{"title":"2020s Films","description":null,"products":[{"product_id":"bloody-nose-empty-pockets-utopia","title":"Bloody Nose, Empty Pockets","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eThis is the listing for the standard edition Blu-ray release. The limited edition embossed slipcover was limited to \u003cstrong\u003e500 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. \u003c\/span\u003e\u003cspan\u003eThe two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOn the eve of the 2016 U.S. presidential election, and on its final night before closing, a Las Vegas dive bar becomes a stage where its employees and barflies commiserate one last time. Filmmaking brothers Bill and Turner Ross train their keenly observed quasi-fiction on the lived-in atmosphere of a haunt, whose massed warmth and love conceal its patron’s worries—at least for a little while. Bloody Nose, Empty Pockets is a carefully constructed yet oddly affecting record of an American sensibility at once straining to survive and ready for the end.\u003c\/p\u003e\n\u003cp\u003edirected by: Bill Ross IV, Turner Ross\u003cbr\u003estarring: Michael Martin, Cheryl Fink, Marc Paradis, John Nerichow, Lowell Landes, Ira J. 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The limited edition slipcover was limited to \u003c\/span\u003e\u003cstrong\u003e1,500 units\u003c\/strong\u003e\u003cspan\u003e and is \u003c\/span\u003e\u003cstrong\u003esold out\u003c\/strong\u003e\u003cspan\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eUnleashed from the dungeon of the American Genre Film Archive (AGFA), THE AGFA HORROR TRAILER SHOW is a senses-shattering compilation of the most spine-ripping, slime-slinging, soul-shredding horror trailers that you’ve never seen. Meticulously constructed by the mad scientists at AGFA to resemble an otherworldly night at the drive-in, this mixtape features rare trailers, commercials, and ephemera from the vaults -- most of which has never been seen since its original release. And it’s all presented via a 2K scan from a newly struck 35mm theatrical film print of the show! 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Absolutely no major retailers will be stocking them. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe original limited edition embossed slipcover was limited to\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1,200 units\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eand is\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003esold out\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eSaturn's Core Audio \u0026amp; Video is a New Jersey based home video label devoted to releasing underground oddities and shot on video cinema on VHS, and now, blu-ray discs! In partnership with OCN Distribution, Saturn's Core will exhume forgotten or under-seen genre cinema from the 80s and 90s, with an emphasis on SOV horror features. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMail Order Murder: The Story of W.A.V.E. Productions is the first true and uncensored account of the New Jersey based horror and custom video movie studio W.A.V.E. Productions. Since its start in 1987, W.A.V.E. founder\/director Gary Whitson has produced a staggering filmography of over 400 shot on video features by allowing his fans to script and finance their custom movies specifically tailored to satiate their own idiosyncratic video obsessions.\u003c\/p\u003e\n\u003cp\u003eIn this all new documentary, directors Ross Snyder and William Hellfire chart the history and subsequent 30 year phenomenon of W.A.V.E. Productions with in-depth and candid interviews from a multitude of Gary's stars and collaborators, including Tina Krause, Pamela Sutch, Debbie D, Dave Castiglione, Laura Giglio, Deanna Demko, Aven Warren, Clancy McCauley and many more.\u003c\/p\u003e\n\u003cp\u003eWith the W.A.V.E. Productions filmography remaining an important and relatively uncharted expanse for the majority of cult film aficionados worldwide, Mail Order Murder: The Story of W.A.V.E. 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Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA near college graduate, Danielle, gets paid by her sugar daddy and rushes to meet her neurotic parents at a family shiva. Upon arrival, she is accosted by various estranged relatives about her appearance and lack of post-grad plans, while her confident ex-girlfriend, Maya, is applauded by everyone for getting into law school. Danielle's day takes an unexpected turn when her sugar daddy, Max, arrives at the shiva with his accomplished wife, Kim, and crying baby. 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The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eCharles Forsman) was limited to \u003cstrong\u003e1,200 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. 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Not long after their arrival, Addie’s behavior drastically changes, as she begins to sleepwalk and speak in a strange child’s voice, much to the horror of her boyfriend Greg. Noelle, meanwhile, becomes intrigued by a mysterious young woman who inexplicably shows up at their apartment, who reveals that she believes the apartment was previously owned by infamous sex criminal and friend of government elites, Jeffrey Epstein. Determined to uncover the truth, Noelle joins the woman in her search; a journey which takes them deeper into the illicit and occult world of terrifying globalist conspiracies, where violence lurks at every turn.\u003c\/p\u003e\n\u003cp\u003eWith strong anti-establishment sensibilities, well executed social and political satire, plentiful sex and nudity, and a satisfyingly bleak and violent final act, writer\/director\/co-star Dasha Nekrasova’s THE SCARY OF SIXTY-FIRST is an unfiltered and wholly original, contemporary exploitation-horror film. Paying homage to 70s Euro-horror through its gel-heavy 16mm cinematography by Hunter Zimny and a throbbing score by Eli Keszler, Vinegar Syndrome Pictures is thrilled to present the worldwide home video debut of THE SCARY OF SIXTY-FIRST, in a special features loaded Blu-ray edition.\u003c\/p\u003e\n\u003cp\u003edirected by: Dasha Nekrasova\u003cbr data-mce-fragment=\"1\"\u003estarring: Dasha Nekrasova, Betsey Brown, Madeline Quinn, Mark H. 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The limited edition slipcover was limited to \u003cb\u003e1,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"il\"\u003eFactory\u003c\/span\u003e \u003cspan class=\"il\"\u003e25\u003c\/span\u003e, a Brooklyn-based independent film distribution company was founded in 2009 by Matt Grady. F25 is a home for conceptually provocative narratives and documentaries. Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eHam on Rye, a coming-of-age comedy centered on the nervous excitement of youth and the strange horror of entering adulthood, uses an expansive ensemble of over one hundred performers, including non-actors, musicians, 90's Nickelodeon child stars, and more to explore a suburban community’s relationship with a prom-like ritual and the decay of the human spirit. 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Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eInspector Ike, New York City’s greatest police detective, finds himself in a high-stakes game of cat-and-mouse after the conniving understudy of an avant-garde theater group knocks off the star actor. A “lost TV movie” from the 1970’s, INSPECTOR IKE mixes visual gags, slapstick, gross food, and heartfelt emotion. Think COLUMBO meets THE NAKED GUN, featuring a rogue's gallery of NYC's best comedians.\u003c\/p\u003e\n\u003cp\u003edirected by: Graham Mason\u003cbr\u003estarring: Ikechukwu Ufomadu, Matt Barats, Ana Fabrega, Aparna Nancherla, John Early, Grace Rex, Anthony Oberbeck, Jessica Damouni, Dorothi Fox, River Ramirez, Alex Goldberg and Stavros Halkias\u003cbr\u003e2020 \/ 84 min \/ 1.33:1 \/ English Dolby 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Commentary with director Graham Mason\\n-All Thirteen Episodes of \\\"Words With Ike\\\" Season One\\n-Short Film - The Photos of Ana\\n-Original Trailer\\n-Booklet with an Inspector Ike episode guide, an essay by Graham Mason and a word search by by Ikechukwu Ufomadu\\n-Reversible Cover Artwork \\n-Recipe Card \\n-English Subtitles\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Commentary with director Graham Mason\\n-All Thirteen Episodes of \\\"Words With Ike\\\" Season One\\n-Short Film - 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The Photos of Ana\\n-Original Trailer\\n-Booklet with an Inspector Ike episode guide, an essay by Graham Mason and a word search by by Ikechukwu Ufomadu\\n-Reversible Cover Artwork \\n-Recipe Card \\n-English Subtitles\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eShort Film - The Photos of Ana\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Commentary with director Graham Mason\\n-All Thirteen Episodes of \\\"Words With Ike\\\" Season One\\n-Short Film - The Photos of Ana\\n-Original Trailer\\n-Booklet with an Inspector Ike episode guide, an essay by Graham Mason and a word search by by Ikechukwu Ufomadu\\n-Reversible Cover Artwork \\n-Recipe Card \\n-English Subtitles\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eOriginal Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Commentary with director Graham Mason\\n-All Thirteen Episodes of \\\"Words With Ike\\\" Season One\\n-Short Film - 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Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eAi (a superbly laconic Tomona Hirota) haunts the streets of Osaka dressed as a mascot. After going home with a stranger, she wakes up to find footage of their intimate encounter uploaded to a porn site. As all systems of recourse and remedy fail her, her sense of dislocation and alienation intensifies and Ai resorts to a strange solution.\u003cbr\u003e\u003cbr\u003eFollowing the rap-inflected drama YAMATO (CALIFORNIA) and the globe-trotting TOURISM, Daisuke Miyazaki unveils another potent subversion of the so-called monolith of Japanese culture. VIDEPHOBIA unfolds as paranoid techno-thriller about identity, set on the backstreets of an industrial and multicultural Osaka captured here in beautiful, stark black-and-white. 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The film is an immigrant's take on the American Dream, proving that life is often stranger than fiction.\u0026quot;}\" data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2021 \/ 97 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS HD-MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Director's Commentary, Behind the Scenes Featurettes, Introduction by the Actors, Actor Interviews, Deleted Scenes \u0026amp; 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Rusalka, 'Capitol Hill' Web Series (Season 1), Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eDirector's Commentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Director's Commentary, Behind the Scenes Featurettes, Introduction by the Actors, Actor Interviews, Deleted Scenes \u0026amp; Outtakes, Mini-Documentary: Little Potato, Short Films: Rachels Don't Run \u0026amp; Rusalka, 'Capitol Hill' Web Series (Season 1), Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBehind the Scenes Featurettes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Director's Commentary, Behind the Scenes Featurettes, Introduction by the Actors, Actor Interviews, Deleted Scenes \u0026amp; 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Rusalka, 'Capitol Hill' Web Series (Season 1), Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eActor Interviews\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Director's Commentary, Behind the Scenes Featurettes, Introduction by the Actors, Actor Interviews, Deleted Scenes \u0026amp; Outtakes, Mini-Documentary: Little Potato, Short Films: Rachels Don't Run \u0026amp; Rusalka, 'Capitol Hill' Web Series (Season 1), Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eDeleted Scenes \u0026amp; Outtakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Director's Commentary, Behind the Scenes Featurettes, Introduction by the Actors, Actor Interviews, Deleted Scenes \u0026amp; Outtakes, Mini-Documentary: Little Potato, Short Films: Rachels Don't Run \u0026amp; Rusalka, 'Capitol Hill' Web Series (Season 1), Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eMini-Documentary: Little Potato\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Director's Commentary, Behind the Scenes Featurettes, Introduction by the Actors, Actor Interviews, Deleted Scenes \u0026amp; 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F25 is a home for conceptually provocative narratives and documentaries. Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eWhen Marian is on the run, she goes to the only place she knows is safe: her childhood home. She is greeted by her estranged sister, Vivian, a stay-at-home housewife struggling to conceive and on the verge of a failing marriage. 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The limited edition slipcover \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(designed by Haunt Love) \u003c\/span\u003ewas limited to \u003cb\u003e1,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle data-mce-fragment=\"1\" type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Poly Styrene was the first woman of colour in the UK to front a successful rock band, and a key influence on the riot grrrl and Afropunk movements. But Poly didn’t just leave behind a cultural footprint. She was survived by a daughter, Celeste, who became the steward of her mother’s legacy and demons, which plagued Poly’s life and scarred the pair’s relationship. 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The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eSteak Mtn) was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis authorized documentary chronicles the short-lived career of the band Deadguy and their seminal hardcore album \"Fixation on a Coworker\". Featuring never before seen pictures and videos, unearthed live audio recordings and more. Featuring interviews with every member of the band and industry peers.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: \u003c\/span\u003eBill Saunders \u003cbr\u003e\u003cspan\u003estarring: Various\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e2021 \/ 88 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at St. Vitus - November 17th, 2021\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at Crossroads - Garwood, New Jersey - March 5th, 2022\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at The Chance, Poughkeepsie, New York - 1995 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live in Syracuse, New York - 1996\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at the Continental Ballroom Erie, Pennsylvania - 1996\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at the Showplace Theater, Buffalo, New York - April, 1996\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at the American Legion, Buffalo, New York - November 16th, 1996\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at Middlesex County College - February, 9th, 1997\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live 1996\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePodcast : Beyond The Playlist - with Director William Saunders\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePodcast : Everything Went Black - with Director William Saunders\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSimon Tripcony movie poster gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNathaniel Shannon photography gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTom Bejgrowicz photography gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy archive photos\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOUTTAKES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFashion in the 90's and more\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Killing Music Official Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Killing Music Promo Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Killing Music Zoom Patrol Teaser\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/E75I5jgGrOc\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"ETR Media","offers":[{"title":"Limited Edition Slipcover","offer_id":40369076895786,"sku":"ETRM005 SLIP","price":25.49,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40369076928554,"sku":"ETRM005","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/deadguyslipfront.jpg?v=1762198775"},{"product_id":"pvt-chat","title":"PVT Chat","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis listing is for the standard edition Blu-ray. 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(2016) - Directed by Ben Hozie, with Oliver David as Director of Photography\u0026quot;}\"\u003eSHORT FILM: \"LITTLE LABYRINTH\" (2016) - Directed by Ben Hozie, with Oliver David as Director of Photography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• COMMENTARY with Writer\/Director Ben Hozie and Actor Peter Vack\\n• ANNUNCIATION - Ben Hozie's First Feature Film from 2014\\n• DELETED SCENES\\n• DELETED SCENES plus commentary with Ben Hozie\\n• KEEP YR DARLINGS - A Public Chat between Producer Oliver David and Director Ben Hozie\\n• SHORT FILM: \\\u0026quot;LITTLE LABYRINTH\\\u0026quot; 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Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eFREAKSCENE is a homage of one of the most influential bands of Alternative Music, which inspired rock scenes in the 1990s - including Nirvana. 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edition slipcover is limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. 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Jealous of the job offers her classmates are receiving—and desperate to regain control of something—she decides to win the affections of a boy from her hometown of Philadelphia. An exciting, honest film by and about a young woman of color, Kit Zauhar’s feature debut captures Gen-Z’s anxieties and hopes as they are launched into adulthood.\\n\\n\\\"Actual People captures actual truths about the ways that young people behave.\\\" - Ben Flanagan, In Review Online\\n\\n\\\"Reminiscent of the mumblecore independent films that blossomed in the 2000s.\\\"- Megan Robinson, Film Cred\\n\"}'\u003eOn the precipice of her college graduation, Riley is frantically searching for connection. Jealous of the job offers her classmates are receiving—and desperate to regain control of something—she decides to win the affections of a boy from her hometown of Philadelphia. 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An exciting, honest film by and about a young woman of color, Kit Zauhar’s feature debut captures Gen-Z’s anxieties and hopes as they are launched into adulthood.\\n\\n\\\"Actual People captures actual truths about the ways that young people behave.\\\" - Ben Flanagan, In Review Online\\n\\n\\\"Reminiscent of the mumblecore independent films that blossomed in the 2000s.\\\"- Megan Robinson, Film Cred\\n\"}'\u003e\"Reminiscent of the mumblecore independent films that blossomed in the 2000s.\"- Megan Robinson, Film Cred\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Kit Zauhar\u003cbr\u003estarring: Kit Zauhar, Scott Albrecht, Audrey Kang, Vivian Zauhar, Henry Fulton Winship, Isabelle Barbier, and Fraser Jones\u003cbr\u003e2022 \/ 84 min \/ 1.78:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"-Commentary by Kit Zauhar\\n-Two Short Films by Zauhar\\n-Trailer\\n- 20 page booklet includes an essay by Kit Zauhar and an interview of Zauhar by A.S. 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Slipcover","offer_id":40471697489962,"sku":"FTF-138 SLIP","price":27.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40471697522730,"sku":"FTF-138","price":25.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/actualpeopleslipfront.jpg?v=1762198888"},{"product_id":"when-i-consume-you","title":"When I Consume You","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition slipcover (designed by \u003cspan data-sheets-value='{\"1\":2,\"2\":\"Midnight Marauder\"}' 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Intro from director Perry Blackshear\\n. Actor commentary track with Libby Ewing, Evan Dumouchel and MacLeod Andrews\\n. Director commentary Track with Perry Blackshear \\n. Behind the scenes featurette\\n. Deleted scenes with commentaries from Perry Blackshear\\n. Cast and Director Interviews\\n. World Premiere Q\u0026amp;A at the Fantasia Film Festival\\n. Theatrical trailer\\n. English subtitles\\n. New alternate poster art\\n. 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Intro from director Perry Blackshear\\n. Actor commentary track with Libby Ewing, Evan Dumouchel and MacLeod Andrews\\n. Director commentary Track with Perry Blackshear \\n. Behind the scenes featurette\\n. Deleted scenes with commentaries from Perry Blackshear\\n. Cast and Director Interviews\\n. World Premiere Q\u0026amp;A at the Fantasia Film Festival\\n. Theatrical trailer\\n. English subtitles\\n. New alternate poster art\\n. Essay from Journalist Craig Ian Mann\"}'\u003eCast and Director Interviews\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\". Intro from director Perry Blackshear\\n. Actor commentary track with Libby Ewing, Evan Dumouchel and MacLeod Andrews\\n. Director commentary Track with Perry Blackshear \\n. Behind the scenes featurette\\n. Deleted scenes with commentaries from Perry Blackshear\\n. Cast and Director Interviews\\n. World Premiere Q\u0026amp;A at the Fantasia Film Festival\\n. Theatrical trailer\\n. English subtitles\\n. New alternate poster art\\n. Essay from Journalist Craig Ian Mann\"}'\u003eWorld Premiere Q\u0026amp;A at the Fantasia Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\". Intro from director Perry Blackshear\\n. Actor commentary track with Libby Ewing, Evan Dumouchel and MacLeod Andrews\\n. Director commentary Track with Perry Blackshear \\n. Behind the scenes featurette\\n. Deleted scenes with commentaries from Perry Blackshear\\n. Cast and Director Interviews\\n. World Premiere Q\u0026amp;A at the Fantasia Film Festival\\n. Theatrical trailer\\n. English subtitles\\n. New alternate poster art\\n. Essay from Journalist Craig Ian Mann\"}'\u003eTheatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\". Intro from director Perry Blackshear\\n. Actor commentary track with Libby Ewing, Evan Dumouchel and MacLeod Andrews\\n. Director commentary Track with Perry Blackshear \\n. Behind the scenes featurette\\n. Deleted scenes with commentaries from Perry Blackshear\\n. Cast and Director Interviews\\n. World Premiere Q\u0026amp;A at the Fantasia Film Festival\\n. Theatrical trailer\\n. English subtitles\\n. New alternate poster art\\n. Essay from Journalist Craig Ian Mann\"}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\". Intro from director Perry Blackshear\\n. Actor commentary track with Libby Ewing, Evan Dumouchel and MacLeod Andrews\\n. Director commentary Track with Perry Blackshear \\n. Behind the scenes featurette\\n. Deleted scenes with commentaries from Perry Blackshear\\n. Cast and Director Interviews\\n. World Premiere Q\u0026amp;A at the Fantasia Film Festival\\n. Theatrical trailer\\n. English subtitles\\n. New alternate poster art\\n. Essay from Journalist Craig Ian Mann\"}'\u003eNew alternate poster art\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\". Intro from director Perry Blackshear\\n. Actor commentary track with Libby Ewing, Evan Dumouchel and MacLeod Andrews\\n. Director commentary Track with Perry Blackshear \\n. Behind the scenes featurette\\n. Deleted scenes with commentaries from Perry Blackshear\\n. Cast and Director Interviews\\n. World Premiere Q\u0026amp;A at the Fantasia Film Festival\\n. Theatrical trailer\\n. English subtitles\\n. New alternate poster art\\n. Essay from Journalist Craig Ian Mann\"}'\u003eEssay from Journalist Craig Ian Mann\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\". Intro from director Perry Blackshear\\n. 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Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Solve the mystery of how \\\"Clue\\\", a film based on a board game, was murdered at the box office but, in a shocking twist, found a fanbase with a passionate appreciation for the movie’s hilarious dialogue and incredible cast.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eSolve the mystery of how \"Clue\", a film based on a board game, was murdered at the box office but, in a shocking twist, found a fanbase with a passionate appreciation for the movie’s hilarious dialogue and incredible cast.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Solve the mystery of how \\\"Clue\\\", a film based on a board game, was murdered at the box office but, in a shocking twist, found a fanbase with a passionate appreciation for the movie’s hilarious dialogue and incredible cast.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eJeff C. 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Edition","offer_id":40487371079722,"sku":"UTO-018","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/americanrapstarslipfront.jpg?v=1762198910"},{"product_id":"foxhole","title":"Foxhole","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition slipcover (designed by \u003cspan data-sheets-value='{\"1\":2,\"2\":\"Sam Coyle\"}' data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16773836},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eSam Coyle\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Midnight Marauder\"}'\u003e)\u003c\/span\u003e is limited to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e1,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Over 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eOver 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Over 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eJack Fessenden\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Over 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Over 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eAndi Matichak; James Le Gros; Alex Breaux; Alex Hurt; Cody Kostro\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Over 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2021 \/ 95 min \/ 2.39:1 \/ English \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eIntroduction by director Jack Fessenden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBehind the Scenes featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAnimation Diary by Beck Underwood\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eMusic Video No Jockin’ (Darquell) shot by Larry Fessenden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eShort film All For One from Jack Fessenden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eQ\u0026amp;A from the screening at the MoMA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAudio commentary by director Jack Fessenden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e(Theatrical Trailer)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNew alternate art by Sam Coyle\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEssay by Anton Bitel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan 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The limited edition slipcover\u003c\/span\u003e\u003cspan\u003e was limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e and is \u003c\/span\u003e\u003cstrong\u003esold out\u003c\/strong\u003e\u003cspan\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"GoldenEra is a documentary that tells the story of the creation and legacy of the video game GoldenEye 007 (1997) for the Nintendo 64.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eGoldenEra is a documentary that tells the story of the creation and legacy of the video game GoldenEye 007 (1997) for the Nintendo 64.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"GoldenEra is a documentary that tells the story of the creation and legacy of the video game GoldenEye 007 (1997) for the Nintendo 64.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eDrew Roller\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"GoldenEra is a documentary that tells the story of the creation and legacy of the video game GoldenEye 007 (1997) for the Nintendo 64.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003estarring: \u003c\/span\u003eDavid Doak, Karl Hilton, Steve Ellis, Simon Parkin, Brett Jones, Stuart Ahsen, Dan Ryckert, Darren Gargette\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"GoldenEra is a documentary that tells the story of the creation and legacy of the video game GoldenEye 007 (1997) for the Nintendo 64.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003e2022 \/ 100 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? 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\\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eThe N64 Hardware\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eOriginal Trailer \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eUK Launch Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eUS Launch trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? 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His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. \\n\\nWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. 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As the two men struggle to make a connection, communication is slowly reduced to the bare minimum; and their time together must come to an end. \"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eAn ode to the rivalry between men and nature, Taming the Garden is the story of how a powerful man indulges in an unusual hobby by having century-old trees uprooted in communities along the Georgian coast and transplanted to his private garden. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Mahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. \\n\\nWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. Mahmut tries to help by offering him a job as his assistant during a photography shoot, but the fix is temporary. As the two men struggle to make a connection, communication is slowly reduced to the bare minimum; and their time together must come to an end. \"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eSalomé Jashi\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Mahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. \\n\\nWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. Mahmut tries to help by offering him a job as his assistant during a photography shoot, but the fix is temporary. As the two men struggle to make a connection, communication is slowly reduced to the bare minimum; and their time together must come to an end. \"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Mahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. \\n\\nWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. Mahmut tries to help by offering him a job as his assistant during a photography shoot, but the fix is temporary. As the two men struggle to make a connection, communication is slowly reduced to the bare minimum; and their time together must come to an end. \"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003e2021 \/ 92 min \/ 1.78:1 \/ Georgian \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br 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data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eDeleted Scene\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Deleted Scene, Trailer, Booklet with essay by film critic Jerry White\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Deleted Scene, Trailer, Booklet with essay by film critic Jerry White\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with essay by film critic Jerry White\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Deleted Scene, Trailer, Booklet with essay by film critic Jerry White\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Deleted Scene, Trailer, Booklet with essay by film critic Jerry White\"}' 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Basin","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition slipcover (designed by \u003cspan data-sheets-value='{\"1\":2,\"2\":\"Beth Morris\"}' data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16773836},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBeth Morris\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Stephanie Monohan\"}'\u003e)\u003c\/span\u003e is limited to\u003cspan\u003e \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCircle Collective formed in June 2019 in order to provide a new avenue for and community around creative distribution as an artist-forward, feature film marketing and distribution consulting agency. In partnership with OCN, Circle Collective will begin to release contemporary indie cinema across a variety of genres and origins onto physical media, maintaining the same artist-forward perspective as in their theatrical campaigns. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"From below the earth to the stars, The Great Basin is a documentary feature that builds a complex panorama of rural Nevada, in the Western United States, through a tapestry of characters who work, live, and play there. The Great Basin is the location of the \\\"Loneliest Road in America\\\" and can be seen as a microcosm of the economic, social, and ecological marginalization of 21st-century rural communities.\"}' data-sheets-userformat='{\"2\":2561,\"3\":{\"1\":0},\"12\":0,\"14\":{\"1\":2,\"2\":0}}'\u003eFrom below the earth to the stars, The Great Basin is a documentary feature that builds a complex panorama of rural Nevada, in the Western United States, through a tapestry of characters who work, live, and play there. The Great Basin is the location of the \"Loneliest Road in America\" and can be seen as a microcosm of the economic, social, and ecological marginalization of 21st-century rural communities.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"From below the earth to the stars, The Great Basin is a documentary feature that builds a complex panorama of rural Nevada, in the Western United States, through a tapestry of characters who work, live, and play there. The Great Basin is the location of the \\\"Loneliest Road in America\\\" and can be seen as a microcosm of the economic, social, and ecological marginalization of 21st-century rural communities.\"}' data-sheets-userformat='{\"2\":2561,\"3\":{\"1\":0},\"12\":0,\"14\":{\"1\":2,\"2\":0}}'\u003edirected by: \u003c\/span\u003eChivas DeVinck\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"From below the earth to the stars, The Great Basin is a documentary feature that builds a complex panorama of rural Nevada, in the Western United States, through a tapestry of characters who work, live, and play there. The Great Basin is the location of the \\\"Loneliest Road in America\\\" and can be seen as a microcosm of the economic, social, and ecological marginalization of 21st-century rural communities.\"}' data-sheets-userformat='{\"2\":2561,\"3\":{\"1\":0},\"12\":0,\"14\":{\"1\":2,\"2\":0}}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"From below the earth to the stars, The Great Basin is a documentary feature that builds a complex panorama of rural Nevada, in the Western United States, through a tapestry of characters who work, live, and play there. The Great Basin is the location of the \\\"Loneliest Road in America\\\" and can be seen as a microcosm of the economic, social, and ecological marginalization of 21st-century rural communities.\"}' data-sheets-userformat='{\"2\":2561,\"3\":{\"1\":0},\"12\":0,\"14\":{\"1\":2,\"2\":0}}'\u003e2021 \/ 92 min \/ 1.85:1 \/ English \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Producer \/ Director Chivas Devinck, Sound Recordist Xan Márquez Caneda and Director of Photography Yoshio Kitagawa\\n\\nQ\u0026amp;A with Director Chivas Devinck and Artist Oscar Tuazon (Laemmle Monica Film Center)\\n\\nCedar Spring Water School - featurette examining Oscar Tuazon's art project and the importance of Cedar Spring to the indigenous people of Nevada\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Producer \/ Director Chivas Devinck, Sound Recordist Xan Márquez Caneda and Director of Photography Yoshio Kitagawa\\n\\nQ\u0026amp;A with Director Chivas Devinck and Artist Oscar Tuazon (Laemmle Monica Film Center)\\n\\nCedar Spring Water School - 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featurette examining Oscar Tuazon's art project and the importance of Cedar Spring to the indigenous people of Nevada\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eCedar Spring Water School - featurette examining Oscar Tuazon's art project and the importance of Cedar Spring to the indigenous people of Nevada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Producer \/ Director Chivas Devinck, Sound Recordist Xan Márquez Caneda and Director of Photography Yoshio Kitagawa\\n\\nQ\u0026amp;A with Director Chivas Devinck and Artist Oscar Tuazon (Laemmle Monica Film Center)\\n\\nCedar Spring Water School - 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This same revival has made buying music more expensive, benefited established bands over independent artists and muddled the question of whether vinyl actually sounds better than other formats.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"The vinyl record renaissance over the past decade has brought new fans to a classic format and transformed our idea of a record collector: younger, both male and female, multicultural. 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The limited edition slipcover \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(designed by \u003cmeta charset=\"utf-8\"\u003eBrianna Miller) \u003c\/span\u003ewas limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br 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consequences.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A misanthropic, struggling photographer just wants to watch TV and eat candy while his wife is out of town, but when a desperate old pal resurfaces, his plans are thwarted, with spooky consequences.\"}'\u003edirected by: \u003c\/span\u003eClay Tatum\u003cbr\u003e\u003cspan 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