si=Fri9Vy3sej8-8sQy\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome Archive","offers":[{"title":"Default Title","offer_id":40965195759658,"sku":"VSA-042","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/amancalledheroslipfront.jpg?v=1762199242"},{"product_id":"herencia-diabolica-limited-edition-deluxe-led-vhs","title":"Herencia Diabólica - Limited Edition Deluxe LED VHS","description":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis special Limited Edition Deluxe VHS Light Case (designed by \u003c\/span\u003e\u003cspan\u003eRobert Sammelin\u003c\/span\u003e\u003cspan\u003e) comes with a Custom Molded Clear Shell VHS. It was limited to just\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e250\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eunits\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e.\u003cspan\u003e It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. \u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"text-decoration: underline;\"\u003eImportant note:\u003c\/span\u003e depending on the sales, we may choose to re-release this deluxe VHS package in the distant future (most likely not, but you never know!).\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDegausser Video is a brand new label \u003cspan data-mce-fragment=\"1\"\u003ecreated by several of the devious minds behind VS\u003c\/span\u003e, which will bring to Blu-ray deluxe editions of both canonical and under-seen shot on video (SOV) genre cinema, in addition to work shot on film, but edited on tape, wherein the original film materials are believed to be lost or destroyed. Similar to Vinegar Syndrome's focus on FILM preservation, Degausser will work only from original analogue tape materials with an emphasis on maintaining the aesthetics inherent to each respective video format. Additionally, each title released by Degausser will be made available in an ultra limited \"new\" VHS edition, fitted in a custom designed hard shell light box.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Tony, a successful businessman, receives a call informing him that he has inherited his late aunt's vast estate, he uproots himself and his wife, Annie, from New York to Mexico City. While adjusting to and exploring their new gothic home, Tony and Annie come upon a mysterious clown doll. Although merely unnerved by the doll’s strange appearance at first, Annie soon becomes concerned as it begins turning up out of nowhere in every corner of the house. When a series of fatal 'accidents’ occur on or near the couple’s property, with the doll always at the scene, Tony and Annie come to the terrifying realization that a sinister force has possessed it, and begin a race against time to figure out how to bring the carnage to an end!\u003c\/p\u003e\n\u003cp\u003eThe last film directed by the prolific screenwriter Alfredo Salazar, HERENCIA DIABÓLICA is a unique take on Mexico’s \"possessed doll\" sub-genre and has been hailed as the country’s answer to Child's Play. Starring Mexican genre cinema heavyweights Lorena Herrera, Roberto Guinar and cultural sensation Margarito Esparza as the evil clown doll come to life, Degausser Video is proud to present the disc debut and first English-friendly release of this long-unavailable and much sought-after VHS rarity, which has been restored from its original master tape.\u003c\/p\u003e\n\u003cp\u003edirected by: Alfredo Salazar\u003cbr\u003estarring: Lorena Herrera, Roberto Guinar, Margarito Esparza, Holda Ramírez, Alan Fernando\u003cbr\u003e1993 \/ 78 min \/ 1.33:1 \/ Spanish Mono with newly translated English subtitles\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NGDmiZ2gWZA?si=CKCCFLdo4iTkope6\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Degausser Video","offers":[{"title":"Default Title","offer_id":40965560565802,"sku":"DV-004X","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/herenciadiabolicavhsfront.jpg?v=1762199247"},{"product_id":"nightbeast-limited-edition-deluxe-led-vhs","title":"Nightbeast - Limited Edition Deluxe LED VHS","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff0000;\"\u003eSold Out \/ OOP\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis special Limited Edition Deluxe VHS Light Case (designed by Black Coffiend\u003c\/span\u003e\u003cspan\u003e) comes with a Custom Molded Clear Shell VHS. It was limited to just\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e200\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eunits\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e.\u003cspan\u003e It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. \u003cem data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-fragment=\"1\"\u003eImportant note:\u003c\/span\u003e depending on the sales, we may choose to re-release this deluxe VHS package in the distant future (most likely not, but you never know!).\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDegausser Video is a brand new label \u003cspan data-mce-fragment=\"1\"\u003ecreated by several of the devious minds behind VS\u003c\/span\u003e, which will bring to Blu-ray and tape deluxe editions of both canonical and under-seen shot on video (SOV) genre cinema, in addition to work shot on film, but edited on tape, wherein the original film materials are believed to be lost or destroyed. Similar to Vinegar Syndrome's focus on FILM preservation, Degausser will work only from original analogue tape materials with an emphasis on maintaining the aesthetics inherent to each respective video format. Additionally, each title released by Degausser will be made available in an ultra limited \"new\" VHS edition, fitted in a custom designed hard shell light box.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eAmidst a dazzling meteor shower, the Nightbeast lands near a small East Coast town, armed with his vaporizing ray gun and a goal of killing everyone who crosses his path. As area residents are blasted to smithereens, the local sheriff and an ever dwindling group of survivors become determined to figure out a way to defeat this fearsome alien before their entire community is wiped out.\u003c\/p\u003e\n\u003cp\u003eA dazzling display of lo-fi ambition from Baltimore based cult filmmaker and underrated auteur, Don Dohler (Alien Factor, Fiend), NIGHTBEAST immediately plunges the viewer into a frenzy of wildly colorful and stunning animation techniques, homemade gore effects, and awkward sexual encounters. Made for a scant $14,000 and featuring a soundtrack partially composed by a then teenage J.J. Abrams (Star Trek, Star Wars Episode VIII), Vinegar Syndrome proudly brings this regional sci-fi\/horror classic to Blu-ray in a brand new 2k restoration of its 16mm camera original!\u003c\/p\u003e\n\u003cp\u003edirected by: Don Dohler\u003cbr\u003estarring: Tom Griffith, Jamie Zemarel, Karin Kardian, George Stover, Don Leifert\u003cbr\u003e1982 \/ 81 min \/ 1.33:1\u003c\/p\u003e","brand":"Degausser Video","offers":[{"title":"Default Title","offer_id":41046340272170,"sku":"DV-006X","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/nightbeastvhsfront.jpg?v=1762199259"},{"product_id":"the-last-slumber-party","title":"The Last Slumber Party","description":"\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e2,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003eA surreal slasher from the wilds of New Orleans, THE LAST SLUMBER PARTY feels like a YA novel by R.L. Stine that was filtered through a haze of DIY madness. The story follows the foul-mouthed, sex-crazed Chris (played with gusto by Jan Jensen), Tracy, and Linda as they prepare for the ultimate slumber party on their last day of high school. But little do the ladies know that the party is about to be crashed by a maniacal killer with a giant scalpel! Rejecting all forms of logic in favor of a dreamlike mood, lifted scenes from HALLOWEEN, and songs by metalheads Firstryke, this is regional horror filmmaking at a magical peak. AGFA is thrilled to rescue THE LAST SLUMBER PARTY from the VHS wasteland with a new restoration from the 16mm camera negative, plus enough extras to fill your next three slumber parties. 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If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition slipcover \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eis limited to \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1,000 units\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArt Label is the new outlet for envelope-pushing arthouse and experimental cinema. Growing from previous work under the Verboden Video and Culture Shock Releasing banners, Art Label is focusing on films that challenge traditional rules of form and content. Art Label is broadening its roots in horror and exploitation, reaching into other dimensions of expression to give new kicks to a well-versed audience of cinematic thrill seekers. Even the most hardened moviegoers will find stimulation in Art Label's releases.\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMaria St. John is a ghost of her former self. Ever since her daughter went missing, Maria has forgotten how to eat, how to sleep, how to exist at all. No matter where she goes, there are reminders of her missing daughter, Jessica. On the one year anniversay of Jessica’s disappearance, Maria encounters a mysterious milkman who has a strong connection with her lost child, and he may be the only person who can reunite them.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe Absence of Milk in the Mouths of the Lost is the second feature film from bold, young director Case Esparros. His first feature film, King Baby, garnered praise from beloved cult icons John Waters and Jon Moritsugu. This sophomore effort sees the addition of legendary outsider artist Gary Wilson (subject of the documentary, You Think You Really Know Me: The Gary Wilson Story) in the role the milkman, and a tender performance by Hannah Weir (Hustlers, A Ship of Human Skin) as the distraught mother, set to a haunting original score by Aaron Dilloway of experimental noise band Wolf Eyes.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003edirected by: Case Esparros\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003estarring: Gary Wilson, Hannah Weir, Amelie Fernandez, River Faught\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2023 \/ 75 min \/ 1.78:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan 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data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Feature-length drunk 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English SDH on feature film\"}' data-sheets-root=\"1\"\u003eInterview with star Gary Wilson \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Feature-length drunk commentary with writer-director Case Esparros\\n- Interview with star Gary Wilson        \\n- Interview with director Case Esparros\\n- Director-moderated conversation with composer Aaron Dilloway        \\n- Director Q\u0026amp;A From live screening at the University of Central Florida\\n- “Herbert” Case Esparros’ short film scored by Gary Wilson\\n- Remastered original trailer\\n- 32-page booklet featuring concept art and behind the scenes photos\\n- English SDH on feature film\"}' data-sheets-root=\"1\"\u003eInterview with director Case Esparros\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', 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data-sheets-root=\"1\"\u003eDirector Q\u0026amp;A From live screening at the University of Central Florida\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' 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Edition","offer_id":41046361505834,"sku":"AL004","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/theabsenseofmilkinthemouthsofthelostslipfront.jpg?v=1762199263"},{"product_id":"animation-night-in-canada-vol-1","title":"Animation Night In Canada, Vol. 1","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases! \u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003e14 Oscar®-nominated shorts from the National Film Board of Canada\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. 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(1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. 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(1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eCarlos Marchiori’s The Drag (1965, 9 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. 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(1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eLes Drew and Kaj Pindal’s What on Earth! 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An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eRon Tunis’ The House That Jack Built (1967, 8 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eNorman McLaren’s Pas de deux (1968, 13 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eRyan Larkin’s Walking (1968, 5 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eMichael Mills’ Evolution (1971, 10 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eYvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eBernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eCaroline Leaf’s The Street (1976, 10 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eIshu Patel’s The Bead Game (1977, 5 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eCo Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eEunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eIshu Patel’s Paradise (1984, 15 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eRichard Condie’s The Big Snit (1985, 10 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003edirected by: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003estarring: Guy Clover, Donald Brittain, Margaret Mercier, Vincent Warren, E.B. White, Paul Cormier, Mort Ransen, Sarah Dwight, John Hood, Sandy Sanderson, Jay Brazeau, Ida Osler, Randy Woods, Bill Guest\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003e1965-1985 \/ 137 min (combined) \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eAll films restored by the National Film Board of Canada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eEight additional shorts from the directors in this collection: Norman McLaren’s Oscar®-winning Neighbours (1952, 8 min.), Yvon Mallette’s Boomsville (1968, 10 min.), Co Hoedeman’s Matrioska (1970, 5 min.), Les Drew’s The Underground Movie (1972, 14 min.), Ishu Patel’s Perspectrum (1975, 6 min.), André Leduc’s Canada Vignettes: Instant French (1979, 1 min.), Caroline Leaf and Veronika Soul’s Interview (1979, 14 min.), and Ron Tunis’ This Is Me (1979, 27 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eMcLaren on McLaren (1983, 8 min.) – The legendary director of Neigbours and Pas de deux reflects on his filmmaking career\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eAlter Egos (2004, 52 min.) – Laurence Green’s documentary about Oscar®-nominated NFB animators Chris Landreth and Ryan Larkin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eBooklet featuring a new interview with animator and NFB Head of Animation (1967-1972) Robert Verrall, plus additional notes on the films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. 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There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003edirected by: Sabrina Mertens\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003estarring: Zelda Espenschied, Miriam Schiweck, Freya Kreutzkam, Bernd Wolf\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003e2020 \/ 82 min \/ 1.78:1 \/ German DTS-HD MA 5.1 and 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eNew interview with writer\/director Sabrina Mertens\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eNew interview with co-star Freya Kreutzkam\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eQ\u0026amp;A at Nitehawk Cinema, Brooklyn, NY Summer 2023 with filmmaker Sabrina Mertens, actress Freya Kreutzkam, and Caryn Coleman of The Future Of Film Is Female\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eOver 20 minutes of Deleted Scenes and Behind The Scenes Footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eGentle Moments - a short film starring Freya Kreutzkam by filmmaker Sabrina Mertens\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eUS Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eNew Essays by Samm Deighan, Stephanie Monohan, and Elizabeth Horkley\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"ETR Media","offers":[{"title":"Limited Edition Slipcover","offer_id":41046624403498,"sku":"ETRM020 SLIP","price":26.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41046624436266,"sku":"ETRM020","price":24.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/theunitedstatesofinsanityslipfront.jpg?v=1762199266"},{"product_id":"jobez-world","title":"Jobe'z World","description":"\n\u003cp\u003eThis special limited edition slipcover is limited to\u003cspan\u003e \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"il\"\u003eFactory\u003c\/span\u003e \u003cspan class=\"il\"\u003e25\u003c\/span\u003e, a Brooklyn-based independent film distribution company was founded in 2009 by Matt Grady. F25 is a home for conceptually provocative narratives and documentaries. Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003eJobe, a mysterious middle-aged rollerblader, spends his days selling drugs to an eclectic mix of downtown weirdos. When he gets the call to make a special delivery to his favorite actor he’s completely starstruck. What starts off as an exciting encounter with an A-list celebrity quickly devolves into a nightmarishly comedic trainwreck when the actor dies and Jobe is forced to flee into the night. Afraid and confused, he blades around the streets of lower Manhattan. Dodging paparazzi, police, a cinephilic doomsday prepper, a disturbed comedian, heartbroken superfans, and his raver roommate, he fights to clear his name - all while entertaining his mom who is visiting from out of town! Jobe’z World is a no-budget descent into the worlds of after hours freakery and existential rollerblading. Starring Jason P. Grisell and Theodore Bouloukos, lensed by Good Time’s Sean Price Williams, and featuring Owen Kline, Lindsay Burdge, Kate Lyn Sheil and Keith Poulson, it paints a portrait of one paranoid, grim, and darkly humorous night in the Big Apple.\u003c\/p\u003e\n\u003cp\u003edirected by: Michael M. Bilandic\u003cbr\u003estarring: Jason Grisell, Owen Kline, Stephen Payne, Jeremy O. Harris, Lindsay Burdge, Theodore Bouloukos, Sean Price Williams, Keith Poulson, Jason Giampietro and Kate Lyn Sheil\u003cbr\u003e2019 \/ 68 min \/ 1.78:1 \/ English Dolby Digital 5.1\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Blu-ray Includes:\\n-Deleted scenes \\n-Re-visiting East Village Locations with Sean Price Williams and Michael M. Bilancic \\n-Zane revisited with Owen Kline\\n-Conversation with Theodore Bouloukos and Jason Grisell\\n-Commentary by Michael M. Bilandic\\n\\nBook includes:\\nEssays by Michael M. 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Bilandic\\n\\nBook includes:\\nEssays by Michael M. Bilandic and Miriam Bale, a directors interview by Gina Teraroli and Jobe's seafood recipe.\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eConversation with Theodore Bouloukos and Jason Grisell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Blu-ray Includes:\\n-Deleted scenes \\n-Re-visiting East Village Locations with Sean Price Williams and Michael M. Bilancic \\n-Zane revisited with Owen Kline\\n-Conversation with Theodore Bouloukos and Jason Grisell\\n-Commentary by Michael M. Bilandic\\n\\nBook includes:\\nEssays by Michael M. Bilandic and Miriam Bale, a directors interview by Gina Teraroli and Jobe's seafood recipe.\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCommentary by Michael M. Bilandic\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Blu-ray Includes:\\n-Deleted scenes \\n-Re-visiting East Village Locations with Sean Price Williams and Michael M. Bilancic \\n-Zane revisited with Owen Kline\\n-Conversation with Theodore Bouloukos and Jason Grisell\\n-Commentary by Michael M. Bilandic\\n\\nBook includes:\\nEssays by Michael M. 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eMusic Box Selects is a brand new home video library from the revered independent film distribution company Music Box Films which is dedicated to curating a diverse repertoire of films and television from around the world. The Music Box Selects line will consist of blu-ray debuts of catalog titles and home video premieres, all of which will adhere to the quality and diversity that fans have come to expect from the Music Box name. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003eIn Chicago, Zaynab (Fawzia Mirza) is a thirty-something American-Pakistani lawyer who lives with and cares for her recently widowed, TV-obsessed mother (legendary Indian actress Shabana Azmi). Alma (Sari Sanchez) is a free-spirited Mexican-American bookshop owner. After meeting in a bar, the two quickly fall into bed with each other and embark on a romance…but problems aren’t far behind. Zaynab’s traditional mother still expects her daughter to marry a man, while Alma finds herself reluctant to get involved with the closeted Zaynab, leaving them at odds despite their strong attraction for each other. And then there’s Zaynab’s latest interest: training in Lucha-style wrestling with a former pro grappler! Winner of the Grand Jury Prize for Best US Narrative Feature at Outfest and a worldwide festival darling following its SXSW premiere, critics and fans alike agree on the film called “a gem” by the Chicago Sun-Times.\u003c\/p\u003e\n\u003cp\u003edirected by: Jennifer Reeder\u003cbr\u003estarring: Fawzia Mirza, Sari Sanchez, Shabana Azmi\u003cbr\u003e2017 \/ 80 min \/ 1.85:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Feature Audio Commentary by Fawzia Mirza and director Jennifer Reeder\\n• Video Production Diary\\n• Interview with director Jennifer Reeder\\n• Interview with Fawzia Mirza\\n• Interview with Sari Sanchez\\n• A Conversation with Shabana Azmi\\n• Zaynab Loves Movies vignette\\n• Image Gallery\\n• Theatrical trailer\\nEnglish subtitles for the deaf and hard of hearing\\nGerman subtitles\\nOriginal slip cover artwork\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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