{"title":"1960s Films","description":null,"products":[{"product_id":"anatomy-of-a-psycho-the-lonely-sex","title":"Anatomy of a Psycho \/ The Lonely Sex","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTwo early exploitation gems which prove that even before the golden age of the grindhouse, cinematic sleaze could still pack a nasty wallop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnatomy of a Psycho (1960):\u003c\/strong\u003e\u003cbr\u003e In this early exploitation classic, the brother of a convicted murder set to be executed takes revenge against the people he believes were responsible for his brother's demise.\u003cbr\u003e 80 minutes \/ Black \u0026amp; White \/ AR: 1.37:1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Lonely Sex (1959):\u003c\/strong\u003e\u003cbr\u003e In an odd blending of psychodrama, thriller and light sexploitation, a lonely outcast kidnaps a young woman and holds her hostage in a rural shack while a violent peeping tom goes about his daily routine.\u003cbr\u003e 57 minutes \/ Black \u0026amp; White \/ AR: 1.37:1\u003c\/p\u003e\n\u003cp\u003edirectors: Boris Petroff, Richard Hillard\u003cbr\u003estarring (combined): Leon Benedict, Ronnie Burns, Mary Gonzalez, Pamela Lincoln\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual Layer DVD-9 | Region Free | 4:3 Standard | 1.37:1 AR | MONO\u003c\/li\u003e\n\u003cli\u003e2k scan from 35mm theatrical prints\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23711269814372,"sku":"VS-005","price":10.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/VS-005_front.jpg?v=1762198065"},{"product_id":"the-dungeon-of-harrow-death-by-invitation","title":"The Dungeon of Harrow \/ Death By Invitation","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTwo grimy, low-rent, regional sleaze-fests guaranteed to leave even the most jaded genre film fans scratching their heads in disbelief.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE DUNGEON OF HARROW (1962):\u003c\/strong\u003e\u003cbr\u003e This lurid Texas shot gem, in the vein of Corman's THE TERROR, follows two survivors of a shipwreck as they find themselves trapped on a remote island, run by a mad baron keen on torture.\u003cbr\u003e 87 minutes | Color | AR 1.85:1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDEATH BY INVITATION (1971):\u003c\/strong\u003e\u003cbr\u003e One of producer Leonard Kirtman's odd ventures into horror filmmaking, 'Death' is an effectively gritty tale of 20th century witchery toped off with a pleasant touch of psychedelia.\u003cbr\u003e 81 minutes | Color | AR 1.85:1\u003c\/p\u003e\n\u003cp\u003eDirectors: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ken+Friedman'\u0026amp;type=product\"\u003eKen Friedman\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Pat+Boyette'\u0026amp;type=product\"\u003ePat Boyette\u003c\/a\u003e\u003cbr\u003eActors (combined): Aaron Phillips, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Russ+Harvey'\u0026amp;type=product\"\u003eRuss Harvey\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Helen+Hogan'\u0026amp;type=product\"\u003eHelen Hogan\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Shelby+Leverington'\u0026amp;type=product\"\u003eShelby Leverington\u003c\/a\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual Layer DVD-9 | Region Free | 16:9 Anamorphic | 1.85:1 AR | MONO\u003c\/li\u003e\n\u003cli\u003e2k scan from archival film elements\u003c\/li\u003e\n\u003cli\u003eCommentary track by The Hysteria Continues for DBI\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23711277154404,"sku":"VS-008","price":10.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/VS-008_front.jpg?v=1762198067"},{"product_id":"the-candidate-johnny-gunman","title":"The Candidate \/ Johnny Gunman","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE CANDIDATE\u003c\/strong\u003e stars \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Mamie+Van+Doren'\u0026amp;type=product\"\u003eMamie Van Doren\u003c\/a\u003e and \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='June+Wilkinson'\u0026amp;type=product\"\u003eJune Wilkinson\u003c\/a\u003e in a salacious political satire involving the sexcapades of an up and coming politician (\u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ted+Knight'\u0026amp;type=product\"\u003eTed Knight\u003c\/a\u003e). Set over the course of one night in New York, \u003cstrong\u003eJOHNNY GUNMAN\u003c\/strong\u003e is a lost late period noir following a tense battle between two mob boss hopefuls.\u003c\/p\u003e\n\u003cp\u003eBoth films have been restored in 2k from 35mm elements and are coming to home video for the first time!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE CANDIDATE\u003c\/strong\u003e\u003cbr\u003e 1964 | 84 minutes | B\u0026amp;W | 1.85:1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJOHNNY GUNMAN\u003c\/strong\u003e\u003cbr\u003e 1957 | 67 minutes | B\u0026amp;W | 1.33:1\u003c\/p\u003e\n\u003cp\u003eDirectors: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Art+Ford'\u0026amp;type=product\"\u003eArt Ford\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Robert+Angus'\u0026amp;type=product\"\u003eRobert Angus\u003c\/a\u003e\u003cbr\u003eActors (combined): \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Eric+Mason'\u0026amp;type=product\"\u003eEric Mason\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Martin+E.+Brooks'\u0026amp;type=product\"\u003eMartin E. Brooks\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ted+Knight'\u0026amp;type=product\"\u003eTed Knight\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ann+Donaldson'\u0026amp;type=product\"\u003eAnn Donaldson\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='June+Wilkinson'\u0026amp;type=product\"\u003eJune Wilkinson\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Mamie+Van+Doren'\u0026amp;type=product\"\u003eMamie Van Doren\u003c\/a\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual Layer DVD-9 | Region Free | 1.33:1 \u0026amp; 1.85:1 | MONO\u003c\/li\u003e\n\u003cli\u003eScanned and restored in 2k from 35mm elements\u003c\/li\u003e\n\u003cli\u003eReversible cover for JOHNNY GUNMAN\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23715147153508,"sku":"VS-023","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/VS-023_front.jpg?v=1762198078"},{"product_id":"fanny-hill-the-phantom-gunslinger","title":"Fanny Hill \/ The Phantom Gunslinger","description":"\u003cp\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCharles Forsman\u003c\/span\u003e) was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold\u003c\/strong\u003e \u003cstrong\u003eout\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eAcclaimed producer Albert Zugsmith (TOUCH OF EVIL, THE INCREDIBLE SHRINKING MAN) crafted some of the strangest and most unlikely exploitation films of the 60s. Vinegar Syndrome presents the blu-ray debut of two of his rarest works!\u003c\/p\u003e\n\u003cp\u003eCult filmmaker Russ Meyer takes on directorial duties in Zugsmith's adaptation of the notorious erotic classic Fanny Hill. Set in pre-Victorian London, young Fanny finds herself taken in by a madame at one of the city's most elite brothels. A strange mix of Zugsmith's surreal slapstick and Meyer's trademark buxom beauties and thoughtful satire, FANNY HILL is an over-the-top saga of low-rent thrills in high-brow settings.\u003c\/p\u003e\n\u003cp\u003eZugsmith's mind-numbing blend of surrealism and slapstick comedy done as a self-aware parody of westerns stars Troy Donohue as Phil P. Phillips, fresh out of divinity school and living in the frontier town of Yucca Flats. When a gang of seven criminals take the town hostage, it's up to Phil to save the village, or die trying, again and again...\u003c\/p\u003e\n\u003cp\u003eBoth films have been restored from their original negatives and are being offered on DVD and Blu-ray fully uncut for the first time!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFANNY HILL\u003c\/strong\u003e\u003cbr\u003e1964 | B\u0026amp;W | 105min | AR 1.85:1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE PHANTOM GUNSLINGER\u003c\/strong\u003e\u003cbr\u003e1967 | Color | 100min | AR 1.85:1\u003c\/p\u003e\n\u003cp\u003edirectors: Albert Zugsmith, Russ Meyer\u003cbr\u003estarring (combined): Troy Donahue, Ulli Lommel, Leticia Roman, Miriam Hopkins, Sabrina\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 Disc Combo (1 Blu-ray (BD-50) \u0026amp; 2 DVDs) | Region Free | 1.85:1 AR | DTS-HD Master Audio\u003c\/li\u003e\n\u003cli\u003eRestored in 2K from 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003e\"The Zugsmith Connection\" featurette with FANNY HILL star Ulli Lomell\u003c\/li\u003e\n\u003cli\u003eInterview with film historian Eric Schaefer + Reversible cover art for THE PHANTOM GUNSLINGER\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":40542099767338,"sku":"VS-024 SLIP","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40542099832874,"sku":"VS-024","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/fannyhillslipfront.jpg?v=1762198078"},{"product_id":"judy-the-night-hustlers","title":"Judy \/ The Night Hustlers","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTwo regional sexploitation rarities that showcase the seedier side of the USA.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJUDY (1969):\u003c\/strong\u003e\u003cbr\u003e A sex killer is on the loose, terrorizing working girls in Boston's seedy 'combat zone.' Will a rogue ex-detective solve the mystery before more buxom beauties meet an unfortunate demise?\u003cbr\u003e 75 minutes \/ Color \/ AR: 1.33:1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE NIGHT HUSTLERS (1968):\u003c\/strong\u003e\u003cbr\u003e In this Florida lensed sexploitation oddity, a group of Vice cops trade stories of their sleazy, sex-filled busts.\u003cbr\u003e 57 minutes \/ Color \/ AR: 1.85:1\u003c\/p\u003e\n\u003cp\u003eDirectors: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Bobby+O'Donald'\u0026amp;type=product\"\u003eBobby O'Donald\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='David+W.+Hanson'\u0026amp;type=product\"\u003eDavid W. Hanson\u003c\/a\u003e\u003cbr\u003eActors (combined): \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Dave+Haller'\u0026amp;type=product\"\u003eDave Haller\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Lee+Markowitz'\u0026amp;type=product\"\u003eLee Markowitz\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Andrea+Barr'\u0026amp;type=product\"\u003eAndrea Barr\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Sandy+O'Hara'\u0026amp;type=product\"\u003eSandy O'Hara\u003c\/a\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual Layer DVD-9 | Region Free | 1.33:1 Full Frame \u0026amp; 1.85:1 Anamorphic | MONO\u003c\/li\u003e\n\u003cli\u003eScanned and restored in 2k from 35mm elements\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23715266297956,"sku":"VS-028","price":8.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/VS-028_front.jpg?v=1762198081"},{"product_id":"marsha-the-erotic-housewife-for-single-swingers-only-her-odd-tastes","title":"Marsha the Erotic Housewife \/ For Single Swingers Only \/ Her Odd Tastes","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDon Davis was a maverick filmmaker from the tail end of the sexploitation era. His films are a bawdy blend of voluptuous naked women and wacky plot lines. Vinegar Syndrome presents three of his rare films, newly restored from Davis' personal prints.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarsha the Erotic Housewife (1970)\u003c\/strong\u003e: \u003cbr\u003eA beautiful housewife discovers that her husband is having an affair, so while he's away on business she decides to embark on some erotic sexcapades of her own.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor Single Swingers Only (1968)\u003c\/strong\u003e: \u003cbr\u003eAt an apartment complex for swingers, beautiful young women can explore their fantasies and make their inner most desires come true. However, is there a steep price to pay for this supposed erotic paradise?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHer Odd Tastes (1969)\u003c\/strong\u003e: \u003cbr\u003eA woman embarks on a worldwide quest for sexual fulfillment, experimenting in the exotic jungles of Africa to the swinging beaches of California, no desire left unfulfilled.\u003c\/p\u003e\n\u003cp\u003eDirector: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Don+Davis'\u0026amp;type=product\"\u003eDon Davis\u003c\/a\u003e\u003cbr\u003eActors (combined): \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Edward+Blessington'\u0026amp;type=product\"\u003eEdward Blessington\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Michael+Roth'\u0026amp;type=product\"\u003eMichael Roth\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Marsha+Jordan'\u0026amp;type=product\"\u003eMarsha Jordan\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Sharon+Sanford'\u0026amp;type=product\"\u003eSharon Sanford\u003c\/a\u003e\u003cbr\u003e 209 combined minutes \/ 1968-1970 \/ Color \/ 1.33:1\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual-Layer DVD-9 | Region Free | 1.33:1 Full Frame | MONO\u003c\/li\u003e\n\u003cli\u003eScanned and restored in 2k from director's personal prints\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23718364610660,"sku":"VS-068","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/VS-068_front.jpg?v=1762198112"},{"product_id":"on-her-bed-of-roses-the-incredible-sex-revolution","title":"On Her Bed of Roses \/ The Incredible Sex Revolution","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAfter a successful career producing some of the biggest studio films of the late 50s, Albert Zugsmith decided to follow his passion for directing. His extensive and extremely diverse body of work combined art film pretention with drive-in sleaze, resulting in thoroughly unique hybrid projects. Vinegar Syndrome presents two of his most sought-after films completely uncut!\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eON HER BED OF ROSES (1966):\u003c\/strong\u003e\u003cbr\u003eA deranged sniper shoots at cars on a freeway, only to commit suicide as the police close in. In a series of flashbacks, the people who knew this disturbed young man reflect on what might have caused him to embark on his deadly rampage. Directed by Albert Zugsmith (Confessions of an Opium Eater), On Her Bed of Roses is an odd blending of post-noir, Vietnam era character drama and drive-in sleaze. Presented here in its rarely seen international 'hot' version and restored from the original 35mm negative.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE INCREDIBLE SEX REVOLUTION (1965):\u003c\/strong\u003e\u003cbr\u003eA young woman relays her sexual hang-ups to her psychiatrist. As her problems play out in flashbacks, the psychiatrist shares stories of historical sex, leading up to an orgiastic conclusion.\u003c\/p\u003e\n\u003cp\u003eDirector: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Albert+Zugsmith'\u0026amp;type=product\"\u003eAlbert Zugsmith\u003c\/a\u003e\u003cbr\u003eActors (combined): \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Hampton+Fancher'\u0026amp;type=product\"\u003eHampton Fancher\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Lee+Gladden'\u0026amp;type=product\"\u003eLee Gladden\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Lovey+Song'\u0026amp;type=product\"\u003eLovey Song\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Sandra+Lynn'\u0026amp;type=product\"\u003eSandra Lynn\u003c\/a\u003e\u003cbr\u003e1965-66 \/ 203 min (combined) \/ B\u0026amp;W \/ 1.85:1\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDVD | Region Free | 1.85:1 OAR\u003c\/li\u003e\n\u003cli\u003eRestored in 2k from 35mm negatives\u003c\/li\u003e\n\u003cli\u003eAlternate 'soft scene' outtakes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23719046512740,"sku":"VS-093","price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/VS-093_front.jpg?v=1762198133"},{"product_id":"infrasexum","title":"Infrasexum","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA middle-aged man is having problems trying to regain his sexual drive. He leaves behind his old life and tries to discover a simpler happiness through painting and meeting new friends. Wanting to save him from a sexless fate, his friend (director \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Carlos+Tobalina'\u0026amp;type=product\"\u003eCarlos Tobalina\u003c\/a\u003e in a supporting role) attempts to solve the mystery of his sexual shortcomings, through any means possible.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFilled with incredible footage of Las Vegas, the Sierra Nevada and elsewhere, as well as subplots involving kidnapping, and even a bit of unexpected gore, filmmaker Carlos Tobalina's debut feature is a totally unique sexploitation experiment that showcases many of the stylistic touches that would become his trademarks, along with a cast of beautiful starlets, including \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Sharon+Matt'\u0026amp;type=product\"\u003eSharon Matt\u003c\/a\u003e and \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Marsha+Jordan'\u0026amp;type=product\"\u003eMarsha Jordan\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVinegar Syndrome proudly presents this sexploitation obscurity on DVD for the very first time.\u003c\/p\u003e\n\u003cp\u003eDirector: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Carlos+Tobalina'\u0026amp;type=product\"\u003eCarlos Tobalina\u003c\/a\u003e\u003cbr\u003e Actors: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Marsha+Jordan'\u0026amp;type=product\"\u003eMarsha Jordan\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Sharon+Matt'\u0026amp;type=product\"\u003eSharon Matt\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Carlos+Tobalina'\u0026amp;type=product\"\u003eCarlos Tobalina\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Eroff+Lynn'\u0026amp;type=product\"\u003eEroff Lynn\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Vincent+Barbi'\u0026amp;type=product\"\u003eVincent Barbi\u003c\/a\u003e\u003cbr\u003e 1969 \/ 87min \/ English \/ Color \/ 1.85:1\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDVD | Region Free | 1.85:1 OAR\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 2k from 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23727703883876,"sku":"VS-112","price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/0001_VS-112_front.jpg?v=1762198145"},{"product_id":"all-the-sins-of-sodom","title":"All the Sins of Sodom","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eSold Out \/ OOP\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHenning is a fashion photographer driven by visions of artistic glory. While jumping in and out of bed with an almost constant stream of fashion models he is also well regarded and in high demand. However, for his personal artwork he is interested in capturing the perfect picture of the \"princess of Sodom\". All seems to be going well until the youthful and mysterious Joyce enters his life and begins playing malicious, erotic mind games with him.\u003c\/p\u003e\n\u003cp\u003eBlinded by his own ambitions, Henning is unable to see his impending downfall until it's too late, as Joyce continues to dominate his desires. From acclaimed erotic filmmaker, Joe Sarno, All the Sins of Sodom is a tense and suspenseful drama that explores the darkest reaches of sexual desire. Expertly photographed in stark black and white, Vinegar Syndrome presents this masterpiece of 60s sexploitation on Blu-ray for the first time newly scanned and fully restored in 2k from its 35mm original camera negative.\u003c\/p\u003e\n\u003cp\u003edirected by: Joseph W. Sarno\u003cbr\u003estarring: Sue Akers, Morris Kaplan, Maria Lease, Peggy Steffans, Marianne Prevost, Cherie Winters\u003cbr\u003e1968 \/ 87 minutes \/ B\u0026amp;W \/ 1.85:1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eScanned and restored in 2k from 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eReverse artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH Subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23728404332644,"sku":"VS-147 LTD","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/0006_VS-147LTD_front.jpg?v=1762198171"},{"product_id":"red-roses-of-passion","title":"Red Roses of Passion","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\" mce-data-marked=\"1\"\u003eSold Out \/ OOP\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVinegar Syndrome proudly presents \u003cem\u003eRED ROSES OF PASSION\u003c\/em\u003e, the first release in our new Sexploitation Signature Series. This Blu-ray\/DVD combo is strictly limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and exclusively available through VinegarSyndrome.com and a few other select retail outlets.\u003c\/p\u003e\n\u003cp\u003eFrom the mind of erotic auteur \u003cem\u003eJoe Sarno\u003c\/em\u003e comes \u003cem\u003eRED ROSES OF PASSION\u003c\/em\u003e, a lurid tale of lust and violence.\u003c\/p\u003e\n\u003cp\u003eCarla is fed up with her dull home life, living a prudish existence with her spinster aunt. After being introduced to a tarot reader, Carla quickly finds herself involved with a mysterious sect known as The Cult of Pan, who have learned to harness the carnal powers of roses to entrap men into sexual liaisons. But as Carla delves deeper into the occult world, the true and much more sinister motives of the cult start to become apparent.\u003c\/p\u003e\n\u003cp\u003eLauded as one of \u003cem\u003eSarno's\u003c\/em\u003e finest films, \u003cem\u003eRED ROSES OF PASSION\u003c\/em\u003e is a grim melodrama, punctuated by sequences of torrid eroticism.\u003c\/p\u003e\n\u003cp\u003eStarring \u003cem\u003eSarno\u003c\/em\u003e regular actors \u003cem\u003ePatricia McNair\u003c\/em\u003e and \u003cem\u003eJudson Todd\u003c\/em\u003e and lensed in contrast heavy black and white by future arthouse auteur \u003cem\u003eTony Lover\u003c\/em\u003e, \u003cem\u003eRED ROSES\u003c\/em\u003e is a distinctly original sexploitation classic and has been fully restored by Vinegar Syndrome from its recently unearthed camera negative.\u003c\/p\u003e\n\u003cp\u003eDirected by: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Joseph+W.+Sarno'\u0026amp;type=product\"\u003eJoseph W. Sarno\u003c\/a\u003e\u003cbr\u003eCombined cast: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Patricia+McNair'\u0026amp;type=product\"\u003ePatricia McNair\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Judson+Todd'\u0026amp;type=product\"\u003eJudson Todd\u003c\/a\u003e, Jean James, Carol Holleck, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Helena+Clayton'\u0026amp;type=product\"\u003eHelena Clayton\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Frank+Spencer'\u0026amp;type=product\"\u003eFrank Spencer\u003c\/a\u003e\u003cbr\u003e1966 \/ 80 minutes \/ B\u0026amp;W \/ 1.85:1\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion free Blu-ray\/DVD combo pack\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 2k from the 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eVideo interview with Sarno historian Michael Bowen\u003c\/li\u003e\n\u003cli\u003eEnglish SDH Subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23728873406564,"sku":"VS-182 LTD","price":20.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/0042_VS-182LTD_front.jpg?v=1762198195"},{"product_id":"orgy-of-the-dead","title":"Orgy of the Dead","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: this is a brand new Limited Edition Slipcover Variant of ORGY OF THE DEAD, originally released in 2017. The original limited edition slipcover was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the packaging.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eThis special limited edition spot gloss variant slipcover (designed by Haunt Love) is limited to \u003cstrong\u003e3,000 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the mind of Ed Wood comes ORGY OF THE DEAD! Horror novelist John and his girlfriend Shirley are taking a night drive, in search of an eerie graveyard that will hopefully inspire John to come up with his next story, but instead stumble into the wild rituals conducted by The Dark Master and his faithful servants. Taken prisoner, they're forced to watch the shocking rites unfold as they await their fate!\u003c\/p\u003e\n\u003cp\u003eWritten by the venerable Ed Wood (GLEN OR GLENDA), directed by cult movie maverick, A.C. Stephen (FUGITIVE GIRLS), lighting and camera assistance from Ted V. Mikels (THE DOLL SQUAD) and starring Criswell (PLAN 9 FROM OUTER SPACE), ORGY is a campy, sexy, and thoroughly outrageous gem from the height of the 'nudie cutie' period and is proudly presented by Vinegar Syndrome on Blu-ray for the first time in a brand new 2k restoration from the original 35mm camera negative!\u003c\/p\u003e\n\u003cp\u003edirected by: A.C. Stephen\u003cbr\u003estarring: Criswell, Fawn Silver, Pat Barrington, Nadejda Dobrev\u003cbr\u003e1965 \/ 90 minutes \/ Color \/ 1.85:1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion free Blu-ray\/DVD combo pack\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 2k from the 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eCommentary track with: Rudolph Grey (Ed Wood Biographer) and Frank Henenlotter (Exploitation Filmmaker)\u003c\/li\u003e\n\u003cli\u003e\"Impressions of Nadejda\" - Interview with actress Nadejda Dobrev\u003c\/li\u003e\n\u003cli\u003e\"Orgy of the Ted\" - Interview with Ted V. Mikels\u003c\/li\u003e\n\u003cli\u003eStill gallery\u003c\/li\u003e\n\u003cli\u003eCover designed by Earl Kessler\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH Subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Variant Slipcover","offer_id":43856544170026,"sku":"VS-186 VARIANT-SLIP","price":26.99,"currency_code":"USD","in_stock":true},{"title":"Limited Edition Slipcover","offer_id":23728910139492,"sku":"VS-186 SLIP","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":23728910172260,"sku":"VS-186","price":22.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Orgy_Of_The_Dead_VAR_P1_VS-186_UIOD7.jpg?v=1777650063"},{"product_id":"andy-milligans-seeds-vapors","title":"Andy Milligan's Seeds \/ Vapors","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\" mce-data-marked=\"1\"\u003eSold Out \/ OOP\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVinegar Syndrome proudly presents Andy Milligan's SEEDS \/ VAPORS, the third release in our new Limited Edition Sexploitation Signature Series. This Blu-ray\/DVD combo was strictly limited to \u003cstrong\u003e2,500 units\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAndy Milligan was one of the most significant underground filmmakers working in 60's sexploitation. Presented here are two of his crucial early works:\u003c\/p\u003e\n\u003cp\u003eIn \u003cstrong\u003eSEEDS\u003c\/strong\u003e (1968), a family reunion over Christmas reignites long simmering tensions and rekindles dangerous sexual affairs. But, as buried secrets are revealed, a mysterious killer begins murdering the perverse family members one by one in increasingly sadistic ways...\u003c\/p\u003e\n\u003cp\u003eIn \u003cstrong\u003eVAPORS\u003c\/strong\u003e (1965), Milligan's debut film, a lonely young man named Thomas visits a public steam bath where he meets an enigmatic stranger named Mr. Jaffee. As the night unfolds, Thomas finds himself in a hellish and perverse world of sexual misery.\u003c\/p\u003e\n\u003cp\u003eVinegar Syndrome and Distribpix present SEEDS \u0026amp; VAPORS, newly restored in 4k from their negative elements, with SEEDS available in its original and director's cut for the first time in nearly 50 years!\u003c\/p\u003e\n\u003cp\u003edirected by: Andy Milligan\u003cbr\u003estarring: Maggie Rogers, Gerald Jacuzzo, Candy Hammond\u003cbr\u003e1965-68 \/ 113 minutes \/ B\u0026amp;W \/ 1.33:1 OAR\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion free Blu-ray\/DVD combo pack\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 4k from a mixture of 35mm \u0026amp; 16mm vault elements\u003c\/li\u003e\n\u003cli\u003e\"SEEDS OF SIN\" - alternate feature length sexploitation version\u003c\/li\u003e\n\u003cli\u003e\"VAPORS\" - short film directed by Andy Milligan\u003c\/li\u003e\n\u003cli\u003eInterview with John Borske (writer \/ SEEDS)\u003c\/li\u003e\n\u003cli\u003eInterview with Gerald Jacuzzo (lead actor \/ VAPORS)\u003c\/li\u003e\n\u003cli\u003eQ\u0026amp;A from the Quad Cinema NYC screening in 2017 with John Borske, Gerald Jacuzzo and Patricia Dillon (actress \/ SEEDS)\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003c\/li\u003e\n\u003cli\u003eStill gallery\u003c\/li\u003e\n\u003cli\u003eEnglish SDH Subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":23729448353892,"sku":"VS-196 LTD","price":22.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/0013_VS-196front.jpg?v=1762198206"},{"product_id":"putney-swope","title":"Putney Swope","description":"\u003cp\u003eThis listing is for the standard edition Blu-ray\/DVD combo. The limited edition slipcover (artwork restoration by Jay Shaw) was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003eAssuming he is incapable of winning, all of the members of a prestigious Madison Avenue advertising firm accidentally vote to appoint the company's only black executive, Putney Swope, as chairman of the board. His unexpected win behind him, Swope changes the company's name to 'Truth and Soul, Inc,' fires nearly all of its elderly white employees, and focuses solely on creating subversive, outlandish, and shocking campaigns. As the company is catapulted to new heights of success, Swope finds that he has drawn the ire of the U.S. President, who seeks to declare him and his renegade staff a threat to national security.\u003cbr\u003e\u003cbr\u003eConsidered one of the masterpieces of late 60s counterculture cinema, Robert Downey Sr.’s (Greaser's Palace) PUTNEY SWOPE remains a vital cinematic satire on race, politics and pop culture. Featuring a supporting performance from character actor Allen Garfield (Nashville) alongside a cameo from Mel Brooks, Vinegar Syndrome is proud to present the world Blu-ray debut of PUTNEY SWOPE in a stunning new 4k restoration created by The Academy of Motion Picture Arts and Sciences and The Film Foundation.\u003c\/p\u003e\n\u003cp\u003eDirected by: Robert Downey Sr.\u003cbr\u003eStarring: Arnold Johnson, Stan Gottlieb, Allen Garfield, Mel Brooks\u003cbr\u003e 1969 \/ 85 min \/ 1.37:1\u003c\/p\u003e\n\u003cp\u003e• Region Free Blu-ray\/DVD combo\u003cbr\u003e• Newly scanned \u0026amp; restored in 4k from various 35mm pre-print elements\u003cbr\u003e• Audio commentary with director Robert Downey Sr.\u003cbr\u003e• Video interview with Robert Downey Sr. from 2001 on Putney Swope\u003cbr\u003e• Video interview with Robert Downey Sr. from 2008 on Putney Swope\u003cbr\u003e• Q and A from the film's screening at the 2005 Philadelphia Film Festival\u003cbr\u003e• Audio interview with cinematographer Gerald Cotts\u003cbr\u003e• Audio commentary with film critic and historian Sergio Mims\u003cbr\u003e• Original theatrical trailer\u003cbr\u003e• Massive archival article \u0026amp; promo gallery\u003cbr\u003e• Reversible cover artwork\u003cbr\u003e• English SDH subtitles\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":27581172154468,"sku":"VS-279 SLIP","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":27581172187236,"sku":"VS-279","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/PutneySwope_slip_front.jpg?v=1762198321"},{"product_id":"she-mob-the-girl-from-pussycat-agfa","title":"She Mob \u0026 The Girl From Pussycat","description":"\u003cp class=\"p1\"\u003eThis is the listing for the standard edition Blu-ray. The special limited edition embossed slipcover was limited to \u003cb\u003e1,500 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eShot on the sweaty backroads of Dallas and Waco, SHE MOB is an underground miracle that feels like an alt-Earth FASTER PUSSYCAT! KILL! KILL! as realized by a young John Waters. Big Shim is the cone-bra-wearing butch leader of a wild girl gang that’s running from the law. After kidnapping a gigolo named Tony, Shim and the girls demand a ransom from Tony’s wealthy lady keeper . . . OR ELSE!! Produced and directed by NBC News veteran Maurice Levy, written by Diana Paschal, and featuring actresses culled from Jack Ruby’s infamous Dallas nightclub, SHE MOB is an essential jewel in the other-dimensional vortex known as Texploitation.\u003c\/p\u003e\n\u003cp\u003eShot in New York with the crude experimentation of an early Andy Warhol film, THE GIRL FROM PUSSYCAT is a fascinating outlier in the world of underground exploitation. The movie follows a girl gang of social and sexual anarchists as they have orgies, get stoned, rob banks, and torture men by jamming their fingers in toasters. Absurd and surreal, this feels like the dreamy collaboration between Jean-Luc Godard and Doris Wishman that never happened.\u003c\/p\u003e\n\u003cp\u003edirected by: Maurice Levy \/ Smythe David\u003cbr\u003estarring: Ilene Zelechowski, Al Darago\u003cbr\u003e1968\/69 \/ 143 min (combined) \/ 1.37:1 \/ English\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K preservations from the only known 35mm theatrical prints in existence\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSHE MOB Fantastic Fest Q\u0026amp;A with Something Weird’s Lisa Petrucci and AGFA’s Alicia Coombs\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrime-spree shorts and trailers from Big Shim’s stash\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish captions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BA2W3A13vXI\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":32092335308842,"sku":"AGFA-024 SLIP","price":27.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":32092335341610,"sku":"AGFA-024","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/SheMob_slip_front.jpg?v=1762198428"},{"product_id":"the-curious-dr-humpp-agfa-something-weird","title":"The Curious Dr. Humpp","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e1,500 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTHE CURIOUS DR. HUMPP isn’t a movie -- it’s a rite of passage. Easily one of the most brainbreaking sensory overloads in exploitation history, the story follows Dr. Humpp and his army of grotesque monsters as they kidnap couples and drain their “blood forces of sex” to keep the doctor eternally young. Directed by the prolific Emilio Vieyra in Argentina, this movie combines artful gothic horror with unhinged sex, comic book pulp, and a talking brain in a jar. Plus a monster who plays the guitar. Basically, this is what might have happened if Mario Bava collaborated with Doris Wishman after an acid binge. AGFA + Something Weird are thrilled to present a brand new restoration of this iconic sex-horror classic, complete with a new commentary track from filmmaker Frank Henenlotter (BASKET CASE). Plus LA VENGANZA DEL SEXO, Vieyra’s original “horror” cut of THE CURIOUS DR. HUMPP in its original Spanish language -- available for the first time ever on home video with English subtitles!\u003c\/p\u003e\n\u003cp\u003edirected by: Emilio Vieyra\u003cbr\u003e1969 \/ 87 min \/ 1.37:1 \/ English\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 2k from its 35mm internegative\u003c\/li\u003e\n\u003cli\u003eCommentary track with filmmaker Frank Henenlotter (BASKET CASE)\u003c\/li\u003e\n\u003cli\u003eBonus Movie: LA VENGANZA DEL SEXO - 2K restoration of the original cut of THE CURIOUS DR. HUMPP from a 35mm fine grain lab print\u003c\/li\u003e\n\u003cli\u003eBrain damaged shorts and trailers from Dr. Humpp’s laboratory\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/wsNgf_GQrRs\" width=\"560\" height=\"315\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":32187826503722,"sku":"AGFA-025 SLIP","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":32283935670314,"sku":"AGFA-025","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/CuriousDr.Humppslipfront.jpg?v=1762198447"},{"product_id":"love-after-death-the-good-the-bad-and-the-beautiful-agfa-something-weird","title":"Love After Death + The Good, The Bad, And The Beautiful","description":"\u003cp\u003eThis special limited edition embossed slipcover is limited to \u003cstrong\u003e2,500 units\u003c\/strong\u003e and is only available here at VinegarSyndrome.com!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAn inter-dimensional portal exists between Herk Harvey’s CARNIVAL OF SOULS and Doris Wishman’s BAD GIRLS GO TO HELL . . . and it’s called LOVE AFTER DEATH. This is the story of Montel -- a sexually frustrated creep who seeks revenge on his cheating wife after she accidentally buries him alive. Produced somewhere in South America and remixed for American audiences by New York producer Charles Abrams, LOVE AFTER DEATH is a joyously deranged gem that features equal doses of gothic horror, sleazy melodrama, and absurdist experimentation. After watching this movie, you’ll never look at Edgar Allan Poe’s “The Premature Burial” the same way again.\u003c\/p\u003e\n\u003cp\u003eShot in New York by LOVE AFTER DEATH producer Charles Abrams and starring adult film princess Jennifer Welles, THE GOOD, THE BAD, AND THE BEAUTIFUL is an unknown jewel from the bizarro underground. The movie centers around the estate of a politician, where blackmail and scissor-murders go hand in hand with smoking weed and fetish whippings. Combining a trashy paperback feel with gutter-goth mood, this psychosexual spectacle would feel right at home with the work of exploitation auteur Joe Sarno.\u003c\/p\u003e\n\u003cp\u003edirected by: Guaco Del Mar \u0026amp; Robert Canton\u003cbr\u003estarring: Guillermo De Córdova, Jennifer Welles, Janis Young\u003cbr\u003e1968 \/ 154 min (total) \/ 1.33:1 \/ English\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eLOVE AFTER DEATH:2K preservation from the only known 35mm print in existence\u003c\/li\u003e\n\u003cli\u003eTHE GOOD, THE BAD, AND THE BEAUTIFUL:2K preservation from the only known 16mm print in existence\u003c\/li\u003e\n\u003cli\u003eShorts and trailers from beyond the grave\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GDfI1wdSIRA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":39343213051946,"sku":"AGFA-028 SLIP","price":27.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":39343213084714,"sku":"AGFA-028","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/loveafterdeathslipfront.jpg?v=1762198466"},{"product_id":"the-leather-boys-agfa","title":"The Leather Boys","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePart of Britain’s new wave of hyper-realistic “Kitchen Sink” films, THE LEATHER BOYS is a riveting mix of teen angst, biker thrills, and raging emotion. The movie follows young newlyweds Reggie (Colin Campbell) and Dot (Rita Tushingham, A TASTE OF HONEY) as they embark on a new life together. But there’s trouble in paradise when Reggie develops feelings for Pete (Dudley Sutton), a member of a rival biker gang. Directed by Sidney J. Furie (THE ENTITY) and written by Gillian Freeman from her novel, THE LEATHER BOYS explodes with expressionistic photography, gripping themes, and a bold exploration of identity. Long unavailable on home video, AGFA + Shout! Factory are elated to present a sparkling new restoration of this important chapter of early queer cinema.\u003c\/p\u003e\n\u003cp\u003edirected by: Sidney J. 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But she discovers that what lurks behind the curtain doesn’t take too kindly to her backstabbing plans. A gutter-noir reworking Tod Browning’s FREAKS and a valentine to the carnival lifestyle that defined the career of producer David F. Friedman (BLOOD FEAST), SHE FREAK is a snapshot of life, love, and revenge on the grounds of a seedy carnival in Smalltown, USA -- complete with crackpot monster make-up effects from Harry Thomas (PLAN 9 FROM OUTER SPACE). Like Devo’s music and Ed Wood’s novels, SHE FREAK creates a synthetic reality that is often preferable to our own. 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And the Films of the Gay Girls Riding Club","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition embossed slipcover is limited to \u003cstrong\u003e2,500 units\u003c\/strong\u003e and is only available here at VinegarSyndrome.com!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSpearheaded by filmmaker Ray Harrison, the Gay Girls Riding Club (GGRC) took California’s 1960s underground gay scene by storm with drag spoofs of classic Hollywood films. WHAT REALLY HAPPENED TO BABY JANE? AND THE FILMS OF THE GAY GIRLS RIDING CLUB collects the joyous, ambitious, and wig-filled GGRC films on home video for the first time ever. From WHAT REALLY HAPPENED TO BABY JANE?, shot only a few months after the release of WHAT EVER HAPPENED TO BABY JANE?, to ALL ABOUT ALICE, the GGRC’s feature-length roast of ALL ABOUT EVE, these pioneering DIY movies are essential snapshots of mid-century drag culture that would feel right at home with the dreamy work of Mike and George Kuchar. AGFA, in partnership with the Outfest UCLA Legacy Project, is thrilled to present these overlooked chapters of queer cinema -- preserved from the only known 16mm film elements in existence.\u003c\/p\u003e\n\u003cp\u003eFilms included: ALWAYS ON SUNDAY (1962, 8 mins), WHAT REALLY HAPPENED TO BABY JANE? (1963, 31 mins), THE ROMAN SPRINGS ON MRS. 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Combining experimental visuals with camp flair, this is a crackpot time capsule featuring Monty Python-esque animation, someone named Ron Cheney, Jr., and, at the end, \"a brief summary of the movie for those who wish to relive its magic moments.\"\u003c\/p\u003e\n\u003cp\u003eHONEYMOON OF TERROR: An early dreamscape from director Peter Perry (MY TALE IS HOT), HONEYMOON OF TERROR (aka ECSTACY ON LOVERS’ ISLAND) is a moody mash-up of horror chills and nudie thrills that feels like a Looney Tunes cartoon made for adults. 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(1965, 63 mins), transferred from the original Something Weird S-VHS master\u003c\/li\u003e\n\u003cli\u003eInside cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/82bwhTPE9Jc\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":39741620125738,"sku":"AGFA-036 SLIP","price":27.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":39741620158506,"sku":"AGFA-036","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/AGFA-036_slipcover_front.jpg?v=1762198611"},{"product_id":"the-ernie-game-canadian-international-pictures","title":"The Ernie Game","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition embossed slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eDerek Gabryszak) is limited to\u003cstrong\u003e 1,500 units\u003c\/strong\u003e and is only available here at VinegarSyndrome.com!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. 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Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eNew 2K transfers from the 35mm interpositives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eAlternate 2.76:1 and Smilebox presentations of Helicopter Canada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eAudio commentary with Gerald Potterton and David De Volpi on Buster Keaton Rides Again and The Railrodder\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eHors-d'oeuvre (1960, 7 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eMy Financial Career (1962, 7 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eChristmas Tree Decoration (1963, 5 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eThe Ride (1963, 7 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eThe Railrodder (1965, 25 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eThe Quiet Racket (1966, 7 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eThe Awful Fate of Melpomenus Jones (1983, 8 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eBonus short: Canada the Land (1970, 8 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eBooklet featuring a new interview with Gerald Potterton\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the 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Slipcover","offer_id":40084247871530,"sku":"CIP-004 SLIP","price":24.49,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40084247904298,"sku":"CIP-004","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/busterkeatonslipfront.jpg?v=1762198693"},{"product_id":"two-undercover-angels-kiss-me-monster","title":"Two Undercover Angels \/ Kiss Me Monster","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eThis special limited edition embossed and spot gloss slipcover (designed by Robert Sammelin) is limited to \u003cstrong\u003e6,000\u003c\/strong\u003e \u003cstrong\u003eunits\u003c\/strong\u003e \u003c\/span\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003eStill in the early stages of his career, filmmaker Jess Franco directed this duo of outrageously stylish, pop-art infused, horror-styled capers, in collaboration with producer and actor Adrian Hoven and starring the beautiful Janine Reynaud and Rosanna Yanni!\u003c\/p\u003e\n\u003cp\u003eTWO UNDERCOVER ANGELS (aka SADIST EROTICA and RED LIPS): Diana and Regina are The Red Lips, a duo of sexy sleuths who take on only the most intriguing cases. After stumbling upon the strange disappearances of several pretty young women and realizing a connection exists between several of the missing and an enigmatic artist, whose identity is shrouded in mystery, they begin an intense undercover investigation which takes them on an unexpected trail of monsters, murder, and striptease!\u003c\/p\u003e\n\u003cp\u003eKISS ME MONSTER: In their second adventure, Diana and Regina have been tasked with locating a mysterious red box but quickly discover that they’re not the only ones after its contents and find themselves at odds with a secret sect, which controls a small zombie army, and who are hoping to harness the power of human cloning — the formula to which is contained within the box. As bodies (some nude, some dead) pile up, Diana and Regina race against time to stop the diabolical organization!\u003c\/p\u003e\n\u003cp\u003eGorgeously photographed and tightly paced, Vinegar Syndrome is proud to bring this duo of under-seen treats from one of the kings of Euro-sleaze to Blu-ray, newly restored in 4K from their 35mm negatives!\u003c\/p\u003e\n\u003cp\u003edirected by: Jess Franco\u003cbr data-mce-fragment=\"1\"\u003estarring: Rosanna Yanni, Janine Reynaud, Adrian Hoven, Chris Howland, Michel Lemoine\u003cbr data-mce-fragment=\"1\"\u003e1969 \/ 158 min (combined) \/ 1.85:1 \/ English \u0026amp; German Mono\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2-disc Region A Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned and restored in 4K from their 35mm original camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIncludes two language tracks for both films: English and German\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIncludes the alternate feature-length extended Spanish versions for both films (sourced from tape with newly translated English subtitles)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e“The Red Lips Diaries” (46min) - brand new interview with film author Stephen Thrower on both films \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e“The Case of the Red Lips” (14min) - an archival interview with director Jess Franco \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e“Jess’ Tangents” (22min) - an archival interview with director Jess Franco \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal trailers for both films \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStill galleries for both films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":40238725136426,"sku":"VS-401 SLIP","price":32.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40238725169194,"sku":"VS-401","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/twoundercoverangelsslipfront.jpg?v=1762198736"},{"product_id":"dont-let-the-angels-fall-canadian-international-pictures","title":"Don't Let the Angels Fall","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover\u003c\/span\u003e\u003cspan\u003e was limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e and is \u003c\/span\u003e\u003cstrong\u003esold out\u003c\/strong\u003e\u003cspan\u003e. The two versions are identical, aside from the slipcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Haunted by memories of a recent affair, securities advisor Robert Harrison (The Andromeda Strain’s Arthur Hill) feels a growing sense of alienation from his wife Myrna (Last Night’s Charmion King) and their sons Michael (John Kastner) and Guy (Jon Michaelson). As Michael embraces radical politics and Guy becomes dangerously isolated from his peers, Robert remains largely oblivious, distracted by visions of his recent mistress (Point Blank’s Sharon Acker) and other infidelities. As confidence in Robert fades, the family spirals out of control, which paves the way for a shocking, perception-shifting discovery.\\n\\nThe first Canadian film to compete for the Palme d’Or at the Cannes Film Festival, this remarkable feature directorial debut from George Kaczender (In Praise of Older Women, Agency) builds on the experiments of Michelangelo Antonioni and Alain Resnais to deliver an impressively modern, unsentimental look at family dysfunction and midlife malaise. The only original screenplay by celebrated novelist Timothy Findley (The Wars), Don’t Let the Angels Fall taps into the existential currents of ’60s literary icons John Updike (Rabbit, Run) and John Cheever (The Swimmer) to deliver a haunting, evocative, occasionally psychedelic experience.\\n\\nCIP is proud to present this overlooked Canadian classic in a special edition featuring over two hours of equally assured Kaczender shorts, including the Michael Sarrazin (They Shoot Horses, Don’t They?) delinquent gem, You’re No Good.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eHaunted by memories of a recent affair, securities advisor Robert Harrison (The Andromeda Strain’s Arthur Hill) feels a growing sense of alienation from his wife Myrna (Last Night’s Charmion King) and their sons Michael (John Kastner) and Guy (Jon Michaelson). As Michael embraces radical politics and Guy becomes dangerously isolated from his peers, Robert remains largely oblivious, distracted by visions of his recent mistress (Point Blank’s Sharon Acker) and other infidelities. As confidence in Robert fades, the family spirals out of control, which paves the way for a shocking, perception-shifting discovery.\u003cbr\u003e\u003cbr\u003eThe first Canadian film to compete for the Palme d’Or at the Cannes Film Festival, this remarkable feature directorial debut from George Kaczender (In Praise of Older Women, Agency) builds on the experiments of Michelangelo Antonioni and Alain Resnais to deliver an impressively modern, unsentimental look at family dysfunction and midlife malaise. The only original screenplay by celebrated novelist Timothy Findley (The Wars), Don’t Let the Angels Fall taps into the existential currents of ’60s literary icons John Updike (Rabbit, Run) and John Cheever (The Swimmer) to deliver a haunting, evocative, occasionally psychedelic experience.\u003cbr\u003e\u003cbr\u003eCIP is proud to present this overlooked Canadian classic in a special edition featuring over two hours of equally assured Kaczender shorts, including the Michael Sarrazin (They Shoot Horses, Don’t They?) delinquent gem, You’re No Good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. 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Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eScanned and restored in 2K from the 35mm interpositive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary featuring actor Jon Michaelson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eFive short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eImpressions of Expo 67 (1967, 8 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eBonus short: Toys (1967, 8 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eBooklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles for 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This is Vol#2 of a three part set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}'\u003eNo one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}'\u003edirected by: \u003c\/span\u003eDoris Wishman\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}'\u003e1965-1969 \/ 623 min (combined) \/ \u003c\/span\u003e1.37:1, 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray set\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cem\u003eDisc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003e2K restorations from the original 35mm camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eA TASTE OF FLESH: Preserved from the Something Weird S-VHS master*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eBAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eINDECENT DESIRES: Commentary with queer film historian Liz Purchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eTheatrical trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eBooklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview by author Mike Watt\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969) \u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2K restorations from the original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003ePASSION FEVER: Preserved from the Something Weird S-VHS master*\u003c\/li\u003e\n\u003cli\u003eMY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003e“Moonlight Years” photo gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003e2K restorations from the original 35mm camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eTOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eTheatrical trailers\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e*Original film elements for these titles have been lost.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gYIlh79sb4c\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcase","offer_id":40317636247594,"sku":"AGFA-039 CASE","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40317636280362,"sku":"AGFA-039","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/wishmanvol.2boxfront.jpg?v=1762198749"},{"product_id":"nobody-waved-goodbye-canadian-international-pictures","title":"Nobody Waved Goodbye","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A startling film that shows what teenagers feel... but never tell!\\n\\nTeenager Peter Mark (Peter Kastner) has it all: supportive parents (Charmion King, Claude Rae), a loving girlfriend (Julie Biggs), and a comfortable middle-class existence. But on the brink of finishing high school, he feels emboldened by his impending freedom, and decides to pursue a rebellious new path. After his parents make their disapproval known, Peter decides to move out on his own, confident he’ll conquer the working world with his insight and sophistication. When the reality turns out to be far less glamorous, he settles for a shady new job – that continues his criminal evolution.\\n\\nOften ranked among the most important Canadian films of all time, Nobody Waved Good-bye is the feature directorial debut of Don Owen (The Ernie Game), who tapped into his documentary roots to deliver a gritty, low budget answer to Rebel Without a Cause. In addition to three of Owen’s early shorts, this disc includes Christopher’s Movie Matinee – an inventive documentary that shows where Toronto teen rebellion landed just a few years later – and Lonely Boy, the landmark Paul Anka short that preceded theatrical screenings of Nobody Waved Good-bye.\"}'\u003eA startling film that shows what teenagers feel... but never tell!\u003cbr\u003e\u003cbr\u003eTeenager Peter Mark (Peter Kastner) has it all: supportive parents (Charmion King, Claude Rae), a loving girlfriend (Julie Biggs), and a comfortable middle-class existence. But on the brink of finishing high school, he feels emboldened by his impending freedom, and decides to pursue a rebellious new path. After his parents make their disapproval known, Peter decides to move out on his own, confident he’ll conquer the working world with his insight and sophistication. When the reality turns out to be far less glamorous, he settles for a shady new job – that continues his criminal evolution.\u003cbr\u003e\u003cbr\u003eOften ranked among the most important Canadian films of all time, Nobody Waved Good-bye is the feature directorial debut of Don Owen (The Ernie Game), who tapped into his documentary roots to deliver a gritty, low budget answer to Rebel Without a Cause. In addition to three of Owen’s early shorts, this disc includes Christopher’s Movie Matinee – an inventive documentary that shows where Toronto teen rebellion landed just a few years later – and Lonely Boy, the landmark Paul Anka short that preceded theatrical screenings of Nobody Waved Good-bye.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Don Owen\u003cbr\u003estarring: Peter Kastner, Julie Biggs, Charmion King, Claude Rae, Ivor Barry, Lynne Gorman, Sean Sullivan, John Vernon\u003cbr\u003e1964 \/ 80 min \/ 1.33:1 \/ English DTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Region Free Blu-ray \\n• Scanned and restored in 2K from the 16mm interpositive  \\n• Bonus film: Christopher’s Movie Matinee (1968, 88 min.)  \\n• Three short films directed by Don Owen: Runner (1962, 11 min.), Toronto Jazz (1963, 27 min.), and You Don’t Back Down (1965, 28 min.)  \\n• Bonus short: Lonely Boy (1962, 27 min.)  \\n• Booklet featuring a new interview with Don Owen biographer Steve Gravestock   \\n• Reversible cover artwork  \\n• English SDH subtitles for all six films  \\n\"}'\u003eRegion Free Blu-ray \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Region Free Blu-ray \\n• Scanned and restored in 2K from the 16mm interpositive  \\n• Bonus film: Christopher’s Movie Matinee (1968, 88 min.)  \\n• Three short films 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data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Region Free Blu-ray \\n• Scanned and restored in 2K from the 16mm interpositive  \\n• Bonus film: Christopher’s Movie Matinee (1968, 88 min.)  \\n• Three short films directed by Don Owen: Runner (1962, 11 min.), Toronto Jazz (1963, 27 min.), and You Don’t Back Down (1965, 28 min.)  \\n• Bonus short: Lonely Boy (1962, 27 min.)  \\n• Booklet featuring a new interview with Don Owen biographer Steve Gravestock   \\n• Reversible cover artwork  \\n• English SDH subtitles for all six films  \\n\"}'\u003eBonus film: Christopher’s Movie Matinee (1968, 88 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Region Free Blu-ray \\n• Scanned and restored in 2K from the 16mm interpositive  \\n• Bonus film: Christopher’s Movie Matinee (1968, 88 min.)  \\n• Three short films directed by Don Owen: Runner (1962, 11 min.), Toronto Jazz (1963, 27 min.), and You Don’t Back Down (1965, 28 min.)  \\n• Bonus short: Lonely Boy (1962, 27 min.)  \\n• Booklet featuring a new interview with Don Owen biographer Steve Gravestock   \\n• Reversible cover artwork  \\n• English SDH subtitles for all six films  \\n\"}'\u003eThree short films directed by Don Owen: Runner (1962, 11 min.), Toronto Jazz (1963, 27 min.), and You Don’t Back Down (1965, 28 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cb\u003e2,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eIn the 1990s, Something Weird Video hypnotized a generation of movie maniacs by unearthing the most radically surreal genre films of all time—all via the magic of VHS. SHOCK-O-RAMA VIDEO PARTY is a hallucinogenic tribute to those cathode-tube-fueled days. Featuring four regional horror-blasts—preserved from the original Something Weird S-VHS masters, as the film elements have been lost—this collection serves as a time machine to a beloved era in home video history.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTHE NAKED WITCH (1961, 59 mins)\u003c\/em\u003e\u003cbr\u003eOne-part documentary and all-parts unreal, this Texas-made exploration of witchcraft from Larry Buchanan (ZONTAR, THE THING FROM VENUS) is a dreamy travelogue to parts unknown.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVIOLATED (1953, 67 mins)\u003c\/em\u003e\u003cbr\u003eA pre-cursor to PSYCHO, this DIY horror-noir was filmed in the gutters of NYC and written by exploitation producer William Mishkin.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGHOSTS OF HANLEY HOUSE (1968, 85 mins)\u003c\/em\u003e\u003cbr\u003eWritten, produced, and directed by one-time filmmaker Louise Sherrill, this phantasmagorical DIY version of THE HAUNTING appears uncut for the first time on widely released home video.\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePASSION IN THE SUN (1964, 69 mins)\u003c\/em\u003e\u003cbr\u003eAlso known as THE GIRL AND THE GEEK, this carnival-set rampager from Texas wildman Dale Berry (HOT BLOODED WOMAN) is outsider trash-art of the highest order.\u003c\/p\u003e\n\u003cp\u003edirected by: Various \u003cbr\u003estarring: Various \u003cbr\u003e1953-1968 \/ 295 min (combined) \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan 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snipes\\n• Watch the full, uninterrupted program in “all nite slumber party” mode \"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original Something Weird S-VHS tape masters\\n• THE NAKED WITCH: Archival commentary with director Larry Buchanan and Nathaniel Thompson\\n• Shocked-out trailers and 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charset=\"utf-8\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. \u003c\/span\u003e\u003cspan\u003eThis is Vol#3 of a three part set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003eNo one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003edirected by: Doris Wishman\u003c\/span\u003e \u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003estarring: Various\u003c\/span\u003e \u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003e1960-1965 \/ 428 min (combined) \/ 1.37:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray set\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003cem\u003eDisc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRestorations from the original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003eNUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\u003c\/li\u003e\n\u003cli\u003eBLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003e“Daylight Years” photo gallery\u003c\/li\u003e\n\u003cli\u003eBooklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003cem\u003eDisc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\u003c\/li\u003e\n\u003cli\u003eHIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eGENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\u003c\/li\u003e\n\u003cli\u003eUnseen Doris Wishman interview from 1974\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003cem\u003eDisc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003eDIARY OF A NUDIST: Restoration from the original 35mm camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003eDIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003eTHE PRINCE AND THE NATURE GIRL: Preservation from the only existing 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The limited edition slipcover was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eEscaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eWilliam Edwards\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003e1969 \/ 65 min \/ 1.85:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003ePreserved from the only known 35mm print in existence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eCommentary by Texploitation film historians Melinda Belles \u0026amp; Dennis Campa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eAlternate version (SD preservation, 69 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eBonus movie: TALES OF A SALESMAN (1965, 53 mins), preserved from the only known 35mm Technicolor print in existence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eTrailers from Dracula’s dirty old cave\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Escaping from the brain-baked wasteland of Texas and the wasteland-brain of wildman producer Whit Boyd, DRACULA (THE DIRTY OLD MAN) is the movie that Bram Stoker's estate doesn't want you to see. The deranged story follows Dracula and his faithful werewolf servant Irving Jackalman as they unleash a reign of psychosexual terror upon humankind. But that's only half the story. The movie's original soundtrack was discarded and replaced with voices and narration that were clearly improvised. The result is what might have happened if an episode of DARK SHADOWS was hijacked by Russ Meyer, then dubbed by a Borscht Belt comedian from Mars. AGFA + Something Weird have assembled a fangtastic tribute to this outsider spectacle, complete with two versions of the film and extras that are a bite for sore eyes.\u0026quot;}\" data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rTufehMwGv8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle 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Edition","offer_id":40528316399658,"sku":"AGFA-048","price":25.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/draculathedirtyoldmanslipfront.jpg?v=1762198958"},{"product_id":"the-saragossa-manuscript","title":"The Saragossa Manuscript","description":"\u003cp class=\"p1\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eSold Out \/ OOP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover \u003cmeta charset=\"utf-8\"\u003e(designed by \u003cspan data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Aleksander Walijewski\"}'\u003eAleksander Walijewski\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Midnight Marauder\"}'\u003e) \u003c\/span\u003ewas limited to \u003cb\u003e2,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Set during the Napoleonic wars, the film follows the exploits of Alfons von Worden, an officer traveling through the sierra Mountains and with each passing traveler, the interweaving stories grow stranger.\\nOne of Wojciech Has’ most acclaimed films, this surrealist cult epic has attracted support from Luis Buñuel, Martin Scorsese, Francis Ford Coppola and even Jerry Garcia of the Grateful Dead.\"}'\u003eSet during the Napoleonic wars, the film follows the exploits of Alfons von Worden, an officer traveling through the sierra Mountains and with each passing traveler, the interweaving stories grow stranger.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Set during the Napoleonic wars, the film follows the exploits of Alfons von Worden, an officer traveling through the sierra Mountains and with each passing traveler, the interweaving stories grow stranger.\\nOne of Wojciech Has’ most acclaimed films, this surrealist cult epic has attracted support from Luis Buñuel, Martin Scorsese, Francis Ford Coppola and even Jerry Garcia of the Grateful Dead.\"}'\u003eOne of Wojciech Has’ most acclaimed films, this surrealist cult epic has attracted support from Luis Buñuel, Martin Scorsese, Francis Ford Coppola and even Jerry Garcia of the Grateful Dead.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Wojciech Has\u003cbr\u003estarring: Zbigniew Cybulski, Iga Cembrzynska, Elzbieta Czyzewska, Gustaw Holoubek, Stanislaw Igar, Joanna Jedryka, Janusz Klosinski, Bogumil Kobiela, Barbara Krafftówna\u003cbr\u003e1965 \/ 184 min \/ 2.35:1 \/ Polish DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Introduction’s Notes on The Saragossa Manuscript by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"Intimations: The Cinema of Wojciech Has”.\\n- Post Screening’s Notes on The Saragossa Manuscript by Annette Insdorf.\\n- Discussion on The Saragossa Manuscript with Sebastian Smoliński, Film Critic.\\n- Written Essay by Anton Bitel, Film Crtitic.\\n- Written Essay by Annette Insdorf.\\n\\n\\n\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Introduction’s Notes on The Saragossa Manuscript by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"Intimations: The Cinema of Wojciech Has”.\\n- Post Screening’s Notes on The Saragossa Manuscript by Annette Insdorf.\\n- Discussion on The Saragossa Manuscript with Sebastian Smoliński, Film Critic.\\n- Written Essay by Anton Bitel, Film Crtitic.\\n- Written Essay by Annette Insdorf.\\n\\n\\n\"}'\u003eIntroduction’s Notes on The Saragossa Manuscript by Annette Insdorf, Film Professor at Columbia University, and author of books including \"Intimations: The Cinema of Wojciech Has”\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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Film Crtitic.\\n- Written Essay by Annette Insdorf.\\n\\n\\n\"}'\u003ePost Screening’s Notes on The Saragossa Manuscript by Annette Insdorf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Introduction’s Notes on The Saragossa Manuscript by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"Intimations: The Cinema of Wojciech Has”.\\n- Post Screening’s Notes on The Saragossa Manuscript by Annette Insdorf.\\n- Discussion on The Saragossa Manuscript with Sebastian Smoliński, Film Critic.\\n- Written Essay by Anton Bitel, Film Crtitic.\\n- Written Essay by Annette Insdorf.\\n\\n\\n\"}'\u003eDiscussion on The Saragossa Manuscript with Sebastian Smoliński, Film Critic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Introduction’s Notes on The Saragossa Manuscript by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"Intimations: The Cinema of Wojciech Has”.\\n- Post Screening’s Notes on The Saragossa Manuscript by Annette Insdorf.\\n- Discussion on The Saragossa Manuscript with Sebastian Smoliński, Film Critic.\\n- Written Essay by Anton Bitel, Film Crtitic.\\n- Written Essay by Annette Insdorf.\\n\\n\\n\"}'\u003eWritten Essay by Anton Bitel, Film Crtitic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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Film Crtitic.\\n- Written Essay by Annette Insdorf.\\n\\n\\n\"}'\u003eWritten Essay by Annette Insdorf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Introduction’s Notes on The Saragossa Manuscript by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"Intimations: The Cinema of Wojciech Has”.\\n- Post Screening’s Notes on The Saragossa Manuscript by Annette Insdorf.\\n- Discussion on The Saragossa Manuscript with Sebastian Smoliński, Film Critic.\\n- Written Essay by Anton Bitel, Film Crtitic.\\n- Written Essay by Annette Insdorf.\\n\\n\\n\"}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yellow Veil Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":40528635953194,"sku":"YVP-012 SLIP","price":27.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40528635985962,"sku":"YVP-012","price":17.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/products\/thesaragossamanuscriptslipfront.jpg?v=1762198967"},{"product_id":"how-to-be-loved","title":"How To Be Loved","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition spot gloss slipcover (designed by \u003cspan data-sheets-value='{\"1\":2,\"2\":\"Aleksander Walijewski\"}' data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAleksander Walijewski\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Midnight Marauder\"}' 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Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"During a trip from Warsaw to Paris an actress reflects on the last few years of her life during the German occupation while hiding a fellow actor wanted for murder. Based on a novel by Kazimierz Brandys and told in a series of vignettes, Wojciech Has’s psychological tragedy marks the end of the Polish Film School and an important transition in the Polish director’s career.\"}' data-sheets-userformat='{\"2\":14591,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eDuring a trip from Warsaw to Paris an actress reflects on the last few years of her life during the German occupation while hiding a fellow actor wanted for murder. Based on a novel by Kazimierz Brandys and told in a series of vignettes, Wojciech Has’s psychological tragedy marks the end of the Polish Film School and an important transition in the Polish director’s career.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"During a trip from Warsaw to Paris an actress reflects on the last few years of her life during the German occupation while hiding a fellow actor wanted for murder. Based on a novel by Kazimierz Brandys and told in a series of vignettes, Wojciech Has’s psychological tragedy marks the end of the Polish Film School and an important transition in the Polish director’s career.\"}' data-sheets-userformat='{\"2\":14591,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003edirected by: \u003c\/span\u003eWojciech Has\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"During a trip from Warsaw to Paris an actress reflects on the last few years of her life during the German occupation while hiding a fellow actor wanted for murder. Based on a novel by Kazimierz Brandys and told in a series of vignettes, Wojciech Has’s psychological tragedy marks the end of the Polish Film School and an important transition in the Polish director’s career.\"}' data-sheets-userformat='{\"2\":14591,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003estarring: \u003c\/span\u003eBarbara Krafftówna; Zbigniew Cybulski; Artur Mlodnicki, Wienczyslaw Glinski\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"During a trip from Warsaw to Paris an actress reflects on the last few years of her life during the German occupation while hiding a fellow actor wanted for murder. Based on a novel by Kazimierz Brandys and told in a series of vignettes, Wojciech Has’s psychological tragedy marks the end of the Polish Film School and an important transition in the Polish director’s career.\"}' data-sheets-userformat='{\"2\":14591,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e1963 \/ 98 min \/ 1.37:1 \/ Polish \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eIntroduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \"Intimations: The Cinema of Wojciech Has\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003ePost Screening Notes on How to be Loved by Annette Insdorf.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDiscussion on How to be Loved with Sebastian Smoliński, Film Critic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eWritten Essay by Michael Brooke, writer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eWritten Essay by Annette Insdorf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew slip cover by Aleksander Walijewski\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br 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The two versions are identical, aside from the packaging.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen an underwater volcanic eruption tears up the sea bed off the coast of Ireland, two treasure hunters make the discovery of a lifetime when they encounter a gigantic prehistoric monster that’s been unleashed from the earth’s crust. After capturing the beast, the pair transport the creature down to London where it’s given the name of “Gorgo” and put on display to an avid public. Little do they realize that Gorgo is just an infant, and that his exponentially larger mother is about to emerge from the depths to avenge the capture of her offspring. As Gorgo’s mother begins her advance on the British capital, not even the considerable might of Her Majesty’s Armed Forces can stop her colossal devastation!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn international co-production between the United Kingdom, United States, and Ireland, visual effects pioneer Eugène Lourié’s (The Beast from 20,000 Fathoms, The Giant Behemoth) GORGO - often referred to as the “British Godzilla” - was one of the first, and arguably one of the best, giant monster films to follow in the wake of Japan’s sci-fi landmark. Between its astonishing, special effects-laden climax, which sees Gorgo’s mother wreak fiery destruction on the streets of Central London, and its unique and unusual ending, GORGO quickly solidified its place in the sci-fi canon, spawning numerous comic book adaptations and spin-offs which further expanded the “Gorgoverse”. Now, newly restored in 4K from its untouched-for-decades original camera negative by the monster maniacs at Vinegar Syndrome, GORGO bursts up from the depths in its worldwide UHD debut, loaded with a fittingly gargantuan array of extras, both old and new.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Eugène Lourié\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Bill Travers, William Sylvester, Vincent Winter, Christopher Rhodes, Joseph O'Conor\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1961 \/ 77 min \/ 1.85:1 \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e2-disc Region Free Set: 4K Ultra HD \/ Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSound options: original English mono soundtrack, a brand new commentary track with film historian and cartoonist Stephen R. Bissette and an isolated music \u0026amp; effects track\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Gorgo Lives!\" - film historian and cartoonist Stephen R. Bissette on the legacy of Gorgo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"The 9th Wonder of the World: The Making of Gorgo\" - an archival making-of documentary (extended version)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Gorgo: Behind the Scenes\" - archival making-of featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Waiting for Gorgo\" - a short film from 2009, directed by Benjamin Craig\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBehind-the-scenes featurette from “Waiting for Gorgo”\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePromotional image gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal production notes - video gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eLobby cards \u0026amp; posters - video gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePressbook - video gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhotos - video gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eGorgo: The Monster from the Sea - video comic book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial folded \"anatomy\" poster designed by Matt Frank\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pAd3JsOv2U4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcase","offer_id":40552854356010,"sku":"VS-440 CASE","price":36.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40552854388778,"sku":"VS-440","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/gorgoboxfront.jpg?v=1762199028"},{"product_id":"the-cardona-collection-volume-two","title":"The Cardona Collection: Volume Two","description":"\u003cp\u003eThis limited edition 3-disc set (designed by Alessa Kreger) is limited to \u003cstrong\u003e8,000 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSpecial note:\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e this is Volume #2 of a three part (and world first) expanding box set featuring the films of \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003eRené\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Cardona Jr.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eRené\u003c\/span\u003e Cardona Jr. was the king of Mexican exploitation cinema throughout the 70s and 80s, directing dozens of films in a variety of genres and taking creative inspiration from the most popular trends in American and Italian genre cinema. Vinegar Syndrome presents The Cardona Collection: Volume 2, containing three of his violent, horror tinged adventure and disaster movies, all newly restored from their original negatives.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeaks: The Movie (1987 \/ 100 min \/ 1.85:1 \/ English Stereo):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen TV reporter Vanessa is given an assignment to cover some local bird attacks, she sees it as a lowly assignment from her sleazy producer. But as the number of deadly incidents grow and Vanessa's investigation deepens, she discovers something much more sinister waiting in the wings. Soon humanity is under violent siege from all forms of avian predator and nowhere is safe to hide from these fearsome fowl, who hope to pec and gouge their way to world domination!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA globe-trotting and action packed classic from the animal attack genre, Rene Cardona Jr’s BEAKS (aka Birds of Prey) pays playful homage to Hitchcock while infusing this story with way non stop carnage and death defying stunts as only he can. Starring Michelle Johnson (Tales From the Crypt), Christopher Atkins (The Blue Lagoon) and Sofia Infante (Los placeres ocultos), Vinegar Syndrome is proud to present the world Blu-ray debut of BEAKS, presented in its uncut international version and newly restored in 2K!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnder Siege (1980 \/ 94 min \/ 1.85:1 \/ Spanish Mono):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen an organized crime group pulls the heist of their criminal careers things quickly spiral out of control into a nightmare of violence. After robbing several casinos in a synchronized attack, the group splinters in order to escape, only to be dogged by police task forces and relentless detectives at every turn. When one faction ultimately takes refuge in the home of an upscale family, it's up to the father to save his family as the criminals fall, one by one, and desperation sinks in.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA stellar example of Cardona Jr.'s prowess as a director, this film grabs you from its opening moments and the tension never lets up. Pulling from an all-star ensemble featuring Stuart Whitman (The Longest Day), Francisco Rabal (Tie Me Up! Tie Me Down!), Hugo Stiglitz (Nightmare City), Antonella Interlenghi (City of the Living Dead) and Marisa Mell (Danger: Diabolik) Under Siege (aka Hostages), is a non-stop thrill ride, newly restored from the 35mm camera negative of its original Spanish language version.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLa casa que arde de noche (1986 \/ 103 min \/ 1.85:1 \/ Spanish Mono):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEleazar is a smooth talking strong man who works at a notoriously sleazy brothel. His charming ways have put him in the good graces of the house's madame. That is until Lalasana, a seductive new prostitute, enters the brothel and does everything in her power to get to the top. While Eleazar and Lalasana vie for the favor of the house madame they will do anything to stop the other, but when their feud turns into a sexual fire, the intensity and heat threaten to turn all they've worked for into a pile of ash.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA mid-80s entry into the psycho-sexual thriller genre, this film is a twisting and turning tale with all the sex and sleaze you can handle. Starring frequent Cardona collaborators Sofia Infante (Treasure of the Amazon) and Salvador Pineda (Beaks: The Movie), La casa que arde de noche (aka The House That Burns at Night) is a welcome addition to U.S. home video, restored from its 35mm original camera negative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS.O.S. Conspiración Bikini (1967 \/ 89 min \/ 1.85:1 \/ Spanish Mono):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlex Dinamo is the top agent at The International Service and is always busy either taking down criminals or making ladies swoon. But now, the criminal enterprise, Secret Organizational Service (S.O.S.) is about to complete its long-in-the-works plot to destabilize the world with illegal arms deals. Using an international fashion show as their front, they're getting together for one last meeting before enacting their master plan. Will Agent Dinamo be able to pry away from all the scantily clad models long enough to foil S.O.S.'s plans or will they succeed?!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this lighter action comedy, Cardona Jr. sets his sights on sending up the spy film genre. Filled with action set pieces and chase sequences, Cardona is in familiar territory while keeping the mood and pace free and fun. Starring Julio Alemán (El Tunco Malclovio), Sonia Infante (Beaks: The Movie), Sonia Furió (Aventura) and Noé Muayama (Infernal Rapist) and in a new restoration from its 35mm internegative, Vinegar Syndrome is proud to present S.O.S. Conspiración Bikini.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: René Cardona Jr.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Hugo Stiglitz, Stuart Whitman, Michelle Johnson, Christopher Atkins, Julio Alemán, Sonia Infante, Noé Muayama, Francisco Rabal, Antonella Interlenghi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1967-1987 \/ 386 min (combined) \/ 1.85:1 \/ Spanish Mono \u0026amp; 2.0 English Stereo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e3-disc Region Free Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from various 35mm original elements\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with film historian Viviana García-Besné for S.O.S. CONSPIRACIÓN BIKINI\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"On The Run\" (19 min) - an interview with filmmaker René Cardona III on UNDER SIEGE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"We Were Wild\" (16 min) - an interview with UNDER SIEGE actor Hugo Stiglitz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Don’t Shoot\" (10 min) - an interview with UNDER SIEGE actor Orlando Urdaneta\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"All in the Family: The Cardona Legacy\" (15 min) - an interview with Andrea Cardona, granddaughter of René Cardona Jr.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Union City: Behind the Entertainment\" (14 min) - an interview with LA CASA QUE ARDE DE NOCHE production assistant Felipe Marino\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"From P.A. to Producer\" (17 min) - an interview with LA CASA QUE ARDE DE NOCHE actress Mineko Mori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePromotional still gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/aGsG6cYVe3k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":40562326044714,"sku":"VS-357B","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/thecardonacollectionvol.2boxfront.jpg?v=1762199044"},{"product_id":"the-defilers-a-smell-of-honey-a-swallow-of-brine","title":"The Defilers + A Smell of Honey, A Swallow of Brine","description":"\u003cp\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eTwo roughie shockers from David F. Friedman!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \"roughie,\" THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \"an adult experience!\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003edirected by: \u003c\/span\u003eDavid F. Friedman, R. Lee Frost, Byron Mabe \u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e1965, 1966 \/ 138 min \/ 1.85:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eTHE DEFILERS: Restored from the 35mm dupe camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eArchival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. 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Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eArchival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. 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Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eDavid F. Friedman trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003ePhoto galleries\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. 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The limited edition slipcover (designed by Brandon Schaefer) was limited to \u003cb\u003e1,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThe \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eDesk\u003c\/span\u003e is a theatrical and disc distributor founded in 2007 by Jake Perlin, dedicated to releasing masterpieces of international cinema, with a focus on titles never before released in the United States, or long out of circulation, primarily in new 35mm prints.  \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Three decades after the Spanish Civil War and Franco's fascist military coup, Communist operative Diego (Yves Montand) juggles multiple identities as he continues his dangerous missions, while reflecting on a life of political struggle. Though increasingly disillusioned, his determination to help a possibly captured comrade and chance encounter with impetuous student terrorist Geneviève Bujold, keep his commitment to the cause alive.\u0026quot;}\"\u003eThree decades after the Spanish Civil War and Franco's fascist military coup, Communist operative Diego (Yves Montand) juggles multiple identities as he continues his dangerous missions, while reflecting on a life of political struggle. Though increasingly disillusioned, his determination to help a possibly captured comrade and chance encounter with impetuous student terrorist Geneviève Bujold, keep his commitment to the cause alive.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Three decades after the Spanish Civil War and Franco's fascist military coup, Communist operative Diego (Yves Montand) juggles multiple identities as he continues his dangerous missions, while reflecting on a life of political struggle. Though increasingly disillusioned, his determination to help a possibly captured comrade and chance encounter with impetuous student terrorist Geneviève Bujold, keep his commitment to the cause alive.\u0026quot;}\"\u003edirected by: Alain Resnais\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Three decades after the Spanish Civil War and Franco's fascist military coup, Communist operative Diego (Yves Montand) juggles multiple identities as he continues his dangerous missions, while reflecting on a life of political struggle. Though increasingly disillusioned, his determination to help a possibly captured comrade and chance encounter with impetuous student terrorist Geneviève Bujold, keep his commitment to the cause alive.\u0026quot;}\"\u003estarring: Yves Montand, Ingrid Thulin, Geneviève Bujold, Jean Daste, Michel Piccoli, Anouk Ferjac\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Three decades after the Spanish Civil War and Franco's fascist military coup, Communist operative Diego (Yves Montand) juggles multiple identities as he continues his dangerous missions, while reflecting on a life of political struggle. Though increasingly disillusioned, his determination to help a possibly captured comrade and chance encounter with impetuous student terrorist Geneviève Bujold, keep his commitment to the cause alive.\u0026quot;}\"\u003e1966 \/ 121 min \/ 1.66:1 \/ French DTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Three decades after the Spanish Civil War and Franco's fascist military coup, Communist operative Diego (Yves Montand) juggles multiple identities as he continues his dangerous missions, while reflecting on a life of political struggle. 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Though increasingly disillusioned, his determination to help a possibly captured comrade and chance encounter with impetuous student terrorist Geneviève Bujold, keep his commitment to the cause alive.\u0026quot;}\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Three decades after the Spanish Civil War and Franco's fascist military coup, Communist operative Diego (Yves Montand) juggles multiple identities as he continues his dangerous missions, while reflecting on a life of political struggle. Though increasingly disillusioned, his determination to help a possibly captured comrade and chance encounter with impetuous student terrorist Geneviève Bujold, keep his commitment to the cause alive.\u0026quot;}\"\u003eGuernica - a short film by Alain Resnais and Robert Hessens, 1949, 14 minutes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Three decades after the Spanish Civil War and Franco's fascist military coup, Communist operative Diego (Yves Montand) juggles multiple identities as he continues his dangerous missions, while reflecting on a life of political struggle. Though increasingly disillusioned, his determination to help a possibly captured comrade and chance encounter with impetuous student terrorist Geneviève Bujold, keep his commitment to the cause alive.\u0026quot;}\"\u003eCommentary by Cristina Álvarez López and Adrian Martin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Three decades after the Spanish Civil War and Franco's fascist military coup, Communist operative Diego (Yves Montand) juggles multiple identities as he continues his dangerous missions, while reflecting on a life of political struggle. 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Stella]]LSDerek Gabryszak]]LSCharles Forsman]]LSAlessa Kreger]]LSRichard Hilliard]]LSBlack Coffiend]]LSGary Pullin]]LSDani Manning]]LSAdam Maida]]LSAdam Juresko]]LSAleksander Walijewski]]LSLucas Peverill]]LSMatt Frank]]LSBeth Morris]]LSCorinne Halbert]]LSJJ Harrison]]LSSean Phillips]]LSRachel Merrill]]LSNicole Rifkin]]LSLuke Insect]]LSGraig Kreindler]]LSOther]]FARRAY_ROW:29]FARRAY_LITERAL:1]FTRIM:1]FEXACT:2]FOR:1]FARRAYFORMULA:1]S\"},\"3\":[{\"1\":{\"1\":0,\"2\":1,\"3\":0,\"4\":1,\"5\":1118464},\"2\":0}]},\"2\":\"\",\"3\":1,\"4\":1,\"6\":0}' data-sheets-userformat='{\"2\":639,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13624051},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Haunt Love\"}'\u003e), includes a 40-page perfect bound book\u003c\/span\u003e and is limited to \u003cstrong\u003e8,000\u003c\/strong\u003e \u003cb\u003eunits\u003c\/b\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cstrong\u003e'Versions' Note:\u003c\/strong\u003e The Horrible Dr. Hichcock is presented with two unique picture edits, comprising three versions of the film, all on 4K UHD: The original Italian version, with Italian language credits, is offered with both its English and Italian language sound mixes. The alternate U.S. version is presented with its English language mix and original U.S. credit sequence and title card. Historically, there were never any editorial differences between the English language version of the Italian cut and the Italian language version, other than the language of the opening credits themselves. While we are presenting the Italian language credits with both language tracks specifically on the Italian version, the English “Raptus” title sequence card can be found on the Blu-ray bonus features.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBrilliant scientist, Professor Bernard Hichcock, harbors a secret fascination with the corpses of beautiful young women. His perverse desires are so strong that he has developed a unique serum capable of placing people into a death-like state; a drug he has decided to experiment with on his wife, Margaretha. However, after accidentally giving her a lethal dose, the doctor panics and covers up his wife’s death. Hichcock soon remarries, this time to the orphaned Cynthia, whom he brings to live with him at his isolated castle. Shortly after her arrival, Cynthia begins to experience increasingly strange and ghastly goings-on. While her new husband dismisses these seemingly supernatural occurrences, Cynthia becomes convinced that someone - or something - is lurking in the castle and her loving husband might know more than he’s letting on…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA crucial early work in the Italian gothic horror canon, THE HORRIBLE DR. HICHCOCK, from director Riccardo Freda (Tragic Ceremony) and screenwriter Ernesto Gastaldi (The Strange Vice of Mrs. Wardh), is a macabre period chiller which stars Barbara Steele (Black Sabbath) alongside Robert Flemyng (The Blood Beast Terror), Silvano Tranquilli (So Sweet, So Dead), and Harriet Medin (Blood and Black Lace). Graced with eye-poppingly colorful cinematography from Raffaele Masciocchi (The Ghost), Vinegar Syndrome proudly presents the UHD debut of this twisted and suspenseful classic in a brand new and exclusive 4K restoration of its original negative, and loaded with fresh extras including interviews with second assistant director Marcello Avallone and star Barbara Steele!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Riccardo Freda\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Barbara Steele, Robert Flemyng, Silvano Tranquilli, Harriet Medin, Maria Teresa Vianello, Spencer Williams, Aldo Cristiani, Evaristo Signorini, Giovanni Querrel\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1962 \/ 1.85:1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eItalian Cut: 87 min \/ Italian Mono + English Mono\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAmerican Cut: 76 min \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2-disc Set: 4K Ultra HD (\u003cem\u003eUHD100\u003c\/em\u003e) \/ Region A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe 87-minute Italian cut features both its Italian and English language tracks and is available on both the UHD and Blu-ray discs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe 76-minute American cut with its English language track and is available on both the UHD and Blu-ray discs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with film historians Eugenio Ercolani, Troy Howarth and Nathaniel Thompson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"The Horrible Dr. Freda\" - an interview with second assistant director Marcello Avallone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"The Most Honorable Julyan Perry\" - an interview with screenwriter Ernesto Gastaldi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Necropolises and Necrophiliacs\" - filmmaker Marcello Avallone on Italian horror and his experiences of working within the genre\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eScene select commentary track with actress Barbara Steele, moderated by Barbara Steele archivist Russ Lanier\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish \"Raptus\" title sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eItalian trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStill gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/loS3wZ3nXck?si=XHO1r7vfJNNDOAUn\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcase","offer_id":40864803127338,"sku":"VS-457 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40864803160106,"sku":"VS-457","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Horrible_Dr_Hichcock_P1_VS-457_J9LP3.jpg?v=1790876883"},{"product_id":"forgotten-gialli-volume-six","title":"Forgotten Gialli: Volume Six","description":"\u003cp\u003eThis listing is for the standard edition 3-disc Blu-ray set. The limited edition box set (designed by Alessa Kreger) was limited to \u003cstrong\u003e7,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The disc content is identical on both versions.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOne of the favorite tropes of the giallo genre was and is the presence of \"amateur detectives;\" wherein members of the public take on the challenge of solving a spate of mysterious murders. Presented here are a trio of films, all of which rely on this cherished device, and representing three distinct periods in the genre.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDEATH CARRIES A CANE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile enjoying an otherwise leisurely day, Kitty, a professional photographer, happens to witness the murder of a nude woman, via a sightseeing telescope. While she is unable to make out the black trench coat-wearing killer’s face, it’s not long before this mystery assailant begins stalking and gorily bumping off all potential witnesses to the crime. Fearing that she might become the killer’s next target, Kitty enlists the help of her boyfriend, Alberto, as the two launch their own investigation into the murders…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA sensationally trashy and fun giallo from the genre’s early 70s golden age, Maurizio Pradeaux’ DEATH CARRIES A CANE (aka Passi di danza su una lama di rasoio) offers a non-stop barrage of sex and violence, all within the confines of a clever whodunit. Starring Nieves Navarro (Death Walks on High Heels), Robert Hoffmann (Spasmo), Simón Andreu (Open Season), and Rosita Torosh (The Bird with the Crystal Plumage), Vinegar Syndrome is delighted to present the world Blu-ray debut of this deliriously sleazy hidden gem from a new, 4K restoration of its 35mm camera negative, in both its original Italian and English language dubs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Maurizio Pradeaux\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Robert Hoffmann, Nieves Navarro, Jorge Martín, Anuska Borova, Serafino Profumo, Simón Andreu, Anna Liberati, Rosita Torosh\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1973 \/ 91 min \/ 1.85:1 \/ Italian Mono with English subtitles + English Mono dub track\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresented in its original Italian mono soundtrack with optional English subtitles as well as its English mono dub soundtrack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with film historians Eugenio Ercolani, Troy Howarth and Nathaniel Thompson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"A Life in the Suite\" - an interview with editor Eugenio Alabiso\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePromotional still gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInside sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNAKED YOU DIE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing the arrival of a mysterious trunk to an all-girls boarding school, a series of strange disappearances and murders begin to plague the institution. To appease the panic-stricken students and staff, Inspector Durand begins searching the school grounds in a bid to unmask the culprit. However, student and amateur sleuth, Jill, decides to solve the mystery on her own, unwittingly putting herself into the sights of a bloodthirsty killer!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA transitional giallo which bridges the “style over substance” and gothic-inspired thrillers of the mid-60s with the grimier and sleazier efforts of the 1970s and beyond, Antonio Margheriti’s (Cannibal Apocalypse) debut giallo, the perfunctorily-titled NAKED YOU DIE (aka Nude... si muore; The Young, the Evil and the Savage) stars Mark Damon (The Devil’s Wedding Night), Eleonora Brown (Two Women), and Michael Rennie (The Day the Earth Stood Still). Featuring striking scope photography from Fausto Zuccoli (Zombie Holocaust) and a memorable score by Carlo Savina (The House of Exorcism), Vinegar Syndrome presents the English-friendly Blu-ray debut of NAKED YOU DIE, including the original Italian cut and English export version, both restored in 4K from its original 35mm camera negative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Antonio Margheriti\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Mark Damon, Eleonora Brown, Sally Smith, Patrizia Valturri, Michael Rennie, Ludmila Lvova, Luciano Pigozzi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1968 \/ 1.85:1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eItalian Cut: 97 min \/ Italian Mono with newly translated English subtitles\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnglish \"School Girl Killer\" Cut: 78 min \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresented in two versions: the original 97-minute Italian cut and the 78-minute English language \"School Girl Killer\" edit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with film historians Eugenio Ercolani, Troy Howarth and Nathaniel Thompson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Young, Evil \u0026amp; Savage\" - an interview with actress Sally Smith\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"School Girl Killer\" - an interview with actress Eleonora Brown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Last Shower\" - an interview with actress Malisa Longo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Hello Giallo: Death Finds Its Feet\" - a video essay by Mike Foster on NAKED YOU DIE and the early days of the giallo film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Giallo Dawson\" - a video essay by Pier Maria Bocchi on the lesser-known films of NAKED YOU DIE director Antonio Margheriti aka Anthony Dawson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePromotional image gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInside sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE BLOODSTAINED SHADOW\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the 1950s, the body of a teenage girl was found strangled near a small village. Decades later, with the murder remaining unsolved, a young man named Stefano, who grew up in the area, returns home to visit his older brother, Paulo, who has become the local priest. Shortly after his arrival, more mysterious murders begin to plague the community, with the victims being members of a strange local sect. But when Paulo begins receiving menacing warnings from an unknown source, Stefano, with the help of his girlfriend Sandra, begins looking into the seemingly ordinary town’s sinister past...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA late 70s standout in the giallo genre, director Antonio Bido’s sophomore feature, THE BLOODSTAINED SHADOW (aka Solamente nero), subverts expectations by offering a complex and serious-in-tone mystery set against the beauty and majesty of Venice. Starring American expat, Craig Hill (A Taste for Killing), Alfredo Zammi (Convoy Busters), and Italian genre film legend, Stefania Casini (Suspiria, Blood for Dracula), Vinegar Syndrome brings this this highly acclaimed thriller to Blu-ray, sourced from a new, director-approved 4K restoration and featuring a vast array of interviews with its cast and crew.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Antonio Bido\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Lino Capolicchio, Stefania Casini, Craig Hill, Massimo Serato, Juliette Mayniel, Laura Nucci, Alfredo Zammi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1978 \/ 109 min \/ 1.85:1 \/ Italian Mono with English subtitles + English Mono dub track\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with film historians Eugenio Ercolani, Troy Howarth and Nathaniel Thompson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Deep Black\" - an interview with director Antonio Bido\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Inkstained Shadow\" - an interview with screenwriter Marisa Andalò\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Beauty in the Darkness\" - actress Stefania Casini interviewed by Antonio Bido\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Rural Horror Hero\" - actor Lino Capolicchio interviewed by Antonio Bido\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"The Bloodstained Set\" - an interview with production assistant Luciano Lucchi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"A Bloodstained Sound\" - an interview with musician Claudio Simonetti\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStill gallery featuring behind-the-scenes photos \u0026amp; promotional images\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate English titles \u0026amp; credits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal Italian trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal English trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInside sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0u5nVuTUoyc?si=EOYZF9JkkHab6-DY\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Box Set","offer_id":44812279545898,"sku":"VS-458 BOX","price":59.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":44812279578666,"sku":"VS-458ABC","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/forgottengiallivol.6front.jpg?v=1762199187"},{"product_id":"the-playgirls-and-the-vampire","title":"The Playgirls and the Vampire","description":"\u003cp\u003eThis special limited edition spot gloss slipcover (designed by Alessa Kreger) is limited to \u003cstrong\u003e5,000 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA troupe of five showgirls, along with their manager, are traveling through a remote stretch of countryside when their minibus gets stuck after a rainstorm. Finding refuge at the castle home of the mysterious Count Gabor Kernassy, the women make the best of the situation by continuing to practice their burlesque routines. But little do they know that the strange Count is harboring a fiendish secret and is intent on subjecting the lovely ladies to his vampiric desires…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA pioneering entry in the history of more erotically-minded Italian gothic horror, future Fulci collaborator Piero Regnoli’s (writer of Demonia and Burial Ground) sole horror directing effort, THE PLAYGIRLS AND THE VAMPIRE (L'ultima preda del vampiro) is a cheeky and charming mix of atmospheric castle chills and sexy go-go thrills. Starring actor-turned-producer Walter Brandi (Bloody Pit of Horror) along with veteran screen stars Lyla Rocco (One Step to Eternity) and Alfredo Rizzo (The Beast in Heat), and featuring striking black-and-white photography by Aldo Greci (Play Motel), Vinegar Syndrome proudly brings this delightfully offbeat drive-in and late-night TV favorite to Blu-ray for the first time, newly restored in 4K from its 35mm fine grain master and presented in both its original Italian language version and English dub.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Piero Regnoli\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Walter Brandi, Lyla Rocco, Maria Giovannini, Alfredo Rizzo, Marisa Quattrini, Leonardo Botta, Antoine Nicos, Corinne Fontaine\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1960 \/ 81 min \/ 1.66:1 \/ Italian Mono with English subtitles + English dub\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm fine grain master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresented in its original Italian language mono soundtrack with newly translated English subtitles as well as an English dub mono soundtrack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Striptease Gothic\" (26 min) - a conversation with Mark Thompson Ashworth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate “The Playgirls and the Vampire” opening title sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate “Curse of the Vampire” opening title\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate “Des filles pour un vampire” French title sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStill gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Du0DamC_nS8?si=ajX7A5lNMEB83RSJ\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7nRXF9F-l9g?si=k2BkE-zblhTSP1sm\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":40964917952554,"sku":"VS-459 SLIP","price":29.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40964917985322,"sku":"VS-459","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/theplaygirlsandthevampireslipfront.jpg?v=1762199238"},{"product_id":"5-card-stud","title":"5 Card Stud","description":"\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003edesigned by \u003c\/span\u003e\u003cspan\u003eTony Stella\u003c\/span\u003e) was limited to \u003cb\u003e4,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWelcome \u003cstrong\u003eVinegar Syndrome Labs (VSL)\u003c\/strong\u003e to the VS Sub-Label family! As with each of our sub-labels we are hoping to expand and defy expectations with the diversity of films we restore and release. As the name implies, VSL will serve as a kind of testing area for releasing genres and eras of film that one might not immediately expect to come from VS. The ultimate objective of VSL will be to see if these types of films will find an audience, and if so, pursue and release more of them…and even if not, still serve as a means of restoring more of the weird, rare, and unusual movies you might not expect from Vinegar Syndrome.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAfter a player is discovered to have cheated his way to winning at a high-stakes card game, he’s sentenced to a no-trial hanging, despite the objections of fellow player, Van Morgan. Although the men responsible for the murder go unpunished, it’s not long before a cowboy-garbed killer begins stalking those involved with the crime and killing them off one by one. Is Van dispensing his own breed of outlaw justice or could another, even more vengeful assailant be responsible for the bloodshed?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA creative blend of old-fashioned Hollywood Western sensibilities with a twist-filled whodunit, acclaimed Western director Henry Hathaway’s (True Grit) unique thriller 5 CARD STUD stars Academy Award® nominee Robert Mitchum (The Night of the Hunter), Rat Pack member Dean Martin (Ocean’s 11), cult character actor Roddy McDowell (Fright Night), two time Emmy® nominee Inger Stevens, plus an early performance from future star Yaphet Kotto (Alien). Juxtaposing exciting action sequences with unexpectedly mean-spirited murders, all leading to a very giallo-esque final act, Vinegar Syndrome Labs proudly brings this unique Hollywood genre hybrid to Blu-ray for the first time, freshly restored in 4K from its 35mm camera negative!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Henry Hathaway\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Dean Martin, Robert Mitchum, Inger Stevens, Roddy McDowall, Yaphet Kotto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1968 \/ 103 min \/ 1.85:1 \/ English mono soundtrack\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with author and film historian Brian Hannan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Jack of All Trades\" (21 min) - film critic Walter Chaw on the films of Henry Hathaway\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"A Woman of True Grit\" (14 min) - Lizzie Francke on screenwriter Marguerite Roberts’ legacy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e16-page booklet with an essay by Jim Healy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/V5t3ZDWkmq4?si=eHyHtwwX-SbyDWok\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome Labs","offers":[{"title":"Limited Edition Slipcover","offer_id":40965110038570,"sku":"VSL-008 SLIP","price":29.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":40965110071338,"sku":"VSL-008","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/5cardstudslipfront.jpg?v=1762199241"},{"product_id":"animation-night-in-canada-vol-1","title":"Animation Night In Canada, Vol. 1","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p-rich_text_section\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover was limited to \u003cstrong\u003e1\u003c\/strong\u003e\u003cb\u003e,000 units\u003c\/b\u003e and is \u003cb\u003esold out\u003c\/b\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases! \u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003e14 Oscar®-nominated shorts from the National Film Board of Canada\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eCarlos Marchiori’s The Drag (1965, 9 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eLes Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eRon Tunis’ The House That Jack Built (1967, 8 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eNorman McLaren’s Pas de deux (1968, 13 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eRyan Larkin’s Walking (1968, 5 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eMichael Mills’ Evolution (1971, 10 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eYvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eBernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eCaroline Leaf’s The Street (1976, 10 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eIshu Patel’s The Bead Game (1977, 5 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eCo Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eEunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eIshu Patel’s Paradise (1984, 15 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eRichard Condie’s The Big Snit (1985, 10 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003edirected by: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003estarring: Guy Clover, Donald Brittain, Margaret Mercier, Vincent Warren, E.B. White, Paul Cormier, Mort Ransen, Sarah Dwight, John Hood, Sandy Sanderson, Jay Brazeau, Ida Osler, Randy Woods, Bill Guest\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003e1965-1985 \/ 137 min (combined) \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eAll films restored by the National Film Board of Canada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eEight additional shorts from the directors in this collection: Norman McLaren’s Oscar®-winning Neighbours (1952, 8 min.), Yvon Mallette’s Boomsville (1968, 10 min.), Co Hoedeman’s Matrioska (1970, 5 min.), Les Drew’s The Underground Movie (1972, 14 min.), Ishu Patel’s Perspectrum (1975, 6 min.), André Leduc’s Canada Vignettes: Instant French (1979, 1 min.), Caroline Leaf and Veronika Soul’s Interview (1979, 14 min.), and Ron Tunis’ This Is Me (1979, 27 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eMcLaren on McLaren (1983, 8 min.) – The legendary director of Neigbours and Pas de deux reflects on his filmmaking career\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eAlter Egos (2004, 52 min.) – Laurence Green’s documentary about Oscar®-nominated NFB animators Chris Landreth and Ryan Larkin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eBooklet featuring a new interview with animator and NFB Head of Animation (1967-1972) Robert Verrall, plus additional notes on the films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! (1966, 10 min.) \\n• Ron Tunis’ The House That Jack Built (1967, 8 min.) \\n• Norman McLaren’s Pas de deux (1968, 13 min.) \\n• Ryan Larkin’s Walking (1968, 5 min.) \\n• Michael Mills’ Evolution (1971, 10 min.) \\n• Yvon Mallette’s The Family That Dwelt Apart (1973, 8 min.) \\n• Bernard Longpré and André Leduc’s Monsieur Pointu (1975, 13 min.) \\n• Caroline Leaf’s The Street (1976, 10 min.) \\n• Ishu Patel’s The Bead Game (1977, 5 min.) \\n• Co Hoedeman’s Oscar®-winning The Sand Castle (1977, 13 min.) \\n• Eunice Macaulay and John Weldon’s Oscar®-winning Special Delivery (1978, 7 min.) \\n• Ishu Patel’s Paradise (1984, 15 min.) \\n• Richard Condie’s The Big Snit (1985, 10 min.)\\n\"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"14 Oscar®-nominated shorts from the National Film Board of Canada  \\n\\nLong celebrated for its groundbreaking achievements in animation, the National Film Board of Canada has earned international acclaim and dozens of Oscar® nominations for its animated shorts. During a particularly fertile period between 1965 and 1985, the NFB played an instrumental role in the medium’s rapid evolution, breaking new ground with a wildly varied and inventive run of films that are alternately abstract, eerie, entertaining, poetic, poignant, and psychedelic. An eye-opening overview of this seminal period in animated film history, Animation Night in Canada, Vol. 1 features 14 Oscar®-nominated classics with style and personality to spare.\\n\\n• Carlos Marchiori’s The Drag (1965, 9 min.) \\n• Les Drew and Kaj Pindal’s What on Earth! 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Harrison]]LSSean Phillips]]LSRachel Merrill]]LSNicole Rifkin]]LSLuke Insect]]LSGraig Kreindler]]LSOther]]FARRAY_ROW:29]FARRAY_LITERAL:1]FTRIM:1]FEXACT:2]FOR:1]FARRAYFORMULA:1]S\"},\"3\":[{\"1\":{\"1\":0,\"2\":1,\"3\":0,\"4\":1,\"5\":1118464},\"2\":0}]},\"2\":\"\",\"3\":1,\"4\":1,\"6\":0}' data-sheets-validation-id=\"0\"\u003e) \u003c\/span\u003eis limited to \u003cstrong\u003e8\u003c\/strong\u003e\u003cb\u003e,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eFive men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunites genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003edirected by: Freddie Francis\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003estarring: Peter Cushing, Donald Sutherland, Christopher Lee, Neil McCallum, Roy Castle\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003e1965 \/ 98 min \/ 2.35:1 \/ English Mono\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003e2-disc Set: 4K Ultra HD \/ Region A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eAudio commentary with director Freddie Francis and moderator Jonathan Sothcott\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003e\"A New Home of Horror\" (15 min) - featurette including never-before-seen interviews with actress Katy Wild, second assistant director Hugh Harlow, propman Arthur Wicks, continuity supervisor Pauline Harlow and dubbing mixer John Aldred\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003e\"Tales of Terror\" (39 min) - author Stephen Thrower on Dr. Terror's House of Horrors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003e\"House of Cards\" (58 min) - an archival making-of documentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eArchival video interviews with: actor Kenny Lynch (25 min), actor Ann Bell (21 min) and actor Jeremy Kemp (8 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eArchival audio interviews with: writer\/producer Milton Subotsky (12 min) and producer Max Rosenberg (2 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eEnglish trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eGerman trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eItalian trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eTwo extensive promotional image galleries\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Five men, all strangers, board a carriage on a train from London to the town of Bradley, where they're joined at the last minute by a sixth - a mysterious, black-clad older gentleman who introduces himself as Doctor Schreck (German for “terror”, as he informs them). Bearing a stack of Tarot cards, Doctor Schreck claims to have the ability to read fortunes, and although some of the group are initially skeptical, it’s not long before his fellow passengers are asking him each in turn to relate what the future holds in store. What follows is five fiendish tales of terror, as the doctor reveals the various dreadful fates that are to befall his traveling companions - which include bone-chilling encounters with werewolves, killer plants, voracious vampires and all other manner of horrors! \\n\\nThe first in a line of anthology films to be produced by Milton Subotsky and Max Rosenberg’s celebrated Amicus Productions, DR. TERROR’S HOUSE OF HORRORS is a frightfully entertaining classic of 60s British horror which reunitues genre legends Peter Cushing as the titular doctor and Christopher Lee, who delivers a memorable turn as a scathing art critic terrorized by a disembodied hand! Helmed by Academy Award® winner Freddie Francis and featuring an early appearance by Donald Sutherland (Don’t Look Now), Vinegar Syndrome conjures up the 4K UHD debut of DR. TERROR’S HOUSE OF HORRORS, presented from a brand new 4K restoration of its 35mm camera negative and stacked with extras both old and new! \u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/sHgrprYdsJg?si=SELTecqbM1IAoWOq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":41053783719978,"sku":"VS-464 SLIP","price":37.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41053783752746,"sku":"VS-464","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Dr_Terrors_House_Of_Horrors_P1_VS-464_C4JN2.jpg?v=1790876125"},{"product_id":"the-bed-and-how-to-make-it-nude-in-charcoal","title":"The Bed And How To Make It \/ Nude In Charcoal","description":"\u003cp class=\"p1\"\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo (designed by Richard Hilliard), includes a 40-page perfect bound book and is limited to \u003cb\u003e3,000\u003c\/b\u003e \u003cb\u003eunits\u003c\/b\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the most acclaimed directors of 1960s sexploitation cinema, Joe Sarno practically reinvented the genre with his heady and atmospheric character dramas and thrillers.  Presented here is one of his most iconic directorial efforts paired with one of his earliest, both restored from their 35mm camera negatives.\u003c\/p\u003e\n\u003cp\u003ePerpetually flirtatious Ellen has been kicked out of boarding school and thrown out of her home. With nowhere else to go, she takes a job as a maid at her alcoholic Aunt Connie’s hotel, only to be lured back into unscrupulous carnal escapes.  With a cast including Sarno favorites Patricia McNair, Judson Todd, and his future wife, Peggy Sarno (Peggy Steffans), THE BED AND HOW TO MAKE IT (1966) epitomizes Sarno’s acclaimed noirish visuals (courtesy of cinematographer Bruce Sparks) while also being the first film ever produced by Distribpix itself!\u003c\/p\u003e\n\u003cp\u003eJune, a beautiful, yet naive, young art student is lured into a relationship of unbridled lust by a suave older artist named Najlas Sarto. NUDE IN CHARCOAL (1961) is set in Greenwich Village during its bohemian heyday of the early 1960s, Sarno worked as co-director to Phil Melillo. Starring early New York TV personality Sally Ardrey and stage actor Richard Kronold in the leads while also featuring the first-know screen appearance by sexploitation actress and model Rita Bennett and an acting turn from future Hollywood producer Burtt Harris, Distribpix Inc. and Something Weird are proud to offer the home video debut of this long lost, career starting sexploitation treasure.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Joe Sarno, Phil Melillo\u003cbr\u003estarring: Francine Ashley, Judson Todd, Lorraine Claire, Peggy Steffans, Barbara Kemp, Victor Bertini, Rita Bennet, Nick Link, Tony King, Gail Sedrish, Richard Kronold, Sally Ardrey, Peter Craig, Burtt Harris, Dina Paisner\u003cbr\u003e1966, 1961 \/ 80 min, 73 min \/ 1.37:1 \/ English Mono\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 2K from their 35mm original camera negatives\u003c\/li\u003e\n\u003cli\u003eBrand new feature length audio commentary for The Bed And How To Make It by film historian and novelist, Tim Lucas\u003c\/li\u003e\n\u003cli\u003eBrand new feature length audio commentary for Nude In Charcoal by film historian and novelist Tim Lucas\u003c\/li\u003e\n\u003cli\u003eArchival video interview with producer Arthur Morowitz (2013) - never before seen\u003c\/li\u003e\n\u003cli\u003eArchival video interview with film historian and Sarno biographer, Michael Bowen (2014) - never before seen\u003c\/li\u003e\n\u003cli\u003eHot Sequences for Nude In Charcoal\u003c\/li\u003e\n\u003cli\u003eScript on Screen featurette for The Bed And How To Make It\u003c\/li\u003e\n\u003cli\u003eOpening Title Card featurette for The Bed And How To Make It\u003c\/li\u003e\n\u003cli\u003ePhoto Image Gallery\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e40 page perfect bound book with writing by film historian\/Sarno biographer Michael Bowen \u003cem data-mce-fragment=\"1\"\u003e(\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003eNote:\u003c\/span\u003e only included with the slipcase edition)\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e52 page manuscript booklet with introduction by film historian\/novelist Tim Lucas\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uQ3b33H-6a4?si=bOaQWwATtw-BbqEL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Distribpix","offers":[{"title":"Limited Edition Slipcase","offer_id":41069683343402,"sku":"DPIX-002 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41069683376170,"sku":"DPIX-002","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/nudeincharcoalboxfront.jpg?v=1762199277"},{"product_id":"six-in-paris","title":"Six in Paris","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eBeth Morris) was limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold\u003c\/strong\u003e \u003cstrong\u003eout\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eSince 1978, Icarus Films has been a leading distributor in North America of independent \u003cwbr\u003edocumentary, narrative, and experimental films from around the world and now represents a collection of over 1,000 titles. We value meeting the diverse needs of film lovers, educators, activists, and service providers, as well as challenging audiences, and programmers, with original creative films. Icarus Films is proud to be active in traditional and new media, and to work with new talent as well as old masters.\u003c\/wbr\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eIn 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\"Saint Germain des Prés\" by Jean Douchet\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\"Gare du Nord\" by Jean Rouch\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\"Rue Saint Denis\" by Jean-Daniel Pollet\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\"Place de l'Étoile\" by Éric Rohmer\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\"Montparnasse et Levallois\" by Jean-Luc Godard\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\"La Muette\" by Claude Chabrol\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Claude Chabrol, Jean Douchet, Jean-Luc Godard, Jean-Daniel Pollet, Eric Rohmer and Jean Rouch\u003cbr\u003estarring: Jean-Pierre Andréani, Stéphane Audran, Nadine Ballot\u003cbr\u003e1965 \/ 96 min \/ 1.33:1 \/ French DTS HD-MA 2.0 Dual Mono\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\" 1965 interviews with Barbet Schroeder, Jean Rouch and Éric Rohmer. Originally aired on Swiss TV.\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\" 1965 interviews with Barbet Schroeder, Jean Rouch and Éric Rohmer. Originally aired on Swiss TV.\"}' data-sheets-root=\"1\"\u003e1965 interviews with Barbet Schroeder, Jean Rouch and Éric Rohmer o\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\" 1965 interviews with Barbet Schroeder, Jean Rouch and Éric Rohmer. Originally aired on Swiss TV.\"}' data-sheets-root=\"1\"\u003eriginally aired on Swiss TV\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends and asked them to each make a short film about a Parisian neighborhood. The resulting films were shot quickly, with low budgets, improvised takes and live sound. According to the Chicago Reader, “the Rouch, Chabrol, and Rohmer segments shouldn’t be missed,” and The New Yorker says Rouch’s film is “one of the greatest short films ever made.” Gorgeously restored in 2K, these six vignettes offer captivating and varied glimpses of the City of Lights:\\n\\n\\\u0026quot;Saint Germain des Prés\\\u0026quot; by Jean Douchet\\n\\\u0026quot;Gare du Nord\\\u0026quot; by Jean Rouch\\n\\\u0026quot;Rue Saint Denis\\\u0026quot; by Jean-Daniel Pollet\\n\\\u0026quot;Place de l'Étoile\\\u0026quot; by Éric Rohmer\\n\\\u0026quot;Montparnasse et Levallois\\\u0026quot; by Jean-Luc Godard\\n\\\u0026quot;La Muette\\\u0026quot; by Claude Chabrol\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\" 1965 interviews with Barbet Schroeder, Jean Rouch and Éric Rohmer. Originally aired on Swiss TV.\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Icarus Films","offers":[{"title":"Limited Edition Slipcover","offer_id":41709950435370,"sku":"IC001 SLIP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":41709950468138,"sku":"IC001","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/sixinparisslipfront.jpg?v=1762199349"},{"product_id":"the-bitter-ash","title":"The Bitter Ash","description":"\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover is limited to \u003cb\u003e2,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/i\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\"Larry Kent was a heroic figure for me... I loved him on the spot.\" – David Cronenberg\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003eWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003eMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 4K from the 35mm fine-grain master positive by Films We Like \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky \\n• Archival audio commentary featuring writer-star Don McKellar and producer Colin Brunton \\n• Rebel Cinema (2024, 29 min.) – New interview with McKellar \\n• Ready for the Ride (2024, 23 min.) – New interview with star Valerie Buhagiar \\n• Rock n’ Road (2024, 28 min.) – New interview with Brunton \\n• Lyrical Surrealism (2024, 22 min.) - New interview with cinematographer Miroslaw Baszak \\n• Interview with Bruce McDonald (2018, 37 min.) – A career-spanning interview with director Bruce McDonald \\n• On Screen! (2006, 48 min.) - Documentary about the making of Roadkill \\n• Theatrical trailer \\n• Booklet featuring a new interview with former TIFF senior programmer Steve Gravestock \\n• Reversible cover artwork \\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003edirected by: Larry Kent\u003cbr\u003estarring: Alan Scarfe, Lynn Stewart, Philip Brown, Diane Griffith, Lee Mackenzie, Larry Kent, Leo Burdak, Brian Belfont, Joceline Thompson, Douglas Reid, Barbara Dalquist, John Brighton, Sharon Bunce, Mitzi Hurd\u003cbr\u003e1963 \/ 80 min \/ 1.37:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNewly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNew audio commentary featuring filmmaker and historian Stephen Broomer\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eArchival audio commentary featuring director Larry Kent and film professor David Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNew introduction to The Bitter Ash by Kent\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eVancouver Memories (2024, 11 min.) – New interview with Kent\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eFrom the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eAfter Ash (2024, 13 min.) – Scarfe reflects on his body of work\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eAn Authentic Beat Film (2024, 22 min.) – New interview with Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eFantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eHastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNew introduction to Hastings Street by Kent\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eSilent version of Hastings Street (2003, 26 min.)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eArchival audio interview with Kent (1964, 18 min.)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eBooklet featuring an essay by Brett Enemark\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eReversible cover artwork\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring filmmaker and historian Stephen Broomer\\n• Archival audio commentary featuring director Larry Kent and film professor David Douglas\\n• New introduction to The Bitter Ash by Kent\\n• Vancouver Memories (2024, 11 min.) – New interview with Kent\\n• From the Outside In (2024, 13 min.) – New interview with star Alan Scarfe\\n• After Ash (2024, 13 min.) – Scarfe reflects on his body of work\\n• An Authentic Beat Film (2024, 22 min.) – New interview with Douglas\\n• Fantasia Q\u0026amp;A (2023, 30 min.) – Post-screening discussion featuring Kent, Scarfe, and Douglas\\n• Hastings Street (2007, 20 min.) – Kent and Scarfe’s first film, shot in 1962 and completed 45 years later\\n• New introduction to Hastings Street by Kent\\n• Silent version of Hastings Street (2003, 26 min.)\\n• Archival audio interview with Kent (1964, 18 min.)\\n• Booklet featuring an essay by Brett Enemark\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/PH86p-cnytg?si=kEJifYJAfsPvYtFj\" title=\"YouTube video 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Canadian International Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":41830478381098,"sku":"CIP-027 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41830478413866,"sku":"CIP-027","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/the_bitter_ash_slip_front.jpg?v=1762199367"},{"product_id":"reptilicus","title":"Reptilicus","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThis listing is for the standard edition 3-disc 4k UHD\/Blu-ray release. The limited edition slipcase + slipcover combo (designed by Matt Frank) was limited to \u003cstrong\u003e6,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e. The two versions are identical, aside from the packaging.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eA group of mining engineers prospecting for copper in the mountains of Lapland make an incredible discovery when their drilling unearths the remains of a giant, prehistoric amphibious reptile. A section of the creature’s tail is exhumed from beneath the frozen tundra and transported to the National Aquarium in Copenhagen, where it’s placed in a cold room to be studied by Professor Otto Martens and his research team. But when the door to the room is accidentally left ajar, the tail segment begins to thaw, quickly regenerating itself into a gigantic beast! Now loose and embarking on a cross-country rampage, the military are forced to employ all means necessary to rout the creature - now dubbed “Reptilicus” - before it launches a full-scale attack on the capital.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eA Danish-American co-production, REPTILICUS is a delirious creature feature which serves as the Scandinavian answer to Godzilla, complete with astonishing scenes of its titular monster causing carnage in Copenhagen. Filmed in both Danish and English language versions, directed by Poul Bang and Sidney W. Pink (Journey to the Seventh Planet) respectively, REPTILICUS features a nearly identical cast to its Danish counterpart but adds in unique special effects flourishes such as the beast spewing acid saliva on its victims. The monster maniacs at Vinegar Syndrome are thrilled to regenerate REPTILICUS in a new 4K restoration from the original negative for its world UHD premiere, alongside an HD transfer of the Danish-language version - available on disc for the first time ever in the U.S. - and an array of newly-produced bonus features.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003edirected by: Sidney W. Pink, Poul Bang\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Bent Mejding, Asbjørn Andersen, Povl Wøldike, Ann Smyrner, Mimi Heinrich, Reptilicus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1961 \/ 82 min \/ 1.66:1 \/ English 1.0 Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003e3-disc Set: 4K Ultra HD \/ Region A Blu-ray x2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eIncludes the U.S. disc debut of the alternate 95-minute Danish version of REPTILICUS with newly translated English subtitles (Blu-ray only)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eCommentary track with film historian Nicolas Barbano and novelist and critic Kim Newman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003e\"Fifty Million Years Out of Time: Revisiting Reptilicus\" (32 min) - a new retrospective featuring film historian\/producer Robert Parigi and screenwriter\/film historian C. Courtney Joyner\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003e\"Pink Goes West: Life After Reptilicus\" (11 min) - an interview with filmmaker\/historian Jay Jennings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003e\"Invincible... Indestructible!\" (29 min) - illustrator, author and film historian Stephen R. Bissette on Reptilicus and its enduring legacy\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003ePromotional image gallery\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dUJW7BubKL4?si=rv801jMRzWbg80KZ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcase","offer_id":41830888996906,"sku":"VS-472 CASE","price":37.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":41830889029674,"sku":"VS-472","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/Reptilicus_P1_VS-472_48N2Q.jpg?v=1790206534"},{"product_id":"sweet-substitute","title":"Sweet Substitute","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover is limited to \u003cb\u003e2,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e“Larry Kent was very important to me. Those early films were so ahead of their time.” – Atom Egoyan\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Larry Kent\u003cbr\u003estarring: Robert Howay, Angela Gann, Carol Pastinsky, Lanny Beckman, Robert Silverman\u003cbr\u003e1964 \/ 86 min \/ 1.37:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNewly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival audio commentary featuring film professor David Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew introduction to Sweet Substitute by Larry Kent\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSweet and Sour (2024, 10 min.) – New interview with Kent\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNot Quite Liberated (2024, 17 min.) – New interview with Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew audio interview with actor Lanny Beckman (2024, 6 min.)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eThe Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival audio interview with Kent (1964, 11 min.)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eReversible cover artwork\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' 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Slipcover","offer_id":41946804682794,"sku":"CIP-028 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41946804715562,"sku":"CIP-028","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/sweet_substitute_slip_front.jpg?v=1762199402"},{"product_id":"when-tomorrow-dies","title":"When Tomorrow Dies","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover is limited to \u003cb\u003e2,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cp class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\u003cspan data-sheets-root=\"1\"\u003e“A genuine cinematic gem… groundbreaking.” – Piers Handling, TIFF\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\u003cspan data-sheets-root=\"1\"\u003eFrustrated housewife Gwen James (Rabid’s Patricia Gage) feels like little more than a servant to her accountant husband (Strange Brew’s Douglas Campbell) and two daughters. Devoting all her time to their needs – and the demands of her cantankerous father – she feels her sense of self-worth slipping. As Gwen wrestles with increasingly despairing thoughts, she escapes into a world of glamorous fantasy and eventually finds a new sense of purpose by enrolling in a university course, where she strikes up a special bond with her young professor (American Nightmare’s Neil Dainard). But as Gwen reverts to a more youthful, carefree state, her family descends into chaos.\u003cbr\u003e\u003cbr\u003eArriving on the heels of The Bitter Ash and Sweet Substitute, When Tomorrow Dies concluded Larry’s Kent Vancouver Trilogy with a vivid new sense of style and daring. Working with a larger budget and a more seasoned crew, the director fused elements of film noir and the Hollywood melodrama to deliver a lurid – yet compassionate – investigation of the housewife psyche. Applying Kent’s preoccupation with youthful disaffection to an older generation, When Tomorrow Dies brought new depth to his approach and cemented his reputation as a maverick of Canadian independent filmmaking. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003edirected by: Larry Kent\u003cbr\u003estarring: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003ePatricia Gage, Douglas Campbell, Neil Dainard, Nikki Cole, Desmond Smiley, Francie Long, Patricia Wilson, Caroline Kennedy, Lanny Beckman\u003c\/span\u003e\u003cbr\u003e1965 \/ 89 min \/ 1.37:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew audio commentary featuring film historian and author Samm Deighan\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eArchival audio commentary featuring film professor Peter Rist\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew introduction to When Tomorrow Dies by Larry Kent\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTomorrow Lives (2024, 9 min.) – New interview with Kent\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eIndependent Evolution (2024, 18 min.) – New interview with film professor David Douglas\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan 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{mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e","brand":"Canadian International Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":42012709322794,"sku":"CIP-029 SLIP","price":28.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42012709355562,"sku":"CIP-029","price":26.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/when_tomorrow_dies_slip_front.jpg?v=1762199430"},{"product_id":"ferocious-fukasaku-two-films-by-kinji-fukasaku","title":"Ferocious Fukasaku: Two Films By Kinji Fukasaku","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp class=\"p1\"\u003eThis listing is for the standard edition Blu-ray. The limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eTony Stella) was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold\u003c\/strong\u003e \u003cstrong\u003eout\u003c\/strong\u003e. The two versions are identical, aside from the slipcover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eFounded in 2002 as one of the first-ever subscription \u003cspan class=\"il\"\u003efilm\u003c\/span\u003e services with its DVD-of-the-Month \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e Club, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e is now a North American distributor of award-winning independent and foreign \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e based in New York City. In 2015, \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e launched the reissue label \u003cspan class=\"il\"\u003eFilm\u003c\/span\u003e \u003cspan class=\"il\"\u003eMovement\u003c\/span\u003e Classics featuring new restorations released theatrically as well as on home video, with an emphasis on \u003cspan class=\"il\"\u003efilms\u003c\/span\u003e by auteur directors such as Eric Rohmer, Peter Greenaway and Takeshi Kitano.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis thrilling two-disc set features a double dose of hyperbolic heist movie mayhem directed by the great Kinji Fukasaku (Battles Without Honor and Humanity, Battle Royale), restored to HD, and, for the first time ever, available on Blu Ray in North America. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-root=\"1\"\u003eFukasaku's 1964 breakthrough Wolves, Pigs and Men finds three brothers pitted against each other as rivals in the Yakuza underworld. Jiro, alongside his girlfriend Mizuhara, devises a scheme to rob his younger brother Sabu's gang. However, when the eldest brother Kuroki learns of this, he seeks to conspire against them to take it all for himself in a treacherous nightmare of unbridled violence. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWhile lesser known, 1976’s Violent Panic: The Big Crash wreaks havoc across the streets of Japan with stylishly nihilistic aplomb. After expert bank-robber Takashi's big job is foiled, he goes on the lam. Trailed by the police, his lover, his partner-in-crime’s brother, and countless others, Takashi becomes the target of a manhunt filled with twists, double-crosses, and explosive action that gives the 70’s car chase genre a run for its money.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eKinji Fukasaku\u003c\/span\u003e\u003cbr\u003estarring: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eTsunehiko Watase, Miki Sugimoto, Yayoi Watanabe, Ken Takakura, Rentarô Mikuni, Kin'ya Kitaôji\u003c\/span\u003e\u003cbr\u003e1964, 1976 \/ 174 min (combined) \/ 2.39:1 \/ Japanese DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eRegion A 2-disc Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e16 page booklet with New essay by film critic Kenji Fujishima\u003c\/li\u003e\n\u003cli\u003eWolves, Pigs and Men:\n\u003cul\u003e\n\u003cli\u003eAudio commentary by Japanese cinema expert Jasper Sharp\u003c\/li\u003e\n\u003cli\u003eInterview with Fukasaku biographer Sadao Yamane\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eInterview with co-screenwriter Junya Sato\u003c\/li\u003e\n\u003cli\u003eInterview with Producer Tatsu Yoshida\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eViolent Panic: The Big Crash:\n\u003cul\u003e\n\u003cli\u003eAudio commentary by Japanese cinema expert Jasper Sharp\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFast, Furious, Fukasaku video essay by Tokyoscope author Patrick Macias\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement Classics","offers":[{"title":"Limited Edition Slipcover","offer_id":42019242442794,"sku":"FMC-003 SLIP","price":32.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":42019242475562,"sku":"FMC-003","price":30.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/files\/kanji_fukasaku_slip_front.jpg?v=1762199441"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/3025\/4180\/collections\/1960s.png?v=1787778448","url":"https:\/\/vinegarsyndrome.com\/collections\/1960s-films.oembed?page=3","provider":"Vinegar Syndrome","version":"1.0","type":"link"}